Ned Pratt CV
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For Members of Mount Allison University Alumni Association
Mary Pratt ’57 Recreating the world through art Fall 2010 Mount Allison University’s Alumni and Friends No. 95 Rediscover what's important Redécouvrez ce qui importe vraiment While in New Brunswick, make a list of Pendant votre séjour au Nouveau-Brunswick, the things that are important to you. dressez la liste des choses que vous jugez That is the life you can live here. importantes. C’est ce que vous pouvez vivre ici. Be home. Make life happen. Être chez soi. Vivre comme il se doit. NBjobs.ca emploisNB.ca CNB 7172 Con tents Self-portrait, 2002, Mary Pratt Cover Story 12 Destined to paint Fea tures From a young age, renowned Canadian 16 Reimagining leadership painter Mary Pratt (’57) Michael Jones (’66) uses music to help public has been inspired by officials and industry leaders reconnect with images. She has spent the ‘personal’ and increase their productivity. her life working with light and colour to 16 18 The business of culture recreate the world Julia Chan (’08) uses her business savvy through art. to balance the books for an event promoter in Montreal. 20 A life journey John MacLachlan Gray (’68) talks about his most famous play, and how he feels Reg ulars about it more than 30 years later. 4 Events and Gatherings 22 The wedding planner 6 Campus Beat 18 Lisa Allain (’91) combines creativity and entrepreneurship to help happy couples 8 Student Spotlight plan — and pull off — the wedding of 10 Research their dreams. 27 JUMP Update 24 Home again Matthew Jocelyn (’79) heads up one of 28 Bleacher Feature Canada’s leading not-for-profit contemporary 30 In Memoriam theatre companies after achieving success in Europe. -
A Journal of Arts & Culture
MICHAEL CRUMMEY · MARY DALTON · SPENCER GORDON · LENEA GRACE · KYM GREELEY · AUDREY HURD · BRUCE JOHNSON · ALLISON LASORDA · JANAKI LENNIE · CARMELITA MCGRATH · COLLEEN PELLATT ·JEY PETER · NED PRATT · SHEILAH ROBERTS · SUE SINCLAIR · KAREN SOLIE · JANE STEVENSON · JENNY XIE A JOURNAL OF ARTS & CULTURE No.13 No.13 A JOURNAL OF ARTS & CULTURE A JOURNAL OF ARTS & CULTURE # 13 A GENUINE NEWFOUNDLAND No. 13 — WINTER 2013 ISSN: 1913-7265 $14.95 AND LABRADOR MAGAZINE Mary Pratt, Salmon on Saran, 1974. Oil on Masonite, 45.7 x 76.2 cm. Collection of Angus and Jean Bruneau MAY 11 – SEPTEMBER 8, 2013 MARY PRATT Renowned Newfoundland and Labrador artist Mary Pratt will be celebrated in a 50-year retrospective exhibition that will open at The Rooms Provincial Art Gallery in May 2013, then tour Canada until January 2015. A project by The Rooms Provincial Art Gallery and the Art Gallery of Nova Scotia, with support from the Department of Canadian Heritage, Museums Assistance Program. When you appreciate art. When you crave creativity. When you’re happiest being inspired, challenged, even surprised. There’s one place where your spirit can truly soar: The Rooms. www.therooms.ca www.therooms.ca | 709.757.8000 709.757.8000 | 9 Bonaventure | 9 Bonaventure Ave. | St. Ave.John’s, | St. NL John’s | NL FreshFiction FROM BREAKWATER Baggage JILL SOOLEY “This is honest, gripping, funny stuff.” – THE TELEGRAM Braco LESLEYANNE RYAN “A bombshell of a book… harrowing and instructive and maddening.” – MARK ANTHONY JARMAN, AUTHOR OF MY WHITE PLANET The Mean Time JAMES MATTHEWS A powerful story of how life is lived and lost between regrets. -
The Estate of Ted Russell
“... I think there is merit in just ’being.’ Somehow or other the greatest gift we have is the gift of our own consciousness, and that is worth savouring. Just to be in a place that’s so silent that you can hear the blood going through your arteries and be aware of your own existence, that you are matter that knows it is matter, and that this is the ultimate miracle.” – Christopher Pratt, artist 584 This painting entitled We Filled ‘Em To The Gunnells by Sheila Hollander shows what life possibly may have been like in XXX circa XXX. Fig. 3.4 Artist profiles 585 Artist profile Fig. 1 Angela Andrew Angela Andrew – Tea Doll Designer Innu tea dolls have been created by Nitassinan Innu of Quebec and Labrador for over a hundred years. (The earliest collected examples of tea dolls date back to the 1880s.) But today, Angela Andrew of Sheshatshiu is one of the few craftspeople keeping the tradition alive. She makes as many as 100 tea dolls a year – many of which are sold to art collectors. Angela learned the art of making tea dolls from Maggie Antoine, a woman from her father’s community of Davis Inlet. She learned her sewing skills from her parents, who originally lived a life of hunting and trapping in the bush. Angela played with tea dolls as a child. She explains that when her family travelled across Labrador, following the caribou and other game, everyone in the family helped pack and carry their belongings ‑ even the smallest children. Because of this, older women made dolls for the little girls and stuffed them with as much as a kilogram (two pounds) of loose tea leaves. -
