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OLIVIER MOSSET Born 1944 in Bern, Switzerland Lives and Works in New York and Tucson, AZ

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OLIVIER MOSSET Born 1944 in Bern, Switzerland Lives and Works in New York and Tucson, AZ OLIVIER MOSSET Born 1944 in Bern, Switzerland Lives and works in New York and Tucson, AZ SOLO EXHIBITIONS 2015 Plan B, Power Station, Dallas, TX Koenig & Clinton, New York 2014 Olivier Mosset: The Kitchen Paintings, Galerie Andrea Caratsch, Zürich TU M’, MUTT, TUTU., Yvon Lambert, Paris Olivier Mosset, Galerie Les Filles du Calvaire, Paris Galerie Guy Ledune, Brussels A Moveable Feast Part VII–Olivier Mosset, Campoli Presti, Paris Shoot the Lobster, Luxembourg 2013 Exposition de groupe, The Kitchen, co-presented with the Cultural Services of the French Embassy, New York Galerie Lange + Pult, Auvernier, Switzerland Mosset, La Capelleta, Mosset, France Martos Gallery, New York Olivier Mosset: Fakes, Failures and Walls, Musée Régional d’Art Contemporain Languedoc Roussillon, Sérignan, France Olivier Mosset: Circles and Stripes, Galerie Andrea Caratsch, Zürich Campoli Presti, London 2012 Sous apparence (ballet de Marie-Agnès Gillot), Opéra National de Paris, Palais Garnier, Paris Leaving the Museum, Kunsthalle Zürich Indipendenza Studio, Rome Bibliothèque municipale de Lyon, France 2011 BRMC, Galerie Andrea Caratsch, Zürich Born in Bern, Kunsthalle Bern, Switzerland Mary Boone Gallery, New York Leo Koenig Inc., New York Christopher Grimes Gallery, Santa Monica, CA 2010 FIAC, courtyard of the Louvre Gallery, Galerie Martine et Thibault de la Châtre, Paris (duoshow Morellet / Mosset) A step backwards, Musée d’art contemporain de Lyon, France Untitled, Museum of Contemporary Art, Tucson, AZ Galerie Sollertis, Toulouse, France Xtra Content, Carlson Gallery, London The Artist as Collector: Olivier Mosset, Museum of Contemporary Art, Tucson, AZ Gala MoCA, Museum of Contemporary Art, Tucson, AZ 2009 Galerie Une, Auvernier, Switzerland Museo d'Arte, Mendrisio, Ticino, Switzerland New Paintings, Galerie Andrea Caratsch, Zürich Patrick De Brock Gallery, Knokke, Belgium Olivier Mosset Painting, Galerie les Filles du Calvaire, Brussels 1 Yellow Wall #3, Mandrake, Los Angeles Sequence 2: One or Two Works, One Week, Miguel Abreu Gallery, New York ZZ, Triple V, Dijon, France Galleria Massimo de Carlo, Milan 2008 DoArt gallery, Beijing Zane Bennett Contemporary Art, Santa Fe, NM Olivier Mosset with John Armleder, Contemporary Art Museum, St. Louis, MO Paintings and Dots, Galerie van Gelder, Amsterdam Olivier Mosset, Patrick De Brock Gallery, Knokke, Belgium 2007 Chapelle du Caramel, Chalon-sur Saone, France Villa Tamaris Centre d'Art, La Seine sur Mer, France Ecole des Beaux-Arts, Rennes, France Galerie Art & Essai, Rennes, France Espace d'Art Contemporain Fernet Branca, Saint Louis, France Espace d'Art Contemporain, Saint Restitut, France Spencer Brownstone Gallery, New York Angstrom Gallery, Los Angles Ten Monochromes, Galerie Andrea Caratsch, Zürich 2006 Spencer Brownstone Gallery, New York Saint Vincent Square, National Theatre Contemporary Arts Center, Orleans, France Galerie Les filles du Calvaire, Paris Windows, Palais de Tokyo, Paris La Salle de Bains, Lyon, France Galerie de Multiples, Paris Kyle Jenkins - Olivier Mosset, PS Project Space, Amsterdam 2005 