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The Culture of Capital Punishment in Japan David T
MIGRATION,PALGRAVE ADVANCES IN CRIMINOLOGY DIASPORASAND CRIMINAL AND JUSTICE CITIZENSHIP IN ASIA The Culture of Capital Punishment in Japan David T. Johnson Palgrave Advances in Criminology and Criminal Justice in Asia Series Editors Bill Hebenton Criminology & Criminal Justice University of Manchester Manchester, UK Susyan Jou School of Criminology National Taipei University Taipei, Taiwan Lennon Y.C. Chang School of Social Sciences Monash University Melbourne, Australia This bold and innovative series provides a much needed intellectual space for global scholars to showcase criminological scholarship in and on Asia. Refecting upon the broad variety of methodological traditions in Asia, the series aims to create a greater multi-directional, cross-national under- standing between Eastern and Western scholars and enhance the feld of comparative criminology. The series welcomes contributions across all aspects of criminology and criminal justice as well as interdisciplinary studies in sociology, law, crime science and psychology, which cover the wider Asia region including China, Hong Kong, India, Japan, Korea, Macao, Malaysia, Pakistan, Singapore, Taiwan, Thailand and Vietnam. More information about this series at http://www.palgrave.com/gp/series/14719 David T. Johnson The Culture of Capital Punishment in Japan David T. Johnson University of Hawaii at Mānoa Honolulu, HI, USA Palgrave Advances in Criminology and Criminal Justice in Asia ISBN 978-3-030-32085-0 ISBN 978-3-030-32086-7 (eBook) https://doi.org/10.1007/978-3-030-32086-7 This title was frst published in Japanese by Iwanami Shinsho, 2019 as “アメリカ人のみた日本 の死刑”. [Amerikajin no Mita Nihon no Shikei] © The Editor(s) (if applicable) and The Author(s) 2020. -
KCGI: the Kyoto College of Graduate Studies for Informatics
Japan’s first IT professional graduate school KCGI:KCGI: TheThe KyotoKyoto CollegeCollege ofof GraduateGraduate StudiesStudies forfor InformaticsInformatics Study cutting-edge IT in Kyoto, Japan Link to the Pioneer Spirit URL: https://www.kcg.edu/ E-mail: [email protected] Inquiries: Admissions Section, The Kyoto College of Graduate Studies for Informatics 7 Tanakamonzen-cho, Sakyo-ku, Kyoto 606-8225, Japan Telephone: 075-681-6334 (+81-75-681-6334 outside Japan) Fax: 075-671-1382 (+81-75-671-1382 outside Japan) 英 語 202107 No. 1 & the Only One ! In order to cultivate high level professionals in the field of IT School Philosophy The objective of our school is to train highly-qualified information With the advancements in science and technology, technology professionals with strong practical knowledge remarkable technological innovations, and radical of the current business practices, a solid theoretical background, and a creative and innovative spirit which will enable them to meet socioeconomic changes (diversi�ication, increasing the demands of society and to be responsible for the current complexity, increasing sophistication, globalization, and future generation. and the arrival of the age of IoT, etc.) in recent years, expectations for the education of high level IT professionals viable both in Japan and internationally KCGI's Mission and Purpose are rapidly increasing. In the �ield of IT, however, which spans such To meet the need for high level and diverse human resources specialty �ields as information and management, in our IT society and, furthermore, to contribute to the realization the number of colleges and graduate schools able to of a high level information society and the development of meet the challenges of cultivating high level IT the economy through the provision of high level IT professionals system professionals has been virtually almost zero who possess extensive knowledge and high level skills beyond what is conventional and who are also internationally minded until now. -
Japanese Business Concepts You Should Know
1 Japanese Business Concepts You Should Know Edited by Parissa Haghirian Sophia University Tokyo, Japan 2 Contents About this Book ......................................................................................... 4 The Editor ................................................................................................ 5 Japanese Business Concepts You Should Know ................................................. 6 Contributors of This Book ............................................................................ 94 Bibliography ............................................................................................ 96 Further Reading on Japanese Management .................................................... 