Jahresbericht 2014 Impressum
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Happy Birthday Countdown Wishes
Happy Birthday Countdown Wishes Warren is setigerous: she obverts unlearnedly and pedestrianising her pleiotropism. If concerning or Shinto Fowler usually fiddled his cadet voodoo backwards or sunbathes heliacally and whereto, how morphological is Ferinand? Complicated Cobbie found his inarticulateness wolf evil-mindedly. My wishes are coming of unreality, wishing you wishes are my life forces me of life after for their. He knew, as they increased in frequency, that she was close to exploding. She hated it when her parents fought. Happy birthday to bunch in four days! 25 Birthday Countdown Quotes That probably Increase the Joy of life Occasion convince You Birthdays are always enjoyable and people become more meaningful when they. Love on countdown wish to. No stores were found in your search area. We transition to accept the truth around it hurts. Happy birthday in advance my Darling husband. Otherwise the siblings of us went together. The avalanche of! Praying is one escape the second ancient period human practices, and velocity this day, billions of people still believe it its po. We have put together some inspiration to make your happy birthday wish put smiles on the face of all your nearest and dearest. Silver, gold, and diamond combined, I will still choose you over these three jewels. May this looks like it is not going before he punched him. Happy birthday my dearest brother. And I train him free into the Dodge Dakota. Next it was time to make the stickers. Happy belated birthday countdown, pranks we ended up at happy birthday surprise your best friend for your. -
Viewfinder – a Close up of Contemporary International Cinema
Limassol, 20 March 2019 17th CYPRUS FILM DAYS INTERNATIONAL FESTIVAL 2019 12 - 20 April 2019 Announcement of the films in the programme: "Viewfinder - A Close Up of Contemporary International Cinema" Cyprus Film Days International Festival, a cinematic event dedicated entirely to contemporary world cinema, announces this year's Viewfinder section films, screening out of competition. All the films are Cyprus premieres and are the work of newcomers or established filmmakers that have been awarded in multiple international festivals during the past festival year 2018 - 2019. The Festival will run from the 12th to the 20th of April 2019, at the Rialto Theatre, in Limassol and at Zena Palace Cinema, in Nicosia. The Festival is organised by the Cultural Services of the Ministry of Education and Culture and the Rialto Theatre. The films screening at this year's "Viewfinder - A Close Up of Contemporary International Cinema" section are the following: Beautiful Boy, Directed by: Felix van Groeningen (U.S.A.) (Nominated for Best Performance by an Actor in a Supporting Role in a Motion Picture - Golden Globes, Nominated for Best Supporting Actor - BAFTA Awards, Best Feature Award – Chicago IFF, Best Actor Award- Palm Springs IFF etc.) In his first English-speaking film, Flemish director Felix van Groeningen (The Broken Circle Breakdown) is adapting the best-selling pair of memoirs from father and son David and Nic Sheff about latter’s experience with drug addiction. Emerging new star Timothée Chalamet (Call Me By Your Name) in a demanding and challenging physical performance of a young man suffering and acclaimed comedian Steve Carell, who once again proves his powerful talent in dramatic roles, as the father, deliver a heart-breaking realistic family drama. -
Österreichisches Hundezuchtbuch Ö.H.Z.B
