Lifetime Reading List in Chronological Order Part 3: 1700-1899 Date Read Author's Life Span Author and Title 1670-1729
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Frederic Ozanam, a Life in Letters
OTHER BOOKS BY JOSEPH I. DIRVIN, C.M. St. Catherine Laboure of the Miraculous Medal Farrar, Straus & Cudahy, New York, 1958; reissue Tan Books and Publishers, Rockland, Illinois 1984. Woman Clothed With the Sun (Collaboration), Hanover House, New York, 1960. Mrs. Seton, Foundress of the American Sisters of Charity Farrar, Straus & Cudahy, New York, 1962, 1975. Louise de Marillac Farrar, Straus & Giroux, New York, Spring, 1970. Frederic Ozanam A LIFE IN LETTERS ' " , ~~ , ,-·~-- . ,, ~~~ Frederic Ozanam 1813-1853 ~ Frederic Ozanam A LIFE IN LETTERS Translated and edited by JOSEPH I. DIRVIN, C.M. SOCIETY OF ST. VINCENT DE PAUL COUNCIL OF THE UNITED STATES © 1986 by Society of St. Vincent de Paul, Council of the United States, 4140 Lindell, St. Louis, Missouri 63108 All rights reserved. No part of this book may be reproduced, in any form or by any means, without permission in writing from the publisher. Printed in the United States of America Library of Congress Cataloging-in-Publication Data Ozanam, A.-F. (Antoine Frederic), 1813-1853. Frederic Ozanam, a life in letters. Includes index. 1. Ozanam, A.-F. (Antoine Frederic), 1813-1853- Correspondence. 2. Catholics-France-Correspondence. 3. Society of St. Vincent de Paul. I. Dirvin, Joseph I. II. Title. BX4705.08A4 1986 282'.092'4 [B] 86-26127 10 9 8 7 6 5 4 3 2 1 FOREWORD The Council of the United States has taken on the responsibility of publishing an annotated English translation of selected correspondence of our Frederic Ozanam. This praiseworthy effort is made possible by the unselfish labor of Father Joseph I. Dir, vin, C.M., who has translated the letters from the original French. -
Reading List Fall 2009
SAN FRANCISCO STATE UNIVERSITY Programme de français LE M.A. EN FRANÇAIS Liste de lecture Options I et II Format de l’examen oral 1 FORMAT ET DEROULEMENT DE L’EXAMEN ORAL LISTE DE LECTURES Révision : Automne 2009 Vous trouverez dans ce document une liste de lectures conçue pour vous aider dans vos études graduées. Les premiers ouvrages indiqués sont des manuels généraux sur l’histoire de la culture et de la littérature, et quelques ouvrages qui peuvent vous aider dans l’analyse des textes (partie II de ce document). La partie III contient, pour chaque période ou siècle que vous devez étudier, une liste d’oeuvres principalement littéraires qui sont représentatifs de la littérature et de la culture française et francophone de cette époque. Cette liste de lecture est aussi conçue pour vous aider à préparer l’examen oral que vous devez passer à la fin de vos études graduées. Vous devez passer en effet alors un examen oral, que vous choisissiez l’option I (examen écrit et oral) ou l’option II (thèse). Nous allons donc d’abord préciser le contenu de ces options puis le format de l’examen oral. Options possibles pour obtenir le diplôme de maîtrise à la fin des études dans le programme gradué : 1) Option I (examen) : Les étudiants qui choisissent l’option « Examen (oral et écrit)» ne passeront l’oral qu’après avoir réussi l’examen écrit (durée : 4 heures), où il leur sera demandé de : – Traiter deux questions d’essai au choix sur quatre proposées – Faire une explication de texte au choix sur deux proposées Ces questions comme les explications de texte seront basées, autant que possible, sur les cours suivis par les étudiants. -
ENG3U Free Choice Reading