102 3 About this Book This book is the result of one of my “Management in Japan” classes held at the Faculty of Liberal Arts at Sophia University in Tokyo. Students wrote this dictionary entries, I edited and updated them. The document is now available as a free e-book at my homepage www.haghirian.com. We hope that this book improves understanding of Japanese management and serves as inspiration for anyone interested in the subject. Questions and comments can be sent to [email protected]. Please inform the editor if you plan to quote parts of the book. Japanese Business Concepts You Should Know Edited by Parissa Haghirian First edition, Tokyo, October 2019 4 The Editor Parissa Haghirian is Professor of International Management at Sophia University in Tokyo. She lives and works in Japan since 2004 -
New Ways of Being in the Fiction of Yoshimoto Banana
SINGLE FRAME HEROICS: NEW WAYS OF BEING IN THE FICTION OF YOSHIMOTO BANANA Ph. D Thesis Martin Ramsay Swinburne University of Technology 2009 CONTENTS Legend............................................................................................................. 5 Disclaimer…………………………………………………………………... 6 Acknowledgements…………………………………………………………. 7 Abstract ….…………………………………………………………………. 8 Introduction: A Literature of ‘Self-Help’………………………………… 9 Yoshimoto’s postmodern style…...………………………………………….. 11 Early success and a sense of impasse………………………………………... 15 A trans-cultural writer……………………………………………………….. 17 Rescuing literature from irrelevance………………………………………… 21 Chapter One: Women and Gender Roles in Contemporary Japanese Society………………………………………………………………………. 27 An historical overview ………………………………………….…………... 27 Nation building and changing ‘ideals of femininity’………………………... 30 The rise of the Modan Ga-ru (Modern Girl)………………………………… 32 The Post-War Experience ……………………………………….………….. 37 The emergence of the ‘parasite single’……………………………………… 38 Women’s magazines and changing ‘ideals of femininity’…………………... 41 The Women’s Liberation movement……………………………….………... 44 Fear of the young: The politics of falling birth rates……..………………….. 47 Chapter Two: Yoshimoto Banana and Contemporary Japanese Literature…....…………………………………………………………….. 53 Japanese literature, women and modernity …………………………………. 54 The problem with popular culture …………………………….…………….. 62 2 Sh ôjo culture: the ‘baby-doll face of feminism’ in Japan……..……………. 70 A global literature and a shared -
From the Studio of Marjory Halvorson
The Music Department at Gonzaga University presents Isabel Parra Mezzo-soprano Senior Voice Recital with Susan Lim & Annie Flood pianists from the studio of Darnelle Preston Friday, April 24th, 2021 3:00 PM Live Streamed from Robert Frost Auditorium Culver City, California This recital is given in partial fulfillment of a Bachelor of Arts in Music Performance Concentration Program Amore è bandito Barbara Strozzi Ariette a voce sola, Op. 6 (1619-1677) Spesso per entro al petto ****** Du meines Herzens Krӧnelein Richard Strauss Breit‘ über mein Haupt (1864-1949) Cäcilie ****** La Courte Paille Francis Poulenc I. Les Sommeil (1899-1963) II. Quelle Aventure III. La Reine de coer IV. Ba, Be, Bi, Bo, Bu V. Les Anges musiciens VI. La Carafon VII. Lune d‘Avril ****** Eki 駅 Akira Miyoshi (1933-2013) Uguisu 鶯 Fumio Hayasaka (1914-1955) Funauta Katakoi 舟唄片恋 Ikuma Dan (1924-2001) Kojo no Tsuki 荒城の月 Rentarō Taki (1879-1903) ****** Eight Epitaphs Theodore Chanler 1. Alice Rodd (1902-1961) 2. Susannah Fry 3. Three Sisters 4. Thomas Logge 5. A Midget 6. “No Voice to Scold“ 7. Ann Poverty 8. Be Very Quiet Now ****** Palomita Manuel M. Ponce (1882-1948) Ilusión Fantasma Mario Kuri-Aldana (1931-2013) Cantar del Zenzontle Translations Amore è bandito Love is banished Barbara Strozzi (1619-1677) Translation by Martha Gerhart Amore è bandito, Love is banished, amanti su, su. lovers, move on. È fatto un eddito An edict has been made ch'Amor non sia più. that love shall be no more. Forniti gl'amori Finished are the love affairs; l'inganno e la frode, the deception and the fraud ah, ah, più non s'ode Ah, ah, no longer one hears of them tormenti e rancori: of torments and grudges: il caso è spedito. -
Space In-Between: Masumura Yasuzo, Japanese New Wave, And
