Sir David Attenborough Trounces Young Stars in Brandpool's Celebrity Trust Poll

Total Page:16

File Type:pdf, Size:1020Kb

Sir David Attenborough Trounces Young Stars in Brandpool's Celebrity Trust Poll Sir David Attenborough trounces young stars in Brandpool’s celebrity trust poll Submitted by: Friday's Media Group Friday, 9 April 2010 Sir David Attenborough trounces young stars in Brandpool’s celebrity trust poll Sir David Attenborough is the celebrity consumers would most trust as the figurehead for an advertising campaign, according to a survey commissioned by ad agency and creative content providers Brandpool. However, it was Katie Price who narrowly beat John Terry and Ashley Cole to be voted the least believable brand ambassador, followed by Amy Winehouse, Heather Mills, Tiger Woods and Tony Blair – the latter raising questions over Labour’s deployment of its former leader as a ‘secret weapon’ in the run-up to the election. The survey flies in the face of the Cebra study published last week by research agency Millward Brown, which indexed the appeal of celebrities in relation to certain brands. But Brandpool’s research suggests the popularity of young stars such as David Tennant, Cheryl Cole and David Beckham doesn’t always translate into trust. The poll saw 46% of respondents name Sir David as one of their top three choices, with Stephen Fry second on 36% and Richard Branson third on 20%. It was the elder statesmen of British broadcasting who dominated the top 10, with Michael Parkinson, Sir Terry Wogan, Sir David Dimbleby, Jeremy Paxman, Lord Alan Sugar and Jeremy Clarkson also highly rated. These silver-haired stars were favoured despite almost a third of respondents being under 35. And although an even split of men and women voted, the only female celebrity in the top 10 was The One Show presenter Christine Bleakley. Commenting on the findings, Professor Cary Cooper CBE, one of the world’s leading psychologists, said: “We mustn’t confuse popularity with trust – they are fundamentally different. Anyone can become a celebrity if they have sufficient media exposure. But trust is about credibility and substance, and these come from how people live their lives, what they say and so on. The danger is that brand managers will choose whoever is popular at a given time to front their campaigns. Prof Cooper, the writer, broadcaster and Professor of Organisational Psychology at Lancaster University Management School, added: “What this survey reveals is that a septuagenarian could actually hold more appeal for a teenager than the latest soccer star or X-Factor winner.” Asked to choose the three celebrities they would least trust as the face of a brand, 39% of respondents opted for Katie Price. Footballers John Terry and Ashley Cole shared second place with 31% of the votes, indicating the immediate influence of negative publicity. Page 1 Amy Winehouse got the thumbs down from 30% of respondents, with Heather Mills next on 29%, while Tiger Woods and Tony Blair shared fifth place with 15% of the votes. Other notable names in the least trusted 10 were David Beckham, Russell Brand and Cheryl Cole, proving once more that popularity doesn’t automatically generate trust, especially where there might be doubt over the life choices and behaviour of celebrities in private. Brandpool chairman and creative director John McWilliams said: “Celebrity endorsement is a powerful marketing tool that can have a huge influence on perceptions of a brand. But there’s no simple formula for success and perhaps the public have more nous than advertisers give them credit for. A lot of thought and emotion goes into decisions about the principles and credibility of people in the public eye, based on the