Can We Close the Justice Gap? Taking Stock and Taking Action from the Dean
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Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
Winter/Spring 2020 Calendar
WINTER/SPRING 2020 DIRECTORS MESSAGE As the calendar turns over from 2019 to 2020, never This season we also highlight UCLA’s Centennial has the Hammer’s imperative “to build a more just with a special exhibition that is the result of a world” felt more urgent. In the aftermath of the collaboration across disciplines at the university. impeachment hearings, the presidential election Inside the Mask highlights extraordinary objects lies ahead and the global climate crisis is upon us. from the collection of the Fowler Museum and is Holding firm to facts, actively participating in the co-organized by acclaimed theater director and democratic process, and taking action are critical UCLA professor Peter Sellars, and Hammer curator for all of us in 2020. I am proud of the programs and Allegra Pesenti. exhibitions here at the Hammer that bring clarity, As we head into the new year, I am pleased to perspective, and purpose to our understanding of welcome Larry Jackson, global creative director the many issues we all face. of Apple Music, to our Board of Directors; as well To that end, I am honored to say that the Hammer as two new members of our Board of Overseers, art will be a voting center in the Democratic primaries. collector and philanthropist Carla Emil and cohead Larry Jackson As you may have read, the process for voting in of the Motion Picture Group at Creative Artists California has changed: regardless of where you live Agency and collector Joel Lubin. Larry, Carla, and in Los Angeles, you can vote at any voting center— Joel will join our other board members to guide the polls will be open over multiple days. -
Tamwag Fawf000053 Lo.Pdf
A LETTER FROM AMERICA By Pam Flett- WILL be interested in hearing what you think of Roosevelt’s foreign policy. When he made the speech at Chicago, I was startled and yet tremendously thrilled. It certainly looks as if something will have to be done to stop Hitler and Mussolini. But I wonder what is behind Roosevelt's speech. What does he plan to do? And when you get right down to it, what can we do? It’s easy to say “Keep out of War,” but how to keep out? TREAD in THE FIGHT that the ‘American League is coming out with a pamphlet by Harty F. Ward on this subject—Neutrality llready and an American sent in Peace my order. Policy. You I’ve know you can hardly believe anything the newspapers print these days_and I’m depending gare end ors on hare caer Phiets. For instance, David said, hational, when we that read i¢ The was Fascist_Inter- far-fetched and overdone. But the laugh’s for on him, everything if you can that laugh pamphlet at it- Fe dered nigiae th fact, the pamphiot is more up- iendalainow than Fodey'eipener eso YOUR NEXT YEAR IN ART BUT I have several of the American League pamphlets—Women, War and Fascism, Youth Demands WE'VE stolen a leaf from the almanac, which not only tells you what day it is but gives you Peace, A Blueprint for Fascism advice on the conduct of life. Not that our 1938 calendar carries instructions on planting-time (exposing the Industrial Mobiliza- tion Plan)—and I’m also getting But every month of it does carry an illustration that calls you to the struggle for Democracy and Why Fascism Leads to War and peace, that pictures your fellow fighters, and tha gives you a moment’s pleasure A Program Against War and Fascism. -
Abstract Violence and Heteronormativity in Gay
