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Tyrannyofdocs Fulltext THEATRE LIBRARY ASSOCIATION Founded in 1937, Theatre Library Association supports librarians and archivists affiliated with theatre, dance, performance studies, popular enter- tainment, motion picture and broadcasting collections. TLA promotes profes- sional best practices in acquisition, organization, access and preservation of performing arts resources in libraries, archives, museums, private collections, and the digital environment. By producing publications, conferences, panels, and public events, TLA fosters creative and ethical use of performing arts ma- terials to enhance research, live performance, and scholarly communication. Theatre Library Association meets annually to conduct its business in the fall of each year. It presents a plenary and related programming during the annual meeting of the American Society for Theatre Research, and fre- quently cooperates with other professional and scholarly organizations in the sponsorship of symposia, events, and publications. Theatre Library Association publishes BROADSIDE, an online newsletter, and Performing Arts Resources, a monograph series, as well as conference com- pendia. It is governed by a constitution which provides for officers and an execu- tive board of directors elected by the membership. OFFICERS AND BOARD MEMBERS, 2011 Kenneth Schlesinger, President Diana King Lehman College/CUNY University of California, Los Angeles Nancy Friedland, Vice President Stephen Kuehler Columbia University Harvard University David Nochimson, Executive Francesca Marini Secretary Stratford Shakespeare Festival The New York Public Library Karen Nickeson Colleen Reilly, Treasurer, The New York Public Library for the Slippery Rock University Performing Arts Susan Brady Brook Stowe Yale University Long Island University, Brooklyn Campus John Calhoun The New York Public Library for the Angela Weaver Performing Arts University of Washington Charlotte Cubbage Sarah Zimmerman Northwestern University Chicago Public Library Phyllis Dircks EX OFFICIO Long Island University Marti LoMonaco, Immediate Past President John Frick Georgia Harper, Legal Counsel University of Virgina John Wagstaff, Listserv Coordinator Stephen Johnson Marian Seldes, Honorary Member University of Toronto Louis Rachow, Honorary Member/TLA Historian Beth Kattelman The Ohio State University THE THEATRE LIBRARY ASSOCIATION BOOK AWARDS Two awards are presented annually for books of unusual merit and distinc- tion in the fields served by the Association. The George Freedley Award, established in 1968, honors work in the field of theatre published in the United States. Only books with subjects related to live performance will be considered. They may be biography, history, or crit- icism. The Richard Wall Award, established in 1973, honors work published in the United States in the field of recorded performance, which includes mo- tion pictures, radio, and television. Formerly known as the Theatre Library Association Award, the prize was renamed in 2010 to honor the memory of the late Richard Wall, longtime TLA member and Book Awards Chair. Works ineligible for both awards are: textbooks; anthologies; collections of essays previously published in other sources; reprints; works on dance, ballet, and opera; plays and similar dramatic works. Translations of signifi- cant works, other than play texts, will be considered. Entries will be judged on the basis of scholarship, readability, and general contribution of knowl- edge to the field. No galley sheets or proofs will be accepted. Books nomi- nated for awards must be published in the calendar year prior to the presentation of the awards. Authors, publishers, and members of Theatre Library Association are in- vited to submit nominations for these awards. For more information, visit: http://www.tla-online.org/awards/bookawards.html Performing Arts Resources, the monograph series of Theatre Library Associa- tion, is designed to gather and disseminate scholarly articles dealing with the location of resource materials related to theatre, film, television, radio, and popular entertainments; descriptions, listings or evaluations of such collec- tions, whether public or private; and monographs of previously unpublished original material. Volumes have focused on historical periods, performance genres, and professional issues in archives and libraries. Performing Arts Resources is managed by the Publications Committee of the Theatre Library Association. Guest editors share the responsibility for single subject volumes and monographs. We invite all readers to submit proposals for issues or for individual articles. Calls for proposals and the subjects of fu- ture single volumes of Performing Arts Resources will be announced on the TLA web site: http://www.tla-online.org/ PERFORMING ARTS RESOURCES VOLUME TWENTY-EIGHT A Tyranny of Documents: The Performing Arts Historian as Film Noir Detective Essays Dedicated to Brooks McNamara Edited by Stephen Johnson Published by the Theatre Library Association Published by Theatre Library Association Copyright 2011 by Theatre Library Association Headquarters: c/o The New York Public Library for the Performing Arts, 40 Lincoln Center Plaza, New York, New York 10023 Website: http://www.tla-online.org/ Membership dues: $30 personal; $20 students/non-salaried; $40 institutional The articles in this volume have been copyrighted by their authors. The Library of Congress catalogued this serial as follows: Performing Arts Resources Vols. for 1974—issued by the Theatre Library Association ISSN 03603814 1. Performing arts—Library resources—United States—Periodicals I. Theatre Library Association Z6935.P46 016.7902’08 75–646287 ISBN 978-0-932610-24-9. Theatre Library Association has been granted permission to reproduce all illustrations in this volume. Front cover image: For credit information on the collage imagery, see the full illustrations in this volume on pp 16, 33, 102, 111, 129, 187, 196, 210, 218, 254 Cover and page design: Sans Serif, Saline, Michigan Printed by McNaughton and Gunn, Saline Michigan Manufactured in the United States of America This serial is printed on acid-free paper. CONTENTS Introduction Stephen Johnson 1 Foreword—Brooks McNamara: Master of the Archive, or What Really Matters Don B. Wilmeth 6 “Bands of Up to a Hundred Skomorokhi”: Rethinking Stoglav 41:19 John Wesley Hill 14 The Document: A passage from Stoglav (Resolutions of the Moscow Council of 1551), ms copy of a widely disseminated text, in the Archive of the Holy Trinity-St. Sergius Lavra. Who Was Robert Triplupart L’andouiller? Or, An Actors’ Quarrel in Late Sixteenth-Century Paris Virginia Scott 23 The Documents: Pamphlets marking a quarrel between two comic performers in late sixteenth century Paris, including “La Duplique faite pour le seigneur Arlequin” (1585). Bibliothèque Nationale de France. Additional Imagery: “Agnan à la laide trogne et sa troupe,” an oil painting in the collections of the Comédie-Française. Pursuing Hollar’s Sketch of the Second Globe Playhouse Tim Fitzpatrick 32 The Document: Wenceslaus Hollar, “A View from St Mary’s, Southwark, Looking towards Westminster” (c. 1638). Yale Center for British Art, Paul Mellon Collection. Pointless Clues? Reviving Declamation Through the Punctuation of Jean Racine’s Phèdre et Hippolyte (Paris: Barbin, 1677) Jeanne Bovet 40 The Document: The 1677 printed text of Racine’s play. Bibliothèque nationale de France. Choreography And Cholera: The Extended Life of Dance Notation Nena Couch 49 The Documents: The bound notations of the dances of Anthony L’Abbé, published by Edmund Pemberton between 1715 and 1731, with 18th/19th century marginalia. Harvard Theatre Collection, Houghton Library. Le Bordel and L’Art De F*****: Confounding Clues on Title Pages Daniel Smith 57 The Documents: The title pages from Le Bordel and L’Art de F***** (ca. 1747). Bibliothèque de l’Arsenal, Paris. Determining Whether the Cesk´˚ y Krumlov Slapstick is “Just the Thing” or “Just a Thing” Paul J. Stoesser 65 The Document: A Commedia dell’arte Batocio, mid-18th Century, in the Castle Cesk´˚ y Krumlov, Czech Republic. A Femme Fatale of Eighteenth-Century American Theatre Research: Reading William Bradford’s Cato Letter Mark Evans Bryan 75 The Document: A letter from William Bradford, Jr. to Rachel Bradford, dated 14 May 1778, describing a production of Addison’s Cato for George Washington. Historical Society of Pennsylvania. Clues in the Caricature: The Case of “The Prospect Before Us” Annette Fern 85 The Document: “The Prospect Before Us” (1791), a caricature by Thomas Rowlandson concerning the Pantheon opera company. Additional Imagery: Rowlandson’s companion print of the opera company at the Haymarket. Harvard Theatre Collection, Houghton Library. Portrait of a Lady Hamlet Amy Muse 93 The Document: [Thomas Baxter], Watercolor sketch of “Mrs. Powell and Mrs. Ansell, ‘Here is your husband’” (1802). Folger Shakespeare Library. John B. Gough’s Afternoon at the Theatre; or, the Tyranny of an Account Book Amy E. Hughes 101 The Document: An entry in John B. Gough’s personal account book, indicating he purchased “tickets to museum” in March 1844. American Antiquarian Society. viii ContentsContent Lost! Or, What To Do When Your Principal Primary Document is Missing John W. Frick 110 The Document: The non-existent script for Hot Corn. Imagery: Broadside, National Theatre, New York, 1854. Harvard Theatre Collection, Houghton Library. Barnum’s Last Laugh? General Tom Thumb’s Wedding Cake in the Library of Congress Marlis Schweitzer 116 The Document: A piece of wedding
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