evidence they see before them. “It’s interesting that the majority of the most trusted celebrities are in their fifties and sixties, indicating that it takes many years to build the trust of the public. The reputations of the younger celebrities in the survey seem to be far more sensitive to the ebb and flow of the public mood, often driven by negative stories in the media.” Most trusted: 1.Sir David Attenborough 46% 2.Stephen Fry 36% 3.Richard Branson 20% 4.Michael Parkinson 19% 5.Sir Terry Wogan / David Dimbleby 16% 6.Jeremy Paxman 14.5% 7.Sir Paul McCartney 13% 8.Eddie Izzard 11.6% 9.Jeremy Clarkson 10.1% 10.Lord Alan Sugar / Christine Bleakley 8.7% Least trusted: 1.Katie Price 39% 2.John Terry / Ashley Cole 31% 3.Amy Winehouse 30% 4.Heather Mills 29% 5.Tiger Woods / Tony Blair 14% 6.Piers Morgan 11.4% 7.Russell Brand 10% 8.Sharon Osbourne / David Beckham 8.6% 9.Simon Cowell / Cheryl Cole 7.2% 10.Tom Cruise / Jonathan Ross 7% Other key findings: Page 2 •Sir Cliff Richard got more than twice the number of ‘most trusted’ votes than Cheryl Cole. •Homer Simpson was more trusted than Tony Blair, Ant and Dec, Davina McCall, Peter Andre and Gordon Ramsay. •Michael McIntyre was the second most trusted comedian, behind Eddie Izzard. •Celebrities who received no votes in the ‘most trusted’ section of the survey included Wayne Rooney, David Beckham, Piers Morgan and Vernon Kay. •Erudite meerkat Alexander Orlov was rated more trustworthy than Churchill the bulldog. Additional information Brandpool are about to shake up the advertising agency world with the launch of their highly innovative new ad agency model, which works in much the same way as movie or TV producers operate, by drawing on the best talent from the whole industry, as well as their own in-house resources. ‘The Brandpool Heavyweights’ are the people who’ve created some of the most memorable and successful advertising ever seen. As well as creative principals, John McWilliams and Chris Hill, the Heavyweights are Ann Binnie, Blair Jarvis, Graeham Preston, Jeff Suthons, Dean Turney, Keith Crook, Kevin Kneale, Don Barclay, Martin Cunningham, Phil Rylance, Leighton Ballett and Rich Ward. They are the creative talent on pretty much all the most memorable and successful campaigns of recent times – Ford Puma starring Steve McQueen, ‘Lucky the dog’ for More Than, ‘Creature Comforts’ for the Electricity Association, Tesco, Virgin Atlantic and many more international award-winning campaigns. Their heavyweight experience also includes campaigns for Dr Pepper, BMW, Heineken, John Lewis, Sony Ericsson, Bacardi, BBC, Coca-Cola, Dulux, Motorola, Warburtons, Skol, Kleenex, Red Mountain Coffee, Nestle, Unilever, Red Stripe, Lowenbrau, Toblerone, Eurostar, Sharwoods, Vauxhall, Friends of the Earth, Bendicks chocolates, Blackthorn Cider and BA. ‘The Brandpool Heavyweights’ have won many awards for their work including honours from BAFTA, British TV, Campaign Posters, Cannes, Clio, Creative Circle, D&AD, Direct Marketing, and One Show. Brandpool is part of Loewy Group. John McWilliams, chairman and creative principal of Brandpool, was formerly MD of Arc Advertising Group. Visit http://www.brandpoolgroup.com For further information please contact: Katie McBreen Nick Henderson or Richard McCann Friday’s Media Group, 18 Soho Square, London, W1D 3QL Page 3 Telephone: 0845 500 1140 Email: [email protected] [email protected] or [email protected] Page 4 Distributed via Press Release Wire (https://pressreleases.responsesource.com/) on behalf of Friday's Media Group Copyright © 1999-2021 ResponseSource, The Johnson Building, 79 Hatton Garden, London, EC1N 8AW, UK e: [email protected] t: 020 3426 4051 f: 0345 370 7776 w: https://www.responsesource.com.
