Memories Fall 1984 This Issue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BILL COSBY Biography
BILL COSBY Biography Bill Cosby is, by any standards, one of the most influential stars in America today. Whether it be through concert appearances or recordings, television or films, commercials or education, Bill Cosby has the ability to touch people’s lives. His humor often centers on the basic cornerstones of our existence, seeking to provide an insight into our roles as parents, children, family members, and men and women. Without resorting to gimmickry or lowbrow humor, Bill Cosby’s comedy has a point of reference and respect for the trappings and traditions of the great American humorists such as Mark Twain, Buster Keaton and Jonathan Winters. The 1984-92 run of The Cosby Show and his books Fatherhood and Time Flies established new benchmarks on how success is measured. His status at the top of the TVQ survey year after year continues to confirm his appeal as one of the most popular personalities in America. For his philanthropic efforts and positive influence as a performer and author, Cosby was honored with a 1998 Kennedy Center Honors Award. In 2002, he received the Presidential Medal of Freedom, America’s highest civilian honor, was the 2009 recipient of the Mark Twain Prize for American Humor and the Marian Anderson Award. The Cosby Show - The 25th Anniversary Commemorative Edition, released by First Look Studios and Carsey-Werner, available in stores or online at www.billcosby.com. The DVD box set of the NBC television hit series is the complete collection of one of the most popular programs in the history of television, garnering 29 Emmy® nominations with six wins, six Golden Globe® nominations with three wins and ten People’s Choice Awards. -
STOKOWSKI “VIRGINIA.” Phone Alex 3491 I
-----— Audience Watches Barnes the fine points of disrobing There’s No entertainingly, yet without disturb- Just Gratitude Real ing the censors. in Theaters This Week Strip Tease, Binnie proved an apt pupil. The Washington scene was soon filmed. , Ex-Lifeguard Ronald Reagan Saved Photoplays Reacts .. .. ■■■■■' ■■■ next was t !■■■■■■.. -|| Properly Rogeirs task to record an audience reaction to the Barnes Was Thanked Once WEEK OF MAY 4 I SUNDAY j MONDAY TUESDAY | WEDNESDAY THURSDAY FRIDAY 8ATURDAY B> the Associated Press. Many, Only Several didn't AmHiamw I ‘This-Thin?: Called This Thing Called “Arise, My Love. and “Ariw- My Love." and Melody and Moon- “Melody and Moon- “South of Suez" and HOLLYWOOD. undressing. attempts Bt the Associated Press. Mcaatmy and “Light of t” and of "Boss of Bullion HOLLYWOOD. Love.. nnd Love*. pnd Xhe Devll Com. The Devil Com- light Ugl "Light What’s the best way of getting a go so well. Finally he said to Misa 6th and G Bta. 81 1 “Escape toGlory“Escape to Glory_mands_/|_ _mauds.”_Western Stars.”_Western 8tars.”_City.”_ Would you feel grateful if, your last, a you favorable audience reaction to an Troy. gasping lifeguard pulled Irene”Dunne and Irene Dunne and Irene Dunne and Irene Dunne and Irene Dunne and Merle Oberon. Dennis Merle Oberon. Dennis to safety? nmuabbauur Cary Grant in Cary Grant in Cary Grant in Cary Grant in Cary Grant in Morgan. ‘Affection- Morgan. AfTection- tease from a theater ** imaginary strip ‘'How about the real thing?" but 18th and Columbia Rd. “Penny Serenade.'* Penny Serenade.'* “Penny Serenade "Penny Serenade.” "Penny Yours.” Maybe, Movie Actor Ronald Reagan won't take any bets. -
The Man Who Shot Liberty Valance 1962, Donovan’S Reef 1963, and Cheyenne Autumn 1964
