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JEN CLOHER Jen Cloher
JEN CLOHER Jen Cloher Album Biography: June 6, 2017 Album Release: August 11, 2017 “It’s self-titled.” The three-word answer is all that Jen Cloher requires to describe her new album, a letter in triplicate addressed to music, to Australia and to love. It’s the most honest album she’s ever written. Jen liKes best to tell the truth. Jen Cloher is the culmination of a period of artistic and personal growth in which the artist tooK her rightful place as the punk-rocK figurehead of Melbourne’s famous DIY music scene. The NIDA graduate is an outspoKen advocate for artist rights, a label boss and band-leader, she also happens to be the partner of acclaimed songwriter Courtney Barnett. Cloher’s fascinating life-story is enough justification to taKe notice here, but it’s the music that will have you returning to this album again and again. Cloher says: “It’s a classic rocK album, recorded live in one room with minimal overdubs… I’m not too good at going into descriptive language around my own music but I suppose it is intimate without ever feeling too precious.” The bulK of Cloher’s album was recorded in October 2016 by Greg WalKer amidst the rolling greenery of Jumbunna in Victoria’s Gippsland, these are songs of distance and songs of driving. Four years on, the band that first played together on Cloher’s acclaimed third album, the Australian Music Prize nominated In Blood Memory, are bold and assured. The songs are split here and there by the melodic intricacy of guitarist Courtney Barnett while drummer Jen Sholakis and bassist Bones Sloane add weight and space, playing only what is needed, leaving room for the songs to breathe, transform and soar. -
For Immediate Release: Thursday 9Th August 2018
FOR IMMEDIATE RELEASE: THURSDAY 9TH AUGUST 2018: Following the success of the inaugural SummerSalt concert series across Australia last Summer, Zaccaria Concerts & Touring are thrilled to announce the first Summersalt concert event of Summer 2018-19. SummerSalt continues to deliver cream of the crop artists to the great Australian outdoors as it announces two of Australia’s finest artists – The Waifs and Pete Murray with strong support from Busby Marou, Mama Kin Spender and Carla Geneve performing live at Hotel Rottnest on Sunday January 13th, 2019. SummerSalt takes place in some of the most picturesque locations around the country. On top of showcasing the best of home-grown and international bands, it also brings cultural attractions, placing a very heavy emphasis on local community and sustainability. With sun, salt air, and sweet music to wash over Thompsons Bay at Rottnest Island, SummerSalt will create the perfect setting to dance the afternoon away with your friends on the sand or chill in the awesome venue of Hotel Rottnest. Soak up some Summer sun under the spell of some of the country’s finest Australian talent. A trip that began in a van in 1992, playing gigs anywhere in Australia that would have them has led The Waifs to multiple ARIA Awards, platinum albums and successful tours across the world. With a career spanning 25 years off the back of relentless touring and ground- breaking records such as Up All Night and A Brief History, the hard yards in those early days paid off in terms of their career, but also bound them together as friends. -
October 10 2018
INAUGURAL CEREMONY October 10 2018 “I know that there are vast numbers of men who support woman and huge numbers of women who want more so together let’s create the mother of all paradigm shifts.” Jenny Morris Chrissy Amphlett PHOTOGRAPHER: TONY MOTT 2 1 “I know that there are vast numbers of men who support woman and huge numbers of women who want more so together let’s create the mother of all paradigm shifts.” Jenny Morris Chrissy Amphlett PHOTOGRAPHER: TONY MOTT 2 1 A FEW WORDS Message From AWMA Founding Director Message from the Premier & Ministers & Executive Producer It is our great pleasure to welcome you to the first Australian Women in Music Awards. VICKI GORDON We’re proud that Queensland is the inaugural home to this phenomenal program. The Queensland Government is committed to promoting the work of women in all fields, including the arts, and positions of leadership. We have pledged to appoint 50 per cent women to government boards by 2020, because we know that companies This evening we will make Australian music history. that appoint more women do better. The inaugural Australian Women in Music Awards is the result of many Australian women contribute a great deal to the country’s contemporary music industry, and yet only one in five voices and many visions coming together, all of whom refuse to allow registered songwriters and composers in our nation are women. Women also represent almost half of all Australians women’s contribution in the Australian Music Industry to be sidelined with a music qualification, and yet hold only one in four senior roles in our key music industry organisations. -
