Badger, Ratty, Mole and Toad Strike out for a Wilder Future

Total Page:16

File Type:pdf, Size:1020Kb

Badger, Ratty, Mole and Toad Strike out for a Wilder Future MEDIA RELEASE EMBARGO: 00.01 Thursday 28th March 2019 The Wildlife Trusts The Kiln Badger, Ratty, Mole and Toad strike out for a wilder future Waterside Mather Road Newark, Nottinghamshire Stars speak up for wildlife in new film trailer hitting cinemas this NG24 1WT weekend Tel (01636) 677711 www.wildlifetrusts.org Sir David Attenborough, Stephen Fry, Catherine Tate, Alison Steadman and Asim Chaudhry have backed a new campaign from The Wildlife Trusts that calls for a wilder future and for nature’s recovery in the UK. The conservationist and actors have starring roles in a new The Wind in the Willows film trailer which brings to life st the 21 century threats facing the much-loved characters from Kenneth Grahame’s children’s classic. The animated trailer calls on everyone to help bring our wildlife back before it’s too late, so that we can all enjoy a wilder future. The film trailer shows how the lives of Badger, Ratty, Mole and Toad are disrupted by roads, river pollution and intensive agriculture – many habitats have been destroyed and others have been broken up. Toad hangs a picture of a puffin entangled in plastic on the wall in Toad Hall. “Farewell old friend” he says. Kenneth Grahame wrote The Wind in the Willows just over a hundred years ago. Since then, many of the UK’s wild places and the plants and animals that depend on them have been lost. For example: 97% of lowland meadows and the beautiful Patron HRH The Prince of Wales wildflowers, insects, mammals and birds that they supported have disappeared; KG KT GCB OM President 80% of our beautiful purple heathlands have vanished – with their blaeberries, sand Tony Juniper CBE lizards and the stunning nocturnal birds, nightjars. Rivers are in deep trouble too: Royal Society of Wildlife Trusts only 20% are considered as healthy and 13% of freshwater and wetland species in Registered Charity no. 207238 Printed on environmentally-friendly Great Britain are threatened with extinction. paper Kenneth Grahame’s Ratty – the water vole – is the UK’s most rapidly declining mammal and has been lost from 94% of places where it was once prevalent, and Protecting Wildlife for the Future its range is continuing to contract. Toad is also finding that times are very tough: he has lost nearly 70% of his own kind in the last 30 years alone – and much more than that in the last century. These losses have led to the UK becoming one of the most nature-depleted countries in the world. Over the past ten years there have been numerous reports and studies documenting wildlife declines in the UK. The main problems for wildlife are: • Habitat loss – mostly caused by intensive farming, inappropriate development and lack of strategic planning, with the few remaining wild places being broken up by roads. • Climate change – which is making a bad situation worse by causing extreme weather. This disrupts breeding patterns, threatens life cycles and creates food shortages. Wildlife cannot always keep up with changes to the seasons. Stephanie Hilborne, CEO of The Wildlife Trusts, says: “We are a nation of nature-lovers, yet we live in one of the most nature-depleted countries in the world. If we want to put nature into recovery we have to create a mass movement of people calling for change. Our film is a sad version of The Wind in the Willows – showing how Ratty and Toad have hit the buffers – but it ends with a message of real hope. It’s not too late to create strong laws which will help our wildlife make a comeback – and it’s not too late to establish a Nature Recovery Network which will enable us to plan a wilder future.” The Wildlife Trusts hope The Wind in the Willows film trailer will inspire people to help by nature by: • Contacting politicians – to call for strong environmental laws which help nature recover. • Walking in the pawprints of others – and imagine what wildlife needs to survive in your neighbourhood. Be inspired to take action for wildlife in your garden or local area, working with friends, neighbours – or by getting your local council involved – to create new homes for Toad, Ratty, Badger and friends. • Creating a Wilder Future where you live – by checking out the latest events and volunteering opportunities at local Wildlife Trusts to discover what a Wilder Future could look like – and the part everyone can play in making it happen. Please find quotes from Stephen Fry, Alison Steadman, Asim Chaudhry and Sir David Attenborough overleaf. Stephen Fry, President of the Great Fen, Wildlife Trust Bedfordshire, Cambridgeshire and Northamptonshire, who plays Badger, says: “I’ve acted