Gallery One, Auvernier, Switzerland Galerie Caratsch, de Pury & Luxembourg, Zürich Last Run, Montriond 14, Circuit, passage Montriond 14, Lausanne, Switzerland Les Halles, Porrentruy, Switzerland Odeon 5, Paris Incognito Gallery, Paris Incognito artclub 24h/24, Paris PS - Project Space, Amsterdam 2004 Galleria Palladio, Lugano, Switzerland Skopia Art Contemporain, Geneva Carre d'Art, Nîmes, France Galerie Susanna Kulli, Zürich Austellungsraum Ursula Werz, Tabingen, Germany House of Art, Ceske Budovice, Czech Republic 2003 Galerie Guy Ledune, Brussels Gallery One, Neuchatel-Auvernier, Switzerland Kunstverein Kunstmuseum St. Gallen, Switzerland Musée Cantonal des Beaux-Arts, Lausanne, Switzerland University of Arizona Museum of Art, Tucson, AZ 2002 Steven Perrino, Galerie Les Filles du Calvaire, Paris Sarah Cottier Gallery, Sydney 2 300 Türen portes porte portas, Schweizerische Landesbibliothek, Bern, Switzerland The University of Arizona Museum of Art, Tucson, AZ Spencer Brownstone Gallery, New York CCNOA, Art & Architecture, Brussels (with Sol Le Witt, Dan Walsh) 2001 Gasser & Grunert, New York Blaine Fine Art, London Anselm dregs, Berlin 2000 The Spot, Studio of Contemporary Art, Le Havre, France Skopia Art Contemporain, Geneva The Eden Cinema, Space Oskar Niemeyer, Le Havre, France Charlotte Jackson Fine Art, Santa Fe, NM 1999 Galerie Susanna Kulli, St. Gallen, Switzerland Centro D'Arte Contemporanea Ticino, Bellinzona, Switzerland Galerie Rolf Ricke, Cologne Spencer Brownstone Gallery, New York 24 Small Paintings, Galerie Bruno Bischofberger, Zürich Migros Museum für Gegenwartskunst, Zürich Exit, Lausanne, Switzerland Galerie Susanna Kulli, St. Gallen, Switzerland Salon, San Miguel de Allende, Mexico Galerie Gaxotte, Porrentruy, Switzerland 1998 Field, San Francisco, CA Galerie Eric Linard, Guard Adhemar, France Galerie Martine & Thibault de la Chatre, Paris 1997 Gilbert Brownstone & Cie, Paris Galerie Guy Ledune, Brussels 1996 Galerie Van Gelder, Amsterdam Art Centre Neuchâtel, Neuchâtel, Switzerland Museum of Modern and Contemporary Art, Geneva Galerie Tanja Grunert & Klemens Gesser, Cologne Galerie Susanna Kulli, St. Gallen, Switzerland Musée d’Art Moderne et Contemporain, Geneva Galleria Massimo de Carlo, Milan 1995 FRAC Auvergne, Clermont-Ferrand, France MFA 3, MAMCO, Geneva Galerie de l’Ecole des beaux-arts, Quimper, France Ecole Regionale des Beaux-Arts, Dunkerque, France 1994 John Gibson Gallery, New York Galerie Friebe, Lüdenscheid, Germany Arsenal Pratifiori, Cantonal Museum of Fine Arts, Sion, Switzerland Galerie Guy Ledune, Brussels Centre Genevois de Gravure Contemporaine, Geneva CBD Gallery, Sydney 3 Gallery Art & Public, Geneva Galerie Susanna Kulli, St. Gallen, Switzerland La Box, Ecole Nationale Superieure d’art de Bourges, France Galerie Guy Ledune, Brussels Musée Cantonal des Beaux-Arts, Sion, Switzerland 1993 L'Usine, Dijon, France CCC, Tours, France Gilbert Brownstone & Cie, Paris The Consortium, Dijon, France Château de Fraisse, Fraisse-des-Corbieres, France Galerie Susanna Kulli, St. Gallen, Switzerland 1992 Galerie Mark Müller, Zürich, Switzerland Chateau Grand Jardin, Joinville, France Ecole Regionale d’Art, Dunkerque, France Galerie Massimo de Carlo, Milan, Italy 1991 Galerie Jean-François Dumont, Bordeaux, France Sollertis Gallery, Toulouse, France Vrej Baghoomian Gallery, New York Tony Shafrazi