Making Art with Communities a Work Guide
MAKING ART WITH COMMUNITIES A WORK GUIDE Melbourne Fringe Festival Crowd Play 1 (2011) Photo: Kate Harmsworth MAKING ARTWITH COMMUNITIES A WORKGUIDE MINISTER’S MESSAGE The arts have a powerful capacity to transform our confidence, pride and belonging; provide an avenue lives as individuals and communities, wherever for learning new skills; and for some – participants we live, whatever our age, life experience or and artists alike – can open up new career pathways. background. This work guide outlines the processes and protocols Collaborations between artists and communities of working with diverse Victorian communities. can result in extraordinary creative works and I hope it inspires both artists and communities to extraordinary social, educational and community- join together, get involved in the creative process strengthening outcomes. and create some beautiful, inspirational and meaningful art that we can all enjoy. Research has shown that community arts projects promote wellbeing and effectively engage hard to Hon Heidi Victoria MP reach groups – such as youth and disadvantaged Minister for the Arts communities. They foster a strong sense of i Making Art with Communities A Work Guide MAKING ART WITH COMMUNITIES – A WORK GUIDE The idea for Making Art with Communities – A Work This guide is for artists, managers and community Guide has been brewing for some time. As people leaders, new or established. The volume of have become more aware of the value of community- information, ideas, links and resources indicates based arts projects, there has been an increasing the vast possibilities in the field. For those who are demand for advice and resources in this field. -
Uniquely Australian: Fresh Authentic Exciting
State of the Sector report Uniquely Australian: Fresh Authentic Exciting January 2018 Contents Introduction 3 History, evolution, revolution 4 Reasons to believe 13 Markets – performance and outlook 26 Domestic Australian market 27 China (mainland) 28 China (Hong Kong) 29 United States of America 30 Canada 31 United Kingdom 32 Europe (excluding UK) 33 Asia (excluding China) 34 All export figures are for calendar year 2017 unless stated otherwise. Values are in Australian dollars free on board (FOB) unless otherwise stated. Introduction Australia produces unique wines that are This report looks at the parallel and Hiroshi Ishida, Japan’s leading fresh, authentic and exciting. Australia shared history of wine and music in sommelier said ‘There is no other wine- offers distinguished sites, the wealth of Australia, and how both have evolved producing country like Australia, which some of the oldest vines on the planet into something uniquely Australian, is never afraid of changes. Australia and multi-generational families whose appreciated by millions of people is the most dynamic and diverse wine long-standing dedication provides around the globe. The wine sector has producing country.’ inspiration and leadership while offering been through a particularly turbulent custodial care of Australia’s most decade since 2007, but our commitment precious vines and wines. to innovation and quality, diversity, creativity and authenticity means we There are distinct parallels between are primed for a new era of prosperity. Australian wine and Australian music. The latest market performances for Australian music and wine are unique Australia suggest that we are well expressions of a diverse Australian on the way. -
AUSTRALIAN SINGLES REPORT 8Th May, 2017 Compiled by the Music Network© FREE SIGN UP
AUSTRALIAN SINGLES REPORT 8th May, 2017 Compiled by The Music Network© FREE SIGN UP Hot 100 Aircheck spins, weighted with audience data & time of spins #1 hot 100 something just like this 1 The Chainsmokers & Coldp... Something Just LIke THis green light The Chainsmokers & Coldplay | SME 2 Lorde | UMA stay 3 Zedd & Alessia Cara | UMA While the stalemate at #1 and #2 continues, Zedd earns himself a new career peak with Stay, his galway girl recent collaboration with Alessia Cara. The move to #3 from #4 sees it officially overtake previous 4 Ed Sheeran | WMA best Stay The Night ft. Hayley Williams, which peaked at #3 in late 2013. issues 5 Julia Michaels | UMA Sheeran sees another single from ÷ crack the Top 5 of the TMN Hot 100. The third release from 6 sign of the times the album, Galway Girl takes #4 from #8, cracking the Top 5 just as the last of the two #1s from the Harry Styles | SME album drop from the Top 10. 7 that's what i like Bruno Mars | WMA At #9 is Shawn Mendes’ There’s Nothing Holdin’ Me Back, moving up from its debut point of #29. Last symphony 8 Clean Bandit | WMA issue the track was the #1 Most Added Song To Radio and this chart movement is definitely reflecting there's nothing holdin' me b... a huge amount of support from commercial. This week’s Most Added is having just as much success 9 Shawn Mendes | UMA though, with Katy Perry’s Bon Appetit ft. Migos debuting at #27. -