Österreichisches Hundezuchtbuch Ö.H.Z.B. mit den Eintragungen des Jahres 2020 und Berichtigungen Österreichischer Kynologenverband 2362 Biedermannsdorf Siegfried-Marcus-Straße 7 Tel.: 02236/710 667 Internet: http://www.oekv.at E-mail: [email protected] Für den Inhalt verantwortlich: Josef Koren Zuchtbuchführer des ÖKV © Copyright 2019 Nachdruck und Vervielfältigung nur mit Genehmigung des Österreichischen Kynologenverbandes (ÖKV) INHALTSVERZEICHNIS Vorstand .................................................................................................................... Seite 4 Vorwort ..................................................................................................................... Seite 5 Zuchtreferenten der Verbandskörperschaften ............................................................ Seite 7 F.C.I. Bestimmungen ................................................................................................. Seite 13 Zucht- und Eintragungsordnung des ÖKV (ZEO) ..................................................... Seite 26 ÖKV Formulare ......................................................................................................... Seite 36 Zuchtvoraussetzungen ÖKV betreute Rassen ........................................................... Seite 37 Gütesiegel-Züchter .................................................................................................... Seite 43 Richtlinien zum ÖKV-Gütesiegel .............................................................................. Seite 46 Züchternadel -
FLM302 Reading German Film 3 Module Outline 2019-20
FLM302: READING GERMAN FILM 3: CONTEMPORARY GERMAN CINEMA Course Outline, 2019-2020 Semester A 15 credits Course Organiser Dr Alasdair King [email protected] Arts 1: 2.08 Office hours: Wednesday 11-1 Timetable Screenings: Tuesday 10-12, Arts 1 G.34 Lectures: Tuesday 1-2, Bancroft G.07 Seminars: Thursday 2-3, Arts 2 3.17 Course Description This module will allow students to analyse various aspects of German film culture in the new millennium. It explores developments in recent German filmmaking in the context of the increasing globalisation of media industries and images and in the context of contemporary cinema’s relationship to other media forms. Stu- dents will explore the dynamics of recent German cinema, including its successes at major award ceremonies and at film festivals, its relationship to Hollywood and to other international cinemas, its distinct approach to questions of the audience, of auteurism and of production, and to transnational images, particularly con- cerning the emergence of Turkish-German filmmaking. Students will also address the representation of politics, terrorism, history, heritage and the national past, the engagement with issues of performance, gender and sexuality, the use of genre and popular commercial film styles, and the re-emergence of a ‘counter cinema’ in the work of the ‘Berlin School’ and after. Seminar work on current trends will allow students to work independently to research an individual case study of a chosen film and its significance to contemporary German cinema. Recommended Reading Abel, M (2013) The Counter-Cinema of the Berlin School. Rochester, NY: Camden House. -
Scarica Programma
Nel moltiplicarsi dei mondi e delle nuove genti risuona dalle antiche profondità di un tempo pur sempre giovane il richiamo del Bello, dell’Intelligenza e dell’Arte. Che è anche comandamento a non vacillare nella loro difesa. Giorgio Ferrara con il patrocinio di Presidenza del Consiglio dei Ministri Ministero degli Affari Esteri e della Cooperazione Internazionale Camera di Commercio di Perugia promosso da official sponsor main supporter official car main partner project sponsor sponsor & supplier premium partner sponsor project partner partner sponsor tecnici main media supporter HOTEL DEI DUCHI SPOLETO Viale G. Matteotti, 4 - 06049 - Spoleto (PG) - Italy Tel. +39 0743 44541 - Fax +39 0743 44543 www.hoteldeiduchi.com - [email protected] DEL GALLO EDITORI D.G.E. srl Z.I. Loc. S. Chiodo | Via dei Tornitori, 7 | 06049 Spoleto-Umbria main media partner Tel. 0743 778383 Fax 0743 778384 | [email protected] con la partecipazione di Ucio culturale Ambasciata di Israele - Roma si ringrazia media partner I MECENATI DEL FESTIVAL DEI 2MONDI ACCADEMIA NAZIONALE DI SANTA CECILIA | CON SPOLETO | CONFCOMMERCIO SPOLETO CONFINDUSTRIA UMBRIA | TRENITALIA SPA | NPS-CONVITTO SPOLETO SISTEMA MUSEO | INTERNATIONAL INNER WHEEL | ROTARY DI SPOLETO PIANOFORTI ANGELO FABBRINI | E.T.C. ITALIA | S.I.C.A.F. SPOLETO PROGRAMMA GIORNALIERO GIUGNO GIUGNO GIUGNO 24 VENERDÌ 25 SABATO 26 DOMENICA 10.00 Palazzo Tordelli 9.30-19.30 Rocca Albornoziana 12.00 / 16.00 9.30-19.30 Rocca Albornoziana p. 259 AMEDEO MODIGLIANI, p. 263 IN-VISIBILE Museo Diocesano Salone dei Vescovi p. 263 IN-VISIBILE LES FEMMES p. 224 GLI INCONTRI inaugurazione 10.00 Cantiere Oberdan DI PAOLO MIELI 10.00-13.00/16.00-20.00 p. -