Recommended publications
  • James Thomson CV
    James Thomson Sound Recordist / mixer e-mail: [email protected] mobile: + 44 (0)7711 031 615 Nationality: Canadian and British passports ( no I Visa required for working in the USA ) Bases: West Hampstead, London & Clifton, Bristol Languages: English / conversational French Diary service: Jane Murch at Films at 59 + 44 ( 0)117 906 4334 Credits - Documentary Fred and Rose West the Untold Story - Blink Films for ITV Studios, directed by Adam Kaleta Drive to Survive F1 - Box to Box Productions for Netflix TV, directed by James Gay-Rees Push the Global Housing Crisis - WG Films / Malmo Inc for Netflix TV, directed by Fredrik Gertten The English Surgeon - Storyville for BBC TV, directed by Geoffrey Smith with music by Nick Cave Keith Richards X-Pensive Winos - Main Offender Tour, directed by the late Roger Pomphrey The Musicals - with Neil Brand, 3 X 1hrs for BBC 4, directed by Sebastian Barfield Sachin A Billion Dreams - docudrama Indian cricketer Sachin Tendulkar, directed by James Erskine The Murder Detectives - Films of Record Productions for Channel 4, directed by Bart Corpe Britain and the Sea - with David Dimbleby BBC TV, directed by John Hodgson Nazi Mega Stuctures - Darlow-Smithson for Nat Geo, directed by Simon Breen All Change at Longleat - Shine Productions, BBC 1, directed by Lynn Alleyway Origins of Us - with Dr. Alice Roberts, BBC TV, directed by David Stewart A Picture of Britain – with David Dimbleby BBC TV, directed by Jonty Claypool Magritte - The life of surrealist painter Rene Magritte for Channel 4, directed by Michael Burke Omnibus - Bernardo Bertolucci & ‘The Dreamers’, BBC TV, directed by David Thompson Race Across America with James Cracknell for Discovery USA, directed by Andrew Barron The Great British Paraorchestra for Channel 4, directed by Cesca Eaton The Vanishing Family - Channel 4, directed by Richard Bond D-Day - Dangerous Productions for BBC TV, directed by Richard Dale James May’s 20th Century, BBC TV, directed by Helen Thomas Churchill’s Forgotten Years – BBC TV, directed by Russell Barnes Ultimate Swarms with Dr.
    [Show full text]
  • About Endgame
    IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate.
    [Show full text]
  • The Future of The
    The Future of Public Service Broadcasting Some thoughts Stephen Fry Before I can even think to presume to dare to begin to expatiate on what sort of an organism I think the British Broadcasting Corporation should be, where I think the BBC should be going, how I think it and other British networks should be funded, what sort of programmes it should make, develop and screen and what range of pastries should be made available in its cafés and how much to the last penny it should pay its talent, before any of that, I ought I think in justice to run around the games field a couple of times puffing out a kind of “The BBC and Me” mini‐biography, for like many of my age, weight and shoe size, the BBC is deeply stitched into my being and it is important for me as well as for you, to understand just how much. Only then can we judge the sense, value or otherwise of my thoughts. It all began with sitting under my mother’s chair aged two as she (teaching history at the time) marked essays. It was then that the Archers theme tune first penetrated my brain, never to leave. The voices of Franklin Engelman going Down Your Way, the women of the Petticoat Line, the panellists of Twenty Questions, Many A Slip, My Word and My Music, all these solid middle class Radio 4 (or rather Home Service at first) personalities populated my world. As I visited other people’s houses and, aged seven by now, took my own solid state transistor radio off to boarding school with me, I was made aware of The Light Programme, now Radio 2, and Sparky’s Magic Piano, Puff the Magic Dragon and Nelly the Elephant, I also began a lifelong devotion to radio comedy as Round The Horne, The Clitheroe Kid, I’m Sorry I’ll Read That Again, Just A Minute, The Men from The Ministry and Week Ending all made themselves known to me.