Every Voice Matters • Talkin' Digital from Spark to Story: National
THE MAGAZINE OF THE CBAA From Spark to Story: National Features & Documentary Series Every Voice Matters • Talkin' Digital NOVEMBER 2017 Celebrate some of the year’s best work with old friends and new at the CBAA Community Radio Awards. Hear from experts and leaders from within and outside the community radio sector. Attend informative and hands-on sessions Connect with broadcasters and sector organisations from all over Australia. 8 NOVEMBER 2017 16 15 President's Column ......................................................................................2 CONTENTS CBAA Update .................................................................................................3 From Spark to Story: National Features & Documentary Series .......4 Creating Connections That Change Lives ...............................................6 Every Voice Matters .....................................................................................8 5 Tips to Build Your Station's Sponsorship .......................................... 10 Out Of The Box .............................................................................................12 Amrap Q&A .................................................................................................. 14 Reclink Community Cup Goes National ................................................. 16 CBF Update ................................................................................................... 19 Talkin' Digital .............................................................................................. -
Congress Voted to Savcongress Voted to Save Our Stages, but Indie Venues Are Still Waiting for Help
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 10, 2021 Page 1 of 23 Leader; Travis Denning Makes History INSIDE Congress Voted to SavCongress Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupVoted Nashville), debuts toat No. 1 onSave Billboard’s lion Our audience impressions, Stages, up 16%). But Indie Top Country• Citing Albums Reforms, chart dated April 18. In its first week (ending April 9), it earnedCISAC 46,000 Readmits equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTroubled to Nielsen Spanish Music/MRC Data. Venues Are Stilland total Country Waiting Airplay No. 1 as “Catch” (Bigfor Machine Help Label Group) ascends SouthsideSociety marks SGAE Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart and fourth top 10. It follows freshman LP BY TAYLOR MIMS Young’s first of six chart entries, “Sleep With- Montevallo• Amazon, which Music arrived at the summit in No - out You,” reached No. 2 in December 2016. He Launches In-App vember 2014 and reigned for nineWhen weeks. Congress To date, Passed a COVID-19 relief bill in would take followedseveral withweeks the for multiweek [the SBA] No. -
Courtney Barnett Is the Biggest Thing in Australian Music at the Moment
MUSIC & SILENCE Courtney Barnett is the biggest thing in Australian music at the moment. And she’s found fame by following no one’s star but her own. By David Leser. Photography Gen Kay magine you suffer from It was all too true. Barnett had basic elements of treating other humans because Barnett is getting to pose for shyness and, at times, suffered an anaphylactic attack – caused in positive ways. And animals and a photo with her marsupial friend. crippling anxiety – and here either by an allergy or anxiety – and the nature … Not being selfish.” A few hours earlier she discovered you are waiting to go on stage lyrics were paraphrasing the real In 2013 Avant Gardener was named she had been nominated for seven ito perform in front of millions moment. “The paramedic was trying to track of the year by Pitchfork Media, ARIA awards, including best female on The Ellen DeGeneres Show. put me at ease because I was freaked a Chicago-based online music artist and album of the year, and is It gets worse. The person you’re about out,” Barnett says. “She was like, ‘What magazine. That same year, A Sea of Split expected to clean up at the November to follow is none other than the First do you do?’ And I go, ‘I play guitar in Peas was named album of the week 26 ceremony. Lady of the United States, Michelle a band.’ I was kind of crying, trying to (actually two previously released EPs In the meantime, she’s already won Obama, who’s just brought the house breathe, and she was just trying to make put together for the international best cover art for Sometimes I Sit and down with a rousing, hip-thrusting general conversation and calm me down. -
Documenting Australian Drummers Nat Grant Hey Drums1