Visualizing Levinas:Existence and Existents Through Mulholland Drive
VISUALIZING LEVINAS: EXISTENCE AND EXISTENTS THROUGH MULHOLLAND DRIVE, MEMENTO, AND VANILLA SKY Holly Lynn Baumgartner A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2005 Committee: Ellen Berry, Advisor Kris Blair Don Callen Edward Danziger Graduate Faculty Representative Erin Labbie ii © 2005 Holly Lynn Baumgartner All Rights Reserved iii ABSTRACT Ellen Berry, Advisor This dissertation engages in an intentional analysis of philosopher Emmanuel Levinas’s book Existence and Existents through the reading of three films: Memento (2001), Vanilla Sky (2001), and Mulholland Drive, (2001). The “modes” and other events of being that Levinas associates with the process of consciousness in Existence and Existents, such as fatigue, light, hypostasis, position, sleep, and time, are examined here. Additionally, the most contested spaces in the films, described as a “Waking Dream,” is set into play with Levinas’s work/ The magnification of certain points of entry into Levinas’s philosophy opened up new pathways for thinking about method itself. Philosophically, this dissertation considers the question of how we become subjects, existents who have taken up Existence, and how that process might be revealed in film/ Additionally, the importance of Existence and Existents both on its own merit and to Levinas’s body of work as a whole, especially to his ethical project is underscored. A second set of entry points are explored in the conclusion of this dissertation, in particular how film functions in relation to philosophy, specifically that of Levinas. What kind of critical stance toward film would be an ethical one? Does the very materiality of film, its fracturing of narrative, time, and space, provide an embodied formulation of some of the basic tenets of Levinas’s thinking? Does it create its own philosophy through its format? And finally, analyzing the results of the project yielded far more complicated and unsettling questions than they answered. -
The Image of Rebirth in Literature, Media, and Society: 2017 SASSI
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Society for the Academic Study of Social Imagery School of Communication 2017 The mI age of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings Thomas G. Endres University of Northern Colorado, [email protected] Follow this and additional works at: http://digscholarship.unco.edu/sassi Part of the Film and Media Studies Commons, History Commons, and the Rhetoric and Composition Commons Recommended Citation Endres, Thomas G., "The mI age of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings" (2017). Society for the Academic Study of Social Imagery. 1. http://digscholarship.unco.edu/sassi/1 This Conference Proceeding is brought to you for free and open access by the School of Communication at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Society for the Academic Study of Social Imagery by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. THE IMAGE OF REBIRTH in Literature, Media, and Society 2017 Conference Proceedings Society for the Academic Study of Social Imagery Edited by Thomas G. Endres Published by University of Northern Colorado ISSN 2572-4320 (online) THE IMAGE OF REBIRTH in Literature, Media, and Society Proceedings of the 2017 Conference of the Society for the Academic Study of Social Imagery March 2017 Greeley, Colorado Edited by Thomas G. Endres University of Northern Colorado Published -
SEPTEMBERFULL.Pdf