SPACE IN-BETWEEN: MASUMURA YASUZO, JAPANESE NEW WAVE, AND MASS CULTURE CINEMA by PATRICK ALAN TERRY A THESIS Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2011 THESIS APPROVAL PAGE Student: Patrick Alan Terry Title: Space In-Between: Masumura Yasuzo, Japanese New Wave, and Mass Culture Cinema This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of East Asian Languages and Literatures by: Prof. Steven Brown Chair Dr. Daisuke Miyao Advisor and Richard Linton Vice President for Research and Graduate Studies/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2011 ii © 2011 Patrick Alan Terry iii THESIS ABSTRACT Patrick Alan Terry Master of Arts Department of East Asian Languages and Literatures June 2011 Title: Space In-Between: Masumura Yasuzo, Japanese New Wave, and Mass Culture Cinema Approved: ________________________________________________ Dr. Daisuke Miyao During the early stage of Japan’s High Economic Growth Period (1955-1970), a group of directors and films, labeled the Japanese New Wave, emerged to strong critical acclaim and scholarly pursuit. Over time, Japanese New Wave Cinema has come to occupy a central position within the narrative history of Japanese film studies. This position has helped introduce many significant films while inadvertently ostracizing or ignoring the much broader landscape of film at this time. This thesis seeks to complexify the New Wave’s central position through the career of Daiei Studios’ director, Masumura Yasuzo. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
An Introduction to Zen Words and Phrases Translated by Michael D
久須本文雄 Kusumoto Bun’yū (1907-1995) 禅語入門 Zengo nyūmon Tokyo: 大法輪閣 Daihōrin-kaku Co. Ltd., 1982 An Introduction to Zen Words and Phrases Translated by Michael D. Ruymar (Michael Sōru Ruymar) 1 What follows is a translation of Kusumoto Bunyū’s (久須本⽂雄) 1982 book Zengo Nyūmon (禅 語⼊⾨, An Introduction to Zen Words and Phrases, Tokyo: Daihōrin-kaku Co. Ltd.), absent its glossary of monastic terms. The main text consists of 100 words and phrases selected by Dr. Kusumoto for exegesis from a variety of sources, but particularly from classic kōan (Zen case) collections like the Blue Cliff Record, the Gateless Barrier, and the Book of Serenity, as well as from the collected writings or sayings of renowned Zen Masters from both China and Japan, like Zen Masters Linji and Dōgen, or, again, from the poetry of such as Han Shan (Cold Mountain) and others. As a genre, there are numerous books of this kind available in Japan, and I have become familiar with two excellent Zengo texts now available to English readers: (i) Moon by The Window: The calligraphy and Zen insights of Shodo Harada (Wisdom Publications, 2011), !and (ii) Zen Words Zen Calligraphy (Tankosha, 1991). It is evident from the breadth and depth of his commentaries that Dr. Kusumoto brought a lifetime of study to bear on the matter contained herein. Though sketchy, he was born in 1908 and graduated in 1933 from what is now Hanazono University, one of several prestigious institutions at which he was destined to lecture in his areas of specialization: Chinese philosophy and Zen studies. -
The Female Gaze in Contemporary Japanese Literature
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Female Gaze in Contemporary Japanese Literature Kathryn Hemmann University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, Comparative Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Hemmann, Kathryn, "The Female Gaze in Contemporary Japanese Literature" (2013). Publicly Accessible Penn Dissertations. 762. https://repository.upenn.edu/edissertations/762 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/762 For more information, please contact [email protected]. The Female Gaze in Contemporary Japanese Literature Abstract The female gaze can be used by writers and readers to look at narratives from a perspective that sees women as subjects instead of objects. Applying a female gaze to discourses that have traditionally been male-dominated opens new avenues of interpretation that are empowering from a feminist perspective. In this dissertation, I use the murder mystery novels of the bestselling female author Kirino Natsuo and the graphic novels of a prolific four-woman artistic collective called CLAMP to demonstrate how writers are capable of applying a female gaze to the themes of their work and how readers can and have read their work from the perspectives allowed by a female gaze. Kirino Natsuo presents a female perspective on such issues as prostitution, marriage, and equal employment laws in her novels, which are often based on sensationalist news stories. Meanwhile, CLAMP challenges the discourses surrounding the production and consumption of fictional women, especially the young female characters, or shojo, that have become iconic in Japanese popular culture. -
Kanshi, Haiku and Media in Meiji Japan, 1870-1900
