ANCHOR BAY BAND BOOSTER EXECUTIVE BOARD The Anchor Bay High School

Carol LaPorte, President Instrumental Music Department Barb Belanger, Vice President - Fundraising Jessie Jensen, Vice President - Special Event Fundraising proudly presents the Diane Lobbestael, Treasurer Tim Piepenbrok, Financial Secretary Maureen Block, Secretary SYMPHONIC BAND Scott A. Oranchak, Instrumental Music Director P. David Visnaw II, Instrumental Music Director WIND ENSEMBLE

ANCHOR BAY HIGH SCHOOL ADMINISTRATION and the

Mr. Joseph McDonald, Principal Mr. Victor Balaj, Assistant Principal Mr. Donald Dziuk, Assistant Principal JAZZ ENSEMBLE Mrs. Robin Stanton, Assistant Principal in a

SPRING CONCERT

UPCOMING INSTRUMENTAL MUSIC EVENTS

5/13/13 — Band Booster Meeting 5/15/13-5/1913 — Florida Trip

5/21/13 — New Marcher Registration/Orientation 5/27/13—New Baltimore Memorial Day Parade 5/30/13 — Instrumental Music Banquet (Cedar Glenn) 6/02/13 — Graduation (McMorran Auditorium, Port Huron) Tuesday, May 7, 2013 6/11, 6/12, & 6/13/13 — Marching Band Pre-Camp (‘13 - ‘14 MB) 6/23/13 — Bay Rama Parade (‘13- ‘14 MB) 7:30 P.M. 7/29/13-8/03/13 — Marching Band Camp @ CMU Anchor Bay High School Auditorium

WWW.ANCHORBAYBANDS.ORG Scott A. Oranchak, Instrumental Music Director “LIKE” US @ WWW.FACEBOOK.COM/ANCHORBAYBANDS P. David Visnaw II, Instrumental Music Director

of time into fractions which must must which of time into fractions t acoustics. A conductor’s full score full score A conductor’s t acoustics. rol of the diaphragm, back, stomach, stomach, back, rol of the diaphragm, s, hands, arms, lip, cheek, and facial and facial arms, lip, cheek, s, hands, on of the test and 41 points higher on eloped kind of shorthand that uses of shorthand eloped kind cs of music is the most complete and and complete most the is music cs of on. That is one thing science cannot cannot science on. That is one thing Test Takers, TheTest Takers,College Board, com- and times of its creations, often even its creations, and times of rman, or French; and the notation is and the rman, or French; coursework/experience in the arts. coursework/experience in music performance WHAT IS MUSIC? WHAT SCIENCE FOREIGN LANGUAGE MATHEMATICAL MATHEMATICAL HISTORY EDUCATION PHYSICAL ART scored 57 points higher on the verbal porti Source: ProfileAchievement of SAT and DID YOU KNOW… High school music students score higher on SATs in both verbal and math than their peers. In 2001, SAT takers with the math portion than students no with piled by Music Educators National Conference, 2001. certainly not English—but a highly dev not English—but certainly The semanti ideas. to represent symbols Music is a exac it demands and It is exact, specific; volume changes, intensities, frequencies, indicates which a graph is a chart, time. of control the most exact with once and all at harmony melody, and Music is the subdivisions It is rhythmically based on paper. out on not worked be done, Music is a Italian, Ge in Most of the terms are universal language. Music is environment reflects the usually Music feeling. and/or racial the country Music is of finger coordination fantastic It requires cont in addition to extraordinary muscles, hears and to the sound ear respond instantly which muscles, and chest the mind interprets. Music is all of these things, but most all… Music is (but difficult) technical these dry, to take all being human It allows a use them to create emoti and techniques will. feeling, emotion, call it what you duplicate—humanism,

…………………..G. Holst Pankow / arr. J. Wasson / arr. Pankow

stage, please join us in the cafeteria us in the stage, please join ………………………arr. M. Brown ………………………arr.

