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Musica Sacra 2012 MUSICA SACRA 2012 1 MUSICA SACRA 2012 MUSICA SACRA 2012 2 MUSICA SACRA 2012 MUSICA SACRA 2012 XXII. MEDZINÁRODNÝ FESTIVAL SAKRÁLNEJ HUDBY M U S I C A S A C R A XXII nd INTERNATIONAL FESTIVAL OF SACRAL MUSIC M U S I C A S A C R A pod záštitou nitrianskeho biskupa J. Em. Viliama Judáka a primátora mesta Nitry Jozefa Dvonča Under the auspies of nitrian bishop H. E. Viliam Judák and the Mayor of the city Nitra Jozef Dvonč Hlavný usporiadateľ: Spoluusporiadateľ: Podujatie finančne podporili: The main organizer: The City of Nitra Coorganizer: The piarist Collegium Nitra This event was financialy supported by the Ministry of Culture of SR Nitra Self-governing Region 3 MUSICA SACRA 2012 MUSICA SACRA 2012 Už dvadsiatydruhýkrát v letnom období budú zaznievať v staroby- The sounds of sacred music will echo throughout the ancient City of Nit- lej Nitre tóny posvätnej hudby v rámci Medzinárodného festivalu ra for 22nd time during the International Music Festival Musica Sacra Musica sacra. in the summer. Aj pri tejto príležitosti si uvedomujeme, že vzťah náboženstva At this occasion, we become aware of the fact that the relationship a viery ku kultúre je celkom zrejmý. Cirkev totiž významnou mierou of religion and faith to culture is quite obvious. As a matter of fact, prispieva ku kultúrnemu pokroku. Svojou evanjelizáciou preniká the Church contributes to the cultural progress to a considerable extent. ducha kultúry. V tomto zmysle vyznieva i koncilová myšlienka: It penetrates the spirit of culture by means of its evangelization. This is „Cirkev verná svojim vlastným tradíciám a zároveň vedomá si svojho also the meaning of the main idea of the Council: “The Church, faithful univerzálneho poslania môže sa spájať s rozličnými formami kultúry, to its traditions and aware of its universal mission at the same time, čím získava aj Cirkev, aj jednotlivé kultúry“. can be connected with different forms of culture which is beneficial Zodpovedným nositeľom európskej kultúry bola a je Cirkev. both for the Church and for the individual cultures”. Pre Cirkev a pre kresťanskú kultúru neplatí téza: čo je nové, musí The Church has always been and still is responsible bearer byť eo ipso lepšie a neopotrebované, zatiaľ čo staré je vždy hor- of the European culture. The thesis “whatever is new, must eo ipso be šie a opotrebované. Novosť evanjelia je neukončená, nenaplnená. better and not worn out, whereas the old things are always worse and Novosť evanjelia stále a v každom čase prináša úžas a prekvape- worn out” does not apply to the Christian culture. The newness of Go- nie. Aj ideu večnosti ako dosiahnuteľnú realitu ponúka kresťanstvo, spel is unfinished, unfulfilled. The newness of the Gospel brings astonis- ona sa nestratila, ale žije aj v rôznych (dakedy protirečivých) hment and surprise at all times. The Christianity offers the idea of eternity konceptoch ľudskej budúcnosti. „Aj dnes viera formuje ľudskú as a reachable reality; this idea did not get lost it lives in different existenciu,“ pripomína teológ Karol Rahner. (sometimes contradictory) concepts of human future. “The faith shapes Mnohí hlásajú, že „kresťanstvo je mŕtve“, že ono spoločnosť the human existence even today”, says the theologian Karl Rahner. zasiahlo len povrchne a vyvolalo duchovnú krízu a že Cirkev je Many preach that “the Christianity is dead”, that it only hit the society „určená do archeologických múzeí“. superficially and caused the spiritual crisis, and that the Church is Pápež bl. Ján Pavol II., poukazuje, že po páde komunizmu “destined to archaeological museums”. sa očakávaný „inštinktívny obrat k náboženstvu“ neukázal takým The beatified Pope Iohannes Paulus II points out that, after the fall zjavným, ba do istej miery človek stratil životnú orientáciu, pritom of communism, the expected ”instinctive return to religion” did not pro- sa však stal citlivým pre otázky, ktoré presahujú prirodzené ve to be so apparent, that the man even lost his life orientation to a cer- poznanie. tain extent – but that he became sensitive to questions reaching beyond Našim najhlbším problémom je problém kultúry a oživujúce- the natural cognition at the same time. ho ducha kultúry. Tohto ducha kultúry vdýchol našim dejinám Our deepest problem is the problem of culture and of the reviviscent sv. Konštantín Filozof so svojím bratom sv. Metodom celým svojim spirit of culture. St. Constantine the Philosopher, together with his brother životom a vyjadril ho už vo svojom Proglase. Rozvíjať túto kultúru St. Method, breathed this spirit into our history and expressed it already dnešnej generácii je úloha všetkých nás. in his Proglas. A task of all of us is to develop this culture for the ge- Francúzsky spisovateľ Jacques Lusseyran (1924-1971) sa zo vzťahu neration of today. k