ENG3U Free-Choice Reading • Name: ______________ Individual Free-Choice Reading Assignment 1 Free Choice Important Literary Authors by Period & Culture Beginning to 1st 2nd-15th 16th Century 17th Century 18th Century 19th Century 20th Century Century A.D. Century (1500s) (1600s) (1700s) (1800s) (1900s) Indian Manu, Valmiki Chandidas, The Ghazal Khan Kushal Mirza Ghalib Mahatma Subcontinental Kabir Gandhi, Premchand Chinese I Ching, Tao Yangming Hong Shen Yuan Mei, Mao Zedong, Confucius Yuanming, Xie Wang, Wu Cao Xueqin Lin Yutang Lingyun Cheng’en Japanese Manyoshu Zeami Kojiro Kanze Matsuo Basho Hakuin Ekaku Natsume Mishima Motokiyo Soseki Yukio Middle Eastern Gilgamesh, Book Talmud, Jami, Thousand and Evliya Çelebi Jacob Talmon, of the Dead, The Rumi One Nights David Shar, Bible Amos Oz Greek Homer, Aesop, Anna Dionysios Constantine Sophocles, Comnena, Solomos Cavafy, Euripides Ptolemy, Giorgos Galen, Seferis, Porphyry Odysseas Elytis Latin Virgil, Ovid, St. Anselm of Desiderius Johannes Carolus Pope Pius X, Cicero Aosta, St. Erasmus, Kepler, Linnaeus XI, XII Thomas Thomas Baruch Aquinas, St. Moore, John Spinoza Augustine Calvin Germanic Neibelungenli Martin Luther Johann Immanuel Johann Rainer Maria ed, Van Grimmelshau Kant, Wolfgang von Rilke, Bertolt Eschenbach, sen Friedrich von Goethe, Brecht, Albert Von Schiller Brothers Schweitzer Strassburg Grimm, Karl Marx, Henrik Ibsen French Le Chanson Robert René Voltaire, Jean- Honoré de Marcel Proust, de Roland, Garnier, Descartes, Jacques Balzac Victor Jean-Paul Jean Froissart, Marguerite -
La Prison Romantique: Silvio Pellico, Stendhal
La prison romantique: Silvio Pellico, Stendhal Pendant que certains auteurs du XIXe siècle, comme Tolstoï, Dickens et Dostoïevski, font de la prison un lieu permettant d’accéder à la connaissance et d’articuler une attitude critique vis-à-vis de la société de l’époque, d’autres utilisent l’enfermement comme un miroir de leur âme blessée par un monde malveillant et cruel. Déçus, trahis par la société, las d’un rationalisme qui brime leurs sentiments, ils voient dans la prison le seul refuge pouvant les protéger des malheurs de la vie sur terre. Loin de représenter une punition, la privation de la liberté devient le moyen pour fuir une réalité hostile, pour retourner en quelque sorte dans le ventre de la mère1 et se soustraire ainsi aux contraintes que la vie quotidienne impose aux sentiments et à l’imagination. Là-dessus viennent se greffer tous les sujets chers au romantisme : l’amour, la solitude, le plaisir de la souffrance, la rêverie.2 Déjà présents dans le « Roi Lear »3 de Shakespeare et dans « Le prisonnier de Chillon » de Byron, ces thèmes seront repris au XIXe siècle par Baudelaire, Gérard de Nerval, Stendhal et, en Italie, par Silvio Pellico. Au-delà des différences qui caractérisent ces auteurs, ceux-ci partagent le même désir pour un lieu en dehors du temps et de l’espace, pourvoyeur d’une paix de l’esprit que le monde réel n’est pas à même d’offrir. La thèse de la « prisonisation », selon ces auteurs, doit être lue à l’envers : ce n’est pas la prison qui crée une dépendance, mais bien le besoin de solitude et de sérénité intérieure inhérent à tout être 1 Cf. -
Shakespeare in Italy Author(S): Agostino Lombardo Source: Proceedings of the American Philosophical Society, Vol
Shakespeare in Italy Author(s): Agostino Lombardo Source: Proceedings of the American Philosophical Society, Vol. 141, No. 4 (Dec., 1997), pp. 454-462 Published by: American Philosophical Society Stable URL: https://www.jstor.org/stable/987221 Accessed: 01-04-2020 11:03 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms American Philosophical Society is collaborating with JSTOR to digitize, preserve and extend access to Proceedings of the American Philosophical Society This content downloaded from 94.161.168.118 on Wed, 01 Apr 2020 11:03:37 UTC All use subject to https://about.jstor.org/terms Shakespeare in Italy AGOSTINO LOMBARDO Dipartimento di Anglistica, Universita di Roma, "La Sapienza" it hacius, Spenns, Drayton, Shakespier ... ": in this list of confused and mangled names we find the first mention of Shakespeare in Italian writing. The author was probably that brilliant and versatile essayist, Lorenzo Magalotti, who wrote in 1667 the account of a journey to England. The account, indeed, gives such an interesting description of life in Restoration London as to make us regret the complete absence of any allusions to the Shakespearean performances Magalotti must have attended, as he did others of a more frivolous nature ("Wrestling, bull and bear baiting. -
