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University of Huddersfield Repository
University of Huddersfield Repository Adams, Thomas James Free associative composition: Practice led research into composition techniques that help enable free association. Original Citation Adams, Thomas James (2014) Free associative composition: Practice led research into composition techniques that help enable free association. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/23664/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ [ Tom Adams ] Free associative composition: Practice led research into composition techniques that help enable free association. [ Tom Adams ] Free associative composition: Practice led research into composition techniques that help enable free association. Table Of Contents Preface - Disclaimer, Portfolio List, Acknowledgements, Abstract. Chapter 1 - Introduction to free association and stream form. Chapter 2 - Techniques for free associative composition. 2a) Implementing a free associative composition technique; stream form. -
Score, the Guests Company, Yuval Pick. Credit: Xavier Boyer 2 NOTTDANCEOPEN FESTIVAL GOOD FOOD TILL(UP) LATE on OUR FEET
Score, The Guests Company, Yuval Pick. Credit: Xavier Boyer 2 NOTTDANCEOPEN FESTIVAL GOOD FOOD TILL(UP) LATE ON OUR FEET Claire Hicks, Producer at Dance4, invites you to join the team for the 21st anniversary festival, with some ideas on how to make the most of SPIRIT - 0000 Advert 128x203 v2:- 7/12/10 09:29 Page 1 what’s on offer. Welcome to the 21st Nottdance Festival! There is a buzz across the MEET THE TEAM city and beyond as Dance4, our partner venues and a host of artists from across the world, launch into three weeks of exhilarating dance It takes a dedicated bunch to make Nottdance a reality; with and performance. their dancing shoes definitely on, here they are, In this second edition of our newspaper you’ll find, along with a full Assistant Producer Linzi Gibbs relaxes to the Highness Sound events listing and all the info you need to book tickets and find the System, Vikki Oldham will bop to cheesy pop, whilst Mat Trivet venues, a week by week insight into some of the approaches, issues prefers the driving rhythm of Soca and Sarah Maguire, Project and content of the different festival activities. We’ve also tried to Co-ordinator, beats her own path to an indie drum. Nottdance include some more images to whet your appetite, and to help you find intern Katie Shipp is a Stealth dancer, Radojka Radulovic funks it your festival spirit some suggestions for ways to spend 48 hours with up, Ben Eagles, Marketing and Events Assistant, favours some- us at Nottdance and in the city. -
It's Pantomime Season! Colourful Hands Cherish Me
The IRISMagazine Autumn 2019 IT’S PANTOMIME SEASON! COLOURFUL HANDS CHERISH ME For Parents Of Children And Young People With Special Educational Needs And Disabilities in Nottingham and Nottinghamshire CONTENTS 2 Rumbletums 3 Autumn Recipes 3 Cherish Me 4 It’s Pantomime Season RUMBLETUMS Rumbletums, in Kimberley, is a community hub Colourful Hands with a café and supported training project. The 4 group began eight years ago as an idea between parents of children with learning disabilities and 5 Support and Advice additional needs. They noticed that there was a for the New School lack of opportunities for their children and others like them to develop the skills and experience Year needed to succeed in life and decided to do something about. YOUNG PEOPLE’S ZONE The café opened in 2011, with a fully voluntary staff base and has grown organically over time. Fundraising and 6 - 11 Events generous donations from local people and businesses has meant that the project has been able to grow organically and now employs a number of full-time staff, who work 12 Independent alongside the volunteers and trainees. Living: Travel and Transport The café provides an opportunity for 16-30 year olds with learning disabilities and additional needs, such as physical Nottingham disabilities, to work in a café environment. With a variety of roles to fill, trainees could be working in the kitchen or front of house, depending on their comfort levels, abilities 13 Beauty and preferences. Shifts last a maximum of three hours. Instagrammers with Disabilities Trainees benefit from a wide range of experiences and skills outside the café too. -
Hot Chip Cassetteboy Mark Steel Rebecca Dakin Cagefighting
