Stats Don't Lie: Shakira Most 'Liked' Pop Star on Facebook
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Michael Zinberg Is a Director, Writer and Producer of Prime-Time Television Dramas, Comedies and Movies
MICHAEL ALLAN ZINBERG SUMMER 2014 Michael Zinberg is a Director, Writer and Producer of prime-time television dramas, comedies and movies. Moving to Los Angeles in the summer of 1968, he began his award-winning career as an usher at CBS-Television City, and as a writer and production assistant. He soon became Associate Producer of NICHOLS, starring James Garner. He then joined the Mary Tyler Moore (MTM) Company (72), where he wrote, produced and directed The Bob Newhart Show (Six Seasons) and worked on MTM’s other series, including the Mary Tyler Moore Show. From MTM he took his first turn at NBC as VP Program Development (79-81), bringing Hill Street Blues, and Cheers to air. Later, as President NBC-P (93-95), he supervised Homicide, JAG and all NBC Late Night programming. His time at the Network gave him unique insight as a Writer and Creator-Producer, but he always saw himself primarily a Director. His Directing career includes shows in every format, many of which he wrote and produced. Among them, Newhart, WKRP in Cincinnati, Family Ties, Taxi, The Yellow Rose, Til I Kissed Ya (MOW), Cold Steel & Neon, The Practice, Everybody Loves Raymond, Midnight Caller, Gilmore Girls, NCIS, LOST, Rizzoli & Isles, Private Practice, The Unit, Lie To Me, NCIS New Orleans, The Michael Fox Show, The Blacklist and The Good Wife. He received the Directors Guild of America Award for Outstanding Directing in Television Drama for the Viet Nam Trilogy of QUANTUM LEAP, a series he also Executive Produced. A four time Emmy nominee, he received The Lifetime Achievement Award from The Caucus of Writers, Producers and Directors. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Twisted Trails of the Wold West by Matthew Baugh © 2006
Twisted Trails of the Wold West By Matthew Baugh © 2006 The Old West was an interesting place, and even more so in the Wold- Newton Universe. Until fairly recently only a few of the heroes and villains who inhabited the early western United States had been confirmed through crossover stories as existing in the WNU. Several comic book miniseries have done a lot to change this, and though there are some problems fitting each into the tapestry of the WNU, it has been worth the effort. Marvel Comics’ miniseries, Rawhide Kid: Slap Leather was a humorous storyline, parodying the Kid’s established image and lampooning westerns in general. It is best known for ‘outing’ the Kid as a homosexual. While that assertion remains an open issue with fans, it isn’t what causes the problems with incorporating the story into the WNU. What is of more concern are the blatant anachronisms and impossibilities the story offers. We can accept it, but only with the caveat that some of the details have been distorted for comic effect. When the Rawhide Kid is established as a character in the Wold-Newton Universe he provides links to a number of other western characters, both from the Marvel Universe and from classic western novels and movies. It draws in the Marvel Comics series’ Blaze of Glory, Apache Skies, and Sunset Riders as wall as DC Comics’ The Kents. As with most Marvel and DC characters there is the problem with bringing in the mammoth superhero continuities of the Marvel and DC universes, though this is not insurmountable. -
FCC MOVES AGAINST MANAGEMENT PAYOLA: First
2 DECEMBER 19, 1960 CBS -NBC arguments were buttressed by facts & figures on 1960's "Great Debate" series under one- shot suspension of Sec. 315 for Presidential & Vice Presidential candidates this year only. And Goldenson contributed ABC data supporting other networks' case. No candidates in history were seen & heard by more people than in 4 swift joint Kennedy -Nixon broadcast appearances-and the industry's performance demonstrated that there's no good reason why can- didates for all offices shouldn't enjoy similar advantages, said Stanton & Sarnoff. Sec. 315 repeal would be thrifty for politicians, too, Stanton & Sarnoff pointed out. Stanton estimated that the CBS TV & radio networks alone spent $1,425,000 on programs presenting Presidential & Vice Presi- dential candidates this year-expense which the parties were spared. Sarnoff said NBC-produced political programs cost $1,686,000-which was 66% more than the parties spent for paid NBC telecasts. Goldenson said ABC dropped $250,000 on "Great Debate" series alone. Sarnoff presented his network's case in person. CBS Washington vp Edmund C. Bunker was stand- in for Stanton, whose statement was read while he was at President-elect Kennedy's home for 45-min. talk on subjects ranging from TV debates to USIA. Goldenson submitted statement for hearing record. "You may be assured that great attention will be given to Sec. 315," Committee Chmn. Davis (D -Tenn.) said after hearing statements by Stanton & Sarnoff. But neither he nor any other Committee mem- bers appeared overwhelmed by arguments that equal -time protections for candidates should be removed entirely. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