Gallery, New York Galerie Anselm Dreher, Berlin Gilbert Brownstone & Cie, Paris 1990 John Gibson Gallery, New York Galerie Jean-François Dumont, Bordeaux, France Galerie Pierre Huber, Geneva Dart Gallery, Chicago Galerie Tanit, Cologne Marika Malacorda Gallery, Geneva Galerie Catherine Issert, Ste. Paul de Vence, France La Biennale de Venezia, 44th International Art Festival, Swiss Pavilion (cat.) Galerie Van Gelder, Amsterdam Paolo Vitolo Cotemporanea Arte, Rome 1989 Galerie Massimo de Carlo, Milan Julian Pretto Gallery, New York Galerie Sollertis, Toulouse, France 1988 Galerie Susanna Kulli, St. Gallen, Switzerland John Gibson Gallery, New York Julian Pretto Gallery, New York Gilbert Brownstone & Cie, Paris 1987 John Gibson Gallery, New York Museum St. Pierre, Lyon, France Galerie Daniel Buchholz, Cologne Julian Pretto Gallery, New York Gilbert Brownstone & Cie, Paris Galerie Massimo de Carlo, Milan Galerie Emmerich-Baumann, Zürich Galerie Rivolta, Lausanne, Switzerland 4 Galerie Zero, Stockholm, Sweden Collection Patriculière, Galerie l’Aire du Verseau, Paris 1986 Centre d'art contemporain, Geneva (cat.) Aargauer Kunsthaus, Aarau, Switzerland (cat.) Tony Shafrazi Gallery, New York Gilbert Brownstone & Cie, Paris Marik Malacorda Gallery, Geneva Galerie Susanna Kulli, St. Gallen, Switzerland Villa Arson, Nice, France 1985 Museum St. Croix, Poitiers, France (cat.) Museum of Fine Arts, La Chaux-de-Fonds, Switzerland (cat.) Centre d’Art Contemporain, Chateauroux, France 1984 Galerie Susanna Kulli, St. Gallen, Switzerland 1983 Deep in the Court to Right, Chagny, France Marika Malacorda Gallery, Geneva Egg 7, Strengelbach, Switzerland Raum Fur Malerei, Cologne Galerie Marika Malacorda, Geneva 1982 Olson Gallery, New York 1981 Patrick Verelst Gallery, Antwerp, Belgium 1980 C. Space, New York Marika Malacorda Gallery, Geneva Galerie Claude Givaudan, Geneva Galerie Gillespie-Laage, Paris 1979 Tony Shafrazi Gallery, New York 1977 Media Gallery, Neuchâtel, Switzerland Laboratorio, Milan 1976 Galerie Daniel Templon, Paris Ecart, Geneva Galerie l’Oeil 2000 Chateauroux, France A.D.D.A., Marseille, France 1975 Doubt Everything, Gallery Ben, Palais des Beaux-Arts, Brussels 1974 Galerie Daniel Templon, Paris Galerie Daniel Templon, Milan 1971 Galerie Mathias Fels, Paris 1969 Galerie Rive Droite, Paris (cat.) 1968 Galerie Rive Droite, Paris 5 GROUP EXHIBITIONS 2015 Balthazar, VNH Gallery, Paris Paintingontopofitself, MOP, Sydney, Austrailia Quand fondra la neige, où ira le blanc, Galerie Les Filles du Calvaire, Paris, France Portrait de l’artiste en jeune homme, Musée régional d’art contemporain Languedoc-Roussillon, Sérignan, France Carlos Bunga & Olivier Mosset, Christopher Grimes Gallery, Santa Monica, CA Mary / Miller / Mosset / Overton, Triple V, Paris 2014 Servane Mary / Virginia Overton / Olivier Mosset, Apalazzo Gallery, Brescia, Italy That was Ken, This is Now, Art Space Malibu, Malibu, CA MANIFESTA 10, Saint Petersburg, Russia The Shaped Canvas, Revisited, Luxembourg & Dayan, New York Olivier Mosset – Collaborations, Centre Culturel Suisse, Paris 2013 House of Vettii,
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  • Olivier Mosset Art Basel 2018 Olivier Mosset