ABSTRACT VIOLENCE AND HETERONORMATIVITY IN GAY-THEMED FILMS Anna-Marie Malley, M.A. Department of Sociology Northern Illinois University, 2017 Kerry O. Ferris, Director Drawing from a sample of 15 “gay/lesbian”-themed films shown in theaters in the U.S. between 1980 to 2016, a qualitative analysis was conducted of the film narratives, looking at the co-constructions of queer (LGBTQ) identity and violence. Films were selected based on widest theatrical release within the genre list “Gay/Lesbian.” Both the categories of queer identity and violence were drawn broadly to incorporate both easily identifiable and “ambiguously” queer characters, as well as to account for both physical and nonphysical forms of violence. Analysis identifies plot developments of exclusion, threat, and physical forms of harm as expressions of violence and argues that to varying degrees these expressions of violence mark queer protagonists and other queer supporting characters as deviant and/or damned within their fictitious social realities. NORTHERN ILLINOIS UNIVERSITY DE KALB, ILLINOIS DECEMBER 2017 VIOLENCE AND HETERONORMATIVITY IN GAY-THEMED FILMS BY ANNA-MARIE MALLEY ©2017 Anna-Marie Malley A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS DEPARTMENT OF SOCIOLOGY Thesis Director: Kerry O. Ferris ii ACKNOWLEDGEMENTS I would like to express my gratitude to my thesis committee: Drs. Ferris, Weffer, and Walther, for their direction and insight through each step of the process. I also want to recognize other faculty, Dr. Rodgers and Dr. Sharp, who have offered advice when needed. I am also deeply grateful to my friends Ana Hernandez, Katarina McGuire, Laura Guilfoyle, Laura Kruczinski, Nabil Juklif, and Rodrigo Martinez for taking the time to read and suggest edits at various stages of the writing process. -
Casey Affleck Anna Pniowsky
CONDOR DISTRIBUTION présente une production Black Bear Pictures / Sea Change Media CASEY AFFLECK ANNA PNIOWSKY un film écrit & réalisé par CASEY AFFLECK avec la participation de ELISABETH MOSS 2019 – Couleur – 119 mn - États-Unis Matériel presse en HD sur https://www.condor-films.fr/film/light-of-my-life/ SORTIE LE 12 AOÛT 2020 DISTRIBUTION RELATIONS PRESSE Condor Distribution Bossa-Nova / Michel Burstein 11, rue de Rome – 75008 Paris 32, bd Saint-Germain - 75005 Paris Tél : 01 55 94 91 70 Tél : 01 43 26 26 26 [email protected] [email protected] www.condor-films.fr www.bossa-nova.info 1 SYNOPSIS Dans un futur proche où la population féminine a été éradiquée, un père tâche de protéger Rag, sa fille unique, miraculeusement épargnée. Dans ce monde brutal dominé par les instincts primaires, la survie passe par une stricte discipline, faite de fuite permanente et de subterfuges. Mais il le sait, son plus grand défi est ailleurs: alors que tout s'effondre, comment maintenir l'illusion d'un quotidien insouciant et préserver la complicité fusionnelle avec sa fille ? 2 NOTE D’INTENTION DU RÉALISATEUR En tant que cinéaste, je suis attiré par les histoires qui mettent en valeur notre humanité. L'histoire d'un parent dévoué par-dessus tout à son enfant en est une dans laquelle j'espère que tout un chacun pourra se retrouver. En tant que père de deux enfants, je leur ai raconté beaucoup d'histoires au moment du coucher. Chacune, bien que parfois inspirée de celle d'avant, devait être inventée de toutes pièces sous peine d’encourir la critique de leur part. -
28Th Leeds International Film Festival Presents Leeds Free Cinema Week Experience Cinema in New Ways for Free at Liff 28 from 7 - 13 November
LIFF28th 28 Leeds International Film Festival CONGRATULATIONS TO THE LEEDS INTERNATIONAL FILM FESTIVAL IN YOUR 28TH YEAR The BFI is proud to partner with Screen Yorkshire in a fantastic year for filmmaking in the region INCLUDING ‘71 GET SANTA SCREENING AT LIFF28 X + Y CATCH ME DADDY & LIFF28 OPENING NIGHT FILM TESTAMENT OF YOUTH Image: (2014) Testament of Youth James Kent Dir. bfi.org.uk/FilmFund Film Fund Ad LIFF 210x260 2014-10_FINAL 3.indd 1 27/10/2014 11:06 WELCOME From its beginnings at the wonderful, century-old Hyde Park Leeds International Film Festival is a celebration of both Picture House to its status now as a major national film event, film culture and Leeds