ISSUE 33 FEB-MARCH 2010 nottingham culture Hot Chip Cassetteboy Mark Steel Rebecca Dakin Cagefighting special Matt Aston The Swiines Red Rack’em Local graffiti artists Nottingham events listings Star City The Future Under Communism 13 Feburary - 18 April High Pavement / Weekday Cross Open: Tue - Fri 10am - 7pm Nottingham Sat and Bank Holidays 10am - 6pm NG1 2GB Sun 11am - 5pm Lace Market Tram Stop Galleries closed Mondays, except Bank Holidays. Shop and Café open. We are open Good Friday, Easter Weekend and Easter Monday. Cover: Valentina Tereshkova, Tereshkova, Valentina Cover: v Kosmose. Sovety a scene from RIA Novosti Photo by FREE www.nottinghamcontemporary.org LeftLion Magazine Issue 33 contents February - March 2010 editorial Welcome to our first issue of 2010. I’ve noticed a few comments floating about recently about how now we’re in a new decade we are supposed to be ‘living in the future’. Obviously that statement is a paradox in itself, but I think the crux of the beef is that you still can’t buy Back To The Future hoverboards and James Bond jetpacks in Argos. There’s a simple solution to cure this disillusionment: watch 2010 (the sequel to 2001: A Space Odyssey) as I did this week. It’s highly disappointing and after it’s finished you’ll be glad to get back to your humdrum life again. Anyway, as usual we’ve got a tangfastic packet of Nottingham Culture for you within these pages. On the literature front we have interviews with escort-turned- 13 16 14 author Rebecca Dakin, who charmed us all with her reading at our Circus Extravaganza last year. -
Redefining Radio Art in the Light of New Media Technology Through
Title Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Type Thesis URL http://ualresearchonline.arts.ac.uk/8748/ Date 2015 Citation Hall, Margaret A. (2015) Radio After Radio: Redefining radio art in the light of new media technology through expanded practice. PhD thesis, University of the Arts London. Creators Hall, Margaret A. Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author 1 Margaret Ann Hall Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Thesis for PhD degree awarded by the University of the Arts London June 2015 2 Abstract I have been working in the field of radio art, and through creative practice have been considering how the convergence of new media technologies has redefined radio art, addressing the ways in which this has extended the boundaries of the art form. This practice- based research explores the rich history of radio as an artistic medium and the relationship between the artist and technology, emphasising the role of the artist as a mediator between broadcast institutions and a listening public. It considers how radio art might be defined in relation to sound art, music and media art, mapping its shifting parameters in the digital era and prompting a consideration of how radio appears to be moving from a dispersed „live‟ event to one consumed „on demand‟ by a segmented audience across multiple platforms. -
The Spectral Voice and 9/11
SILENCIO: THE SPECTRAL VOICE AND 9/11 Lloyd Isaac Vayo A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Ellen Berry, Advisor Eileen C. Cherry Chandler Graduate Faculty Representative Cynthia Baron Don McQuarie © 2010 Lloyd Isaac Vayo All Rights Reserved iii ABSTRACT Ellen Berry, Advisor “Silencio: The Spectral Voice and 9/11” intervenes in predominantly visual discourses of 9/11 to assert the essential nature of sound, particularly the recorded voices of the hijackers, to narratives of the event. The dissertation traces a personal journey through a selection of objects in an effort to seek a truth of the event. This truth challenges accepted narrativity, in which the U.S. is an innocent victim and the hijackers are pure evil, with extra-accepted narrativity, where the additional import of the hijacker’s voices expand and complicate existing accounts. In the first section, a trajectory is drawn from the visual to the aural, from the whole to the fragmentary, and from the professional to the amateur. The section starts with films focused on United Airlines Flight 93, The Flight That Fought Back, Flight 93, and United 93, continuing to a broader documentary about 9/11 and its context, National Geographic: Inside 9/11, and concluding with a look at two YouTube shorts portraying carjackings, “The Long Afternoon” and “Demon Ride.” Though the films and the documentary attempt to reattach the acousmatic hijacker voice to a visual referent as a means of stabilizing its meaning, that voice is not so easily fixed, and instead gains force with each iteration, exceeding the event and coming from the past to inhabit everyday scenarios like the carjackings. -
3.22 NLHA Newsletter October 2019.Qxp NLHA Newsletter
NEWSLETTER Volume 03 Issue 22 October 2019 Community History Nottingham 2019 Meets Project Explores the Links Nottingham 1847 in a Between the Derwent Time Travel History Valley Mills and Adventure. An Original Nottingham’s Textile Musical Written by Brian Industry. Lund. Local people are being invited to take part in a In a corner of Nottingham’s Arboretum stands a statue community history project called Legacy Makers – of a man with a parchment in his hand. Most people exploring the cotton mill which the Evans family ran in walking by hardly give him a second glance, and those Darley Abbey, now part of the Derwent Valley Mills who look rarely take in the significance of the structure. World Heritage Site. As well as investigating the history Few people in Nottingham have