The Webfooter
September 2016 Remembering the Wild, Wild Westerns Remembering the Wild, Wild Westerns – see page 2. Webfooters Post Card Club PO Box 17240 Portland OR 97217-0240 www.thewebfooters.com Remembering the Wild, Wild Westerns Before Batman, before Star Trek and space travel to the moon, Westerns ruled prime time television. Warner Brothers stable of Western stars included (l to r) Will Hutchins – Sugarfoot, Peter Brown – Deputy Johnny McKay in Lawman, Jack Kelly – Bart Maverick, Ty Hardin – Bronco, James Garner – Bret Maverick, Wade Preston – Colt .45, and John Russell – Marshal Dan Troupe in Lawman, circa 1958. Westerns became popular in the early years of television, in the era before television signals were broadcast in color. During the years from 1959 to 1961, thirty-two different Westerns aired in prime time. The television stars that we saw every night were larger than life. In addition to the many western movie stars, many of our heroes and role models were the western television actors like John Russell and Peter Brown of Lawman, Clint Walker on Cheyenne, James Garner on Maverick, James Drury as the Virginian, Chuck Connors as the Rifleman and Steve McQueen of Wanted: Dead or Alive, and the list goes on. Western movies that became popular in the 1940s recalled life in the West in the latter half of the 19th century. They added generous doses of humor and musical fun. As western dramas on radio and television developed, some of them incorporated a combination of cowboy and hillbilly shtick in many western movies and later in TV shows like Gunsmoke. -
Advertising As Capitalist Realism Michael Schudson
Advertising as Capitalist Realism Michael Schudson Schudson, Michael. 1984. Advertising as capitalist realism. In Advertising, The Uneasy Persuasion: It ’s Dubious Impact on American Society . New York: Basic Books, Inc., 209-233. Copyright © 1984 by Michael Schudson. Reprinted by permission Basic Books. All rights reserved. Advertising , as the early agency Lord and Thomas put it, is "salesmanship in print." It is just that simple, just that complex. Understanding advertising entails understanding the difference between personal and printed or broadcast communication; the differences entailed in the "decontextualization" of thought and feeling that systems of mass communication make possible. With the invention of writing in human history, anthropologist Jack Goody observes, "Speech is no longer tied to an occasion: it becomes timeless. Nor is it attached to a person; on paper, it becomes more abstract, more depersonalized." 1 For Goody, this opens the way to science, to the growth of criticism, and to a more tolerant attitude toward one's own frame of reference. But the same forces that enable people to see themselves as individuals independent of social and traditional contexts make people susceptible to the appeals of mass media, including advertising. This is an openness or susceptibility qualitatively different from the householder's vulnerability to the direct sales pitch. Among other things, it connects the consumer not only to an item for sale and a person selling it but to an invisible, yet present, audience of others attuned to the same item for sale and the same symbols used to promote it. The advertisement, like the sales talk, links a seller to a buyer. -
The Rockford Files"
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1989 A Social Historical Exploration of the Popularity of "The Rockford Files" Mary Frances Taormina College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, Mass Communication Commons, and the United States History Commons Recommended Citation Taormina, Mary Frances, "A Social Historical Exploration of the Popularity of "The Rockford Files"" (1989). Dissertations, Theses, and Masters Projects. Paper 1539625491. https://dx.doi.org/doi:10.21220/s2-xjg1-db48 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. A SOCIAL HISTORICAL EXPLORATION OF THE POPULARITY OF THE ROCKFORD FILES A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Mary Frances Taormina 1989 APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of Master of Arts Author Approved, December 1989 Bruce McConachie Chandos Brown Dale Cockerell ACKNOWLEDGEMENTS The author wishes to express her appreciation to Professor Bruce McConachie for his patient guidance throughout the preparation of this thesis and his enthusiasm for its subject. The author is also indebted to Professor Chandos Brown for his insights into the subject, and to Professors Brown and Dale Cockerell for their careful reading and criticism of the manuscript. -
Ken Whittingham Is an American Television Director Who Has Been in the Industry for Over 25 Years
