Civility and the Decline of Magic

Total Page:16

File Type:pdf, Size:1020Kb

Civility and the Decline of Magic Copyright: Alan Macfarlane, King's College, Cambridge. 2002 From: P.Slack, P.Burke and B.Harrison, Civil Histories: Essays in Honour of Sir Keith Thomas (Oxford Univ. Press, 2000) Civility and the Decline of Magic One of the most puzzling aspects of the emergence of a new kind of world in the last few centuries in the West is the development of what we now call 'science'. The shift from a magical and religious dominated cosmology to a mechanistic and secular one, though far from complete and far from confined to the period roughly between 1550 and 1850, is in general undisputable. Until that time it had not happened in other civilizations such as China, Japan or the Islamic world, which had much earlier reached a higher level of craft knowledge than anything then current in Europe.1 So why did it happen where it did, when it did, and why did it happen at all? A number of historians, for example Thomas Kuhn and Michel Foucault, have drawn attention to the 'paradigmatic' or 'epistemic' shift manifested in the work of Galileo, Descartes and others. Yet while providing examples of the shift, neither has been able to put forward any plausible explanation of why the shift occurred. Indeed they both specifically state that they leave it to others to explain why.2 More recently we have been given an excellent, revised, picture of the earlier magic cosmology and its continuity with the later 'scientific' one by Stuart Clark. Yet once again, the author explicitly states that he is not attempting to provide any explanation of why the cosmologies changed over time. 3 Some of the most stimulating suggestions concerning the reasons for the change have, in fact, come from anthropologists, who draw attention to the importance of literacy, the 'trade-travel' complex, Protestantism, the clash of cultures and other factors in the movement to the 'Open society' of modern science and technology.4 Yet they are unable to provide the 1 See, for example, Toby E.Huff, The Rise of Early Modern Science; Islam, China, and the West, Cambridge Univ. Press, 1993. 2 Thomas Kuhn, The Structure of Scientific Revolutions, Chicago, 2nd edn., 1975, esp. the preface; Michel Foucault, The Archaeology of Knowledge, London, 1978, esp. 162-3, 175; Michel Foucault, The Order of things; An Archaeology of the Human Sciences, London, 1977, esp. xiii. 3 Stuart Clark, Thinking With Demons; the Idea of Witchcraft in Early Modern Europe, Oxford, 1997, esp. the postscript. 4 For examples, see Robin Horton, 'African traditional thought and Western Science', pt.ii, Africa, xxxvii, no.2, April 1967 and Ernest Gellner, Plough, Sword and Book; The Structure of Human History, London, 1988. 1 Copyright: Alan Macfarlane, King's College, Cambridge. 2002 detailed historical evidence and the assertions remain general. The most ambitious attempt to solve the problem is that given in the two works by Keith Thomas, Religion and the Decline of Magic (1970) and Man and the Natural World (1983). It is worth reflecting on the ways in which these two books, so influential both in their content and approach, have advanced our understanding of why a great cosmological shift occurred in western Europe in the early modern period. The argument in Religion and the Decline of Magic, somewhat simplified, can be summarized as follows. The central initial premise is based on Malinowski's thesis that magic is 'to be expected and generally to be found whenever man comes to an unbridgeable gap, a hiatus in his knowledge or in his powers of practical control, and yet has to continue in his pursuit.' As Thomas notes, these theories 'constitute one of the few direct assaults on the difficult question of why it is that magical beliefs decline' and hence, inversely, why science emerges. He further quotes Malinowski to the effect that 'Magic is dominant when control of the environment is weak', and Evans-Pritchard to the effect that 'the advances of science and technology have rendered magic redundant.' Thomas's reaction is that 'when applied to the facts of sixteenth- and seventeenth-century society, it makes a good deal of initial sense.'5 What then, in Thomas's account, was this 'environment' and how did its change help to explain the decline of magic? In the first chapter of Religion Thomas provides an over-view of the insecure world of the sixteenth and seventeenth-centuries in England, which was 'still a pre-industrial society, and many of its essential features closely resembled those of the "under-developed areas" of today.' The pre-occupations with 'the explanation and relief of human misfortune', we are told 'reflected the hazards of an intensely insecure environment.'6 The first insecurity is connected to 'the expectation of life.' Thomas cites evidence to show that 'Tudor and Stuart Englishmen were, by our standards, exceedingly liable to pain, sickness and premature death.' In relation to the latter, for example, he cites the low life expectancy of the aristocracy and though noting expectations of life at birth as high as 40-45 in some country villages, concludes that contemporaries knew that 'life was short, and that the odds were against any individual living out his full span.'7 The second insecurity was the food supply, which 'was always precarious.' 