Ein Kryptischer Cervantes

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Kurt Reichenberger / Rosa Ribas K EIN KRYPTISCHER CERVANTES Die geheimen Botschaften im »Don Quixote« Edition Reichenberger • Kassel • 2002 Inhalt Vorwort 7 Erstes Kapitel: Der Büchernarr. Was einem bei der intensiven Lektüre von Ritterromanen passieren kann 9 Zweites Kapitel: Der Ritterschlag. Und was Don Quixote in dem Gasthof sonst noch erlebte, den er für ein Schloß hielt 11 Drittes Kapitel: Der geprügelte Andres. Oder wie weltfremd darf ein fahrender Ritter sein? 13 Viertes Kapitel: Niederlage und Heimkehr. Sein Nachbar Pedro Alonso parodiert den Ritterroman 15 Fünftes Kapitel: Cervantes, angewandte Literaturkritik und das Autodafe der Ritterbücher 19 Sechstes Kapitel: Don Quixote und Sancho Panza. Ein Kon trastprogramm 23 Siebentes Kapitel: Das Windmühlenabenteuer und die Gründe für den spontanen Jubel der zeitgenössischen Leser 27 Achtes Kapitel: Die Benediktiner, die Dame in der Kutsche und der stolze Biskayer 31 Neuntes Kapitel: Side Hamete Benengeli. Der vorgeschobene Autor als dreiste Schutzbehauptung 33 Zehntes Kapitel: Zu Gast bei den Ziegenhirten. Don Quixotes Lob des Goldenen Zeitalters 3 5 Elftes Kapitel: Der arme Grisöstomo, die unnahbare Marcela und ein heldischer Don Quixote 37 Zwölftes Kapitel: Der lüsterne Rocinante, die galizischen Stuten und die Leute aus Yanguas 41 Dreizehntes Kapitel: Eine Nacht in dem vermeintlichen Schloß und die lüsterne Maritornes 43 Vierzehntes Kapitel: Don Quixotes Abenteuer mit der Schaf- herde und der Ärger auf den spanischen canadas 47 Fünfzehntes Kapitel: Die Welt der Teufel und Gespenster. Und was Cervantes vom Hexenwahn hält 51 Sechzehntes Kapitel: Das Abenteuer bei der Walkmühle und die cristianos viejos 59 Siebzehntes Kapitel: Don Quixote befreit die Galeerensträflinge und wird von ihnen mit einem Steinhagel eingedeckt 63 Achtzehntes Kapitel: Eine unglückliche Prinzessin und ihr ritterlicher Retter 67 Neunzehntes Kapitel: Die kluge Dorotea, ein Eheversprechen und ihr windiger Don Fernando 73 Zwanzigstes Kapitel: Der Helm des Mambrin, der arme Barbier und die Häscher der heiligen Bruderschaft 77 Einundzwanzigstes Kapitel: Der verzauberte Don Quixote, der Kanonikus aus Toledo und die Ritterbücher 81 Zweiundzwanzigstes Kapitel: Was Don Quixote und seinem Schildknappen am Herzogshof widerfuhr 87 Dreiundzwanzigstes Kapitel: Wie Don Quixote von Don Antonio Moreno und den Bürgern Barcelonas empfangen wurde 91 Vierundzwanzigstes Kapitel: Die französischen Gesandten. Und was die Zeitgenossen des Cervantes an seinem »Don Quixote« enthusiasmierte 93 Epilog: Methodische Schlußbemerkungen 99 Anmerkungen 105 Zeittafel 175 Bildnachweis 179.

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Symphonia domestica, Op. 53 Richard Strauss he idea of the symphonic poem was cod- Symphonia domestica he expanded the idea of Tified in the 1840s and ’50s by Franz Liszt an autobiographical program to embrace the through a dozen single-movement orches- remainder of his household — his wife, Pau- tral pieces that drew inspiration from, or line, and his son, Franz, to whom the work is were in some way linked to, literary sources. jointly dedicated. Pauline de Ahna, an accom- The repertoire quickly grew thanks to no- plished and temperamental soprano, began table contributions by such composers as in 1887 as Strauss’s voice pupil and starred in Smetana, Dvořák, Musorgsky, Tchaikovsky, his first opera, Guntram, in 1894. They were Saint-Saëns, Franck, and — most impres- married that same year; he proposed — and sively of all — Richard Strauss. she accepted — while she was in mid-tantrum In 1886 Strauss produced what might be during a rehearsal of Tannhäuser that he was considered his first symphonic poem, Aus conducting. The composer often collaborated Italien (it is more precisely a descriptive with her in performance, either as pianist in symphony), and he continued through the recital or as conductor, until she effectively series of tone poems that many feel represent retired from the stage in 1906, by which time the genre at its height: Macbeth (1886–08), her voice had grown unreliable and her stage Don Juan and Tod und Verklärung (Death deportment had become downright bizarre. and Transfiguration)both 1888–89, Till Eu- They remained married for 55 years, and lenspiegels lustige Streiche (Till Eulenspie- she survived her husband by only eight gel’s Merry Pranks, 1894–95), Also sprach Zarathustra (Thus Spake Zarathustra, 1895–96), Don Quixote (1896–97), Ein Hel- In Short denleben (A Hero’s Life, 1897–98), and Sym- Born: June 11, 1864, in Munich, Bavaria phonia domestica (1902–03; sometimes the (Germany) title is given as Sinfonia domestica).
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