itself, with this year more than 250 CONGRATULATIONS Leeds International Film Festival has always aimed to bring screenings, events and exhibitions hosted in 16 unique a unique and outstanding selection of global film culture locations across the city. Our venues for LIFF28 include the TO THE LEEDS INTERNATIONAL to the city for everyone to experience. This achievement main hub of Leeds Town Hall, the historic cinemas Hyde is not possible without collaborations and this year we’ve Park Picture House and Cottage Road, other city landmarks FILM FESTIVAL IN YOUR 28TH YEAR assembled our largest ever line-up of partners. From our like City Varieties, The Tetley, Left Bank, and Royal Armouries, long-term major funders the European Union and the British Vue Cinemas at The Light and the Everyman Leeds, in their Film Institute to exciting new additions among our supporting recently-completed Screen 4, and Chapel FM, the new arts The BFI is proud to partner with Screen Yorkshire organisations, including Game Republic, Infiniti, and Trinity centre for East Leeds. -
Duke Magazine Featuring Production Shot
NONPROFIT ORG. U.S. POSTAGE • DUKE MAGAZINE PAID DUKEMAGAZINE PPCO DUKE UNIVERSITY, BOX 90572 DURHAM, NORTH CAROLINA 27708-0572 SPRING 2017 COVERSTORY SPRING 2017 MAGAZINE + At the Marine Lab, and other labs across campus, DRONES and ROBOTS are taking research to new heights. What’s going on up there? With the advances made in drones and robots, are people still necessary? We explore that issue and more in our cover story. Here, graduate student Rett Newton, far right, launches a copter-style drone while fellow student researchers John Wilson, Elizabeth Mason, Julian Dale, and Nick Alcaraz look on. Go to dukemagazine.duke.edu to watch senior writer Scott Huler’s short video on drones at the Marine Lab in Beaufort, N.C. Photo by Chris Hildreth Carol Ensinger ’82, Ph.D.’88, never forgot that her chemistry education flourished under the mentorship of the late Duke professor emeritus of chemistry Pelham Wilder Jr. “Pelham believed in me,” said Ensinger. “He was the key to my success at Duke and beyond.” Named after her professor, mentor, and friend, Ensinger made April 7-9, 2017 a bequest in her will to endow a professorship in the chemistry department. Her gift will Time changes everything, except true Blue enable chemistry faculty to continue to friendships. Come back to reconnect, deliver an impactful classroom experience recapture, and recreate all of your special like she had. “I hope my gift will strengthen moments at your 2017 Duke reunion. chemistry at Duke and foster meaningful connections between students and faculty.” Your reunion begins online at: YOUR INSPIRATION IS JUST THE STARTING POINT. -
Weinstein Company and Amc Theatres Offer High School Students Opportunity to See the Imitation Game Free on March 6
WEINSTEIN COMPANY AND AMC THEATRES® OFFER HIGH SCHOOL STUDENTS OPPORTUNITY TO SEE THE IMITATION GAME FREE ON MARCH 6TH OSCAR® WINNING SCREENWRITER GRAHAM MOORE TO INTRODUCE FILM March 2, 2015 (New York, NY) – The Weinstein Company (TWC) and AMC Theatres announced today they are partnering to provide high school students nationwide with free tickets to Academy Award® winning film THE IMITATION GAME at AMC on Friday, March 6 only. The companies are offering complimentary tickets to the movie to 50,000 students, with AMC leading outreach to schools and community groups, with a special focus on high school computer classes, math and science teams and LGBT clubs being encouraged to attend at 180 theaters presenting the movie. The free high school screenings of the film at AMC will include a special taped introductory message from IMITATION GAME screenwriter Graham Moore, who was awarded last weekend with the Oscar® for Best Adapted Screenplay. Students can present their student ID at the participating AMC box office to receive a free ticket. For information on theatre locations and showtimes on Friday, March 6th, please visit: http://www.amctheatres.com/ Commented TWC Co-Chairman Harvey Weinstein: “As Graham Moore said in his brilliant speech at the Oscars, Turing’s legacy should inspire kids to be individuals, stay weird and stay different. We’re so pleased to be joining with the remarkable team at AMC in giving students all over the country an opportunity to see THE IMITATION GAME. Alan Turing’s story is an incredibly important part of history -