in and narrated Wind in the Willows in the past but this version is different – it really, really matters. I adore what’s left of Britain’s wild and precious places and I’m a passionate supporter of my local Wildlife Trust which is restoring a huge part of the fens for nature. We all need to get behind The Wildlife Trusts, rise up and call for a wilder future – otherwise it’ll be too late to save Toad, Ratty and all the residents of the riverbank and beyond.” Alison Steadman, Olivier Award winner & ambassador for London Wildlife Trust, who plays Mole, says: “The decline in UK habitats since Kenneth Grahame’s wonderful tale is truly shocking. Millions of people in the UK profess a love of wildlife and we need everyone to be taking action to bring about nature's recovery. I wanted to take part in this film to help inspire people to get involved and bring our nature back.” Asim Chaudhry, comedian and actor, who plays Toad, says: “Like many people in the UK, I’m shocked by the decline in our wildlife – but this film shows we can reverse this if we all take action now.” President Emeritus of The Wildlife Trusts and narrator of the trailer, Sir David Attenborough says: “It is desperately sad that so much of our country’s wildlife has been lost since Kenneth Grahame wrote his wonderful book The Wind in the Willows. Of all the characters in the book it is hard to know whose descendants have suffered the most. Water Voles, Toads and Badger’s friends in the book, Hedgehogs, have all seen catastrophic declines. “Ratty was a Water Vole and these animals can’t burrow into river banks covered with sheets of metal. Toads need ponds and wet areas to lay their eggs. Hedgehogs must roam miles to feed at night but often hit barriers and struggle to find the messy piles of leaves they need for shelter. None of these creatures can cope with road traffic because they did not evolve to recognise a car as dangerous. “We have damaged our rivers, built too many roads and lost too many ponds and meadows. All of this has happened because our systems and laws that should be keeping nature healthy are failing, and we are losing touch with wildlife. Everything is becoming disconnected. “The Wildlife Trusts have worked tirelessly to slow wildlife’s decline and to save our remaining wild places. Without The Wildlife Trusts our country would be the poorer. But there is much more to be done. This country of nature lovers needs to give its wildlife every chance to survive, thrive and expand its range. “I am backing The Wildlife Trusts’ campaign to rally people to secure a ‘wilder future’ by restoring large areas of wildlife habitat, in city and country. What we create may not look exactly like the countryside that Kenneth Grahame drew such inspiration from, but our wildlife won’t mind just so long as it has the places it needs to live and thrive. “As a society we know how to put meanders back into straightened rivers and how to build bridges for wildlife. We know which wild places we should be protecting and expanding. But we need ambitious new laws to ensure we do this, laws that ensure we map out nature’s recovery. “Meanwhile we can all make a practical difference. If you have a window sill or balcony you can put up bird feeders or plant pots of wildflowers. If you have a garden it is easy to dig a small pond or make holes in your fence for hedgehogs to wander through. It is not too difficult to take up paving slabs to let plants grow to feed our bees. “Together we can make the next chapter for wildlife a happier one. Join us to put nature into recovery.” ENDS Contacts at Yorkshire Wildlife Trust: Harriet Lawrence, [email protected] 01904 659570 / 07557 154213 Clea Grady, [email protected] 01904 659570 / 07827 894786 Film trailer The Wildlife Trusts’ Wind in the Willows film trailer will be available to watch, under embargo, on Wednesday 27th March from 10am to midday here, password: HouseMouse25. The trailer will then be released on social and www.wildlifetrusts.org from Thursday 28th March and will be played for one week in 500 cinemas across the UK from Friday 29th March. Images You are welcome to use the film graphics and images in this dropbox. Please note that they are for one-off use only in connection with this story and The Wildlife Trusts. All photographers must be credited. Editor’s notes Wildlife decline and loss statistics • 97% of lowland meadows lost (State of Nature (SoN), 2013, page 14) • 80% of heathlands lost since 1800 (SoN 2013, page 24) • Only 20% of rivers are healthy (WWF-UK, Flushed Away Report) • 13% of freshwater and wetland species in Great Britain are threatened with extinction (SoN, 2016 p.36.) • 94% of water voles lost in Britain 1996-1998, R Strachan, The Vincent Wildlife Trust.