The Poetry of Dialogue: Kanshi, Haiku and Media in Meiji Japan, 1870-1900 Robert James Tuck Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Robert Tuck All Rights Reserved ABSTRACT The Poetry of Dialogue: Kanshi, Haiku and Media in Meiji Japan, 1870-1900 Robert Tuck This dissertation examines the influence of ‘poetic sociality’ during Japan’s Meiji period (1867-1912). ‘Poetic sociality’ denotes a range of practices within poetic composition that depend upon social interaction among individuals, most importantly the tendency to practice poetry as a group activity, pedagogical practices such as mutual critique and the master-disciple relationship, and the exchange among individual poets of textually linked forms of verse. Under the influence of modern European notions of literature, during the late Meiji period both prose fiction and the idea of literature as originating in the subjectivity of the individual assumed hegemonic status. Although often noted as a major characteristic of pre-modern poetry, poetic sociality continued to be enormously influential in the literary and social activities of 19th century Japanese intellectuals despite the rise of prose fiction during late Meiji, and was fundamental to the way in which poetry was written, discussed and circulated. One reason for this was the growth of a mass-circulation print media from early Meiji onward, which provided new venues for the publication of poetry and enabled the expression of poetic sociality across distance and outside of face-to-face gatherings. With poetic exchange increasingly taking place through newspapers and literary journals, poetic sociality acquired a new and openly political aspect. -
Sayuri Arai Dissertation Final Final Final
© 2016 Sayuri Arai MEMORIES OF RACE: REPRESENTATIONS OF MIXED RACE PEOPLE IN GIRLS’ COMIC MAGAZINES IN POST-OCCUPATION JAPAN BY SAYURI ARAI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Chapmpaign, 2016 Urbana, Illinois Doctoral Committee: Professor Clifford G. Christians, Chair Professor Cameron R. McCarthy Professor David R. Roediger, The University of Kansas Professor John G. Russell, Gifu University ABSTRACT As the number of mixed race people grows in Japan, anxieties about miscegenation in today’s context of intensified globalization continue to increase. Indeed, the multiracial reality has recently gotten attention and led to heightened discussions surrounding it in Japanese society, specifically, in the media. Despite the fact that race mixing is not a new phenomenon even in “homogeneous” Japan, where the presence of multiracial people has challenged the prevailing notion of Japaneseness, racially mixed people have been a largely neglected group in both scholarly literature and in wider Japanese society. My dissertation project offers a remedy for this absence by focusing on representations of mixed race people in postwar Japanese popular culture. During and after the U.S. Occupation of Japan (1945-1952), significant numbers of racially mixed children were born of relationships between Japanese women and American servicemen. American-Japanese mixed race children, as products of the occupation, reminded the Japanese of their war defeat. Miscegenation and mixed race people came to be problematized in the immediate postwar years. In the 1960s, when Japan experienced the postwar economic miracle and redefined itself as a great power, mixed race Japanese entertainers (e.g., models, actors, and singers) became popular. -
Bitcoin and the Japanese Retail Investor
BITCOIN AND THE JAPANESE RETAIL INVESTOR by Maksym Grinenko Graduate Programme for Transcultural Studies eighth generation Heidelberg University A dissertation submitted in fulfllment of the requirements for the degree of Doctor of Philosophy under the supervision of Prof. Dr. Harald Fuess Prof. Dr. Hans Martin Krämer July 29, 2019 Abstract The objective of this research is to examine the Bitcoin rally of 2017 as it occurred in Japan and establish a greater context for why it was the Japanese retail investors that propelled the nation to being the largest trader of the cryptocurrency at the end of the year. This dissertation begins with the examination of the technical and economical properties of Bitcoin by classifying it as fulflling two roles: that of a means of payment and that of an investment commodity. Following that is a description of Bitcoin’s roots and the history of its non-speculative usage. These chapters serve as a base for examin- ing the cryptocurrency’s role in Japan. The third chapter examines the Japanese retail investor and the Japanese retail investment landscape with a focus on the question of the low rates of risk-asset participation in face of a favorable investment environment. Historical context is drawn upon to argue that the present situation, wherein most fnan- cial assets are kept as cash, is rather the result of the historical path dependence than the present-day conditions in which Japanese retail investors operate. The fnal chapter addresses the question of high-risk activities in the form of gambling and margin trading by a group of predominantly middle-aged men and connects this propensity to engage in zero-sum games with Bitcoin’s success in Japan.