March 12, 2002 (V:8) Conversations about great films with Diane Christian and Bruce Jackson JOHN FORD (Sean Aloysius O’Fearna, 1 February 1894, Cape Elizabeth, Maine – 31 August 1973, Palm Desert, California, cancer) directed 146 films, 54 of them westerns. He won four Academy Awards for Best Director (*), two more for best documentary (#), five new York Film Critics Best Director awards (+), the Directors’ Guild of America Life Achievement Award (1954), and the first American Film Institute Life Achievement Award (1973). Some of his films are: The Informer*+ 1935, The Prisoner of Shark Island 1936, Stagecoach 1939+, Drums Along the Mohawk 1939, The Long Voyage Home +1940, The Grapes of Wrath* + 1940, Tobacco Road 1941, How Green Was My Valley+ 1941,* The Battle of Midway # 1942 (which he also photographed and edited), December 7th # 1943, They Were Expendable 1945, My Darling Clementine 1946, Fort Apache 1948, She Wore a Yellow Ribbon 1949, Rio Grande 1950, What Price Glory? 1952, The Quiet Man* 1952, Mogambo 1953, Mister Roberts 1955, The Searchers 1956, The Rising of the Moon 1957, The Last Hurrah 1958, Sergeant Rutledge 1960, The Man Who Shot Liberty Valance 1962, Donovan’s Reef 1963, and Cheyenne Autumn 1964. His older brother Francis started in movies in 1907 and changed his name to Ford. Jack joined him in Hollywood in 1914, acted in a dozen serials T HE MAN WHO SHOT LIBERTY and features, and began directing in 1917. He did three films in 1939, all of them classics: Drums VALANCE (1962)123 minutes Along the Mohawk (starring Henry Fonda and Claudette Colbert), Young Mr. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
THE MOUNTAIN EAGLE TELEVISION PAGE ULVAH Flu Keeps Several Home Program Listings Subject to Last-Minu- Te Changes by Stations
THE MOUNTAIN EAGLE, WHITESBURG, KY. THURSDAY, APRIL 2, 1959 PAGE 6 THE MOUNTAIN EAGLE TELEVISION PAGE ULVAH Flu keeps several home Program Listings Subject To Last-Minu- te Changes By Stations By Lovell Caudill Easter, also Brother J. D. 12:00 Big Picture 1:00 Rev. Wilcox Wlllard WHTN-Chann- el 13 I'ayno along with their future -- 12:30 Talk Back No. 3 1:30 All Star Movie Matinee The flu it holding several Daytime 7 P.M. 12 A.M. son-in-la- Lee Breeding. 1:00 TV Classroom "Kiss of Death" 7:00 Steve Donovan, people down around here. 1:30 Travel Film 3:30 Midget Auto Race Western Marshal 2:00 Roy Rogers Theatre 3:00 Rooncy Those having to battle with it BLAIR BRANCH .MONDAY THROUGH FRIDAY Father 7:30 Stars In Action have bcon Philip and Donna Friday 3:00 Jubilee. USA 330 I Led Three Lives 8:00 Invlsltblc Man Edward and 11:15 Jack Paar Show 4:00 Accont 830 To Toll the Truth Hac Brown, Charles Mrs. Stephen Craft 4:00 Live Wrestling 430 Leonard Bernstein and WSAZ-Chann- el j n 0:00 Arthur Godfrey Less Caudill, Jack 3 a run Phil-hnrmon- his uncle ill at residence 5:00 All Star Golf The New York 030 Red Skclton Brow and Wayne Brown's kids. WSAZ-Chann- 0:00 Record Hop By Minnie Adams G:30 Continental Classroom el 3 10:00 Gary Moore Show Wo are very sory to learn that 7:30 Dirk Clark Show 5:00 College, Quiz Bowl 11:00 News Mrs. -
Issue 5 Spring/Summer '16 (Pdf) Download
Corvus Review SPRING/SUMMER 2016 ISSUE 5S LETTER FROM THE EDITOR Dear Reader, Welcome to Spring/Summer ’16, an issue filled with talented individuals who have embraced the voices squirreling around in their head boxes and trapped the ideas their muses have produced onto the canvas of an utterly unblemished page/computer screen. I think we’ve covered all the bases for this issue, bringing an awesome selection of fiction, flash, and poetry to the table, and I’m thoroughly pleased with the way it turned out. When you bring so many unique minds together, you’re destined to strike gold. I would also like to take a moment to thank the amazingly talented Brian Michael Barbeito for his contribution