    [Show full text]
  • Piers Morgan Outrage Over Brandpool Celebrity Trust Survey Submitted By: Friday's Media Group Monday, 19 April 2010
    Piers Morgan outrage over Brandpool celebrity trust survey Submitted by: Friday's Media Group Monday, 19 April 2010 Piers Morgan has expressed outrage at being voted the sixth least trusted celebrity brand ambassador in a survey by ad agency and creative content providers Brandpool. Writing in his Mail On Sunday column, the Britain’s Got Talent judge questioned the logic of the poll, which named the celebrities the public would most and least trust as the faces of an ad campaign. But Brandpool has hit back at Morgan for failing to recognise the purpose of its research. Morgan, who also neglected to credit Brandpool as the source of the study, said: “No real surprises on the Most Trusted list, which is led by ‘national treasures’ such as David Attenborough, Stephen Fry, Richard Branson and Michael Parkinson. “As for the Least Trusted list, I find the logic of this one quite odd. Katie Price, for example, comes top, yet I would argue that she’s one of the most trustworthy people I know… Then I suddenly pop up at No 6, an outrage which perhaps only I feel incensed about. Particularly as that smiley little rodent Russell Brand slithers in at No 7. Making me supposedly less trustworthy than a former heroin junkie and sex addict.” Morgan was also surprised to see Simon Cowell, Cheryl Cole, Sharon Osbourne, Tom Cruise and Jonathan Ross in the Least Trusted list. However, he agreed with the inclusion of John Terry, Ashley Cole, Tiger Woods and Tony Blair, all of whom, he said, were “united by a common forked tongue”.
    [Show full text]
  • Video E-Lesson
    Video e-Lesson QI: wrong answers Before you watch 1 Use the words to complete the sentences about QI . buzzer howler ignorance interesting obscure Twitter™ 1 QI is a British television general knowledge comedy quiz show. The letters QI stand for Quite ___________. 2 The questions in QI are very difficult to answer because they are usually very __________. 3 One section of the programme is dedicated to questions that have obvious but wrong answers. It's called General _________. 4 The programme is presented by the actor, writer and comedian, Stephen Fry. In January 2010 Stephen had 1,300,775 followers on _________. 5 In the programme, four people (panellists) try to answer questions. When a panellist wants to answer a question, he or she presses a _________. 6 In English, an answer that is very wrong is sometimes called a _________. 2 Put the words in the correct order to form questions. 1 to circumnavigate / man / the first / Who was / the globe ? 2 of the helicopter / the nationality / of the inventor / What was ? 3 for a / you get / What do / long time / if you / suck your pencil ? 3 Choose the correct answer to each of the questions in exercise 2. 1 a Ferdinand Magellan b Juan Sebastian del Cano c Christopher Columbus 2 a British b Italian c Chinese 3 a lead poisoning b nothing c a headache While you watch 4 Watch the video and check your answers to exercises 2 and 3. This page has been downloaded from www.macmillanglobal.com 1 It is photocopiable, but all copies must be complete pages.
    [Show full text]
  • Who Wants to Be a Millionaire Host on 'Worst Year'
    7 Ts&Cs apply Iceland give huge discount Claire King health: Craig Revel Horwood Kate Middleton pregnant Jenny Ryan: ‘The cat is out to emergency service Emmerdale star's health: ‘It was getting with twins on royal tour in the bag’ The Chase quizzer workers - find… diagnosis ‘I was worse’ Strictly… Pakistan?… announces… Jeremy Clarkson: ‘Wanted to top myself’ Who Wants To Be A Millionaire host on 'worst year' JEREMY CLARKSON - who fronts ITV show Who Wants To Be A Millionaire? - shared his thoughts on a recent study which claimed 1978 was the “worst year” in British history. Who Wants to Be a Millionaire: Jeremy criticises the contestant Earlier this week, researchers from Warwick University claimed people of Britain were at their most unhappy in 1978. The latter year and the first two months of 1979 are best remembered for the Winter of Discontent, where strikes took place and caused various disruptions. ADVERTISING 1/6 Jeremy Clarkson (/search?s=jeremy+clarkson) shared his thoughts on the study as he recalled his first year of working during the strikes. PROMOTED STORY 4x4 Magazine: the SsangYong Musso is a quantum leap forward (SsangYong UK)(https://www.ssangyonggb.co.uk/press/first-drive-ssangyong-musso/56483&utm-source=outbrain&utm- medium=musso&utm-campaign=native&utm-content=4x4-magazine?obOrigUrl=true) In his column with The Sun newspaper, he wrote: “It’s been claimed that 1978 was the worst year in British history. RELATED ARTICLES Jeremy Clarkson sports slimmer waistline with girlfriend Lisa Jeremy Clarkson: Who Wants To Be A Millionaire host on his Hogan weight loss (/celebrity-news/1191860/Jeremy-Clarkson-weight-loss-girlfriend- (/celebrity-news/1192773/Jeremy-Clarkson-weight-loss-health- Lisa-Hogan-pictures-The-Grand-Tour-latest-news) Who-Wants-To-Be-A-Millionaire-age-ITV-Twitter-news) “I was going to argue with this.