hudbe vyznáva: „Dnes hudba u mňa visí na zlatom klinci, ktorý The French writer Jacques Lusseyran (1924 - 1971) professes his relation sa volá Bach. Nezmenil sa však môj vkus, ale moji známi. to music: “Today, the music hangs, in my view, on a golden spike by V detstve som žil Beethovenom, Schumannom, Berliozom, a name of Bach. My taste did not change but my acquaintances did. Wágnerom a Dvořákom, pretože to boli oni, s ktorými som sa kaž- In my childhood, I lived with Beethoven, Schumann, Berlioz, Wagner dý deň stretával. A aj keby to niekto nebol povedal, a tým niekým and Dvořák because I was meeting them every day. Even if somebody bol Mozart – každá hudba je hudbou. Geometriou, ktorá sa však had not said so - and this somebody was Mozart - each music is a music. vzťahuje na vnútorný priestor. Vetami, avšak oslobodenými od A geometry that, however, relates to the inner space. Sentences, however významu.Zo všetkých ľudských výtvorov je hudba nepochybne liberated from meanings. Out of all human creations, music is doubtlessly najmenej ľudská. Keď som ju počul bol som tu celý, so všetkými the least human. When I heard it, I was here whole, with all worries and starosťami a radosťami, a predsa som to nebol tak celkom ja: kto tu pleasures, and still, it was not completely me: he who was sitting here, sedel, bol lepší než ja, väčší a istejší.“ (Jacques Lusseyran: was better than me, bigger and more certain.” (Jacques Lusseyran: Nalezené Světlo „Vidoucí slepec“). The Found Light “Seeing Blind”). Kresťanská kultúra, aj prostredníctvom posvätnej hudby, ponúka ako The Christian culture offers, by means of the sacred music, as a permanent stálu a nemennú hodnotu kultúru života oproti kultúre smrti, kultúru and unchanging value, the culture of life against the culture of death, lásky oproti nenávisti, kultúru obety oproti utrpeniu. Oproti karikatúre culture of love against hatred, culture of sacrifice against suffering. slobody ozajstne darovanú slobodu, oproti akejkoľvek ľubovôli a ego- A really donated freedom against caricature of freedom, against any izmu – zodpovednosť za seba i za iných.... Preto je potrebné, aby sme arbitrariness and egoism - a responsibility for oneself and for others boli nositeľmi týchto hodnôt aj prostredníctvom tónov, ktoré v týchto .... That is why we are to be bearers of those values also by means dňoch zaznejú v cyrilo-metodskej Nitre. of the sounds that will echo in Cyrillo-Methodian Nitra. Viliam Judák nitriansky biskup / Bishop of Nitra 4 MUSICA SACRA 2012 MUSICA SACRA 2012 Milí priatelia, Ladies and Gentlemen, Dear friends, históriou preverené hodnoty duchovnej hudby sú nevyčerpateľným the historically verified values of religious music represent an zdrojom hlbokých umeleckých zážitkov, krásy a harmónie. Nitra bola inexhaustible source of deep artistic experiences, beauty and harmo- už od čias stredoveku dôležitým centrom vzdelanosti a kultúry, ktorá ny. Ever since the Middle Ages, Nitra has been an important center of a sa rozvíjala aj v oblasti hudobného sakrálneho umenia. high level of education and culture that mainly developed in the field Naše mesto, v úsilí o zachovanie kontinuity v nadväzovaní na svo- of musical sacred art. ju bohatú hudobnú minulosť, vytvára i v súčasnosti priestor pre interpretáciu duchovných hudobných diel prostredníctvom Medziná- Our city, in an effort to preserve the continuity of its reach musical past, rodného festivalu sakrálnej hudby Musica sacra, ktorý tu v Nitre píše creates space for performing the sacred music opus by means of the svoju dvadsaťdvaročnú históriu. International music festival MUSICA SACRA nowadays, too. The festival Musica sacra a Piaristický kostol sv. Ladislava v Nitre – to je takes place for a 22nd time. vzácna symbióza duchovných hodnôt, priestoru a hudby. Toto spojenie dáva všetkým účastníkom festivalu príležitosť na Musica sacra and the Piarist church of St. Ladislaus - this is an uncommon zamyslenie, na ponor do vlastného vnútra a hľadanie zmyslu svojej symbiosis of the sacred values, space and music. This connection gives existencie aj prostredníctvom duchovnej hudby. all participants of the festival an occasion for contemplation, for an Som veľmi rád, že v našom meste môžem opäť privítať vynikajú- immersion into one´s own heart and looking for a sense of the own ce inštrumentálne i vokálne telesá a sólistov z Českej republiky, existence also by means of the sacred music. Japonska, Maďarska i zo Slovenska. Vnímavému nitrianske- mu publiku sa počas siedmich koncertov predstaví Komorný I am very happy to be able to welcome to our city again the eminent orchester SINFONIETA BRATISLAVA, Miešaný spevácky zboru instrumental and vocal groups and soloists from Czech Republic, TECHNIK AKADEMIK, skvelí českí inštrumentalisti Jiřina Dvořáko- Japan
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