    Olivier Mosset Art Basel 2018 Olivier Mosset Untitled "Blue / purple / blue", 2 0 0 8 acrylic on canvas 197 1.773 4,5 cm Unlimited, hall 1.1., U48 Olivier Mosset, Untitled (blue / purple / blue), 2008 197 x 1773 x 4.5 cm, acrylic on canvas « Une fourmi de dix-huit mètres […] ça n'existe pas » – Robert Desnos (engl. « An eighteen-metre ant […] doesn't exist ») Olivier Mosset, born in 1944 in Bern, once a member of the famous BMPT group with Daniel Buren, Niele Toroni and Michel Parmentier, who sought to democratize art through radical procedures of deskilling, implying that the art object was more important than its authorship, is nowadays widely recognized for his conducting of research into the future of painting through geometrical abstraction and monochromes. Living between two continents since 1977, Mosset remains one of the few artists in Europe that is involved in the French, Swiss and American artistic and critical contexts. Dating from 2008, the extremely large format acrylic canvas Untitled (blue / purple / blue), measuring 197 x 1773 cm and consisting of a group of three panels, each 2 x 6 meters and covered with blue and purple colour, does not represent a break with his early work, but should be regarded as a re-start, a re-presentation or even a re-production that continues his quest for blurring the margins of art. When we asked Olivier Mosset about the story behind this large format canvas he answered: “There is no story, but it was made and shown in China. Then Mosset reveals: “In fact, the story of China was that I met this gentlemen and they had this gallery that was pretty big and someone said: ‘Olivier, you have done 6 meter high monochromes in blue / yellow and pink / purple, you should do something like that’.
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  • Olivier Mosset Exposition Du 17 Juin Au 30 Juillet 2006
    La Salle de bains 56 rue saint-Jean 69005 LYON téléphone : 04 78 38 32 33 email : [email protected] www.lasalledebains.net Olivier Mosset Exposition du 17 juin au 30 juillet 2006 On a souvent parlé à l’endroit des premières peintures d'Olivier Mosset de ce qui serait un « degré zéro » de la peinture au moins comme horizon. Leur motif se prête, à vrai dire, très bien à cet emprunt aux théories littéraires de Barthes : en 1966-1967, Mosset peint une série de toiles blanches où figure, en rouge, la seule lettre « A » majuscule. Il faut bien commencer quelque part, et le début de l'alphabet semble tout indiqué. Faux départ, toutefois, puisque presque simultanément, il fait une autre peinture avec les mots « RIP » et une autre avec les mots « THE END », comme pour boucler le parcours au moment-même où il l'entamait. La suite de son travail sera empreinte de cette circularité : Mosset revient souvent sur des chantiers laissés un moment à l'abandon, recommençant par exemple aujourdhui la peinture monochrome, qu'il avait délaissée pendant un temps. En un sens (rétrospectif), cette circularité devient même en 1967 le motif de ses peintures, toutes identiques : un cercle noir au milieu d’une toile blanche de format carré. Mosset envisage alors de refaire cette même peinture indéfiniment, encore et encore. Aussi abrupts que puissent apparaître ces débuts, Mosset ne cherche pas à atteindre une hypothétique « table rase ». Les « manifestations » communes de 1967-1968, avec Daniel Buren, Michel Parmentier et Niele Toroni prennent soin de bannir, entre autres illusions, la possibilité de faire abstraction de tout contexte historique, politique ou socio- économique.