'About one harvest in six seems to have been a total failure, and mortality could soar when times of dearth coincided with (or perhaps occasioned) large-scale epidemics.' People died of starvation and exposure in the streets, and most people suffered from vitamin deficiencies. People were 'chronically under-nourished and vulnerable to tuberculosis and gastric upsets...'8 The third insecurity was disease. 'There were periodic waves of influenza, typhus, 5Thomas, Religion, 647, 647, 648 and note 2, 648. 6Thomas, Religion, 3, 5 7 Thomas, Religion, 5,6 8 Thomas, Religion, 6,7 2 Copyright: Alan Macfarlane, King's College, Cambridge. 2002 dysentery....smallpox', but the most feared of all was bubonic plague, which 'terrified by its suddenness, its virulence and its social effects.' In this pain-filled environment, 'medical science was helpless before most contemporary hazards to health.' Doctors were unable to diagnose and hence to cure most diseases, and in any case, physicians were too expensive for the majority of the population. The fourth insecurity was fire. Thus 'Unable to prevent the outbreak of fire, and virtually helpless during the actual conflagration, contemporaries showed little more resource when it came to bearing the loss.'9 Thomas finds that 'Poverty, sickness and sudden disaster were thus familiar features of the social environment of this period.' Given this background, he is not surprised to find that people were driven to alcohol, tobacco and gambling on a large scale.10 In a long review of Thomas's book, Lawrence Stone echoes and endorses this view in even more trenchant terms. 'Premodern man' lived in a world where 'Both groups and individuals were under constant threat, at the mercy of the hazards of weather, fire, and disease, a prey to famines, pandemics, wars and other wholly unpredictable calamities. This insecurity produced a condition of acute anxiety, bordering at times on hysteria, and a desperate yearning for relief and reassurance.'11 The major part of Thomas's Religion and the Decline of Magic, some six hundred pages of detailed historical evidence, is then devoted to showing the gradual erosion of the magical world view and the birth of modern science. What happened was the 'scientific and philosophical revolution of the seventeenth century'; that is, 'the triumph of the mechanical philosophy.' There was 'a rejection both of scholastic Aristotelianism and of the Neoplatonic theory', which killed off magic. 'The notion that the universe was subject to immutable natural laws killed the concept of miracles, weakened the belief in the physical efficiency of prayer, and diminished faith in the possibility of direct divine inspiration.'12 This was Weber's great 'disenchantment of the world', without which 'modernity' could not have occurred. Yet why did it happen? For the theory that the new mechanistic philosophy can be the explanation is clearly inadequate. Not only is it tautologous - one is trying to explain the growth of a new world view by the growth of that some world view, but the timing is wrong. This latter point is made, for example, by Lawrence Stone. 'The trouble with this explanation is that skepticism about magic and witchcraft was growing among clergy, lawyers, doctors and lay magistrates in the early seventeenth century, before the new natural science had made any real impact.'13 9Thomas, Religion, 7-8, 8, 8-12, 16 10 Thomas, Religion, 17, 17-21 11 Lawrence Stone, The Past and the Present, London, 1981, 155-6 12 Thomas, Religion, 643 13Stone, Past and Present, 168 3 Copyright: Alan Macfarlane, King's College, Cambridge. 2002 As Thomas admits, 'The most difficult problem in the study of magical beliefs is thus to explain how it was that men were able to break out of them.'14 Returning to the early Malinowski thesis and the various types of insecurity which he has suggested were 'reflected' in early religious and magical beliefs, the obvious place for Thomas to search is for changes in those insecurities. At first he seems to find some evidence for a major change in the later seventeenth century. He notes that population pressure decreased and that this, with improvements in agriculture, began to overcome the danger of harvest fluctuations. He notices the absence of bubonic plague after 1665 and the fact that, by the end of the century the English, alongside the Dutch, were the wealthiest nation in Europe. He notes improved communications, with the growth of newspapers, for example, which helped people to find lost property.