    [Show full text]
  • Broadcast Bulletin Issue Number
    Ofcom Broadcast Bulletin Issue number 179 4 April 2011 1 Ofcom Broadcast Bulletin, Issue 179 4 April 2011 Contents Introduction 3 Standards cases In Breach Frankie Boyle’s Tramadol Nights (comments about Harvey Price) Channel 4, 7 December 2010, 22:00 5 [see page 37 for other finding on Frankie Boyle’s Tramadol Nights (mental health sketch and other issues)] Elite Days Elite TV (Channel 965), 30 November 2011, 12:00 to 13:15 Elite TV (Channel 965), 1 December 2010, 13:00 to 14:00 Elite TV 2 (Channel 914), 8 December 2010, 10.00 to 11:30 Elite Nights Elite TV (Channel 965), 30 November 2011, 22:30 to 23:35 Elite TV 2 (Channel 914), 6 December 2010, 21:00 to 21:25 Elite TV (Channel 965), 16 December 2010, 21:00 to 21:45 Elite TV (Channel 965), 22 December 2010, 00:50 to 01:20 Elite TV (Channel 965), 4 January 2011, 22:00 to 22:30 13 Page 3 Zing, 8 January 2011, 13:00 27 Deewar: Men of Power Star India Gold, 11 January 2011, 18:00 29 Bridezilla Wedding TV, 11 and 12 January 2011, 18:00 31 Resolved Dancing On Ice ITV1, 23 January 2011, 18:10 33 Not in Breach Frankie Boyle’s Tramadol Nights (mental health sketch and other issues) Channel 4, 30 November 2010 to 29 December 2010, 22:00 37 [see page 5 for other finding on Frankie Boyle’s Tramadol Nights (comments about Harvey Price)] Top Gear BBC2, 30 January 2011, 20:00 44 2 Ofcom Broadcast Bulletin, Issue 179 4 April 2011 Advertising Scheduling Cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 47 Resolved Resolved findings table Code on the Scheduling of Television Advertising compliance reports 49 Fairness and Privacy cases Not Upheld Complaint by Mr Zac Goldsmith MP Channel 4 News, Channel 4, 15 and 16 July 2010 50 Other programmes not in breach 73 3 Ofcom Broadcast Bulletin, Issue 179 4 April 2011 Introduction The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and licence conditions with which broadcasters regulated by Ofcom are required to comply.