Annual Report
ANNUAL REPORT 2014-15 A MESSAGE FROM THE CHAIR of the BOARD of DIRECTORS 1 OVERVIEW of the CORPORATION 2 SHARED COMMITMENTS 4 HIGHLIGHTS and ACCOMPLISHMENTS 7 PRIORITY 1 10 PRIORITY 2 14 PRIORITY 3 16 OPPORTUNITIES and CHALLENGES AHEAD 18 APPENDIX A - FINANCIAL STATEMENTS 19 A MESSAGE FROM THE CHAIR OF THE BOARD OF DIRECTORS As Chair of The Rooms Board of Directors, I am pleased to present the 2014-15 Annual Report. This report represents the outcome for the first year of the three-year planning cycle of The Rooms Strategic Plan 2014-17. The Rooms Corporation of Newfoundland and Labrador is a Category One entity of the Provincial Government of Newfoundland and Labrador. As such, The Rooms Annual Report 2014-15 has been prepared in accordance with the requirements of the Transparency and Accountability Act of the Government of Newfoundland and Labrador. We are pleased with The Rooms success in achieving its stated goals and objectives for this past year. The Rooms marked several significant centenaries in 2014-15 and shared them with the people of Newfoundland and Labrador. Exhibitions and public programs commemorated the 100th anniversaries of the International Grenfell Association; the Newfoundland Sealing Disasters; Rockwell Kent’s time in Brigus; and Newfoundland and Labrador’s involvement in the First World War, all were highly attended and met with resounding success. In April and May 2014, The Rooms continued its public engagement with the Corporation’s first ever travelling road show. The Rooms staff travelled to 14 communities throughout the Province with the First World War Road Show and Tell. -
Annual Report 2018/19
ANNUAL REPORT 2018/19 TABLE OF CONTENTS A MESSAGE FROM THE CHAIR of the BOARD of DIRECTORS 1 OVERVIEW of the CORPORATION 3 HIGHLIGHTS and ACCOMPLISHMENTS 5 PARTNERSHIPS 9 PRIORITY 1 13 PRIORITY 2 23 PRIORITY 3 31 OPPORTUNITIES and CHALLENGES AHEAD 34 FINANCIAL STATEMENTS 35 A MESSAGE FROM THE CHAIR OF THE BOARD OF DIRECTORS This past year was my second year serving as Chair of The Rooms Board of Directors. This year also marked the completion of the second year of The Rooms Corporation’s 2017-20 Strategic Plan. This plan is built on the goals and priorities The Rooms has identified over the past 14 years and sets the strategic priorities for the current planning cycle. The plan focuses on building strong connections with visitors, members and the people of Newfoundland and Labrador. The Rooms made several achievements during the past year, advancing the Corporation’s strategic priorities. These achievements are in alignment with the Provincial Government’s The Way Forward and in particular the 2017-20 Provincial Tourism Product Development Plan. The Rooms continues to develop and offer visitors engaging, immersive, people and program-based experiences. Enhanced experiences include programs and exhibitions that represented defining aspects of Newfoundland and Labrador’s unique culture, including Indigenous tourism experiences. As part of the Provincial Government’s plan to deliver enhanced programs and experiences, The Rooms has extended its non-resident programming into the Fall – providing shoulder season tourism experience offerings. Margaret E. Allan Chair, Board of Directors, The Rooms will continue to work on the 2017-20 Provincial The Rooms Corporation of Newfoundland and Labrador Development Plan areas of focus during the third and final year of its 2017-20 strategic planning cycle. -
NOSTALGIA $5.95 Display Until August 31St