Recommended publications
  • About Endgame
    IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate.
    [Show full text]
  • The Future of The
    The Future of Public Service Broadcasting Some thoughts Stephen Fry Before I can even think to presume to dare to begin to expatiate on what sort of an organism I think the British Broadcasting Corporation should be, where I think the BBC should be going, how I think it and other British networks should be funded, what sort of programmes it should make, develop and screen and what range of pastries should be made available in its cafés and how much to the last penny it should pay its talent, before any of that, I ought I think in justice to run around the games field a couple of times puffing out a kind of “The BBC and Me” mini‐biography, for like many of my age, weight and shoe size, the BBC is deeply stitched into my being and it is important for me as well as for you, to understand just how much. Only then can we judge the sense, value or otherwise of my thoughts. It all began with sitting under my mother’s chair aged two as she (teaching history at the time) marked essays. It was then that the Archers theme tune first penetrated my brain, never to leave. The voices of Franklin Engelman going Down Your Way, the women of the Petticoat Line, the panellists of Twenty Questions, Many A Slip, My Word and My Music, all these solid middle class Radio 4 (or rather Home Service at first) personalities populated my world. As I visited other people’s houses and, aged seven by now, took my own solid state transistor radio off to boarding school with me, I was made aware of The Light Programme, now Radio 2, and Sparky’s Magic Piano, Puff the Magic Dragon and Nelly the Elephant, I also began a lifelong devotion to radio comedy as Round The Horne, The Clitheroe Kid, I’m Sorry I’ll Read That Again, Just A Minute, The Men from The Ministry and Week Ending all made themselves known to me.
    [Show full text]
  • Piers Morgan Outrage Over Brandpool Celebrity Trust Survey Submitted By: Friday's Media Group Monday, 19 April 2010
    Piers Morgan outrage over Brandpool celebrity trust survey Submitted by: Friday's Media Group Monday, 19 April 2010 Piers Morgan has expressed outrage at being voted the sixth least trusted celebrity brand ambassador in a survey by ad agency and creative content providers Brandpool. Writing in his Mail On Sunday column, the Britain’s Got Talent judge questioned the logic of the poll, which named the celebrities the public would most and least trust as the faces of an ad campaign. But Brandpool has hit back at Morgan for failing to recognise the purpose of its research. Morgan, who also neglected to credit Brandpool as the source of the study, said: “No real surprises on the Most Trusted list, which is led by ‘national treasures’ such as David Attenborough, Stephen Fry, Richard Branson and Michael Parkinson. “As for the Least Trusted list, I find the logic of this one quite odd. Katie Price, for example, comes top, yet I would argue that she’s one of the most trustworthy people I know… Then I suddenly pop up at No 6, an outrage which perhaps only I feel incensed about. Particularly as that smiley little rodent Russell Brand slithers in at No 7. Making me supposedly less trustworthy than a former heroin junkie and sex addict.” Morgan was also surprised to see Simon Cowell, Cheryl Cole, Sharon Osbourne, Tom Cruise and Jonathan Ross in the Least Trusted list. However, he agreed with the inclusion of John Terry, Ashley Cole, Tiger Woods and Tony Blair, all of whom, he said, were “united by a common forked tongue”.
    [Show full text]
  • Video E-Lesson
    Video e-Lesson QI: wrong answers Before you watch 1 Use the words to complete the sentences about QI . buzzer howler ignorance interesting obscure Twitter™ 1 QI is a British television general knowledge comedy quiz show. The letters QI stand for Quite ___________. 2 The questions in QI are very difficult to answer because they are usually very __________. 3 One section of the programme is dedicated to questions that have obvious but wrong answers. It's called General _________. 4 The programme is presented by the actor, writer and comedian, Stephen Fry. In January 2010 Stephen had 1,300,775 followers on _________. 5 In the programme, four people (panellists) try to answer questions. When a panellist wants to answer a question, he or she presses a _________. 6 In English, an answer that is very wrong is sometimes called a _________. 2 Put the words in the correct order to form questions. 1 to circumnavigate / man / the first / Who was / the globe ? 2 of the helicopter / the nationality / of the inventor / What was ? 3 for a / you get / What do / long time / if you / suck your pencil ? 3 Choose the correct answer to each of the questions in exercise 2. 1 a Ferdinand Magellan b Juan Sebastian del Cano c Christopher Columbus 2 a British b Italian c Chinese 3 a lead poisoning b nothing c a headache While you watch 4 Watch the video and check your answers to exercises 2 and 3. This page has been downloaded from www.macmillanglobal.com 1 It is photocopiable, but all copies must be complete pages.