    [Show full text]
  • The Clarkson Controversy: the Impact of a Freewheeling Presenter on The
    The Clarkson Controversy: the Impact of a Freewheeling Presenter on the BBC’s Impartiality, Accountability and Integrity BA Thesis English Language and Culture, Utrecht University International Anglophone Media Studies Laura Kaai 3617602 Simon Cook January 2013 7,771 Words 2 Table of Contents 1. Introduction 3 2. Theoretical Framework 4 2.1 The BBC’s Values 4 2.1.2 Impartiality 5 2.1.3 Conflicts of Interest 5 2.1.4 Past Controversy: The Russell Brand Show and the Carol Thatcher Row 6 2.1.5 The Clarkson Controversy 7 2.2 Columns 10 2.3 Media Discourse Analysis 12 2.3.2 Agenda Setting, Decoding, Fairness and Fallacy 13 2.3.3 Bias and Defamation 14 2.3.4 Myth and Stereotype 14 2.3.5 Sensationalism 14 3. Methodology 15 3.1 Columns by Jeremy Clarkson 15 3.1.2 Procedure 16 3.2 Columns about Jeremy Clarkson 17 3.2.2 Procedure 19 4. Discussion 21 4.1 Columns by Jeremy Clarkson 21 4.2 Columns about Jeremy Clarkson 23 5. Conclusion 26 Works Cited 29 Appendices 35 3 1. Introduction “I’d have them all shot in front of their families” (“Jeremy Clarkson One”). This is part of the comment Jeremy Clarkson made on the 2011 public sector strikes in the UK, and the part that led to the BBC receiving 32,000 complaints. Clarkson said this during the 30 December 2011 live episode of The One Show, causing one of the biggest BBC controversies. The most widely watched factual TV programme in the world, with audiences in 212 territories worldwide, is BBC’s Top Gear (TopGear.com).
    [Show full text]
  • JULIA CARTA Hair Stylist and Make-Up Artist
    JULIA CARTA Hair Stylist and Make-Up Artist www.juliacarta.com PRESS JUNKETS/PUBLICITY EVENTS Matt Dillon - Grooming - WAYWARD PINES - London Press Junket Jeremy Priven - Grooming - BAFTA Awards - London Christian Bale - Grooming - AMERICAN HUSTLE - BAFTA Awards - London Naveen Andrews - Grooming - DIANA - London Press Junket Bruce Willis and Helen Mirren - Grooming - RED 2 - London Press Conference Ben Affleck - Grooming - ARGO - Sebastián Film Festival Press Junket Matthew Morrison - Grooming - WHAT TO EXPECT WHEN YOU’RE EXPECTING - London Press Junket Clark Gregg - Grooming - THE AVENGERS - London Press Junket Max Iron - Grooming - RED RIDING HOOD - London Press Junket and Premiere Mia Wasikowska - Hair - RESTLESS - Cannes Film Festival, Press Junket and Premiere Elle Fanning - Make-Up - SUPER 8 - London Press Junket Jamie Chung - Hair & Make-Up - SUCKERPUNCH - London Press Junket and Premiere Steve Carell - Grooming - DESPICABLE ME - London Press Junket and Premiere Mark Strong and Matthew Macfayden - Grooming - Cannes Film Festival, Press Junket and Premiere Michael C. Hall - Grooming - DEXTER - London Press Junket Jonah Hill - Grooming - GET HIM TO THE GREEK - London Press Junket and Premiere Laura Linney - Hair and Make-Up - THE BIG C - London Press Junket Ben Affleck - Grooming - THE TOWN - London and Dublin Press and Premiere Tour Andrew Lincoln - Grooming - THE WALKING DEAD - London Press Junket Rhys Ifans - Grooming - NANNY MCPHEE: THE BIG BANG (RETURNS) - London Press Junket and Premiere Bruce Willis - Grooming - RED - London
    [Show full text]
  • The Enigma of Hitler Counterfactual Perspectives
    IAN WALLACE The Enigma of Hitler Counterfactual Perspectives S ISAIAH BERLIN WAS THE FIRST TO ARGUE, plausibility is an essential requirement for any historian adopting a counterfactual A strategy.1 If it is to achieve any degree of legitimacy, counterfactual history must be based not on “mere fantasy” but on “calculations about the relative probability of plausible outcomes in a chaotic world.”2 Such a high degree of self-restraint may not be required of the writer of fiction, for whom a portion of fantasy is, in fact, an indispensable precondition for the imagina- tive exploration of any subject, including the historical, but I would argue that such fantasy is least likely to trivialize a subject such as Hitler where it is tem- pered by a concern for plausibility. Studies of the Nazi period continue to proliferate, but the figure of Hitler remains by common consent an enigma eluding final explanation.3 This is a situation which literature may be thought to have done relatively little to im- prove. Writing in 1975, J.P. Stern regretted “the failure of creative literature to add very much to our understanding of Hitler’s personality,” adding that, apart from a few pages by Richard Hughes and Günter Grass, “the literary imagination has on the whole found itself outstripped by the facts of the case” and that “the true nature of the man is trivialized and obscured rather than illuminated by the antics of Charles Chaplin and the deeply unfunny comedy 1 Cited in Niall Ferguson, “Introduction: Virtual History: Towards a ‘Chaotic’ Theory of the Past,” in Virtual History: Alternatives and Counterfactuals, ed.
