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CBCS Syllabus for BA (Hons.)

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CBCS Syllabus for BA (Hons.) JAMSHEDPUR WOMEN’S COLLEGE (A CONSTITUENT AUTONOMOUS COLLEGE OF KOLHAN UNIVERSITY) "A" GRADE COLLEGE BY NAAC, BANGALORE DEPARTMENT OF MUSIC CBCS SYLLABUS OF B. A. (Hons.) MUSIC (VOCAL) (SEMESTER SYSTEM) W.E.F SESSION 2017-2019 CHOICE BASED CREDIT SYSTEM 2015 CHOICE BASED CREDIT SYSTEM IN B.A HONOURS HINDUSTANI VOCAL MUSIC SEM CORE COURSE(14) Ability Enhancement Skill Enhancement Elective: Discipline Elective Compulsory Course(SEC)2 Specific DSE(4) Generic(GE)(4) Course(AECC) I CC 1 Theory: Theory+ of Indian Music (English/MIL GE-1 CC 2 Practical : Stage Performance Communication)/ Environmental Science II CC 3Theory: Theory of Indian Music Environmental GE-2 CC 4 Practical : Stage Performance Science/(English/MIL Communication III CC 5 Theory: Theory of Indian Music SEC-1 GE-3 Hindustani Music CC 6 Practical : Stage Performance (Project & Practical) CC 7 Practical :Viva Voce IV CC 8 Theory : Theory of Indian Music SEC-2 GE-4 CC 9 Practical : Stage Performance Hindustani Music CC 10 Practical : Viva Voce (Project & Practical) l V CC 11 Theory: Theory of Indian Music DSE-1 Hindustani Music CC 12 Practical : Stage Performance Vocal DSE-2 Hindustani Music Vocal VI CC 13 Theory : Theory of Indian Music DSE-3 Hindustani Music CC 14 Practical : Stage Performance Vocal DSE-4 PROJECT & VIVA *These courses shall be offered to the students of B.A. Honours, other than their own discipline. CBCS Syllabus for B.A. (Hons.) Hindustani Music (Vocal) SEMESTER - I TOTAL MARKS CREDITS Course -101 : Theory of Indian Music 80+20=100 4 Course – 102: Practical 100 8 AECC - English 50 2 GE-I (Theory + Practical) 75+25=100 6 SEMESTER - II Course -103 : Theory of Indian Music -2 80+20=100 4 Course – 104: Practical 100 8 AECC - Evs 50 2 GE-II (Theory + Practical) 75+25=100 6 SEMESTER - III Course -105 : Theory of Indian Music 80+20=100 4 Course – 106: Practical 100 8 Course – 107: Practical 100 6 SEC- I (Project+Practical) 50 2 GE-III (Theory + Practical) 75+25=100 6 SEMESTER - IV Course -108 : Theory of Indian Music 80+20=100 4 Course – 109: Practical 100 8 Course – 110: Practical 100 6 SEC- II (Project Practical) 50 2 GE-IV (Theory + Practical) 75+25=100 6 SEMESTER – V Course -111 : Theory of Indian Music 80+20=100 4 Course – 112: Practical 80+20=100 8 DSE-I (Theory +Practical) 75+25=100 6 DSE-II (Theory +Practical) 75+25=100 6 SEMESTER – VI Course -113 : Theory of Indian Music 80+20=100 4 Course – 114: Practical 80+20=100 8 DSE-III (Theory +Practical) 75+25=100 6 DSE-IV – Project & Viva 75+25=100 6 Total= 140 SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-I PAPER-CC 1 Theory of Indian Music Max Marks- 80 Credits: 5 Definition of the following terms :- I. Sangeet, Nada, Saptak, Swara, , Shruti, Raga, Mela ( Thata), Alankar, Sthayi, Vadi, Samvadi, Anuvadi, Vivadi, Tala, Laya, Jati, Aroh, Avaroh, Pakad, Vaggeyakar, Kalavant. II. Theoretical Knowledge of the Prescribed Ragas- Alhaiya Bilabal Yaman Khamaj Bhairav Bhupali III. Notation of Composition (Vilambit khayal/ Chhota khayal) in prescribed Ragas. IV. Detailed Study of thePrescribed taal with thah and Dwigun ki layakari- Teental Choutaal Dadra Kaharwa V. Detailed Study of Bhatkhande Swar-lipi and Tal- lipi system. VI. Biography and Contribution of the following- Pandit V D Paluskar Pandit V N Bhatkhande Pandit Ravi Shankar Pandit Omkarnath Thakur SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-I PAPER-CC 1I PRACTICAL (Stage Performance) Max Marks: 100 Credits: 8 1. Vilambit and Drut khayal with simple vistar, alap and taan in all the prescribed ragas. 