heard of or know of the mill and discovering more about the people that anything about the man with the parchment, who was worked in it, the project is also attempting to trace the a member of parliament for Nottingham from 1847-52 journey of goods supplied to the mill including the and an inspiration for people nationwide, during his sources of raw cotton from the Americas. In addition, lifetime and afterwards. He has been largely airbrushed the project is exploring who the mill’s customers were out of the city’s history. and where they were located. Archival research has led project volunteers to identify some of the But now, over a century and a half later, that man – Nottingham hosiers who were the mill’s customers Feargus O’Connor, and the parchment he is holding, during the late eighteenth century. -
NON-COMMERCIAL USER-GENERATED CONTENT and EXCEPTIONS to COPYRIGHT a Comparison Between the US, Canada, and the EU
NON-COMMERCIAL USER-GENERATED CONTENT AND EXCEPTIONS TO COPYRIGHT A comparison between the US, Canada, and the EU Linda Powell Advanced Studies in Law and Information Society University of Turku, Faculty of Law June 2020 UNIVERSITY OF TURKU Faculty of Law POWELL LINDA: Non-commercial user-generated content and exceptions to copyright – a comparison between the US, Canada, and the EU Master’s thesis, 68p. Law, Copyright Law June 2020 The topic of this thesis is how existing limitations and exceptions to copyright address the conflict between the economic interests of rightsholders and the interests of users in producing and disseminating user-generated content. Creative appropriation is heavily present in user-generated content in the Web 2.0. However, appropriative expressions often clash with copyright. Technological developments have resulted in the expansion of exclusive rights at the expense of limitations and exceptions. The concerns of rightsholders are increasingly focused on protecting economic interests. The thesis utilizes the legal dogmatic approach and the comparative legal method with a focus on the US, Canadian, and EU jurisdictions. Microcomparative comparison between the jurisdictions examines how each of them have addressed the balancing of interests between rightsholders and users in their limitations and exceptions. The political and historical contexts of the jurisdictions are discussed on a macrocomparative level. The main sources are constitutional authorities, statutory copyright legislation and case-law of each of the jurisdictions. References are also made to international treaties, such as Berne, TRIPS, WCT and WPPT. The main findings of the thesis are that US fair use accepts a wide range of purposes – many of which pertain to user-generated content. -
Variations #8
Curatorial > VARIATIONS ‘Variation’ is the formal term for a musical composition based VARIATIONS #8 on a previous musical work, and many of those traditional methods (changing the key, meter, rhythm, harmonies or The Relationship tempi of a piece) are used in much the same manner today by sampling musicians. But the practice of sampling is more When music can be confused for an object, a recording replacing the action it than a simple modernization or expansion of the number of describes, we are simultaneously promised total control while confronted with options available to those who seek their inspiration in the music that challenges the idea of the individual author (or the pleasure of music refinement of previous composition. The history of this music as a thing that can be owned). Despite, or due to this tension, as illegal art of traces nearly as far back as the advent of recording, and its collage goes mainstream, we find ownership of all personal expression more emergence and development mirrors the increasingly self- concentrated and removed from those who produce it than ever before. The conscious relationship of society to its experience of music. convergence of mainstream and social media platforms sidelines traditional Starting with the precedents achieved by Charles Ives and record labels and sparks new sub-genres from mashups to vaporwave, but also John Cage, VARIATIONS presents an overview of the major reinforces the perception of music as consumable entertainment. How are we landmarks in Sampling Music, following examples in being retrained to our new environment by an aesthetic that has become so twentieth century composition, folk art and commercial pervasive as to turn itself nearly invisible? Never conclude a historical narrative in present time. -
Abstract Booklet