Recommended publications
  • Invention, Memory, and Place
    !"#$"%&'"()*$+',-()."/)01.2$ 34%5',6789):/;.,/)<=)>.&/ >'4,2$9)?,&%&2.1)!"@4&,-()A'1=)BC()D'=)B)6<&"%$,()BEEE8()FF=)GHIJGKB 04L1&75$/)L-9)The University of Chicago Press >%.L1$)MNO9)http://www.jstor.org/stable/1344120 322$77$/9)EHPEKPBEGE)GE9QE Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ucpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org Invention, Memory, and Place Edward W. Said Over the past decade, there has been a burgeoning interest in two over- lapping areas of the humanities and social sciences: memory and geogra- phy or, more specifically, the study of human space.
    [Show full text]
  • No Man's Elizabeth: Frances A. Yates and the History of History! Deanne Williams
    12 No Man's Elizabeth: Frances A. Yates and the History of History! Deanne Williams "Shall we lay the blame on the war?" Virginia Woolf, A Room arOne's Own Elizabeth I didn't like women much. She had her female cousin killed, banished married ladies-in-waiting (she had some of them killed, too), and dismissed the powers and potential of half the world's population when she famously addressed the troops at Tilbury, "I know I have the body but of a weak and feeble woman, but I have the heart and stomach ~f a king."z Of course, being a woman was a disappointment from the day she was born: it made her less valuable in her parents' and her nation's eyes, it diminished the status of her mother and contributed to her downfall, and it created endless complications for Elizabeth as queen, when she was long underestim­ ated as the future spouse of any number of foreign princes or opportunistic aristocrats and courtiers. Elizabeth saw from a very early age the precarious path walked by her father's successive wives. Under such circumstances, who would want to be female? Feminist scholars have an easier time with figures such as Marguerite de Navarre, who enjoyed a network of female friends and believed strongly in women's education; Christine de Pisan, who addressed literary misogyny head-on; or Margaret Cavendish, who embodies all our hopes for women and the sciences.3 They allow us to imagine and establish a transhistor­ ical feminist sisterhood. Elizabeth I, however, forces us to acknowledge the opacity of the past and the unbridgeable distance that divides us from our historical subjects.
    [Show full text]
  • History 373-01
    1 History 371-01 U. of. C. Dr. M. J. Osler Fall 2007 Office: Social Sciences 636 Telephone: 220-6414/6401 e-mail: [email protected] Office Hours: MWF 10-11, or by appointment History of Magic, Science, and Religion This course embarks on an historical study of the development of and relationships among three worldviews by which Europeans have sought to understand the universe and human nature. Starting from late antiquity, the course will include the following topics: early Christianity and the natural world, the development of witchcraft, Christian responses to Greek science and philosophy, Hermetic magic in the Renaissance, and the Trial of Galileo. Course Requirements and Grading Course Requirements 1. Examinations There will be a one-hour mid-term test and a two-hour final examination. Mid-term test: Friday, November 2. Final examination: To be scheduled by the Registrar Examinations will be based on both readings and lectures. The final will be cumulative. 2. Term Papers (a) Minimum 2500 words (10 double-spaced typed pages or the equivalent). Outlines and bibliographies must be handed in no later than Friday, October 26. No paper will be accepted or graded until and outline and bibliography have been received, commented upon, and returned to the student. Papers are due NO LATER THAN Friday, November 30. Lateness will be penalized: for each day that the paper is late, the grade will drop by one step (e.g. A to A-, etc.). ALL PAPERS MUST CONFORM TO THE Department of History Essay Guide, which is available in the bookstore and on the History Department’s Home Page (http://hist.ucalgary.ca/) Be sure to read the section on plagiarism (http://hist.ucalgary.ca/essay/EssayGuide.htm#plag) carefully and make sure that you give proper credit to the sources of your work.
