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Press Release / Bio - World-class violinist. Actress. Author. Fashion Icon. Famously Bipolar. The list goes on, but one thing is certain: We're talking about Emilie Autumn With appearances on Leno and Letterman as part of Courtney Love's band, glossy magazine covers throughout the world, and guest spots on albums by such artists as Love, Otep, Billy Corgan, and TV's "Metalocalypse", not to mention her starring role in the film phenomenon that is Darren Lynn Bousman's "The Devil's Carnival" under her corset strings, Emilie Autumn's devilishly dark lyrics, metal-shredding violin solos, and industrial strength voice reinvent "gothic" for the masses. More akin to a Broadway musical than a standard rock performance, the Los Angeles-born starlet's highly theatrical show is a sexy circus of glam-rock burlesque, backed by scantily-clad female performers known to her devoted fans as the Bloody Crumpets. Featuring EA's signature electric violin pyrotechnics, heartbreakingly lush orchestrations, hardcore beats, and menacing lyrics growled Title: Fight Like A Girl with enough intensity to make yoru hair stand on end, the Release Date: 24-Jul-12 resulting noise is a harpsichord-heavy romp through Victorian asylums where screaming is allowed and girls Track List: always get revenge. 1. Fight Like A Girl With the release of her latest album "Fight Like A Girl", 2. Time For Tea Emilie Autumn pulls her listeners ever deeper into the realm 3. 4 o'Clock Reprise of "The Asylum for Wayward Victorian Girls", a fantastical 4. What Will I Remember? alternate reality described in her literary work, an illustrated 5. Take The Pill novel weighing in at nearly five pounds. The title track of 6. Girls! Girls! Girls! the album, "Fight Like A Girl", kicks off the adventure with 7. I Don't Understand an anthem for the underdog, calling upon women to realize 8. We Want Them Young they are in fact 51% of the population, and to take back 9. If I Burn their power. From there, the struggle of insane asylum 10. Scavenger inmates is enacted with Emilie taking on the the voices of 11. Gaslight varying characters, ending in the ultimate fight to the death 12. The Key and the encouraging and universal message of what it takes 13. Hell Is Empty to transform from victim to victorious. Part musical theatre, 14. Gaslight Reprise part industrial rock, part historical horror story, this album 15. Goodnight, Sweet Ladies will take you on a roller coaster rid you won't want to end, 16. Start Another Story but most of all, whether you're a girl or not, it will leave you 17. One Foot In Front Of The Other empowered. "Fight Like A Girl", which is best listened to in order of the track listing, is the soundtrack to a movie that Genre: Rock Industrial hasn't been made yet, but rest assured, it will be. You don't For Fans Of: Queen, Marilyn Manson have to be a girl to fight like one, as EA proves is definitely Nine Inch Nails not a bad thing. Management / Press / Booking Inquiries: Contact Melissa King Company 3 Phase Production, Inc Email [email protected] Phone +1 941 705 5463.

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Shakespeare Newsletter
Do you have five minutes, even three? That’s all you need to read one article in this newsletter. If you like it, there’s more, read on. If ways that Bill still matters not, well you get the idea what we’re up to here. an occasional newsletter, Fall 2012 Incorporating Friends into Shakespeare By Blair Warner Shakespeare. The greatest playwright ever, whom many fear, including myself. But I am here to tell you that Bill is not so bad. Reading Shakespeare is less dif- ficult if you think of the plays as people you know. Not the plays, of course, but the characters in the plays. Just envision people that you know as you read the scenes—pretend they are the ones on stage. It might sound silly, but it really helped me while reading Taming of the Shrew. I imagined one of my close friends Ashley playing the role of Bianca and her younger sister Nicole playing the role of Katherina. Both sisters have personalities that can be compared to the two sisters in the play. Ashley, who is soft-spoken at times, is very nice and peaceful, like Bianca. She gets along with everyone that she meets. Nicole is much more like Katherina. She is strong-willed, says whatever happens to be on her mind, and at times can be angry. People tend to be intimidated by her mannerisms. Just like Kate in Taming. Imagining the similarities between these pairs of sisters as I read made me laugh at times, enjoying Taming more and more as I read.