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  • Steven Parrino Armleder, Barré, Buren, Hantaï, Mosset, Parmentier, Toroni
    G A G O S I A N G A L L E R Y 19 March 2013 PRESS RELEASE GAGOSIAN GALLERY 4 RUE DE PONTHIEU T. +33.1.75.00.05.92 75008 PARIS F. +33.1.70.24.87.10 HOURS: Tue–Sat 11:00am–7:00pm STEVEN PARRINO ARMLEDER, BARRÉ, BUREN, HANTAÏ, MOSSET, PARMENTIER, TORONI Thursday, 21 March–Saturday, 25 May 2013 Opening reception: Thursday, March 21st, from 6:00 to 8:00pm When I started making paintings, the word on painting was "PAINTING IS DEAD." I saw this as an interesting place for painting […] Death can be refreshing, so I started engaging in necrophilia… —Steven Parrino We are not painters. —BMPT Gagosian Gallery is pleased to present an exhibition that for the first time juxtaposes key works by American artist Steven Parrino with European counterparts spanning two generations: John Armleder, Martin Barré, Daniel Buren, Simon Hantaï, Olivier Mosset, Michel Parmentier, and Niele Toroni. Bringing an extreme punk sensibility to bear on the history of abstraction, from the late seventies Parrino began to literally attack the canvas, piercing and tearing its surface, or twisting it off the stretcher to disrupt the conventional rectangular plane. These “misshaped” canvases painted in viscous enamel or lacquer, such as Spin-Out Vortex (Black Hole) (2000) and Skeletal Implosion (Thick Stripes) (2001), were in part muscular, performative responses to the refined aesthetics of abstract precedents. 13 Shattered Panels (for Joey Ramone) (2001) is a wall-size installation of plasterboard painted shiny black, a spontaneous and emotive abstract composition born out of destructive action and Parrino’s shrine to the punk legend whose rock band, The Ramones, forever changed the American music scene of the late seventies with driving reductive guitar rhythms and a minimalist visual style of black leather and torn jeans.
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    P�P�P�P�P�§ P�P�P�P�P�P�§ P�P�P�P�P�P�P� P�P�P�P�P�P�§ P�P�P�P�P�P�P�P�P�P�P�P�P�P�P�P�§ P�P�P�P�P� P�P�P�§ MAMCO | Musée d’art moderne et contemporain [email protected] T + 41 22 320 61 22 10, rue des Vieux-Grenadiers | CH–1205 Genève www.mamco.ch F + 41 22 781 56 81 P�P�P�P�P�P� P�P�P�P�P�P�P�P�P�§ Olivier Mosset (b. 1944) set his sights on a career as an artist after attend- ing an exhibition of works by Jasper Johns and Robert Rauschenberg in Bern, in his native Switzerland, in 1962. Early the following year, Mosset headed to Paris to work as an assistant to Jean Tinguely, who introduced him to other members of the Nouveau Réalisme movement—Mosset would later spend brief spells working under Niki de Saint Phalle and Daniel Spoerri—as well as to Otto Hahn, Alain Jouffroy, and other influ- ential critics. Tinguely also arranged for Mosset to meet Andy Warhol in New York. After mixing in these circles, Mosset soon formed his own opin- ions about the artistic debates of the time: wary of lyrical abstraction (the School of Paris), nonplussed by kinetic art, and a keen follower of the emerging Pop art movement. These opinions were reflected in the series of monochrome paintings, each featuring a circle, that he began producing in 1966. And they were views he shared with Daniel Buren, Michel Parmentier, and Niele Toroni.
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  • Indipendenza Studio Is Pleased to Present a Solo Exhibition by Olivier Mosset
    Indipendenza Studio is pleased to present a solo exhibition by Olivier Mosset. Mosset has been instrumental in raising questions about painting as an historic object. In the Sixties when he was part of the Parisian BMPT group (the acronym represents the initials of the surnames of the founding members: Daniel Buren, Olivier Mosset, Niele Toroni and Michel Parmentier) his interests were already geared towards resetting pictorial practice and its minimum conditions of existence. His canvases were covered with geometric and elementary shapes. The aim was to give maximum value to the act of painting, not as a representative tool but as an object in its own right capable of modifying the context in which painting is operating. In the course of his practice Mosset has radicalised thinking about the medium in its most purely material aspect: canvas, frame, paint, surface, format, light. For the exhibition at Indipendenza Studio, Mosset presents a series of monochrome black and white canvases painted using a rubber polymer paint more commonly used for industrial purposes. With this series of works he continues to blur the concept of authorship working on the surface and its texture. Mosset's artistic practice and his questioning of painting's status have become an influential point of reference. Olivier Mosset was born in Bern in 1944 and lives and works in Tucson, Arizona. His work forms part of the permanent collections of MoMA, New York; the Pompidou Centre, Paris; the Migros Museum, Zurich; the Musée Cantonal des Beaux-Arts, Lausanne; the Musée des Beaux Arts, La Chaux-De-Fonds, Switzerland; and the MAC, Lyon.