    [Show full text]
  • Frances Yates: the Art of Memory Rose Theatre: Kingston-Upon-Thames Saturday April 30 2016
    FRANCES YATES: THE ART OF MEMORY ROSE THEATRE: KINGSTON-UPON-THAMES SATURDAY APRIL 30 2016 The great Renaissance and Shakespeare scholar Frances Yates lived for over half a century in Kingston-upon-Thames, and to mark the 50th anniversary of her great book The Art of Memory, Kingston Shakespeare Seminar will host a one-day conference on her life and work at the Rose Theatre: a playhouse inspired by her theories of the ‘memory theatre’ and the ‘theatre of the world’. Close to where Yates wrote her books, a range of international scholars will evaluate their enduring influence, and reflect on her ideas about memory, Europe, empire, occult philosophy, academies, architecture, performance, intellectual history, and the place of a scholarly community in the modern world. Programme: Time Activity Location 9.00 Registration and coffee (refreshments provided) The Rose Cafe 9.30 Richard Wilson (Kingston): ‘Yates and Shakespeare’ Dilwyn Knox (UCL): ‘ Frances Yates on Giordano Bruno’ 10.30 Roy Eriksen (Agder): ‘Mission Impossible: Bruno in London’ The Gallery Anne-Valérie Dulac (Paris 13): ‘Frances Yates’s Alhazen’ 12.00 Sajed Chowdhury (Galway): ‘Hermeticism and Women’ Marjorie Jones: ‘Daring Spiritual Adventures’ 1.00 Break for lunch* 2.00 Margaret McGowan (Sussex): ‘Frances Yates: Phantom of Empire in a Season of Violence’ The Gallery 3.00 Felix Sprang (Munich): ‘The Art of Memory’ Claudia Wedepohl (Warburg): ‘Warburg, Yates and Memory’ 4.00 Break for tea* 4.30 Kenneth Pickering (Kent): ‘Memory Theatre’ Ildiko Solti (Kingston): ‘Theatre of the
    [Show full text]
  • Memory in Early Modern England
    Part II Special Subject C Memory in Early Modern England Prof. Alex Walsham ([email protected]) Overview Without memory, we could not write History. But memory itself has a history. This Special Subject investigates one segment of that history in the context of sixteenth- and seventeenth- century England. By contrast with medievalists and modernists, early modernists have been slow to investigate how the arts of remembering and forgetting were implicated in and affected by the profound religious, political, intellectual, cultural, and social upheavals of the period. However, there is now a growing surge of exciting and stimulating research on this topic. Its relevance and centrality to key historiographical debates and its capacity to shed fresh light on classic questions regarding one of the most tumultuous eras in English history are increasingly being recognised. Set against the backdrop of the profound ruptures of the Reformation, Civil Wars, and the constitutional revolution of 1688, this Paper seeks to explore how individuals and communities understood and practised memory alongside the ways in which it was exploited and harnessed, divided and fractured, by the unsettling developments through which contemporaries lived and in which they actively participated. It assesses the role played by amnesia and oblivion, nostalgia and commemoration, in facilitating change and in negotiating the legacies it left. Students will be exposed to a wide range of primary sources – from chronicles, diaries, histories, memoirs and compilations of folklore to legal depositions, pictures, maps, buildings, funeral monuments and material objects – that afford insight into the culture and transmutations of early modern memory. Sessions in the Michaelmas Term will explore contemporary perceptions and practices of memory.
    [Show full text]
  • We All Global Historians Now? an Interview with David Armitage
    Itinerario http://journals.cambridge.org/ITI Additional services for Itinerario: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Are We All Global Historians Now? An Interview with David Armitage Martine van Ittersum and Jaap Jacobs Itinerario / Volume 36 / Issue 02 / August 2012, pp 7 ­ 28 DOI: 10.1017/S0165115312000551, Published online: Link to this article: http://journals.cambridge.org/abstract_S0165115312000551 How to cite this article: Martine van Ittersum and Jaap Jacobs (2012). Are We All Global Historians Now? An Interview with David Armitage. Itinerario, 36, pp 7­28 doi:10.1017/S0165115312000551 Request Permissions : Click here Downloaded from http://journals.cambridge.org/ITI, IP address: 128.103.149.52 on 02 Nov 2012 7 Are We All Global Historians Now? An Interview with David Armitage BY MARTINE VAN ITTERSUM AND JAAP JACOBS The interview took place on a splendid summer day in Cambridge, Massa- chusetts. The location was slightly exotic: the interviewers had lunch with David Armitage at Upstairs at the Square, an eatery which sports pink and mint green walls, zebra decorations, and even a stuffed crocodile. What more could one want? Armitage was recently elected Fellow of the Australian Academy of the Humanities. At the time of the interview, he was just about to take over as Chair of the History Department at Harvard University. His long-awaited Foundations of Modern International Thought (2013) was being copy-edited for publication.1 Granted a sneak preview, the interviewers can recommend it to every Itinerario reader. In short, it was high time for Itinerario to sit down with one of the movers and shakers of the burgeoning field of global and international history for a long and wide-ranging conversation.