University of New Mexico Board of Regents Minutes for May 10, 1996 University of New Mexico Board of Regents
University of New Mexico UNM Digital Repository Board of Regents Meeting Minutes University of New Mexico Board of Regents 5-10-1996 University of New Mexico Board of Regents Minutes for May 10, 1996 University of New Mexico Board of Regents Follow this and additional works at: https://digitalrepository.unm.edu/bor_minutes Recommended Citation University of New Mexico Board of Regents. "University of New Mexico Board of Regents Minutes for May 10, 1996." (1996). https://digitalrepository.unm.edu/bor_minutes/831 This Minutes is brought to you for free and open access by the University of New Mexico Board of Regents at UNM Digital Repository. It has been accepted for inclusion in Board of Regents Meeting Minutes by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. THE MINUTES OF THE MEETING OF • THE REGENTS OF THE UNIVERSITY OF NEW MEXICO May 10, 1996 The Regents ofthe University ofNew Mexico met on Friday, May 10, 1996, in the Roberts Room ofScholes Hall. A copy ofthe public notice ofthe meeting is on file in the Office ofthe President. Regents Present: Penny Taylor Rembe, President Barbara G. Brazil, Vice President Eric A. Thomas, Secretary/Treasurer J.E. (Gene) Gallegos Mary A. Tang Larry D. Willard Regents Absent: Arthur D. Melendres Also Present: Advisors to the Regents • Harry Uull, President, Faculty Senate Velma Morgan, President, StaffCouncil Michelle Polk, President, Alumni'Association Ray Sharbutt, President, Graduate and Professional Students Association Alberto Solis, President, Associated Students ofUNM Members ofthe Administration, the media and others Absent: Richard Morris, President, UNM Foundation ******* Regent President Penny Taylor Rembe called the meeting to order at 1:09 p.m. -
Annual Firearms Manufacturing and Export Report 2018 Final
ANNUAL FIREARMS MANUFACTURING AND EXPORT REPORT YEAR 2018 Final* MANUFACTURED PISTOLS REVOLVERS TO .22 417,806 TO .22 271,553 TO .25 25,370 TO .32 1,100 TO .32 30,306 TO .357 MAG 113,395 TO .380 760,812 TO .38 SPEC 199,028 TO 9MM 2,099,319 TO .44 MAG 42,436 TO .50 547,545 TO .50 37,323 TOTAL 3,881,158 TOTAL 664,835 RIFLES 2,880,536 SHOTGUNS 536,126 MISC. FIREARMS 1,089,973 EXPORTED PISTOLS 333,266 REVOLVERS 21,498 RIFLES 165,573 SHOTGUNS 27,774 MISC. FIREARMS 6,126 * FOR PURPOSES OF THIS REPORT ONLY, "PRODUCTION" IS DEFINED AS: FIREARMS, INCLUDING SEPARATE FRAMES OR RECEIVERS, ACTIONS OR BARRELED ACTIONS, MANUFACTURED AND DISPOSED OF IN COMMERCE DURING THE CALENDAR YEAR. PREPARED BY LED 01/28/2020 REPORT DATA AS OF 01/28/2020 PISTOLS MANUFACTURED IN 2018 PAGE 1 OF 128 PISTOL PISTOL PISTOL PISTOL PISTOL PISTOL PISTOL RDS KEY LICENSE NAME STREET CITY ST 22 25 32 380 9MM 50 TOTAL 99202128 BOWMAN, FORREST WADE 29 COLLEGE RD #8B-2 FAIRBANKS AK 0 5 0 0 0 1 6 99202850 DOWLE, PAUL GORDON 1985 LARIX DR NORTH POLE AK 0 0 0 0 0 1 1 99203038 EVERYDAY DEFENSE 1591 N KERRY LYNN LN WASILLA AK 0 1 0 0 1 0 2 SOLUTIONS LLC 99202873 HAWK SHOP LLC 2117 S CUSHMAN ST FAIRBANKS AK 2 0 1 0 4 11 18 99202968 HOBBS, THOMAS CHARLES 3851 MARIAH DRIVE EAGLE RIVER AK 0 0 0 6 1 0 7 16307238 ANDERSONS GUNSMITHING 4065 COUNTY ROAD 134 HENAGAR AL 4 0 2 0 0 0 6 AND MACHINING LLC 16307089 BARBOUR CREEK LLC 200 SELF RD EUFAULA AL 0 0 0 1 14 0 15 16307641 BOTTA, PAUL EDWARD 10040 BUTTERCREME DR MOBILE AL 0 2 0 0 0 0 2 S 16303219 CHATTAHOOCHEE GUN 312 LEE RD 553 PHENIX CITY -