    [Show full text]
  • JULIA CARTA Hair Stylist and Make-Up Artist
    JULIA CARTA Hair Stylist and Make-Up Artist www.juliacarta.com PRESS JUNKETS/PUBLICITY EVENTS Matt Dillon - Grooming - WAYWARD PINES - London Press Junket Jeremy Priven - Grooming - BAFTA Awards - London Christian Bale - Grooming - AMERICAN HUSTLE - BAFTA Awards - London Naveen Andrews - Grooming - DIANA - London Press Junket Bruce Willis and Helen Mirren - Grooming - RED 2 - London Press Conference Ben Affleck - Grooming - ARGO - Sebastián Film Festival Press Junket Matthew Morrison - Grooming - WHAT TO EXPECT WHEN YOU’RE EXPECTING - London Press Junket Clark Gregg - Grooming - THE AVENGERS - London Press Junket Max Iron - Grooming - RED RIDING HOOD - London Press Junket and Premiere Mia Wasikowska - Hair - RESTLESS - Cannes Film Festival, Press Junket and Premiere Elle Fanning - Make-Up - SUPER 8 - London Press Junket Jamie Chung - Hair & Make-Up - SUCKERPUNCH - London Press Junket and Premiere Steve Carell - Grooming - DESPICABLE ME - London Press Junket and Premiere Mark Strong and Matthew Macfayden - Grooming - Cannes Film Festival, Press Junket and Premiere Michael C. Hall - Grooming - DEXTER - London Press Junket Jonah Hill - Grooming - GET HIM TO THE GREEK - London Press Junket and Premiere Laura Linney - Hair and Make-Up - THE BIG C - London Press Junket Ben Affleck - Grooming - THE TOWN - London and Dublin Press and Premiere Tour Andrew Lincoln - Grooming - THE WALKING DEAD - London Press Junket Rhys Ifans - Grooming - NANNY MCPHEE: THE BIG BANG (RETURNS) - London Press Junket and Premiere Bruce Willis - Grooming - RED - London
    [Show full text]
  • The Enigma of Hitler Counterfactual Perspectives
    IAN WALLACE The Enigma of Hitler Counterfactual Perspectives S ISAIAH BERLIN WAS THE FIRST TO ARGUE, plausibility is an essential requirement for any historian adopting a counterfactual A strategy.1 If it is to achieve any degree of legitimacy, counterfactual history must be based not on “mere fantasy” but on “calculations about the relative probability of plausible outcomes in a chaotic world.”2 Such a high degree of self-restraint may not be required of the writer of fiction, for whom a portion of fantasy is, in fact, an indispensable precondition for the imagina- tive exploration of any subject, including the historical, but I would argue that such fantasy is least likely to trivialize a subject such as Hitler where it is tem- pered by a concern for plausibility. Studies of the Nazi period continue to proliferate, but the figure of Hitler remains by common consent an enigma eluding final explanation.3 This is a situation which literature may be thought to have done relatively little to im- prove. Writing in 1975, J.P. Stern regretted “the failure of creative literature to add very much to our understanding of Hitler’s personality,” adding that, apart from a few pages by Richard Hughes and Günter Grass, “the literary imagination has on the whole found itself outstripped by the facts of the case” and that “the true nature of the man is trivialized and obscured rather than illuminated by the antics of Charles Chaplin and the deeply unfunny comedy 1 Cited in Niall Ferguson, “Introduction: Virtual History: Towards a ‘Chaotic’ Theory of the Past,” in Virtual History: Alternatives and Counterfactuals, ed.