67-82 3MIYAZAKI 6.Indd
Aloysius Bertrand, admirateur de Victor Hugo ? – Essai sur la relation entre Gaspard de la Nuit et le romantisme des années 1820 – Akane MIYAZAKI En novembre 1842, un petit recueil de poèmes en prose de Louis Bertrand, dit Aloysius Bertrand, paraît sous le titre Gaspard de la Nuit. Fantaisies à la manière de Rembrandt et de Callot(1). L’auteur était mort l’année précédente et ses manuscrits ont été réunis par David d’Angers, Victor Pavie et Sainte-Beuve. À cette première édition, Sainte-Beuve a consacré une « Notice » détaillée(2). En retraçant la vie « d’un orfèvre ou d’un bijoutier de Renaissance(3) », il fait l’éloge de ces « petites ballades en prose, dont le couplet ou le verset exact simulait assez bien la cadence d’un rythme(4). » Mais en même temps, il émet un avis singulier à propos de la mort du poète : « Si Bertrand fût mort en 1830, vers le temps où il complétait les essais qu’on publie aujourd’hui pour la première fois, son cercueil aurait trouvé le groupe des amis encore réunis, et sa mémoire n’aurait pas manqué de cortège(5). » Bertrand aurait-il dû mourir plus tôt ? Certes, son recueil pouvait sembler anachronique : il avait fallu plus de dix ans pour en achever le manuscrit entre 1826 et 1836, resté ensuite presque cinq ans chez l’imprimeur de 1836 à 1841. Même en 1842, la publication de ce recueil n’a pas connu un brillant succès. Pourtant, à partir des années 1860, Bertrand a commencé à être exhumé comme poète moderne : Stéphane Mallarmé a dit de lui qu’il était « un de nos frères » et qu’« un anachronisme a[vait] causé son oubli »(6). -
Bulletin Baudelairien
BULLETIN BAUDELAIRIEN Ie 4QIUt 1961 BULLETIN BAUDELAIRIEN Publie deux fois par an, Ie 9 avril et Ie 31 aout a Nashville, Tennessee, U.S.A. Comite de redaction: W. T. Bandy; J. S. Patty; R. P. Poggen burg Veuillez adresser toute correspondance it: Box 1663 Vanderbilt University Nashville, Tennessee 37203 Abonnement annuel (2 numeros) $2.00 Le montant des abonnements do it etre adresse, soit par cheque bancaire, soit par mandat, au BULLETIN BA UDELAIRIEN Couverture: Malvina Mikesell, d'apres Manet. te~/967 REPERTOIRE DE THESES DE MAITRISE AMERICAINES SUR BAUDELAIRE (1912.1966) "Maint joyau dort enseveli," dit Baudelaire, suivant en cela Thomas Gray. Tout au moins peut-on dire que toute profon deur non sondee merite qu'on ramime ses produits it la surface. Puisque, en general, les theses de maitrise americaines ne s'impriment pas, il semble justifiable de mettre it la disposition des baudelairiens une liste de celles qui ont ete consacrees it Baudelaire. Certes, elles doivent etre de valeur tres inegale, mais, par la quantite comme par la diversite des sujets qu'elles traitent, Ie travail qu'elles representent est impres sionnant. Ce recensement se prete it diverses analyses statis tiques; bornons-nous it faire remarquer que, des 97 theses que nous avons pu identifier, quinze ont trait aux rapports Baude laire-Poe; que c'est en 1912, parait-il, que la premiere these americaine sur notre poete a He presentee (n° 13) ; et enfin que la courbe de la production est toujours ascendante (13 theses, par exemple, pour la periode 1930-1939 contre 35 pour les annees GO). -
From Coppet to Milan: Romantic Circles at La Scala