#QRAPG16 21st Annual Postgraduate Symposium 14th – 16th September 2016 UNIVERSITY OF NOTTINGHAM Quaternary Research Association POSTGRADUATE SYMPOSIUM 2016 Hello from your conference team! Welcome to the 21st Annual Postgraduate Symposium of the Quaternary Research Association at the University of Nottingham. The QRA Postgraduate Symposium provides postgraduate students a forum to present their research in a relaxed and supportive environment and the opportunity to meet other researchers interested in the field of Quaternary Science. We hope you have a great time in Nottingham, are able to meet new people and share ideas – if there is anything we can do to help, or if you have any questions at all, please do not hesitate to ask. We wish you the best of luck with your presentations, and on behalf of all of us here at Nottingham… thank you for attending the symposium. QRAPG16 Organising Committee Jack Lacey Rowan Dejardin Nick Primmer Savannah Worne @JackHLacey @rowandejardin @NickPrimmer @SavWorne 1 QRAPG16 Sponsorship We are grateful for support from the following sponsors: Quaternary Research Association The QRA is an organisation comprising archaeologists, botanists, civil engineers, geographers, geologists, soil scientists, zoologists and others interested in research into the problems of the Quaternary. The QRA was founded in 1964. Today the QRA has an international membership of over 1000, with a large and thriving postgraduate student membership. The Association operates a number of grant schemes to support research activities by members, especially new researchers and postgraduate students. Centre for Environmental Geochemistry The Centre for Environmental Geochemistry combines the British Geological Survey's and the University of Nottingham's strengths, focusing on the use of geochemistry in research, training and teaching around reconstructing past environmental and climate change, biogeochemical cycling including pollution typing/provenance and the use of geochemical tools for research into the subsurface. -
Explore. Play. Eat. Stay #Lovenotts | Ready to Blow Your Mind? Welcome to Nottingham Home of Robin Hood, Castles, Caves and Culture
VISITNOTTINGHAM & NOTTINGHAMSHIRE 2020 EXPLORE. PLAY. EAT. STAY #LOVENOTTS | www.visit-nottinghamshire.co.uk READY TO BLOW YOUR MIND? WELCOME TO NOTTINGHAM HOME OF ROBIN HOOD, CASTLES, CAVES AND CULTURE Nottingham is the home of Robin Hood and his spirit It’s a city with a sense of fun, and a renowned is more alive here today than ever before. The city is vibrant live music scene. A city of festivals and famous for its castle on the hill, vibrant culture in its carnivals celebrating everything from caves, streets and curious caves beneath your feet. Once comedy, cider and cinema. It’s a city to feel safe in, named the “Queen of the Midlands”, celebrated with Purple Flag status and more Best Bar None for its lace, breweries and rebellious spirit, today accredited venues than any other UK city. it’s an attractive and fun place to visit, brimming It’s a to pick up THE WORLD'S FIRST FREE ROAM VR ARENA RIGHT HERE IN NOTTINGHAM with creative charm and recently named the UK’s fantastic shopping destination treats and souvenirs. High street favourites and friendliest city. major shopping centres sit alongside charming CAN YOU SURVIVE A ZOMBIE APOCALYPSE? FIGHT OFF Nottingham is a city steeped in legend and boutiques and eclectic independent shops. Visit WAVES OF AI ROBOTS IN DEEP SPACE? OR CAN YOU SOLVE A history and is a UNESCO City of Literature. quirky Hockley, the indie Cobden Chambers or the MIND BENDING GRAVITY DEFYING MAZE? It’s a city of rebels, once home to reform rioters, upmarket Exchange arcade. -
City Guide for Students #Lovenotts Contents #Lovenotts
This guide was produced by The University of Nottingham, June 2015. Photography page 10-11: www.ashleybird.com Cover image: Fashion icon, Sir Paul Smith’s flagship store on Low Pavement, Nottingham city centre. City guide for students www.nottingham.ac.uk #LoveNotts Contents #LoveNotts 4 Hey big spender! If you’re just discovering Nottingham, 8 Be a sport lucky you… 10 And the beat goes on... “Nottingham is a city of legends. And not just that Sheriff-bothering man 14 Lights, luvvies and laughter in tights or the two-time European Cup champions or the world’s oldest 16 Top nosh football league club or the world famous Trent Bridge Cricket Ground 20 After dark or those literary heroes DH Lawrence and Lord Byron or international fashion icon Sir Paul Smith or commercial giants like Boots and Raleigh… 22 The great outdoors (Editor’s note: get to the point!) – Nottingham is also home to the UK’s 24 Culture vultures oldest live music venue, three of the world’s oldest pubs and the biggest 28 Seasonal sessions entertainment venue in the East Midlands (where you can see everyone 30 Business is booming from Peter Kay and Michael McIntyre to Beyoncé and Metallica). It’s recognised as one of the UK’s top shopping cities, has hundreds of 34 The sensible stuff restaurants and bars and three comedy clubs – Ricky Gervais made his stand-up debut here, as did Ken Dodd but that’s another story. In fact, it’s so good, I wish I was a student again. Happy exploring!” TheUniofNottingam @UniofNottingham Simon Wilson, Entertainment Editor at The Nottingham Post Cafe by day, bar and music venue by night, the Malt Cross is known for its friendly and relaxed atmosphere.