    [Show full text]
  • MDF Monitoring Visit Report
    City Bridge Trust – Monitoring Visit Report Organisation: Grant ref: Programme area: MDF The BiPolar 9999 03. Improving Londoners' Organisation Mental Health\b) Children & young people Amount, date and purpose of grant: 09/09/2010: £105,000 over three years (3 x £35,000) for the salary costs of a Youth Co-ordinator for London. Visiting Grants Officer: John Merivale Date of meeting: 19th August 2011 Met with: Suzanne Hudson, Chief Executive; Richard Ellis, Postholder 1. Introduction to the organisation: Established in the mid-eighties, MDF The BiPolar Organisation is a national user-led charity for people affected by bipolar disorder. Bipolar Disorder (often referred to as manic depression) is a serious mental health problem involving extreme swings of mood (highs and lows). Both men and women of any age from adolescence onwards, and from any social background, may develop the condition. It often first occurs when work, study, family or emotional pressures are at their greatest. In women it can also be triggered by childbirth or menopause. The illness is episodic, i.e. occurs in phases, but it is possible to remain well for long periods. Typically, the key to coping is an early diagnosis by a qualified mental health specialist, and acceptance of the condition. Severe and/or untreated episodes can be very damaging to the sufferer and to their families and friends. MDF has recently moved to a new base in Victoria, a building it occupies with many other charities. It has other offices in Crewe and Newport. Importantly, it runs a national network of self-help groups stretching from Jersey to Northern Ireland – these provide advice on living with the condition, organise self-management training programmes, and support people with employment issues.
    [Show full text]
  • Sir David Attenborough Trounces Young Stars in Brandpool's Celebrity Trust Poll
    Sir David Attenborough trounces young stars in Brandpool’s celebrity trust poll Submitted by: Friday's Media Group Friday, 9 April 2010 Sir David Attenborough trounces young stars in Brandpool’s celebrity trust poll Sir David Attenborough is the celebrity consumers would most trust as the figurehead for an advertising campaign, according to a survey commissioned by ad agency and creative content providers Brandpool. However, it was Katie Price who narrowly beat John Terry and Ashley Cole to be voted the least believable brand ambassador, followed by Amy Winehouse, Heather Mills, Tiger Woods and Tony Blair – the latter raising questions over Labour’s deployment of its former leader as a ‘secret weapon’ in the run-up to the election. The survey flies in the face of the Cebra study published last week by research agency Millward Brown, which indexed the appeal of celebrities in relation to certain brands. But Brandpool’s research suggests the popularity of young stars such as David Tennant, Cheryl Cole and David Beckham doesn’t always translate into trust. The poll saw 46% of respondents name Sir David as one of their top three choices, with Stephen Fry second on 36% and Richard Branson third on 20%. It was the elder statesmen of British broadcasting who dominated the top 10, with Michael Parkinson, Sir Terry Wogan, Sir David Dimbleby, Jeremy Paxman, Lord Alan Sugar and Jeremy Clarkson also highly rated. These silver-haired stars were favoured despite almost a third of respondents being under 35. And although an even split of men and women voted, the only female celebrity in the top 10 was The One Show presenter Christine Bleakley.
    [Show full text]
  • 1 Stephen Fry
    1 STEPHEN FRY The Andrew Marr Show, 22nd March 2020 (Rough transcript, check against delivery) STEPHEN FRY Actor AM: And he joins me now from his home in Norfolk. Stephen Fry, welcome. How are you coping? How are you managing out there in Norfolk? SF: Well, very well. I'm very lucky to be here. There's fresh air and we're staying at home, of course, and just hunkered down like everybody else. It's a tricky time for everybody and I'm fully aware of how lucky I am to have a house in the country and to be safe. You know, it's not easy for anybody, but the most important thing to remember is that nobody's an expert. And I suppose if there's a message to be had – and I'm not speaking as a health professional, obviously, a mental health professional or anything else, but in my capacity, such as it is, as President of MIND – one of the things that's very clear is that there's a lot of anxiety, a lot of stress, a lot of confusion and a lot of loneliness, and these are all very powerful triggers for other mental health episodes. AM: Well, I would like to get the Stephen Fry advice on some of these. So, what about people who look at this huge array – and they may be watching this programme, or other programmes, news bulletins, reading newspapers – and it is a wall of terror coming towards them and they feel they can't cope with what is, after all, ‘the news’.
    [Show full text]
  • Where Can Learning a Language Take You?