DIRECTOR BIOGRAPHIES KEN WHITTINGHAM (Director – Episodes 101 & 102) Ken Whittingham is an American television director who has been in the industry for over 25 years. He has directed episodes for a wide variety of television series including “Parks and Recreation,” “Brooklyn Nine- Nine,” “Suburgatory,” “Parenthood,” “About a Boy,” “30 Rock,” “The Middle,” “The Office,” “Entourage,” “Community,” “Scrubs,” “My Name is Earl,” “Everybody Hates Chris,” “Rules of Engagement,” “Gilmore Girls,” “King of Queens,” “The Bernie Mac Show,” “Yes, Dear,” “Still Standing,” and many more. Whittingham has been nominated for multiple NAACP Image Awards for “30 Rock,” “Parenthood,” “Entourage,” and “Everybody Hates Chris” and has won four times. He won for Outstanding Directing for a Comedy Series for the “Parks and Recreation” episode “How a Bill Becomes a Law;” “30 Rock” for episode “The Funcooker;” and for “The Office” episodes “Phyllis’s Wedding” and “Michael’s Birthday.” PETER SEGAL (Director – Episode 103) Peter Segal is an award-winning film and television director, producer, and writer whose movies have grossed over $1.1 billion to date. He recently directed Robert De Niro, Sylvester Stallone and Kevin Hart in Warner Bros. boxing comedy Grudge Match. Before that, he teamed up with Steve Carell and Anne Hathaway and Dwayne Johnson in the big screen adaptation of Mel Brooks and Buck Henry’s legendary television series Get Smart, which made $230 million worldwide. In fact, that movie became Segal’s fifth consecutive film to gross over $100 million in domestic box office. A frequent collaborator with Adam Sandler, Segal has directed the actor in such films as 50 First Dates, with Drew Barrymore; Anger Management, which also starred Jack Nicholson, and The Longest Yard, currently the highest-grossing comedy remake of all time and the second-highest grossing sports comedy in history. -
Hollywood Stars and Their Army Service from the Spanish American
James E. Wise, Paul W. Wilderson. Stars in Khaki: Movie Actors in the Army and Air Services. Annapolis: Naval Institute Press, 2000. xi + 244 pp. $24.95, cloth, ISBN 978-1-55750-958-1. Reviewed by Charles C. Kolb Published on H-PCAACA (November, 2000) Hollywood Stars and their Army Service from In Stars in Blue we learned about Wayne the Spanish American War to Vietnam Morris, Douglas Fairbanks, Jr., Henry Fonda, This splendid book is the third and fnal vol‐ Humphrey Bogart, Paul Newman, Aldo Ray, ume in historian-biographer Wise's trilogy and it Ernest Borgnine, Robert Montgomery, Cesar makes a ftting companion to its two illustrious Romero, and dozens of other flm stars. With the predecessors. In 1997 Wise and his co-author Ann sequel, Stars in the Corps , we discovered the con‐ Rehill wrote Stars in Blue: Movie Actors in Ameri‐ tributions made by more than 30 motion picture ca's Sea Services in which flm actors who served stars including Sterling Hayden, Tyrone Power, in the U.S. Navy, Naval Reserve, Coast Guard, or Steve McQueen, Lee Marvin, Gene Hackman, Coast Guard Reserve from 1920 through the Kore‐ George C. Scott, Harvey Keitel, Brian Dennehy, an War are profiled. Wise and Rehill also au‐ Hugh O'Brien, Ed McMahon, and Dale Dye. As in thored Stars in the Corps: Movie Actors in the these two volumes, the emphasis in Stars in Khaki United States Marines (1999) which covers the is on World War II. Many of the men who served same period but emphasizes Marines in the Pacif‐ in the U.S. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Risk Management, April 2014 Issue, Pages 22-26
by Ted Tafaro BREAK A LEG The Risks of Moviemaking 25 April 2013 hen Harrison Ford “piloted” der asking if you wanted a lift home,” not an A-List actor is going to land a disabled 747 to a safe land- the film’s director Jon Favreau told the his aircraft safely, certain precautions ing during the filming of Air New York Post. While a smooth, easy must be put in place. WForce One, everyone with ride home was the likeliest outcome, a financial stake in the movie smiled the worst-case scenario was frightening: Insuring Pilots and Injuries broadly while anticipating a flood of one bad downdraft had the potential to When we talk about non-traditional box-office receipts. But at the end of the take out an entire cast. film risks, insurance coverage is already shooting day, while the rest of the cast Actors who pilot their own aircraft in place when a film production is and crew piled into cars to brave the Los are fairly common these days. We’ve launched—even before Travolta’s wheels Angeles freeway, Ford chose to fly above all seen photos of John Travolta, Tom lift off the tarmac and the money guys the gridlock by piloting his own Bell Cruise, Angelina Jolie and Brad Pitt are heading for group therapy. There are Apocalypse Now (1979) the helicopter. The accident during the making An entire documentary, Hearts of Darkness: of this Steven Spielberg-produced film is argu- A Filmmaker’s Apocalypse, was made about ably Hollywood’s worst tragedy. the production of Francis Ford Coppola’s Vietnam epic, which was shot primarily in the The Crow (1994) Philippines.