Hey Drums: Documenting Australian Drummers Nat Grant Hey Drums1 (2016-present) is a blog documenting the work and experiences of Australian female and non binary drummers. The site also features percussionists but is largely focused on promoting a diverse intersection of players of an instrument widely and predominantly accepted as the territory of cis gendered men2: the drum kit. At the time of writing, interviews with more than 125 drummers from across the continent have been published on the site and promoted on Hey Drums social media platforms and a dedicated Spotify playlist featuring bands with female and gender non conforming (gnc) drummers. The project has grown into an online and real life community of drummers, regular articles in a nationwide drumming magazine, as well as live performance events and academic outcomes. This chapter will document the genesis, goals and evolution of Hey Drums and affiliated events, highlighting some of the individual artists and the broad range of areas they are working in. A woman's work is never done. Or it's erased from history books3 I wanted to do something to counter the incessant feedback I had received throughout my teens and twenties that ‘girls don’t play drums,’ with some kind of project listing and profiling all the non male drummers I could find. I began the Hey Drums blog as an acknowledgement of the people I already knew, and to learn about others. It started with some personal emails and a public call out on Facebook, which resulted in more than twenty candidates within an hour. -
Annual Report Annual Report
2017–18 2017–18 2017–18 ANNUAL REPORT REPORT ANNUAL ANNUAL REPORT Department of Economic Development, Jobs, Transport and Resources DEDJTR 11557 DEDJTR Annual Report 2017-18_cover_ƒ.indd 3 19/9/18 11:47 am Authorised and published by the Victorian Government. Department of Economic Development, Jobs, Transport and Resources 1 Spring Street, Melbourne, VIC 3000 Telephone (03) 9651 9999 September 2018 ISSN 2205-6513 (print) ISSN 2205-6521 (online) Print managed by Finsbury Green Printed on Ecostar (Fsc) 100% recycled paper Unless indicated otherwise, this work is made available under the terms of the Creative Commons Attribution 3.0 Australia Licence. To view a copy of this licence, visit creativecommons.org/licenses/by/3.0/au It is a condition of this Creative Commons Attribution 3.0 Licence that you must give credit to the original author who is the State of Victoria. Accessibility If you would like to receive this publication in an accessible format, such as large print or audio, telephone 03 9651 9999 or email [email protected]. This document is also available in accessible Word and PDF format at economicdevelopment.vic.gov.au 11557 DEDJTR Annual Report 2017-18_cover_ƒ.indd 4 19/9/18 11:47 am CONTENTS SECTION 1: OVERVIEW 1 Secretary’s foreword 2 SECTION 2: FINANCIAL PERFORMANCE 29 SECTION 3: NON-FINANCIAL PERFORMANCE 195 SECTION 4: APPENDICES 249 Appendix 1: Budget portfolio outcomes 250 Appendix 2: Capital projects/asset investment programs 256 Appendix 3: Victorian Government Trade and Investment network 258 -
A N G I E M C M a H
____________________________________________________________________________________ Official Site | Facebook | Twitter | Instagram | Spotify | Apple Music | YouTube ____________________________________________________________________________________ A N G I E M c M A H O N BIOGRAPHY 2019 Angie McMahon is the kind of indie film heroine that every twenty-something can relate to and root for, but instead of on-screen, her narrative plays out in charming songs about life, love, and comfort food. Her debut album Salt (out 26 July) exhibits all the talents that have seen the Melbourne songwriter quickly gather an impressive list of figures, accolades, and a reputation for filling some of Australia’s most revered venues, moving audiences who want to befriend her. Angie’s raw, human songwriting hums with realness, coupling intimately relatable lyrics with guitar-driven, anthemic guts and delivers it in a disarmingly soulful voice that can stop you in your tracks It’s all there in her debut single ‘Slow Mover’, a charismatic, cathartic song about an im- potent romantic encounter in an all-too-familiar late-night setting, which sparks an inter- nal monologue that becomes a firework chorus. It shot Angie from relative anonymity to one of 2017’s biggest success stories, landing her at #33 in triple j’s Hottest 100 off the back of listener votes and love from fellow artists Julia Stone, Julia Jacklin, and Gordi. In February, Angie followed up with the bruised, bluesy, but ultimately emboldening ‘Missing Me’. A brew of punchy chords and confessional vocals mixing sorrow and sass, it landed her at #49 in this year’s Hottest 100. With the release of her third single ‘Keep- ing Time’, she became the #1 most played artist on triple j and received high rotation across Australian radio, as well as cracked the AIR and Spotify Viral Charts.