2. Ability to recite the prescribed taal with taali and khali along with the dwigun layakari. 3. Swarmalika and Lakshangeet in all prescribed Ragas. 4. Presentation of one semi-classical/ Devotional /Rabindra sangeet or any light composition (non-film). 5. Ability to play basic alankar (suddha swara) in harmonium. SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-II PAPER-CC III Theory of Indian Music Max Marks- 80 Credits: 5 Definition of the following terms- 1. Gamak, Meend, Ashray raga, Parmel prabeshak raga, Sandhiprakash raga ,Ardhwadashak raga, gayak, nayak, Taan, Vakra swar, Varjit Swar, Grah, Ansh. 2. Theoretical Knowledge of the Prescribed Ragas- Brindavni Sarang Durga Bhimpalasi Bageshree Ashavari 3. Notation of Composition (Vilambit khayal/ Chhota khayal) in prescribed Ragas. 4. Detailed Study of thePrescribed taal with thah and Dwigun ki layakari- Ektaal Jhaptaal Roopak Sultaal 6. Time - Theory of Ragas. 7. Biography and Contribution of the following- Pandit Bhimsen Joshi Ustad Amir Khan Ustad Bade Ghulam Ali khan Ustad Abdul Karim Khan SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-II PAPER-CC 1V PRACTICAL (Stage Performance) Max Marks: 100 Credits: 8 1. Vilambit and Drut khayal with simple vistar, alap and taan in all Prescribed Ragas. 2. Ability to recite the prescribed taal with taali and khali along with dwigun and chowgun ki layakari. 3. Identification of Ragas from the given phrases of notes. 4. Presentation of one semi-classical/ Devotional /Rabindra sangeet or any light composition (non-film). 5. Ability to play basic alankar (suddha and vikritswara) in harmonium. SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-III PAPER-CC V Theory of Indian Music Max Marks- 80 Credits: 5 Definition of the following terms- 1. Gram, Murchhana, Nibaddha gaan, Anibaddha gaan, Prabandha, Ragalaap, Roopakalap, Alpatwa, Bahutwa, Margi sangit, Deshisangit, Murki, Khatka. 2. Theoretical Knowledge of the Prescribed Ragas- Malkouns Kedar Patdeep Bhairavi Desh 3. Notation of the compositionTheoretical Knowledge of the Prescribed Ragas- 4. Detailed Study of thePrescribedtaal with thah ,Dwigun,Tigunand Chougun ki layakari- Deepchandi Jhumra Tilwada Dhamar 5. Detailed study and diagrammatical representation of Tanpura and Tabla. 6. Classification of Indian Musical Instruments. 7. Critical study of the mathematical calculation of 72 melas and 32 thaats advocated by Pt. Vyankatmakhi and and Pt. V N Bhatkhand. SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-III PAPER-CC VI PRACTICAL (Stage Performance) Max Marks: 100 Credits: 8 1. Vilambit and Drutkhayal with proper gayaki ,vistar, alap and taan in all Prescribed Ragas. 2. Ability to recite the prescribed taal with taali and khali along with dwigunTigun and chougun ki layakari. 3. Presentation of one semi-classical/ Devotional / or any light composition (non-film). 4. Ability to playprescribed Ragas in harmonium. 