PROGRAM …..K. Badelt & H. Zimmer / arr. J. Wasson

………..……………J. Lewis / arr. M. Taylor ………..……………J.

for an afterglow and the jazz ensemble performance! performance! jazz ensemble the afterglow and for an II. Intermezzo II. Intermezzo

Immediately following tonight’s concert on tonight’s concert Immediately following I. Duel of the Fates (Episode I) II. Across the Stars (Episode II) III. (Episode III) Revenge of the Sith (Episode IV) IV. Princess Lea’s Theme V. (Episode V / IV) Imperial March/The Forest Battle (all Episodes) VI. Main Theme III. March III. Pirates of the Caribbean / arr. Grundman Bernstein “Candide”…….…...L. Overture to / arr. R.W. Smith Star Wars Epic………….……….…J Williams Afternoon in Paris 6th HOUR SYMPHONIC BAND 2nd HOUR SYMPHONIC BAND Movie Magic James Horner COMBINED SYMPHONIC BAND First Suite in E-flat for Military Band WIND ENSEMBLE ENSEMBLE JAZZ Make Me Smile…………..………….J. CONCERT ETIQUITTE

A performer's intense concentration can be interrupted by little things that may seem trivial to audience members. The following suggestions will help audience members show respect to the performers on stage as well as other members of the audience. This will help the performers to do their best.

When To Applaud - Performers always appreciate applause, but there are appropriate moments to applaud. In a multi-movement work, applaud after all movements are Thanks to all that have been using the Kroger Community Rewards Program to completed. This allows the continuity of the piece to flow from one movement to the benefit the Anchor Bay Band Boosters. This program benefits the students of the next. “Hooting and hollering” is not appropriate in the concert setting. Anchor Bay Bands by allowing our organization to receive 5% of your total purchases at Kroger Stores. EVERYONE MUST RE-ENROLL EACH APRIL in order for our Arrival Time - Leave early and allow enough time for parking and traffic. If you do organization to keep receiving funds from Kroger. arrive late, wait by the doors until the first piece (not just a movement) is finished, then discreetly take the nearest seat available.

Kroger has assigned the Anchor Bay Band Boosters a new NPO number of 82352 Entering and Exiting the Auditorium - Never enter or exit the auditorium during a (you will need this number to register your Kroger Plus Card). There are basically performance. If you must enter or exit, please wait until the performance on stage has two steps to registering. Follow the directions below to get enrolled and start been completed. The most appropriate times to move about are during audience benefiting the Anchor Bay Band Boosters! applause or set changes.

STEP 1: Talking - Talking should not be tolerated. It is not only distracting to the performer, but  Have your Kroger Plus Card handy and register online at to every person in the audience. It is just plain rude to talk (even whispering can be www.krogercommunityrewards.com. heard) during a musical performance. If someone around you is talking, ask them  If you do not yet have a Kroger Plus card, they are available at the customer nicely to please stop.

service desk at any Kroger. You can get one there. Other Noises - Avoid rustling your program, tapping your foot, bouncing your legs, etc.  Click on Sign In/Register Pagers and cell phones should be turned off. Watches set to beep on the hour should  Most participants are new online customers, so they must click on SIGN UP also be turned off. These high-pitched beeps are distracting to the performers and TODAY in the "New Customer?" box. audience members.  Sign up for a Kroger Rewards Account by entering zip code, clicking on your favorite store, entering your email address and creating a password, agreeing to Coughing - It is hard to avoid a spontaneous cough. Be prepared with some type of the terms and conditions cough drops or candies. Avoid cellophane wrappers. Many come with a soft wax-  You will then get a message to check your email inbox and click on the link paper wrapping that will be much less noisy. within the body of the email. Taking Pictures - Refrain from taking any photographs during a performance. The STEP 2: click of a camera and especially the flash are very distracting. Pictures should be  After clicking on the link in the email, click on My Account and use your email taken after the performance. address and password to proceed to the next step. Children - Children need exposure to good music and live performances. If your  Click on Edit Kroger Community Rewards Information (on the right of the young child begins to get restless in the middle of a performance, it may be best that page) and input your Kroger Plus Card number. you exit the auditorium until calmer times prevail.  Update or confirm your information if needed.  Enter NPO number of 82352 (or name of organization) and select the Anchor Bay Band Boosters from list that pops up and click on confirm. By following basic edicts of respect and consideration, performers and the audience  To verify you are enrolled correctly, you will see your organization's name on the will have a more pleasurable and meaningful experience as they perform and attend right side of your information page. live concerts. Because they have worked so hard for their performance, the students on stage deserve to be treated with respect. The The One Last ; has spanned th positive reviews Hans Zimmer Hans Zimmer