to our cover. I absolutely adore his eye and attention to derelict beauty and his work is a perfect fit. We’ve evolved into something miraculous and I couldn’t have come this far without the help of some amazing people. As I write this, Corvus Review has hit 2500 Twitter followers and has had several requests for guest editing positions. Both of these milestones are amazing. Corvus began as a passion project, but it has evolved into so much more. Truly, Corvus is a lit rag with a bright future. With Thanks, Janine ‘Typing Tyrant’ Mercer EIC, Corvus Review Editors: Luciana Fitzgerald is a Milwaukee, Wisconsin native who loves to study languages and their rules. Her writing was first published in 1996 by the Art of Writing: Young Authors & Artists Conference - and nothing since then. She is a crazy cat lady, who happens to also be a wife and mom. -
Seznam Hvězd Na Hollywoodském Chodníku Slávy 1 Www
Seznam hvězd na Hollywoodském chodníku slávy A. C. Lyles Film 6840 Hollywood Blvd. Aaron Spelling Televize 6667 Hollywood Blvd. Abbe Lane Televize 6385 Hollywood Blvd. Adam Sandler Film 6262 Hollywood Blvd. Adam West Televize 6764 Hollywood Blvd. Adela Rogers St. Johns Film 6424 Hollywood Blvd. Adele Jergens Televize 7046 Hollywood Blvd. Adolph Zukor Film 1617 Vine Street. Adolphe Menjou Film 6826 Hollywood Blvd. Adrienne Ames Film 1612 Vine Street Agnes Ayres Film 6504 Hollywood Blvd. Agnes Moorehead Film 1719 Vine Street Aileen Pringle Film 6723 Hollywood Blvd. Akim Tamiroff Film 1634 Vine Street Al Goodman Hudba 6300 Hollywood Blvd. Al Hibbler Hudba 1650 Vine Street Al Christie Film 6771 Hollywood Blvd. Al Jarreau Hudba 7083 Hollywood Blvd. Al Jolson Film 6622 Hollywood Blvd. Al Jolson Rádio 6750 Hollywood Blvd. Al Jolson Hudba 1716 Vine Street Al Lichtman Film 6821 Hollywood Blvd. Al Lohman & Roger Barkley Rádio 1540 N. Vine Street Al Michaels Televize 6667 Hollywood Blvd. Al Pearce Rádio 6328 Hollywood Blvd. Al St. John Film 6313 Hollywood Blvd. Alabama Hudba 7060 Hollywood Blvd. Alan Curtis Film 7021 Hollywood Blvd. Alan Freed Rádio 6381 Hollywood Blvd. Alan Hale, Jr. Televize 6653 Hollywood Blvd. Alan Hale, Sr. Film 6532 Hollywood Blvd. Alan Jackson Hudba 6901 Hollywood Blvd. Alan Ladd Film 1601 Vine Street Alan Ladd, Jr. Film 7018 Hollywood Blvd. Alan Menken Film 6834 Hollywood Blvd. Alan Young Rádio 6927 Hollywood Blvd. Albert Dekker Televize 6620 Hollywood Blvd. Albert R. Broccoli Film 6910 Hollywood Blvd. Alec Baldwin Televize 6352 Hollywood Blvd. Alec Guinness Film 1559 Vine Street Alec Templeton Rádio 1724 Vine Street Alejandro Fernández Hudba 6160 Hollywood Blvd. -
Guide to the Groucho Marx Collection
Guide to the Groucho Marx Collection NMAH.AC.0269 Franklin A. Robinson, Jr. and Wendy Shay 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 4 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Correspondence, 1932-1977, undated..................................................... 6 Series 2: Publications, Manuscripts, and Print Articles by Marx, 1930-1958, undated .................................................................................................................................. 8 Series 3: Scripts and Sketches, 1939-1959, undated............................................. -
Groucho Marx Papers [Finding Aid]. Library of Congress. [PDF Rendered