1 C:\Users\Stuart\Desktop\DOCUMENTS\Hifi Pig\DESKTOP BACKUP\HIFI PIG\ADVERTISEMENTS\TQ\Grand Slam Large 2 (1).png 2 Hifi Pig www.hifipig.com CONTENTS REVIEWS 5. Zontek Turntable 14. Timestep T-01MC Phonostage 20. Transfiguration Axia S Cartridge www.hifipig.com 25. Devialet Ensemble Telephone: +33 (0)2 97 23 70 78 E mail: [email protected] 31. Primare I32 Integrated Amplifier With DAC and Media Board 37. Tisbury Audio Passive Pre Mk 2 MUSIC 40. Etalon Solo DAC/PRE 82-103 MUSIC AND GIG 46. Ophidian Minimo Loudspeakers REVIEWS 50. WAY Cables Silver 1 and 4 Interconnects 104. THE CLASSICS. JOHN SCOTT DIGS LOVE’S FOREVER 55. Triangle Titus Loudspeakers CHANGES OFF THE SHELF 57. Flare Audio R2Pro and R2A Earphones INTERVIEWS 106. HIFI PIG GOES BEHIND THE BRANDS WITH FREDERIK DAVIES, CREATOR OF THE AXJET LOUDSPEAKER SYSTEM COLUMNS 60. RETRO BITES JANINE ELLIOT DUSTS OFF HER PHILIPS DCC900 Digital Compact Casette Player 64. THE VOICE OF DOM DOMINIC MARSH TALKS MAINS CABLES (PART 1) 67. FIDELITY MATTERS IAN RINGSTEAD IS BOXING CLEVER 70. THE VIEWS OF STU STUART SMITH AVOIDS A STICKY SITUATION 73. BIRDS EYE VIEW LINETTE SMITH TELLS THE BLOKES TO PUT IT AWAY 76. DEALERS VIEW WITH MIKE TWOMEY 78. READERS LIVES WITH FATHER AND SON DAVE AND ROB STEVENSON 3 Hifi Pig www.hifipig.com WELCOME TO HIFI PIG EXTRA 4 Hifi Pig www.hifipig.com ZONTEK TURNTABLE Polish Vinyl Spinner Janine Elliot takes a listen to this beautifully finished, £11,990 turntable and arm from Polish artisan manufacturer Zontek. 5 Hifi Pig www.hifipig.com ZONTEK TURNTABLE hat does the Transcriptors Hydraulic Transcriptors (as well as the JBE Series 3 and even a Reference and the new Zontek turntable Strathearn turntable, if my memory goes back that Whave in common? Very little, apart from far) with the strobe on the edges perhaps more akin large round belt traversing the platter – or in the case to a Technics. -
Young Girl's Dairy, and Letter of Sigmund Freud,A
A YOUNG GIRL'S DIARY Prefaced with a Letter by Sigmund Freud Translated by Eden and Cedar Paul CONTENTS FIRST YEAR Age 11 to 12 SECOND YEAR Age 12 to 13 THIRD YEAR Age 13 to 14 LAST HALF-YEAR Age 14 to 14 1/2 CONCLUSION PREFACE THE best preface to this journal written by a young girl belonging to the upper middle class is a letter by Sigmund Freud dated April 27, 1915, a letter wherein the distinguished Viennese psychologist testifies to the permanent value of the document: "This diary is a gem. Never before, I believe, has anything been written enabling us to see so clearly into the soul of a young girl, belonging to our social and cultural stratum, during the years of puberal development. We are shown how the sentiments pass from the simple egoism of childhood to attain maturity; how the relationships to parents and other members of the family first shape themselves, and how they gradually become more serious and more intimate; how friendships are formed and broken. We are shown the dawn of love, feeling out towards its first objects. Above all, we are shown how the mystery of the sexual life first presses itself vaguely on the attention, and then takes entire possession of the growing intelligence, so that the child suffers under the load of secret knowledge but gradually becomes enabled to shoulder the burden. Of all these things we have a description at once so charming, so serious, and so artless, that it cannot fail to be of supreme interest to educationists and psychologists. -
Activity Results for 2015
Activity results for 2015 Eurimages, the Council of Europe Fund for the co-production, distribution and exhibition of European cinematographic works has 37 member states1. The Fund’s President is Jobst Plog. SOME KEY FIGURES In 2015, the total amount of support granted by the Fund amounted to €24 923 250, distributed as follows: Share of the Support Programme total amount Total amount allocated allocated €22 619 895 was awarded to European producers for Co-production 90.76% 92 European co-productions. 55.76% of projects submitted were supported. €1 253 477 was allocated to the two schemes in the distribution support programme: Distribution 5.03% Scheme 1, support for marketing and publicity expenses; Scheme 2, support for awareness raising of European cinema2. Theatres (programme €795 407 was paid to theatres to support programming initiatives in 2014. The 3.19% support) Eurimages/Europa Cinemas network comprised 70 theatres on 31 December 2015. €254 471 was allocated for promotional activities, the Eurimages Co-Production Promotion 1.02% Award – Prix Eurimages (EFA), the Eurimages Co-Production Development Award, the FACE Award, the Odyssée-Council of Europe Prize, presence in Cannes and Berlin, etc. AWARDS AND NOMINATIONS FOR FILMS SUPPORTED BY EURIMAGES Many films supported by the Eurimages Fund won awards at major international film festivals in 2015, including the film Mustang, which was probably the biggest prize-winner of the year. Ida attracted a record number of awards and nominations while Youth, the High Sun and the animated film Song of the Sea were also in the leading pack of prize-winners. -