James Horner e from October 2002 to March and producer To The Pirate Caves Pirate The To in this medley of themes. Titles of themes. in this medley ; es were also two of film history’smosttwo also of es were American Tail”, “Aliens”, “Glory”, and es for some of history’s greatest movies. ey areey themes from , Titanic, Field both receiving awards as well as critical de at Disney theme directedwas parks. It Resort in Anaheim, California, on June 28, he , captained Hector by unexpected success, wi unexpected

e Black Pearl is a 2003 adventure fantasy Stranger Tides, releasedwas in 2011. The Klaus Badelt , Michael Brown has arranged several themes from

The Black Pearl , arr. by John Wasson, is a, arr. by blockbuster hit that brings ; storyline. Filming took plac PROGRAM NOTES . He's A Pirate The MedallionCalls Pirates of the Caribbean ; and James Horner Movie Magic Horner’s movie scores. Included in this medl of Dreams, The Mask of Zoro and The Rocketeer. story follows story blacksmith (Orlando Bloom) and pirate Captain Jack (JohnnySparrow Depp) as rescue they the kidnapped () of t from the cursed crew Rush).Barbossa (Geoffrey WolpertJay developed a script based on the theme park ride in 2001, and Stuart Beattie rewrote it in early 2002. Around that time, producer Jerry Bruckheimer became involved in the project; he had Ted Rossio Elliott and Terry on the script, addingwork the supernatural curse to the In 1982, Horner his first real saw success, scoring for the major films “48 Hours” and TrekThe“Star Wrath II: of Kahn”. A winner of several awards, including Acadamy two Golden andAwards two Globes, several of James Horner’s films have been nominated. Nominated movies include “An successful movies Titanicwith and Avatar more than 30 years and includes the film scor Braveheart. Horner’s most successful film scor acclaim. In Pirates of the Caribbean: The Curse of th film based on the Pirates of the Caribbean ri Gore Verbinskiandby produced Jerry by Bruckheimer. The music of the film and this album are both credited to composer Beginning in 1979 “Thewith Lady in Red”, the career of 2003 in Saint Vincent and the Grenadines and on sets constructed around Los Angeles, California. The premiere world held at Disneylandwas 2003. The Curse of the Black Pearl an was and grossing over $654 million The film becameworldwide. the first in a series, with two back-to-back sequels, Dead Man's Chest and At World's End, released in 2006 and 2007. The latest in the series, On original film nominated for five Academywas Awards, including Best Actor for Depp. The OF THE CARIBBEAN PIRATES Shot HONOR MOVIE MAGIC JAMES with it all the swashbuckling excitement of the high seas! Crews of scurvy pirates, cannon blasts and cursed treasure join forces include: for

Suite

the only parallel in there early he military he military literature and major served as the models of British -century compositional techniques. To th today’s standard band instrumentation it for her help in providing lights, sound, but the first movement is mislabeled but as a th century. Holst used the traditions of t use of small groups of instruments being ment. The of for bandsment. writing trend wind for organizing the afterglows at this the band as potential soloists. Many luding bass saxophone, cornets, trumpets, e Guard Republicaine o of Paris, or touring modern variation – for example, the use of a strong parallela in Vaughan Williams’ Folk required for the brasses, and the woodwind t would have been familiar with t he military to the students of the Anchor Bay HS

BAND BOOSTER EXECUTIVE BOARD , composed two years later. century favoredcentury imitating t