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November 2009)
28 - Sports The Patriot - W.T.H.S. February, 2010 Running in the Family The Patriot Washington Township High School, Twp. Track finds success with siblings Vol. XV, Issue 4 529 Hurffville-Cross Keys Road, Sewell, NJ February 2010 The Tiernans Kevin Whitehead ‘10 Raise the Roof The Tiernan family has bred success on the Windstorm damage causes evacuation, cancellation track. For the past four years there has been at least one Tiernan sibling running for Washington Kevin Whitehead ‘10 Twp. They have not disappointed. They first broke in when Ryan Tiernan ’09 One of the more bizarre joined in 2006. Then followed Christian ’11, incidents in WTHS history took Nicole ’12, and Megan ’12. They have sparked place as wind swept across the high a tradition within the family. school campus on Jan. 25. With Each sibling motivates each other to do well. temperatures flirting with freezing Even friendly rivalries have emerged to create a levels and straight line winds of 37 fire burning in each runner to do well. When miles per hour, the 9/10 Wing’s L- they toe the line, they are not only competing Pod roof broke from its binding. with those on the track, but with their own blood. The students in L-Pod found “[Nicole and Megan] definitely give me a themselves beneath a furious battle motivation because their times are pretty close between Mother Nature and the 20 KEVIN WHITEHEAD ‘10/The Patriot year old roof. to mine,” Christian said. “I just want to get the The Tiernan family have been running track since 2006, with eldest brother Ryan ‘09.
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Rage in Eden Records, Po Box 17, 78-210 Bialogard 2, Poland [email protected]
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Il Libro Del Mese 22 L’Album Del Mese 23 Il Film Del Mese
@Forumlibri 2012 © www.forumlibri.com Tutti i diritti riservati 1 IN REDAZIONE 24 Le ricette del mese Direttore editoriale 26 Il Santo Bevitore Germano Dalcielo 27 La Posta del Cuore 29 Nel mondo dei sogni Giornalisti & Inviati 32 L’Oroscopo del mese Ayuthaya Elisa 35 L’angolo del relax Francesca Giovaneholden Ila78 Lin Nerst 3 Archeoattualità Polvere di stelle 8 Il mare Shoofly 12 Confessioni di un elettrone: Capitolo II Sopraesistito Ugly Betty 15 Il viaggio del mese: India ValentinaBellucci Velmez 19 Il libro del mese 22 L’album del mese 23 Il film del mese 2 Archeoattualità di Shoofly & Giovaneholden Pubblicità e insegne nell’antica Roma (prima parte) In latino signum, insigne e titulus definivano tutto ciò che rientrava nella classe delle insegne intese in senso generale. Un passo di Quintiliano ricorda che a Roma “c’erano delle botteghe attorno al Fo- ro con esposto uno scudo ... per insegna” decorato con l'immagine dipinta di un Gallo.1 Ignoriamo che tipo di botteghe fossero ma, da quanto aveva già scritto Cicerone, sappiamo che questo “pictus Gallus in Mariano scuto Cimbrico” (uno scudo sottratto ai Cimbri come preda bellica) doveva essere un’immagine di sicuro effetto sui passanti: distortus eiecta lingua buccis fluentibus, cioè “mo- struoso per la lingua di fuori e le guance cadenti”.2 Questi “signa” rappresentavano quindi delle insegne figurate dove immagini e simboli svolgevano il ruolo più importante rispetto al testo scritto che occasionalmente le accompagnava. Il più delle volte erano le merci stesse a fare da insegna, esposte bene in vista fuori della bottega. Lo confermano, ol- tre ai numerosi dati archeologici, soprattutto i rilievi che raffigurano artigiani e venditori nel pro- prio ambiente di lavoro, circondati dagli attrezzi e dagli oggetti prodotti o commercializzati.