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  • Olivier Mosset Est Né À Berne, Suisse, En 1944
    OLIVIER MOSSET OLIVIER MOSSET Born in Bern, in 1944, in Switzerland. He lives and works in Tucson, Arizona, USA. MAIN SOLO SHOWS 2018 Abstraction, Jean-Paul Najar Foundation, Dubai, United Arab Emirates 2017 Répliques : l'original à l'épreuve de l'art, Musée des Beaux-Arts, La-Chaux-de-Fond, Switzerland 2016 Installation, Bertha and Karl Leubsdorf Art Gallery, New York, US 2014 Olivier Mosset, Galerie Les filles du calvaire, Paris, France Collaborations, Centre Culturel Cuisse, Paris, France A Moveable Feast - Part VII, Campoli Presti, Paris, France TU M', MUTT, TUTU, Galerie Yvon Lambet, Paris, France Galerie Guy Ledune, Brussels, Belgium 2013 Henry Codax, Shoot the Lobster, Gavin Brown’s enterprise, New York, USA Martos Gallery, New York, USA Musée Régional d’Art Contemporain Languedoc Roussillon, Sérignan, France Circles and Stripes , Galerie Andrea Caratsch, Zürich, Switzerland The Kitchen, New York, USA Campoli Presti, London, UK Campoli Presti, London, UK 2012 Artiste invité du Salon de Montrouge, France 2011 Born in Bern, Kunsthalle Bern, Switzerland Leo Koenig Gallery, New York, USA Mary Boone Gallery, New York, USA Galerie Les filles du calvaire, Paris, France 2010 A step backwards / Bob’s kitchen…, Musée d’art contemporain de Lyon, France 2009 Portrait de l’artiste en motocycliste, Magasin Grenoble, France Galerie Une, Auvernier-Neuchâtel, Switzerland Eric Linard, La Garde Adhémar, France Museo d'Arte, Mendrisio, Tessin, Switzerland New paintings, Galerie Andrea Caratsch, Zurich, Switzerland Galerie Patrick Debrock, Knokke-le-Zoute,
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  • OLIVIER MOSSET Biography
    OLIVIER MOSSET Biography Born 1944 in Bern, CH Lives and works in New York, NY and Tucson, AZ, US Selected Solo Shows 2019 TUTU, Museum Haus Konstruktiv, Zürich, CH Olivier Mosset: Graphic Works, Laure Genillard Gallery, London, UK Massimo De Carlo, Milan IT Untitled, Marseille Modulor, Marseille, FR Abstraction, Jean-Paul Najar Foundation, Dubai, AE 2016 Olivier Mosset, Bertha and Karl Leubsdorf Art Gallery, New York, NY, US Douane Hanson, Olivier Mosset, Gagosian Gallery, Paris, FR 2015 Mai-Thu Perret & Olivier Mosset - Balthazar, VNH Gallery, Paris, FR Plan B, Power Station, Dallas, AZ, US Olivier Mosset, Koenig & Clinton Gallery, New York, NY, US 2014 Olivier Mosset, The Kitchen Paingings, Galerie Andrea Caratsch, Zürich, CH TU M, M U TT, T U T U., Galerie Yvon Lambert, Paris, FR Olivier Mosset, Galerie Les Filles du Calvaire, Paris, FR Galerie Guy Ledune, Bruxelles, BE KLM, La Station, Nice, FR A M oveable Feast Part VII – Olivier Mosset, Campoli Presti Paris, FR Olivier Mosset, Shoot the Lobster, Luxembourg, LU Olivier Mosset, Toshiba House, Besançon, FR 2013 Mosset à Mosset, La Capelleta, Mosset, FR Martos Gallery, New York, NY, US Galerie Lange + Pult, Auvernier, CH Fakes, Failures and Walls, Musée Régional d’Art Contemporain Languedoc Roussilllon, Sérignan, FR Olivier Mosset : Circles and Stripes, Galerie Andrea Caratsch, Zürich, CH Campoli Presti, London, UK 2012 Sous apparence (ballet de Marie-Agnès Gillot), Opra National de Paris, Palais Garnier, Paris, FR Olivier Mosset, Leaving the Museum, Kunsthalle Zürich, Zürich, CH Indipendenza
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  • The Parrinos