From Coppet to Milan: Romantic Circles at La Scala Carmen Casaliggi Cardiff Metropolitan University When Percy Shelley left England and settled with Mary Godwin and Claire Clairmont at Maison Chapuis close to Villa Diodati in May 1816, his thoughts naturally turned to the people who were part of the coterie of European writers and artists visiting Switzerland during that Summer. As he wrote in a letter to Thomas Jefferson Hogg dated July 18, 1816: “Lord Byron, whom I have seen at this place, is about to publish a new canto of Childe Harold [...] Mad. de Stael [sic] is here & a number of literary people whom I have not seen, & indeed have no great curiosity to see” (493). Despite their strident disagreement over the merits of Byron’s entourage, Shelley’s words are suggestive of the significance of Switzerland as a centre of creativity and inspiration; it also becomes an important site to test authentic forms of sociability. John William Polidori’s diary entry for May 25, 1816 – written only few days after he arrived in Switzerland as Byron’s personal physician - retraces the footsteps of writers and philosophers interested in Swiss destinations: “It is a classic ground we go over. Buonaparte, Joseph, Bonnet, Necker, Staël, Voltaire, Rousseau, all have their villas (except Rousseau). Genthoud, Ferney, Coppet are close to the road” (96). This distinctive association of the biographical, the historical, and the geographical indicates the extent to which the Swiss experience can be seen as one of the first Romantic examples of influence and collaboration between British and European Romantic writers. -
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Unless by the Lawful Judgment of Their Peers [.Lat., Nisi Per Legale Judicum Parum Suorum] ,Unattributed Author - Magna Charta--Privilege of Barons of Parliament
.Unless by the lawful judgment of their peers [.Lat., Nisi per legale judicum parum suorum] ,Unattributed Author - Magna Charta--Privilege of Barons of Parliament Law is merely the expression of the will of the strongest for the time being, and .therefore laws have no fixity, but shift from generation to generation Henry Brooks Adams - .The laws of a state change with the changing times Aeschylus - .Where there are laws, he who has not broken them need not tremble ,It., Ove son leggi] [.Tremar non dee chi leggi non infranse (Vittorio Alfieri, Virginia (II, 1 - .Law is king of all Henry Alford, School of the Heart - (lesson 6) .Laws are the silent assessors of God William R. Alger - Written laws are like spiders' webs, and will like them only entangle and hold the .poor and weak, while the rich and powerful will easily break through them Anacharsis, to Solon when writing his laws - Law; an ordinance of reason for the common good, made by him who has care of the .community Saint Thomas Aquinas - .Law is a bottomless pit ,John Arbuthnot - (title of a pamphlet (about 1700 .Ancient laws remain in force long after the people have the power to change them Aristotle - At his best man is the noblest of all animals; separated from law and justice he is the .worst Aristotle - .The law is reason free from passion Aristotle - .Whereas the law is passionless, passion must ever sway the heart of man Aristotle - .Decided cases are the anchors of the law, as laws are of the state Francis Bacon - One of the Seven was wont to say: "That laws were like cobwebs; where the small ".flies were caught, and the great brake through (Francis Bacon, Apothegms (no. -
EJ Full Draft**
Reading at the Opera: Music and Literary Culture in Early Nineteenth-Century Italy By Edward Lee Jacobson A dissertation submitted in partial satisfacation of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mary Ann Smart, Chair Professor James Q. Davies Professor Ian Duncan Professor Nicholas Mathew Summer 2020 Abstract Reading at the Opera: Music and Literary Culture in Early Nineteenth-Century Italy by Edward Lee Jacobson Doctor of Philosophy in Music University of California, Berkeley Professor Mary Ann Smart, Chair This dissertation emerged out of an archival study of Italian opera libretti published between 1800 and 1835. Many of these libretti, in contrast to their eighteenth- century counterparts, contain lengthy historical introductions, extended scenic descriptions, anthropological footnotes, and even bibliographies, all of which suggest that many operas depended on the absorption of a printed text to inflect or supplement the spectacle onstage. This dissertation thus explores how literature— and, specifically, the act of reading—shaped