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The Devil's Carnival
For Immediate Release March 19th, 2012 THE DEVIL’S CARNIVAL: Experience the Exclusive, Brand New Film Trailer Now at TheDevilsCarnival.com TICKETS ON SALE NOW AT HTTP://THEDEVILSCARNIVALTOUR.EVENTBRITE.COM/ One Hell of a Cinematic Experience Coming Exclusively to Select Theaters Nationwide – NEW THEATERS ADDED!!! View exclusive individual show flyers at http://thedevilscarnival.com/army.html. The fans have spoken and The Devil himself is listening. After last week’s announcement of the US tour, fans around the country have been reaching out to the filmmakers to add more dates and locations. "It's been a crazy week, we have received thousands of requests from interested fans around the globe wanting to see the film in their local cities. From Facebook to Twitter, to our own Devil's Carnival message boards, even my phone has been blowing up with people asking if we are going to make it in their own town. So in response, we’ve added six new cities to the tour," says director Darren Lynn Bousman. "We’ve always intended on going to New York City on this tour, but we are now doing two shows there!” THE DEVIL'S CARNIVAL expands the tour by adding several more cities to the nationwide tour that kicks off in Los Angeles in April 5th and triumphantly ends in Sacramento, CA on May 11th. See below for all CONFIRMED cities and theaters showing THE DEVIL’S CARNIVAL. NEW DATES IN BOLD! 4/5 – Los Angeles, CA @ Laemmle Royal Theatre 4/6 – Anaheim, CA @ The Ultraluxe Theater 4/7 – San Diego, CA @ Gaslamp Theater 4/8 – Scottsdale, AZ @ Scottsdale Ultrastar
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About Emilie Autumn
Title: “The Asylum for Wayward Victorian Girls” Author: Emilie Autumn Category: Autobiography, Fiction, Psychology "ASYLUM..." BOOK PROMO TEXT: Straddling the bookshelves somewhere between psychological study, historical horror story, and fantasy fiction sits Emilie Autumn's autobiographical novel debut, "The Asylum for Wayward Victorian Girls." Written and illustrated by the notoriously manic-depressive rock star, "The Asylum..." combines humor, tragedy, and suspense, and is a chilling account of the horrors of life inside the insane asylum, comparing those from the Victorian era with our modern day version, and proving, through her own personal experiences, that not much has changed from then to now. Culled directly from Emilie Autumn's real-life diary entries, the story begins with Emilie's suicide attempt and prompt imprisonment inside a Los Angeles psychiatric hospital. Sparing no detail, Emilie shows us exactly what goes on inside this house of horrors, exposing secrets that the general public could never have guessed at. Narrated with the sarcastic and self-deprecating humor present in all of Emilie Autumn's works, much of the subject matter may be considered controversial by many. Still, as in her song lyrics, Emilie tells the truth at all costs, thrusting the brave reader into a play-by- play narrative of her bi-polar episodes, and even providing photos of her self-mutilated thighs and largely naked body, blood, cuts, and all. The story takes an unexpected turn when, whilst still in the psych ward, Emilie discovers evidence of a parallel dimension in the form of letters from her Victorian counterpart and fellow violinist, "Emily with a 'Y'." Imprisoned inside a 19th century version of the psychiatric hospital known as "The Asylum for Wayward Victorian Girls," the Victorian Emily documents the torture, medical experimentation, and general inhumanity inflicted upon the Asylum's inmates by the evil and terrifyingly Hitler-esque superintendent, Dr.