Groucho Marx Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2006 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms010073 LC Online Catalog record: http://lccn.loc.gov/mm82047845 Prepared by Donna Ellis with the assistance of Jewel Parker Collection Summary Title: Groucho Marx Papers Span Dates: 1930-1967 Bulk Dates: (bulk 1950-1965) ID No.: MSS47845 Creator: Marx, Groucho, 1890-1977 Extent: 1,000 items ; 6 containers ; 2.4 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Humorist and actor. Correspondence, book typescripts, and film scripts relating to Marx’s life and acting career. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Ace, Goodman--Correspondence. Allen, Fred, 1894-1956--Correspondence. Blake, George, 1917-1955--Correspondence. Cavett, Dick--Correspondence. Eliot, T. S. (Thomas Stearns), 1888-1965--Correspondence. Lewis, Jerry, 1926- --Correspondence. Marx, Groucho, 1890-1977. Marx, Groucho, 1890-1977. Groucho and me. 1959. Sheekman, Arthur, 1901-1978--Correspondence. Truman, Harry S., 1884-1972--Correspondence. White, E. B. (Elwyn Brooks), 1899-1985--Correspondence. Subjects Motion picture actors and actresses. Motion picture industry--United States. Motion picture plays. Occupations Actors. Humorists. Administrative Information Provenance The papers of Groucho Marx, humorist and actor, were given to the Library of Congress by Marx in 1966. -
Latinos in the Arts
A to Z of Latino Americans Latinos in the Arts Steven Otfinoski ialtfm.indd i 3/23/07 8:14:33 AM Latinos in the Arts Copyright © 2007 by Steven Otfinoski All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Otfinoski, Steven. Latinos in the arts / by Steven Otfinoski. p. cm.—(A to Z of Latino Americans) Includes bibliographical references and index. ISBN 978-0-8160-6394-9 (alk. paper) 1. Hispanic American arts—United States—21st century. 2. Hispanic Americans— United States. I. Title. II. Series. NX512.3.H57083 2007 700.89'68073—dc22 2006016900 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Annie O’Donnell Cover design by Salvatore Luongo Printed in the United States of America VB CGI 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. ialtfm.indd ii 3/23/07 8:14:34 AM Contents ĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎ List of Entries iv Acknowledgments vi Author’s Note -
Evidence from the Hollywood Studio Era F. Andrew Hanssen John E
The Property Rights Theory of Vertical Relations: Evidence from the Hollywood Studio Era F. Andrew Hanssen John E. Walker Department of Economics Clemson University Clemson, SC 29634 phone: (864) 656-5474 e-mail: [email protected] Alexander Raskovich U.S. Department of Justice; [email protected] June 16, 2015 ABSTRACT: Empirical tests of the Grossman, Hart, and Moore property rights theory (PRT) generally link measures intended to capture the relative importance of non-contractible investment to predicted differences in ownership regimes. By contrast, in this paper we explore how an exogenous change in ownership regime affects a proxy for non-contractible investment, exploiting a unique dataset. As a result, we can test PRT from a different tack than that taken by earlier studies. During the famous Hollywood studio era of the 1930s and 1940s, actors worked for movie production companies under de facto lifetime contracts, receiving fixed salaries in return for granting studios control rights and residual claims associated with subsequent films made. Two exogenous shocks (in the form of court decisions) shifted those rights and claims to actors. We develop a model to analyze the impact of that change on investment in talent discovery. We find that actors under studio contract were cast in substantially more film roles (our proxy measure of non-contractible investment in talent discovery), ceteris paribus, as our model predicts. We find some evidence that actor own-investment was weaker during the studio era. We also discuss how contracts changed, and how talent agencies (representing actors) attempted to reconstitute the studio system in the 1950s and 1960s, until stopped by antitrust authorities.