the composition and early reception of works by Gioachino Rossini, Vincenzo Bellini, Gaetano Donizetti, and their contemporaries. Rather than offering a straightforward comparative study between literary and musical texts, the various chapters track the often elusive ways that literature and music commingle in the consumption of opera by exploring a series of modes through which Italians engaged with their national past. In doing so, the dissertation follows recent, anthropologically inspired studies that have focused on spectatorship, embodiment, and attention. But while these chapters attempt to reconstruct the perceptive filters that educated classes would have brought to the opera, they also reject the historicist fantasy that spectator experience can ever be recovered, arguing instead that great rewards can be found in a sympathetic hearing of music as it appears to us today. -
Biography of Sismondi
1 BIOGRAPHY OF SISMONDI HELMUT O. PAPPE I. Jean Charles Léonard Simonde was born on the 9th May 1773 into a Genevan family. In later life he changed his family to de Sismondi after an old Pisan aristocratic family from which he believed the Simondis to be descended. Charles’s parents were the pasteur Gèdèon François Simonde and his wife Henriette Ester Gabriele Girodz; a sister, Sara, called Serina by the family and her friends, saw the light of day two years later. The families of both parents were du haut the Simondes being on the borderline between nobility and upper bourgeoisie, the Girodz being members of the well-to-do upper bourgeoisie. Both the Simondes and the Girodz had come to Geneva as members of the second éimgration after the revocation of the Edict of Nantes in 1685, that is, both families were Protestant fugitives from religious persecution in France. The Girodz had come to Geneva from Chàlons-sur-Saône in 1689. Henriette’s father, Pierre Girodz, became a successful and highly respected businessman engaged in various commercial enterprises connected with the watchmaking trade. He owned a substantial town house close to the cathedral in the Bourg-de-Four and an imposing country seat ‘Tourant’ at Chênes, both to be the residences of Sismondi after his return from exile in Italy. On the occasion of the marriage of his daughter on the 12th January 1770 Pierre Girodz was able to give her a dowry his town house worth 30,000 Livres as well as 10,000 Livres in cash and 2,000 Livres worth of jewellery. -
Comparative Perspectives on the Rise of the Brazilian Novel COMPARATIVE LITERATURE and CULTURE
Comparative Perspectives on the Rise of the Brazilian Novel COMPARATIVE LITERATURE AND CULTURE Series Editors TIMOTHY MATHEWS AND FLORIAN MUSSGNUG Comparative Literature and Culture explores new creative and critical perspectives on literature, art and culture. Contributions offer a comparative, cross- cultural and interdisciplinary focus, showcasing exploratory research in literary and cultural theory and history, material and visual cultures, and reception studies. The series is also interested in language-based research, particularly the changing role of national and minority languages and cultures, and includes within its publications the annual proceedings of the ‘Hermes Consortium for Literary and Cultural Studies’. Timothy Mathews is Emeritus Professor of French and Comparative Criticism, UCL. Florian Mussgnug is Reader in Italian and Comparative Literature, UCL. Comparative Perspectives on the Rise of the Brazilian Novel Edited by Ana Cláudia Suriani da Silva and Sandra Guardini Vasconcelos First published in 2020 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.uclpress.co.uk Collection © Editors, 2020 Text © Contributors, 2020 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. A CIP catalogue record for this book is available from The British Library. This book is published under a Creative Commons 4.0 International licence (CC BY 4.0). This licence allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work).