5. Ability to play and sing in Tanpura. SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-III PAPER-CC VII PRACTICAL (VIVA-VOCE) Max Marks- 80 Credits: 4 1. Dhrupad and Dhamar in any of the Prescribed Ragas ( Sthayi and Antara) 2. Ability to identify the ragas from the given phrases of notes. 3. Ability to render Tarana in any of the prescribed ragas. 4. Ability to sing sugam sangeet based on any raga. 5. Ability to play and sing in Tanpura. SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-III PAPER-SEC-I (SKILL ENHANCEMENT COURSE) PROJECT & PRACTICAL Max Marks – 50 Credit- 2 1. Understanding various parts of Tanpura & Tabla along with the technique of tunning it. 2. Ability to play thekas of the following talas- Darda, Kaharwa, Teental 3. Ability to sing and play five Basic Alankars in Harmonium. 4. Ability to singh suddha and Vikrit swara in Tanpua. 5. Power point presentation of the life and contribution of Indian Musicians. SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-IV PAPER-CC VIII Theory of Indian Music Max Marks- 80 Credits: 5 I. History of Indian Music – Ancient Period, Medieval Period and Modern Period. II. Theoretical Knowledge of the Prescribed Ragas- Bahar Hameer Jounpuri Shankara III. Notation of Composition (Vilambit khayal/ Chhota khayal) in prescribed Ragas. IV. Detailed Study of thePrescribedtaal with Aad and kuaadkilayakari- Ada Coutaal Pancham sawari Shikher Taal Matta Taal V. Detailed study of the following granthas- Natya Shashtra Sangeet parijat Brihhadeshi Sangeet Ratnakar VI. Detailed study of raga vargikaran. VII. History of the following musical gharanas- Gwalior Kirana Agra Patiala SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-IV PAPER-CC IX PRACTICAL (Stage Performance) Max Marks: 100 Credits: 8 1. Vilambit and Drutkhayal with proper gayaki ,vistar, alap and taan in all Prescribed Ragas. 2. Ability to recite the prescribed taalwithdwigun ,tigun, aad and kuaadkilayakari. 3. Presentation of one Bhajan/ Geet/ Ghazal. 4. Ability to sing National Anthem, College anthem and Kulgeet of Kolhan University. 5. Ability to show and sing the difference between the similar ragas. SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-IV PAPER-CC X PRACTICAL (VIVA-VOCE) Max Marks- 80 Credits: 4 1. Dhrupad and Dhamar in any of the Prescribed Ragas with dwigun ki laykari. 2. Ability to show Abirbhav and Tirobhav in prescribed ragas. 3. Ability to show Alpatwa and Bahutwa in prescribed ragas 4. Ability to sing and show the critical difference between similar ragas 5. Critical analysis and comparative study of prescribed ragas including previous year’s ragas. SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-IV PAPER-SEC-II (SKILL ENHANCEMENT COURSE) PROJECT & PRACTICAL Max Marks – 50 Credit- 2 1. Ability to change and tune the strings of Tanpua. 2. Ability to play raga based song (Film/ Non- Film) in Harmonium. 3. Ability to identify the raga of popular song. 4. Ability to sing raga based film / non film song. 5. Power point presentation of classification of Indian Instruments. SYLLABUS FOR B.A. (HONS.) MUSIC (HINDUSTANI VOCAL) SEMESTER-V PAPER-CC XI Theory of Indian Music Max Marks: 80 Credits: 5 I. Theoretical knowledge of the prescribed Ragas- Kamod Chhayanat Miyan ki Todi Multani Marwa Bihag Ramkali II. Notation of the composition (Vilambit & Chhota Khayal) in prescribed ragas.
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