New Producing Courses This Fall
96 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 Reg# 259673CA Through Aug 23: $635 / After: $695 Sneak Preview Westwood: 204 Extension Lindbrook Center Visit entertainment.uclaextension.edu/sneak-preview Wed 7-10pm, Sep 23-Dec 9 ENTERTAINMENT for weekly movie information. ✷✷Sat 2-5pm, Dec 5, 12 mtgs (no mtg 11/11) Sneak Preview: Contemporary Films No refund after Sep 28. and Filmmakers Toni Attell, Emmy-nominated actor, comedian, and STUDIES 804.2 Film & Television 2 CEU mime whose background includes a variety of work Join us for an exclusive preview of new movies before in theater, film, and television. Ms. Attell has opened their public release. Enjoy provocative commentary and for Jay Leno, Steve Martin, and Robin Williams, and 96 Sneak Preview in-depth discussions with invited guests after each has guest-starred on numerous television dramas and sitcoms. 96 Acting screening. Recent films and speakers have included: Wild Tales with director Damian Szifron; McFarland, Reg# 259676CA 98 Cinematography USA with director Niki Caro; Me and Earl and The Through Aug 23: $635 / After: $695 98 Development Dying Girl with actors Thomas Mann, Olivia Cooke and Westwood: 201 Extension Lindbrook Center RJ Cyler; Whiplash with director Damien Chazelle and ✷✷Wed 3:30-6:30pm, Sep 23-Dec 9 99 Directing actor Miles Teller; Birdman with Fox Searchlight Pic- ✷✷Sat 2-5pm, Dec 5, 12 mtgs 100 Post-Production tures’ Claudia Lewis; The Theory of Everything with (no mtg 11/11) actors Eddie Redmayne and Felicity Jones; The Imita- No refund after Sep 28. 101 Producing tion Game with producers Ido Ostrowsky, Nina Gross- Ernesto González, actor whose credits include co- 102 The Business & Management of Entertainment man and Teddy Schwarzman; Black and White with starring roles in TV shows such as Jimmy Kimmel director Mike Binder and actor/producer Kevin Costner; Live, Professional Friend, Lean Genie, and Discovery’s 103 The Music Business Selma with producers Dede Gardner and Jeremy Top 10 Criminals. -
Judging Cruelty
Judging Cruelty Meghan J. Ryan* The wisdom of the death penalty has recently come under attack in a number of states. This raises the question of whether states’ retreat from the death penalty, or other punishments, will pressure other states — either politically or constitutionally — to similarly abandon the punishment. Politically, states may succumb to the trend of discontinuing a punishment. Constitutionally, states may be forced to surrender the punishment if it is considered cruel, and, as a result of a large number of states renouncing it, the punishment also becomes unusual. If a punishment is thus found to be both cruel and unusual, it will be proscribed under the Eighth Amendment Punishments Clause of the U.S. Constitution. Considering the disappearance of some punishments and the emergence of new ones, whether a punishment is cruel under the Punishments Clause is an important question. Curiously, there has been very little discussion of what constitutes a cruel punishment, as distinguished from whether a punishment is also unusual. This Article examines the concept of cruelty as enshrined in the Eighth Amendment Punishments Clause and suggests that the Supreme Court focus on this elusive concept through its independent judgment analysis. The Article emphasizes that such an independent judgment focus on cruelty should be constrained by specific, identified factors and that these factors should go beyond examining the penological purposes of punishment. The Article asserts that motive and the nature and quality of a punishment are central to the concept of cruelty and suggests that a more nuanced understanding of punishment rationales, supplemented by factors focused on elements such as the bloody * Assistant Professor of Law, Southern Methodist University, Dedman School of Law.