PROGRAM NOTES is used here as the concluding movement. What sets this

and the was composed in 1909, considered it is generally was to be the first

ourteen years later (and probably

was composed was in 1909, and for the most part the only known wind , along Ralph Vaughanwith Williams, Suite in E-Flat Suite in First Suite First Holst Gustav and video footage for tonight’s concert. composition in the first half of twentie Elizabethan folk music, infused early with 20 evening’s concert. the time dedication and volunteer service Instrumental Music Program! Britishform a new style based on melody. Characteristically, his compositions are guided by melody, prominent at all levels of hearing. The companion work to the in E-flat is the Second Suite F The bands of the era either were Military, like th JAMIE THIEL AND JOHN SEIFERT OUR BANDBOOSTER PARENTS CAROL LAPORTE E-FLAT IN FIRST SUITE bands such as Sousa’s or Gilmore’s. Hols bands, and his original instrumentation (inc and flugel horns) indicates the brass-heavy writing typical of military bands. The suite uses traditional forms in all three movements, chaconne; it is really a passacaglia in form. It is usually considered a medium-difficulty primarilywork, due to length, the stamina and cornet solos. Since significant composition approximating is what utilizes classical an forms occasionalwith simultaneous recapitulation in the last move during the early years of this genre, the march, and that apart, is its treatment of work however, instruments have solos, and there is frequen treated as chamber ensembles.There is Song Suite, f written years of modern band composition). has had a Candide

came into being during the of the ensemble, an whether just 73 performances. Bernstein and e. Many e. Many of the meters are in seven ea appears intermittently several times ion, written by famed playwrightLillianion, by written almost an instantaneous orchestra and ey quickly change. Short, full ensemble itself. Most of the ideas are short and orm with theorm utmost of virtuosity,with and the d University where he took theory with he led 939 concerts, including 150 in 35 what has been what and that it is still the same on, and orchestration with Edward B. Hill. on, and orchestration Edward B. Hill. with as some harmonicwonderful textures, it is ected the New ected the New CenterYork City Orchestra d tenacity andd tenacity ambition from his Russian gious Boston Latin School, studying piano noted composer, pianist, author,noted lecturer, he returned as conductor of the New he returned asYork conductor of the New e music must be its rhythmic e music must be its rhythmic use. Strong her versions, none entirely successful. West Side Story during the summers of 1940 and 1941 at the and h of sound. Each player orchestrational groupings and families such as brasses, ucing Serge Koussevitskywith at Tanglewood. After his

PROGRAM NOTES premiered the by York New was Philharmonic Orchestra in Candide (1918-1990) attained sudden fame substitute-conducting the New had a disastrous initial run of Candide Overture to Candide OVERTURE TO “CANDIDE” Bernstein Leonard He continued his music education in York Philharmonic at the age of 25. A teacher, television personality, and cultural icon, his music is a synthesis of compositions from the past five centuries. Leonard (originally Louis) Bernstein learne immigrant parents. He attending the presti with Heinrich Gebhard, followed by Harvar Tillman Merritt, counterpoint Walterwith Pist Curtis Institute studying cond dramatic conducting debut in 1943, he co-dir and taught at Brandeis University. In 1958 Philharmonic until 1969. During that period countries. He resignedcountries. in He 1969 to devote more time composing and guest- conducting. The Broadway musicals percussion accents, writing inpercussion accents, writing and harsh attacks from the ensemble as an entity are apparent throughout. The form of the piece is as scattered as the music sporadic. When an idea is presented, little there is usually time for it to be developed, but instead the music quickly changes direction to some other idea. clear that the main stylistic character of th Hellman, proved too dark and forweighty to the show find success in the popular theatre. several different collaborators created furt The 1957 Bernsteinconductingwith and became concert band staple. The is extremely quick-paced,work a feverishwith excitement that begins from the first breat beats or of other non-traditional types, and th statements open and this beginning the work, id work. While there are some melodic ideas, as well same period. West Side Story successwon from the start, but troubled history. The book for the original vers orchestra or concert band, is required to perf immenselyrequires an work together ensembl throughout the almostwork, as a reminder of

(from (from Princess collection Kraft Theatre This This his family to Los his family ght—his father was Duel of the Fates