    Why Languages Matter Where can learning a language take you? We spoke to Stephen Fry about his passion for languages, and why he believes language learning is so important. Please can you introduce What is your profession what I did was picked up by yourself and tell us a or career? broadcasters in Britain who bit about yourself? asked me and my troupe to I write books, act in films, perform on television, and it My name is Stephen Fry and plays and TV shows. I do just grew from there. I’m 63 years old and an actor, stage performances and writer, broadcaster sort of a generally busy myself. How many and what person. languages do you speak? Can you tell us what the best aspect of your I am familiar with French, profession/career is? German, Spanish, Italian, Latin and a little Greek and Goodness. The satisfaction Dutch. and fulfillment when it goes right is hard to overstate. When did you start There’s a lot of (I hope learning languages invisible) slog and effort and and why? disappointment along the way but when something At school like everybody else! you do is appreciated and I just clicked with Latin and admired well… Ancient Greek, and French and German followed. I How and why did you get was hopeless at Maths and into your line of work? science, but the structure and rhythm and sounds Good fortune really. A of other languages always student performer and writer, appealed to me and seemed Time to start your language learning journey! go.pearson.com/whylanguagesmatter natural.
    [Show full text]
  • STEPHEN FRY Comedian, Actor, Writer & Presenter Activist
    STEPHEN FRY Comedian, Actor, Writer & Presenter Activist After a troubled childhood and adolescence, during which he was expelled from two schools and spent three months in prison for credit card fraud, Stephen Fry secured a place at Queens’ College, Cambridge, where he studied English literature. While at university, Fry became involved with the Cambridge Footlights, where he met his long-time collaborator Hugh Laurie. As half of the comic double act Fry and Laurie, he co-wrote and co-starred in “A Bit of Fry & Laurie”, and took the role of Jeeves (with Laurie playing Wooster) in “Jeeves and Wooster”. In 1984 Fry was engaged to do the rewrite of the Noel Gay musical “Me and My Girl”, which made him a millionaire before the age of 30. It also earned him a Topics nomination for a Tony award in 1987. Throughout the 1980s Fry did a huge amount of television and radio work, as well as writing for newspapers (he had a Actors weekly column in the “Daily Telegraph”) and magazines (articles for “Arena”). Celebrities Entertainers Now considered a “national treasure”, and well-loved for his numerous television and film roles, Fry is perhaps best known for his television roles in “Blackadder II” (1986) and the aforementioned “Jeeves and Wooster” (1990). More recently, in 2003 Fry began hosting QI (Quite Interesting), a comedy panel television quiz show. QI has the highest viewing figures for any show on BBC Four and Dave. In 2006, Fry won the Rose d’Or award for “Best Game Show Host” for his work on the series.
    [Show full text]
  • Henry Filloux-Bennett, Is a Digital Take on the Classic Novel by Oscar Wilde
    PROGRAMME ... Dorian Gray now Thank you for signing in and being a part of this adaptation of The Picture Of Dorian Gray. As theatres currently remain closed, stories across the world are now being told online. The Barn Theatre streamed their magical production of Peter Pan, as well as murder mystery co-production, What a Carve Up! with Lawrence Batley Theatre and The New Wolsey Theatre. Christmas at Oxford Playhouse brought online productions of Father Christmas and Sammy and the Beanstalk, an urban version of a classic fairytale, for audiences to watch at home. Theatr Clwyd made Christmas happen with the The Panto That Nearly Never Was, which certainly lived up to the title. And now, these five theatres have joined together to co-produce an Oscar Wilde classic in the digital age. For most of 2020, we spent more and more time online. With endless zoom quizes, home school lessons and virtual meetings, online has become the new normal. The Picture of Dorian Gray as reimagined by Henry Filloux-Bennett, is a digital take on the classic novel by Oscar Wilde. Directed by Tamara Harvey, our adaptation has been plunged into the current social media obsessed world we experience today. But is this filtered down version of reality worth the cost? Are we all as perfect as we seem? 91 562 983 WELCOME 1 ... How does The Picture of Dorian Gray differ from your other digital adaptations? This is the fourth digital production I’ve worked on since lockdown began last year, and I think with each production the ambition has grown - certainly following What a Carve Up!, Tamara and I were incredibly keen to make sure that we built on what we’d been able to achieve and push the boundaries of what we could create.
    [Show full text]