    THE PARRINOS Maybe it was luck, maybe it was meant to be. Or maybe luck is what's meant to be? Though not for everyone. Not for anyone unlucky in their lives, those for whom life is mostly what happens to them. There are others, conversely, propelled by an impatient nature, who set things in motion for themselves, attracting energies and minds similarly self-propelled—not so much a matter of physics as of sensibilities and ideas that mutually excite, that purposefully collide. The convergence of these four artists is and isn't an example of the old notion: opposites attract. They had as much in common as not. John Armleder and Olivier Mosset came from Europe. Cady Noland and Steven Parrino were decidedly American, formed and deformed by their tangled roots, all Americans, with the exception of Native Americans, having come from somewhere else. John and Olivier are Swiss and represent, to my mind, being with and against the country's supposed neutrality/conformity. Olivier, at a restless early age, having left for Paris in '65, to present his paintings soon after with BMPT (Buren, Mosset, Parmentier, Toroni), an association whose brevity in no way impeded its historical longevity, then went on to New York in '77, where he was based for many years. The fact that he traveled back and forth between New York and Europe, combined with a real curiosity for what others were doing — more so than for his own work? — made him a bridge, eventually an important connector, not only between Europe and the states but between generations.
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  • Biography Olivier Mosset
    Biography Olivier Mosset Bern, Switzerland, 1944. Lives and works in Tucson, Arizona. SOLO EXHIBITIONS 2020 2020 - Olivier Mosset. Retrospective, MAMCO - Musée d’Art Moderne et Contemporain, Genève, CH 2019 2019 - 2, 11, 47, Fondazione Antonio Dalle Nogare, Bolzano, I 2019 - Tutu, curated by Sabine Schaschl, Museum Haus Konstruktiv, Zürich, CH. Catalogue 2019 - Crocodile, Plateforme 10, Lausanne, CH 2018 2018 - Olivier Mosset, Massimo De Carlo, Milano, I 2018 - Graphic Works, LG London, London, UK 2018 - Olivier Mosset, Untitled, 2018, curated by Marc-Olivier Wahler, Fiac Hors les Murs, Paris, F 2018 - Abstraction, Jean-Paul Najar Foundation, Dubai, UAE 2017 2017 - Répliques: l'original à l'épreuve de l'art, Musée des Beaux-Arts, La-Chaux-de-Fond, CH 2016 2016 - Olivier Mosset, Galerie Andrea Caratsch, Zürich, CH 2016 - Olivier Mosset, Hunter College Art Galleries, New York, USA 2016 - Olivier Mosset, Nymphius Projekte, Berlin, D 2015 2015 - Olivier Mosset - Plan B, Te Power Station, Dallas, USA 2015 - Olivier Mosset, Koenig & Clinton, New York, USA 2015 - Olivier Mosset, Laleh June Galerie, Basel, CH 2014 2014 - Te Kitchen Paintings, Galerie Andrea Caratsch, St. Moritz, CH 2014 - KLM / Jay Kassay-Alix Lambert-Olivier Mosset, La Station, Nice, F 2014 - Olivier Mosset, KLM, Besançon, F 2014 - Bel Air 1965, Antenne Permanente Saint-Christophe - FRAC Bourgogne, Chagny, F 2014 - Olivier Mosset: TUM' – MUTT – TUTU, Atelier & Galerie Raynald Métraux, Lausanne, CH 2014 - Olivier Mosset, Shoot Te Lobster, Luxembourg City, L 2014 - Olivier Mosset,
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  • Niele Toroni, Empreintes De Pinceau N°50 À Intervalles Réguliers De 30 Cm (Brush Impressions No