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Records O. the Year
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Emilie Autumn's Burlesque Performance of Subcultural Neo
‘Victoriana’s Secret’: Emilie Autumn’s Burlesque Performance of Subcultural Neo-Victorianism Eckart Voigts (TU Braunschweig, Germany) Abstract: This article discusses the neo-Victorian transmedia performance of Emilie Autumn, in the light of the “disproportionate attention” given to sensationalist tropes in feminist and queer criticism (Kohlke and Gutleben 2010: 23). Her burlesque performance may, on the one hand, be criticised as commodified neo-Victorianism, but, on the other hand, it can be seen as disturbing the bland heritage formulae still governing many neo-Victorian adaptations. Autumn comes in various guises that give rise to a plethora of fan engagement and foster controversy and publicity, such as her autobiographical neo-Victorian novel, An Asylum for Wayward Victorian Girls (2009), her music albums, such as Enchant (2003), Opheliac (2006) or Fight Like a Girl (2012), songs (‘Miss Lucy Had Some Leeches’), poems and performances and tours in the USA and Europe. Addressing Autumn as an example of ‘performative’ neo-Victorianism, this article asks the same question that Christine Ferguson has posed with reference to steampunk subcultures: should her transmedia personae be described as an apolitical surface style or is there any substantial subcultural commitment in her contemporary adaptations of Victorianism? Keywords: Emilie Autumn, burlesque, feminism, Gothic, post-feminism, ‘sexsation’, steampunk, subculture, transgression, medicine. ***** Women incarcerated by malevolent patriarchs, locked up as lunatics by malicious doctors, hidden away as madwomen in attics or at least suffering from hysteria in upstairs rooms – these are the clichés of sensationalist neo- Victorian femininity. Through sensation fiction, Gothic villains have made their way into countless neo-Victorian narratives, and rebellious women, repressed in their political as well as in their sexual expression, seem to be locked in a perennial battle with the Victorian patriarchy.
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Terry Harper Presents PO Box 32083 Louisville KY 40232
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Meet the Stars and Minds Behind the DEVIL's CARNIVAL!
For Immediate Release April 6th, 2012 Meet the Stars and Minds behind THE DEVIL’S CARNIVAL! Stars Appearing on the Exclusive Road Tour Revealed TICKETS ON SALE NOW AT HTTP://THEDEVILSCARNIVALTOUR.EVENTBRITE.COM/ Do you want to meet the stars and minds behind the new musical movie sensation, THE DEVIL’S CARNIVAL, face-to-face? Now is your chance! THE DEVIL’S CARNIVAL team recently confirmed the list of cast and crew appearing on each date of this exclusive road tour and are now revealing this list to the world! The creators of the film, director Darren Lynn Bousman and Terrance Zdunich (Lucifer), are scheduled to appear at each tour stop and will be joined at several exclusive showings by numerous stars of the film. The stars will participate in meet & greets, Q&A forums, sing-a-longs, and more! See below for a list of the cast and crew currently confirmed to appear on the tour and stay tuned for more appearance confirmations for the remainder of the tour coming soon. ***Stars CONFIRMED to join THE DEVIL’S CARNIVAL creators Darren Lynn Bousman and Terrance Zdunich on the tour are: ANAHEIM, CA M. Shawn "Clown" Crahan of Slipknot Marc Senter SAN DIEGO, CA M. Shawn "Clown" Crahan Bill Moseley EL PASO, TX Hannah Minx HOUSTON, TX Hannah Minx AUSTIN, TX Hannah Minx DALLAS, TX Hannah Minx NASHVILLE, TN J LaRose ATLANTA, GA J LaRose ORLANDO, FL J LaRose TAMPA, FL Ivan Moody of Five Finger Death Punch CHARLOTTE, NC Ivan Moody RICHMOND, VA Ivan Moody J LaRose PITTSBURGH, PA Briana Evigan BALTIMORE, MD Briana Evigan NEW YORK CITY, NY Briana Evigan CHICAGO, IL Emilie Autumn DES MOINES, IA Emilie Autumn M.
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Wall • Rchsjournalism.Wordpress.Com Written By: Joseph Arcinas
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November 2009 | Eujacksonville.Com Contents 22
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