    [Show full text]
  • The Journal of the Association for Journalism Education
    Journalism Education The Journal of the Association for Journalism Education Volume one, number one April 2012 Page 2 Journalism Education Volume 1 number 1 Journalism Education Journalism Education is the journal of the Association for Journalism Education a body representing educators in HE in the UK and Ireland. The aim of the journal is to promote and develop analysis and understanding of journalism education and of journalism, particu- larly when that is related to journalism education. Editors Mick Temple, Staffordshire University Chris Frost, Liverpool John Moores University Jenny McKay Sunderland University Stuart Allan, Bournemouth University Reviews editor: Tor Clark, de Montfort University You can contact the editors at [email protected] Editorial Board Chris Atton, Napier University Olga Guedes Bailey, Nottingham Trent University David Baines, Newcastle University Guy Berger, Rhodes University Jane Chapman, University of Lincoln Martin Conboy, Sheffield University Ros Coward, Roehampton University Stephen Cushion, Cardiff University Susie Eisenhuth, University of Technology, Sydney Ivor Gaber, Bedfordshire University Roy Greenslade, City University Mark Hanna, Sheffield University Michael Higgins, Strathclyde University John Horgan, Irish press ombudsman. Sammye Johnson, Trinity University, San Antonio, USA Richard Keeble, University of Lincoln Mohammed el-Nawawy, Queens University of Charlotte An Duc Nguyen, Bournemouth University Sarah Niblock, Brunel University Bill Reynolds, Ryerson University, Canada Ian Richards, University
    [Show full text]
  • Broadcast Bulletin Issue Number 181 09/05/11
    Ofcom Broadcast Bulletin Issue number 181 9 May 2011 1 Ofcom Broadcast Bulletin, Issue 181 9 May 2011 Contents Introduction 4 Standards cases In Breach Music Video: Rihanna - "S&M" WTF TV, 10 March 2011, 11:25 5 Various ‘adult’ material Red Hot Mums, 8 January 2011, 22:20 to 22:30 Red Hot Mums, 8 January 2011, 23:20 to 23:30 Red Hot Mums, 9 January 2011, 00:20 to 00:30 Red Hot Mums, 9 January 2011, 22:20 to 22:30 10 ITV News ITV1, 14 February 2011, 18:30 14 Zor ka Zatka sponsorship credits NDTV Imagine, 1 February 2011, constantly until 18:00 17 QI Dave, 22 February 2011, 14:00 19 Resolved Chris Evans Breakfast Show BBC Radio 2, 28 January 2011, 08:50 21 The Real Housewives of Orange County ITV2, 11 February 2011, 07:15 23 Advertising Scheduling Cases In Breach Advertising minutage UTV, 13 March 2011, 11:56 25 Fairness & Privacy cases Upheld Complaint by Miss B The Ugly Face of Beauty, Channel 4, 20 July 2010 28 2 Ofcom Broadcast Bulletin, Issue 181 9 May 2011 Not upheld Complaint by Ms Denise Francis The Wire, The Hillz FM, 15 March 2010 34 Other programmes not in breach 40 3 Ofcom Broadcast Bulletin, Issue 181 9 May 2011 Introduction The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and licence conditions with which broadcasters regulated by Ofcom are required to comply. These include: a) Ofcom‟s Broadcasting Code (“the Code”), the most recent version of which took effect on 28 February 2011and covers all programmes broadcast on or after 28 February 2011.
    [Show full text]