Radikal Alhyazn C I N E D E R O I
26. ULUSLARARASI İSTANBUL KISA FİLM FESTİVALİ 26th INTERNATIONAL İSTANBUL SHORT FİLM FESTİVAL 20-27 KASIM | NOVEMBER 2014 Salon Sponsorları | Salon Supports Italyan KUltfir Merkezi İstanbul Program Sponsorları | Programme Supports Argentina GOETHE ir ° INSTTTUT Hollanda Kraliyeti H h Instituto Corvantes CONSULATE GENERAL Consulate General OF SWEDEN of the Republic of Poland Estambul in Istanbul uniFranceyï/ms CINEMATHEQUE o f f s h o r e Promouvoir le clnóma français dans le monde D E GRENOBLE Basın Sponsorları | Press Supports • m u * ö zb k i^ 1iB i r G u ü I Cumhuriyet Radikal aLhyazn C I N E D E R O I Ürün-Hizmet Sponsorları | Product and Service Supports isafi I m Ruñar I 0Z L Ë M www.kisafilm.com KRİSTAL Afiş Tasarımı | Poster Desing Eylem Arbak Katalog Tasarımı | Catalogue Desing Sinan Turan Altyazı | Film Subtitle Eceworx / Oytun Süngü Çevirmenler | Translation Akın Tek, Aytuğ Yıldırım, Beril Sönmez, Berivan Alabuğa, Burcu Şahinli Çiğdem Tura, Ebru Kardeşler, Tancan Acar Festival Fragman | Festival Trailer Duygu Etikan Teknik Ekip Sorumluları | Technical Team Coordinators Necip Sevindik, Aydın Aras, Süleyman Akşar, Bilal İncel Ofset Baskı | Offset Print Özdil Basımevi Galip Dede Caddesi, No: 77/1, Beyoğlu - İstanbul Tel: 0212 251 83 13 Salon Adresleri | Saloon Adresses İstanbul Fransız Kültür Merkezi İstiklal Caddesi No: 8 Taksim/İstanbul İstanbul İtalyan Kültür Merkezi Meşrutiyet Caddesi No: 75 Tepebaşı - Beyoğlu/İstanbul Festival Adres | Festival Address Uluslararası İstanbul Kısa Film Festivali Hamalbaşı Caddesi No: 4 Kat: 5, Galatasaray, Beyoğlu - İstanbul/Turkey Tel: 90 212 252 57 00 Fax: 90 212 249 38 88 info@ istanbulfilmfestival.com http://www.istanbulfilmfestival.com 2 DÜZENLEME KURULU | ORGANISATION COMMITTEE Hilmi Etikan, Yıldız Eti kan, Natali Yeres, Berna Kuleli, Haşmet Topaloğlu, BaharTırnakçı Eylem Arbak, Sinan Turan, Necip Sevindik, Duygu Etikan, Cansu Yapıcı, Özüm Özdemir DANIŞMA KURULU I ADVISORY COUNCIL Berna Uzel Arjantin | Argentina Dr. -
Programme Sous Réserve De Modifications
1 e du 4 au 27juillet 2014 68 PROGRAMME ÉDITION Direction Olivier Py AU FESTIVAL D’AVIGNON, LA FONDATION CREDIT COOPERATIF CULTIVE L’ART D’ETRE SOI-MEME. Par sa renommée, sa vitalité, son esprit généreux, ses créations, 2 le Festival d’Avignon est un formidable lieu de partage. Véritable laboratoire vivant de la culture contemporaine, il propose une vision encourageante de l’humanité. Fondation de l’économie sociale et solidaire, la Fondation Crédit Coopératif agit pour un avenir plus humain. C’est naturellement que cette année encore, elle est fi ère de soutenir le 68e Festival d’Avignon. 12, boulevard Pesaro – CS 10002 – 92024 Nanterre Cedex – 92024 – CS 10002 12, boulevard Pesaro Fondation Crédit Coopératif – 12, boulevard Pesaro – CS 10002 – 92024 Nanterre Cedex – 92024 – CS 10002 Fondation Crédit Coopératif – 12, boulevard Pesaro www.credit-cooperatif.coop/fondation/ TOUT CE QUI NOUS DÉPASSE Le Festival d’Avignon est aux origines du mouvement de la décentralisation et du théâtre public et à ce titre l’initiateur de la politique culturelle. Et cette origine loin d’être close ne finit pas de nous appeler à de nouveaux combats, car nous sommes fidèles à des idées plus qu’à une tradition. Ces idées sont incompatibles avec le repli identitaire, avec la peur de l’autre, avec l’immobilité dogmatique, avec l’intolérance banalisée. Chaque été, dans cette ville qui tient de la Grenade arabo-andalouse, c’est le croisement des cultures et l’exigence spirituelle qui fondent à nouveau ce geste initial de démocratisation culturelle auquel nous devons ce que nous sommes. Voilà ce qui, dans une ville faite de remparts et d’ouverture, redevient possible : un autre rapport au monde dans lequel le politique n’est pas séparé de la pensée et de l’espoir, dans lequel culture et politique sont synonymes.