t he only comprehensive source visual f o r a tlantic Canadian listings, page 17 arts nS ue m m ew r 2 0 1s 4 NOSTALGIA $5.95 Display until august 31st. ANDRÉ LAPOINTE PM40020854/R471313 MIKE GOUGH GRAEME PATTERSON JOHN DEVLIN visual 36 arts nVOLumee 36 Numberw 1 Summers 2014 8 COntENts Decoding Graeme Patterson 2 Feature by Audrey Nicoll The Nostalgia Issue 2 5 E ditorial by Lizzy Hill 6 m ike Gough’s RE t R aCE 24 R eview by Jennifer m cV ei gh 31 m a gi c a n d r ea l i s m E 8 ssay by Aaron Weldon r ose Adams: Survival, 15 death and remembering 6 Feature by Tila Kellman 17 e xhibition Listings 24 r evisiting rebellion 40 Feature by Hilary b ea u mont A conversation 26 with John Devlin 37 Q& A by e r y n Fos t er Natural Fake: André Lapointe 31 Feature by m i k e L a n d r y s o me whe r e s u n ea s y 33 impermanence R ev i ew by leonard paul macpherson 36 M elanie Colosimo’s M i d p o i nt 26 R eview by Katie b el ch er 33 nichola feldman-kiss’ 37 embedded art 15 Q&A by Veronica Simmonds Tamara Huxtable on coming clean 40 Atlantic Spotlight by Daniel Higham Visual Arts News is published three times a year in may ContributorS (Summer), September (Fall) and January (Spring) by Visual Arts Nova Scotia (VANS), a non-profit charitable associa- editor: Lizzy Hill tion. -
Artist Biographies
Artist Biographies Kim Adams (BFA and MFA, University of Victoria, BC) lives and works in Grand Valley and Toronto, Ontario. Recent solo exhibitions include the Harbourfront Centre, Toronto, in honor of the 75th Anniversary of the Banff Centre; Art Gallery of Ontario, Toronto; The Power Plant, Toronto; Art Gallery of Hamilton, ON; Ontario College of Art and Design, Toronto; Musée d'art contemPorain de Montréal; and Centraal Museum, Utrecht, Netherlands. GrouP exhibitions include Wandering Positions/Here We Go Again, Museum of ContemPorary Art, Mexico City; Adaptations, APexart, New York, and Kunsthalle Friedericanum, Kassel, Germany; Insiders, Centre d’architecture and CAPC Musée d’art contemPorain, Bordeaux; The Big Gift, Glenbow Museum, Calgary; Cabin, National Gallery of Canada, Ottawa; El Geni de Les Coses, Office for Artistic Diffusion (ODA), Barcelona; the 2002 Sydney Biennale; and Model World, The Aldrich ContemPorary Art Museum, Ridgefield, CT. Adams’s work is included in numerous Private collections and Public collections, such as the Musée d'art contemPorain de Montréal; National Gallery of Canada; Centraal Museum, Utrecht; Collection Publique d’art contemPorain du Conseil général de la Seine-Saint-Denis, Paris; Vancouver Art Gallery; and the Art Gallery of Ontario. Gisele Amantea (BFA, University of Calgary; MFA, University of Puget Sound, Tacoma, WA) lives and works in Montreal, Quebec. Amantea has had solo exhibitions at the Musée d’art de Joliette, QC; Seagull Arts and Media Resource Centre, Kolkata, India; the Walter PhilliPs Gallery, Banff; the Centre d’art contemPorain de Basse-Normandie, Hérouville St. Clair, France; Oboro Artists’ Centre, Montreal; and YYZ Artists’ Outlet, Toronto. In APril 2007, The King v. -
The Rooms Annual Report 2019-20
AT THE AT 1 The Rooms Corporation Annual Report 2019 / 20 2 The Rooms Corporation Annual Report 2019 / 20 Table of Contents Table A Message from the Chair of the Board of Directors 4 Overview of the Corporation 7 Highlights 11 Shared Commitments 25 Outcomes of Objectives 33 Priority 1 Priority 2 Priority 3 Opportunities and Challenges Ahead 75 Financial Statements 76 3 4 The Rooms Corporation Annual Report 2019 / 20 from the Chair A Message from the Chair of the Board of Directors This past year marks my third year serving as Chair of The Rooms Board of Directors; it also marks the completion of The Rooms Corporation’s 2017-20 Strategic Plan. This plan has been built on the goals and priorities The Rooms has identified over the past 15 years and has set the strategic priorities for the 2017-20 planning cycle. The 2017-20 Strategic Plan capitalized on the success The Rooms Corporation (the Corporation) has achieved during its first fifteen years – with renewed emphasis to connect emotionally with its visitors, members and the people of Newfoundland and Labrador. Committed to increasing the number of people and program-based experiences, in support of government priorities, The Rooms introduced a new cultural immersion program commencing in Spring 2017. The Corporation developed a range of new programs based on the province’s unique culture incorporating provincial collections to increase engagement with residents and nonresident visitors. The Rooms has augmented its world-class permanent exhibits, as well as its constantly changing array of art exhibitions, with lively and engaging experiences that begin the moment visitors enter the building – thereby delivering deeper, broader, increased public engagement.