Imperial March/The Forest album sold over four million Back, Return of the Jedi, and JFK, Jurassic Park, Schindler’s a musical suite that captures (from "Episode II: Attack of the "Episode II: (from and "Episode VI: Return of the VI: Return of and "Episode " recording history. Williams’ concert tet. After moving with tet. After Star Wars en. For a time he was en. For a time he a pianist in filmwas home at the age of ei y pianoy for a year Rosina Lhevinewith at of the Boston Pops Orchestra in 1980 heof ying composition privately Mario with de techniques in his compositions, but he unters of the Third Kind,Home ET, Alone arranging Bobby Vanwith Eps. Later he a separate movement, all the audience to television viewers in the US and abroad. For Angela’s Ashes, Born on the Fourth of July, heart. He has composed heart. and conducted the (Oscar, 1975), Across the Stars Jaws . Many have been recorded by the Boston Pops (27 (from "Episode III: Revenge of the Sith"), (from "Episode III: Revenge from all six episodes. from all six used throughout the Star Wars Saga.

PROGRAM NOTES trilogy, trilogy, Star Wars, The Empire Strikes The Empire Star Wars, Superman

music ( ), and , arranged Robert W, Smith, creates has been known as an eminent composer, arranger, and pianist for (from "Episode IV: A New Hope"), (from "Episode IV: A New Revenge of the Sith Star Wars Main Theme the Star Wars (from "Episode V: The Empire Strikes Back the Battle Jedi") and of the most recognized themes,of the most recognized each in experience the complete . The suite includes The Phantom Menace"),"Episode I: Clones") and Leia's Theme several of the signature themes Phantom Menace albums 1993) by studio or by orchestras. The copies—more than any other non-pop album in pieces include symphonies, two a piece ensemble, for wind concertos for flute, bassoon, and for string orchestra,violin, Olympics scores (1984, a work 1988, 1992, 1996), and a variety of chamber music. Star Wars Epic List, series) in the 1960s, winning two Emmy awards for his music. He also conducted, arranged, and played piano Columbiawith Records. Williams has used serial and other avant-gar is considered a romantic traditionalist at music for more than 75 films, including The Bridges of Madison County, Close Enco 1 and 2, formerly a drummerformerly in the Raymond Scott Quin Angeles in 1948, John studied piano and served a three-year hitch in the US Air Force, arranging for and conducting bands. In 1954, York Williams back to New to stud went the Julliard School; he also played in jazz clubs and recording studios. Returning to California, he attended UCLA stud while Castelnuevo-Tedesco and Arthur Olaf Anders studios, such composerswith as Bernard Hermann, Alfred Newman, and Franz Waxman. Williams on to composewent for television (including the EPIC WARS STAR became even more familiar to millions of his film scores he has received 30 Academy Award nominations, 15 Grammies, and five Oscars. John Tower Williams began learning piano at Williams John many years. named When he was conductor

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BASS TUBA PIANO GUITAR VOCALS Zach Floyd Floyd Zach Lauren Shin Michael Hill Kelcie Beck Olivia Sholtis BASSOON Paul Hanvey TROMBONE Dayton Good Robert Saad EUPHONIUM Mitchell Oliver Joseph Zedan Shane Foster* Parker Saleski PERCUSSION Lawrence Parisi Emily SeigneurieEmily DOUBLE BASS Thomas Andrews Sabrina VanDyke Cameron Juresich Matthew D'Angelo Matthew Sean Wolschleger Salvatore Sagese Salvatore Sagese+ BASS TROMBONE BASS Christopher Kiernan Alyssa DiStefano Alyssa Domonique Stevens°

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OBOE

TRUMPET Tiara Reed Robert Saad Kylie Jensen Emily MiillerEmily Jaclyn Scalici Eric Lacerna TROMBONES PERCUSSION Kate Gnesda* Filip Konjevod Paige Grider Matthew Clifford Matthew Zachery LootensZachery Brandon Bilinski FRENCH HORN Kathryn Bidigare Katherine Smith* Rosemarie Reilly Reilly Rosemarie Emily GargulinskiEmily William Hallendy* Abigail Lobbestael Ronald Duquette* Matthew Burmistrzak Matthew Rachel Wierzbowski Rachel Wierzbowski Parker Saleski (Tuba) Nicholas Osman*^ ALTO SAXOPHONE ALTO TENOR SAXOPHONE Sabrina VanDyke (Bass) BARITONE SAXOPHONE BARITONE