    [Show full text]
  • Read Keith Thomas' the Wolfson History Prize 1972-2012
    THE WOLFSON HISTORY PRIZE 1972-2012 An Informal History Keith Thomas THE WOLFSON HISTORY PRIZE 1972-2012 An Informal History Keith Thomas The Wolfson Foundation, 2012 Published by The Wolfson Foundation 8 Queen Anne Street London W1G 9LD www.wolfson.org.uk Copyright © The Wolfson Foundation, 2012 All rights reserved The Wolfson Foundation is grateful to the National Portrait Gallery for allowing the use of the images from their collection Excerpts from letters of Sir Isaiah Berlin are quoted with the permission of the trustees of the Isaiah Berlin Literary Trust, who own the copyright Printed in Great Britain by The Bartham Group ISBN 978-0-9572348-0-2 This account draws upon the History Prize archives of the Wolfson Foundation, to which I have been given unrestricted access. I have also made use of my own papers and recollections. I am grateful to Paul Ramsbottom and Sarah Newsom for much assistance. The Foundation bears no responsibility for the opinions expressed, which are mine alone. K.T. Lord Wolfson of Marylebone Trustee of the Wolfson Foundation from 1955 and Chairman 1972-2010 © The Wolfson Foundation FOREWORD The year 1972 was a pivotal one for the Wolfson Foundation: my father, Lord Wolfson of Marylebone, became Chairman and the Wolfson History Prize was established. No coincidence there. History was my father’s passion and primary source of intellectual stimulation. History books were his daily companions. Of all the Foundation’s many activities, none gave him greater pleasure than the History Prize. It is an immense sadness that he is not with us to celebrate the fortieth anniversary.
    [Show full text]
  • The Art of Memory
    FRANCES YATES Selected Works Volume III The Art of Memory London and New York FRANCES YATES Selected Works VOLUME I The Valois Tapestries VOLUME II Giordano Bruno and the Hermetic Tradition VOLUME III The Art of Memory VOLUME IV The Rosicrucian Enlightenment VOLUME V Astraea VOLUME VI Shakespeare's Last Plays VOLUME VII The Occult Philosophy in the Elizabethan Age VOLUME VIII Lull and Bruno VOLUME IX Renaissance and Reform: The Italian Contribution VOLUME X Ideas and Ideals in the North European Renaissance First published 1966 by Routledge & Kcgan Paul Reprinted by Routledge 1999 11 New Fetter Lane London EC4I' 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Croup © 1966 Frances A. Yates Printed and bound in Great Britain by Antony Rowe Ltd, Chippenham, Wiltshire Publisher's note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original book may be apparent. British Library Cataloguing in Publication Data A CIP record of this set is available from the British Library Library of Congress Cataloging in Publication Data A catalogue record for this book has been requested ISBN 0-415-22046-7 (Volume 3) 10 Volumes: ISBN 0-415-22043-2 (Set) Hermetic Silence. From Achilles Bocchius, Symbolicarum quaestionum . libri quinque, Bologna, 1555. Engraved by G. Bonasone (p. 170) FRANCES A.YATES THE ART OF MEMORY ARK PAPERBACKS London, Melbourne and Henley First published in 1966 ARK Edition 1984 ARK PAPERBACKS is an imprint of Routledgc & Kcgan Paul plc 14 Leicester Square, London WC2II 7PH, Kngland.
    [Show full text]
  • 1941 English Art and the Mediterranean. a Photographic Exhibition by the Warburg Institute in London
    1941 English Art and the Mediterranean. A photographic exhibition by the Warburg Institute in London Katia Mazzucco British Art and the Mediterranean is the title under which in 1948 Fritz Saxl and Rudolf Wittkower published the catalogue of a photographic exhibition on the connections and relations between Britain and Mediterranean cultures, organised by the Warburg Institute of London in 1941. Unpublished documentation regarding the exhibition allows for the evaluation, from an internal perspective, of the first London decade of the Warburg Library – including the Warburgian studies conducted therein. The content and form of the exhibition opened up a privileged view, provided by the use of photographic images, onto a distinct aspect of the work along with the methodological approach and practice proposed by Aby Warburg at the turn of the nineteenth century, which was later exported to the Anglo-Saxon world in the 1930s. We propose here to provide a close-up view of a specific argumentative discourse, which can be useful in better understanding the process of how Warburgian studies took root on British soil, as an area of study that also focuses on the dynamics of cultural tradition. One of the disciplines on which the Warburgian ‘kunsthistorisches Kulturwissenschaft’ was projected and fragmented in London’s academic world was the history of classical tradition. One key concept in the theory of classical tradition is the binomial ‘theme-motive’ pairing intended as a focus point for highlighting the link between form and content in art. From a unique and distinct history of architecture viewpoint on the topic, Wittkower’s London works offer an example of these contrasting views.