    Niele Toroni, Empreintes de pinceau N°50 à intervalles réguliers de 30 cm (Brush Impressions No. 50 at Regular Intervals of 30 cm), 2020, collage and acrylic on foam board, 25 5/8 × 19 3/4". Niele Toroni MARIAN GOODMAN GALLERY | PARIS STILL A CARRIER OF THE PAINTING VIRUS. These words, handwritten by Niele Toroni and posted near the gallery’s reception desk, greeted visitors to the artist’s recent exhibition “Un tout de différences” (A Set of Differences). The show featured the same monochrome imprints the artist has been making for more than fifty years, and the works were all titled, as usual, with blunt descriptiveness (e.g., Empreintes de pinceau N°50 à intervalles réguliers de 30 cm [Brush Impressions No. 50 at Regular Intervals of 30 cm]). Yet the familiar marks looked quite different post-Covid-19. Developed by Toroni in 1966 as a means of divorcing painting from traditional notions of authorship and originality (a concern he shared with the other founding members of the short-lived but influential BMPT group, also consisting of Daniel Buren, Olivier Mosset, and Michel Parmentier), the artist’s “travail/peinture” (work/painting) suddenly appeared inherently viral. As is always the case with Toroni’s work, the consistent and repetitive gesture provides a constant against which endless variables—physical, conceptual, political, or personal—inspire new and transient interpretations. Installed across the entire back wall of the gallery, a row of ten five-imprint paintings on canvas made in 2019 appeared to aptly illustrate viral replication. The varying colors of the imprints, which were yellow, red, gray, blue, and orange, suggested slight mutations in a strain of painting that’s been potent enough to stay alive for more than half a century.
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  • Mosset Biography
    OLIVIER MOSSET BIOGRAPHY Born in Bern, Switzerland, 1944. Lives in Tucson, Arizona. Solo Shows: 2016 Galerie Andrea Caratsch, Zurich, Switzerland. 2015 Koenig & Clinton, NYC, NY. 2014 Campoli Presti, Paris, France. “A Moveable Feast – Part VII”. 2013 Martos Gallery, NYC, NY. 2012 Indipendenza Studio, Rome, Italy. 2011 Galerie Andrea Caratsch, Zurich, Switzerland. “BRMC”. Kunsthalle Bern, Bern, Switzerland. “Olivier Mosset: Born in Bern”. MarY Boone GallerY, NYC, NY. Leo Koenig, Inc., NYC, NY. Christopher Grimes GallerY, Santa Monica, California. 2010 Museum of Contemporary Art, Tucson, Arizona. “The Artist as Collector: Olivier Mosset”. Museum of ContemporarY Art, Tucson, Arizona. “Gala MoCA 2010”. 2009 Galerie Une, Auvernier, Switzerland. Mandrake, Los Angeles, California. “Yellow Wall #3”. Miguel Abreu Gallery, NYC, NY. “Sequence 2: One or Two Works, One Week”. Triple V, Dijon, France. “ZZ”. Galleria Massimo de Carlo, Milan, Italy. Mendrisio Museo d'Arte, Mendrisio, Tessin, Switzerland. Galerie les Filles du Calvaire, Brussels, Belgium. “Olivier Mosset Painting”. Galerie Andrea Caratsch, Zurich, Switzerland. “New Paintings”. 2008 Galerie van Gelder, Amsterdam, The Netherlands. “Paintings and Dots”. 2007 Villa Tamaris Centre d’Art, La Seyne-sur-Mer, France. Ecole des Beaux-Arts, Rennes, France. Galerie Art & Essai, Rennes, France. Espace d’art contemporain, Saint-Restitut, France. OLIVIER MOSSET BIOGRAPHY (continued) ; Solo Shows: 2007 Espace d’art contemporain Fernet Branca, Saint-Louis, France. 2006 Spencer Brownstone Gallery, NYC, NY. Carré Saint-Vincent, Centre d’arts contemporains, Orléans, France. Galerie les filles du Calvaire, Paris, France. 2005 Galerie Une, Auvernier, Switzerland. “Monochromes”. Galerie Caratsch, de PurY & Luxembourg, Zurich, Switzerland. PS - Project Space, Amsterdam, The Netherlands. (with KYle Jenkins) 2004 Skopia, Art Contemporain, Geneva, Switzerland.
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