WIND ENSEMBLE ENSEMBLE JAZZ

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FLUTE PICCOLO Sarah Hoef CLARINET Hannah Hill Tiara Reed Lauren Shin Emily MiillerEmily TRUMPETS Olivia Sholtis Alison Block* Shannon Cuff Angela Tezak Nick Osman+ Rosalie Tezak Nicole Duggan Alyssa Schuetz Alyssa Yonisha Harris* SAXOPHONES Ashley Woonton Woonton Ashley Brandon Bilinski Hannah Schmidt Emily SeigneurieEmily Rosemarie Reilly Reilly Rosemarie Alexandra DeRita BASS CLARINET BASS Miranda O'Connor Corinna Sleiman*^ Leacadia Herweyer Emily Blanchette*Emily Billy Hallendy (Alto) R.J. Duquette (Bari) Paige Grider (Tenor) Katherine Smith (Alto) Emily BlanchetteEmily (Tenor)

TUBA Sarah Kuss Troy Sabella Lilliann Kaye Shane Marrs Marc Demick TROMBONE Eric Stefanko Jaclyn Scalici Chris Kiernan Kylie Jensen* EUPHONIUM Katie Newkirk Liam Parsons Sam Martinez Emily SaelensEmily Tristan Grose* Cameron Lock PERCUSSION Julia Sommers Noah Grimaudo FRENCH HORN Jordan Arrington Bidigare Kathryn Kristen Gennety Zachery LootensZachery Sabrina VanDyke Christian Bobbish Sarah Piepenbrok Christopher Burns Matthew Belanger Matthew Matthew Braffman Matthew Salvatore Sagese* Kendal McClintock Alyssa MacDonald Christopher Cooley Matthew Burmistrzak* Matthew Nickolas De Ceuninck

OBOE TRUMPET BASSOON James Jury Andrew Hill*Andrew Abigail Lanni Filip Sinobad Devon Butler Emma Simon Rebecca Hait Shannon Cuff Noah LaPorte Walter Woods Joshua Guske Michael Leone Leone Michael Aaron McNabb Garret Endres* Justin Richards Amber Williams Amanda Miiller* Michael Motloch Cheralill Hughes Carleigh McNulty Danielle Edwards Savannah Bolotta Bolotta Savannah Kaitlynn Cesarek* Kaitlynn Elizabeth Powers* Cassondra Stewart Megan Pokropowicz Megan Pokropowicz ALTO SAXOPHONE ALTO Alexander Kammerer* TENOR SAXOPHONE BARITONE SAXOPHONE BARITONE Denotes Principal Part Players CMU High School Honor’s Band Band Honor’s CMU High School

SYMPHONIC BAND MSBOA District XVI Honors Band *

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MSBOA District XVI Honors Jazz Ensemble Ensemble Jazz XVI Honors MSBOA District Denotes Detroit Symphony Youth Ensemble Youth Ensemble Symphony Detroit Denotes +

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FLUTE Kyle Root Root Kyle PICCOLO Ashley Lutt Lutt Ashley CLARINET Keili Wilson Dana Novak Brianna Allor Alexis Hetzel Alexis Kelly Felcyn* Sydney Parus Parus Sydney Victoria Gunst Lauren Paleno Lauren Corneil Sarah Przybylo Sarah Przybylo Jessica Munroe Kathryn Haberl* Erin Bandemer* Kelsea Kummer Monika Konrad* Mallory Gleason Amanda Cejmer LiAnne Edwards Brooke Donnelly Madison Seifert* Emily BlanchetteEmily Ashley DeBiase* Kurtis Kowalczyk Renette Mahoney Dylan McDerment BASS CLARINET BASS Kendall Jablonski* Quinton Shoulders Caroline Debrowski Debrowski Caroline Rachel Piotruchowski Amanda Czostkowski