    [Show full text]
  • Hist 80020 Literature of European History I 5 Credits Fall 2020
    Hist 80020 Literature of European History I 5 credits Fall 2020 Mondays 2-4 pm Helena Rosenblatt Office hours on Zoom/Skype by appointment This course is an introduction to the literature of European history from the Late Middle Ages through the eighteenth century. It introduces students to the main debates and themes of the scholarship on that period and prepares them for the end-of-semester comprehensive examination as well as further study of European history. Requirements: Attendance and Participation (20%). Students are expected to contribute substantially to the weekly discussions; attendance is therefore essential. Each week there will be one or several common readings (a book or a number of articles) that everyone must read. Additionally, each student will select an individual reading (a book or several articles) and report on it to the class. Weekly Response Papers and Presentations (40%). Every week students must submit a one to two-page (double-spaced, 12 point font) critical essay on one reading of their choice (not the common reading). They should briefly summarize the book or articles, describing how they compare with the assigned reading, and what they add to the theme of the week. They will email this essay to the rest of the class by 9 am on the day of the class, present it to the class orally (5 min), and answer questions about it. Two Historiographical Papers (40 %). Students must also write two 8-10 page (double-spaced 12 point font) historiographical papers on major themes of the course. Schedule of Meetings and Readings: Week One: Introduction to the Course (8/31) How to read books and articles at the PhD level.
    [Show full text]
  • Germany/ England: Inside/Outside
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2020 Germany/ England: inside/outside David Cast Follow this and additional works at: https://repository.brynmawr.edu/hart_pubs Part of the History of Art, Architecture, and Archaeology Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License Let us know how access to this document benefits ou.y This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/hart_pubs/115 For more information, please contact [email protected]. Germany/ England: inside/outside* David Cast I am interested here in tracing a topic in the history of a number of German scholars who fled to Britain in the years after Hitler’s rise to power. Much of the history of this exodus after the passing of the so-called Nuremberg Laws in 1935 and 1936 is familiar, as is also the general record of the influence they exerted in so many fields of study in the country they came to. Necessarily less has been recorded of the more personal experiences of these exiles – for some exile was a favoured term, rather than refugee – or how, as scholars, they adjusted to the intellectual and social conditions of the intellectual culture of Britain that they found themselves in.1 It is the record of this adjustment or accommodation, if such we can also call it, that I am * I have many people to thank in writing this essay. First and foremost is Geraldine Johnson who invited me to be part of a session ‘Expatriate Histories of Art in the Twentieth Century’, at the meeting of the College Art Association in New York in February, 2013.
    [Show full text]
  • Hermeticism and Historiography: an Apology for the Internal History of Science
    HERMETICISM AND HISTORIOGRAPHY ------MARY HESSE------ in th~m was first aroused by a practical demarcation problem in the history of .sc~ence. As t~e discipl!ne has emerged from a certain scientific paro­ chialism to take its place m general history, it is inevitable that some ten­ sion has ~risen between the so-called "internal" and "external" approaches Hermeticism and Historiography: An Apology to the science of the past. On the one hand historians in the tradition of C~ssirer, Colli~gwood, and Koyre have tended to regard the history of for the Internal History of Science sci~nce as ~he history of rational thought about nature, evolving according to its own mner logic, and requiring for its understanding only the attempt on the ~art of the historian to "think the scientist's thoughts after him," what Miss Yates calls the "continuous development ... of the rational tradition." This type of historiography of science has produced such mas­ In her pioneering study of the natural magic and hermetic tradition in terpieces as Duhem's Le Systeme du Monde, Burtt's Metaphysical Foun­ relation to sixteenth- and seventeenth-century science, Frances Yates spe­ dations of Modern Physical Science, and KoyrC's Etudes Galileennes, and cifically disclaims the intention of contributing to the history of science the bulk of papers which have appeared in the specialist journals in the last proper: "with the history of genuine science leading up to Galileo's me­ few decades. On the other hand, there is the view of science as an irreduc­ chanics this book has nothing whatever to do.
    [Show full text]