Hermeticism and Historiography: an Apology for the Internal History of Science
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140 Roger Bacon and the Hermetic Tradition in Medieval Science
Roger Bacon and the Hermetic Tradition in Medieval Science GEORGE MOLLAND Roger Bacon would no more have wished to be called a Hermeticist than to be called a magician. For him magic was by its very nature bad, but this did not stop him from indulging beliefs and practices that bordered on the magical. Similarly, although he had no great or very favourable image of Hermes Trismegistus, his writings are infused with a spirit akin to what in a loose understanding of the term have been called Hermetic trends in Renaissance thought, and especially to the ` `Hermetic Tradition in Renaissance Science" .1 1 In exciting scholarship dating back some thirty years and more, a group of scholars, some closely associated with the Warburg Institute in London, demonstrated the vitality in Renaissance thought of quasi- magical traditions associated (sometimes rather remotely) with writings attributed to the supposed ancient Egyptian sage Hermes Trismegistus, and urged their importance for a proper historical assessment of the nascent Scientific Revolution.2 The impact made by these studies has produced the impression that "Hermetic" influences upon science were in essence a Renaissance phenomenon and had I The phrase is from Frances A. Yates' oft-cited article, The Hermetic Tradition in RenaissanceScience, in: Art, Science, and History in the Renaissance, ed. Charles S. Singleton, Baltimore 1968, 255-74, reprinted in F. A. Yates, Ideas and Ideals in the North EuropeanRenaissance.- Collected Essays, VolumeIII, London 1984, 227-46. 2 Among important writings in this genre, together with some more critical of it, I cite here: F. A. Yates, GiordanoBruno and the HermeticTradition, London 1964; id., The RosicrucianEnlightenment, London 1972; D. -
The Druze: Culture, History and Mission
The Druze A New Cultural and Historical Appreciation Abbas Halabi 2013 www.garnetpublishing.co.uk 1 The Druze Published by Garnet Publishing Limited 8 Southern Court South Street Reading RG1 4QS UK www.garnetpublishing.co.uk www.twitter.com/Garnetpub www.facebook.com/Garnetpub blog.garnetpublishing.co.uk Copyright © Abbas Halabi, 2013 All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. First Edition 2013 ISBN: 9781859643532 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Jacket design by Garnet Publishing Typeset by Samantha Barden Printed and bound in Lebanon by International Press: [email protected] 2 To Karl-Abbas, my first grandson And the future generation of my family 3 Preface Foreword Introduction Chapter 1 Human geography Chapter 2 The history of the Druze, 1017–1943 Chapter 3 Communal and social organization Chapter 4 Traditional culture and the meaning of al-Adhā feast Chapter 5 Civil status law Chapter 6 The diaspora and cultural expansion Chapter 7 The political role of the Druze from independence to the present time Chapter 8 The Druze message: plurality and unity Summary and conclusion Appendix 1 The impact of European influences on the Druze community: “The new look” Appendix 2 Sheikh Halīm Taqī al-Dīn: a man of knowledge, -
GIORDANO BRUNO: a FINE BIBLIOPHILE the Love for Books and Libraries of a Great Philosopher ______
GIORDANO BRUNO: A FINE BIBLIOPHILE The love for books and libraries of a great philosopher __________________________ GUIDO DEL GIUDICE he life and destiny living in a convent involved t of Giordano Bruno lack of discipline, vices, are closely linked to murders and punishments, it books. His extraordinary desire was not hard getting the for knowledge and for prohibited books from the spreading his ideas led to a library. Because of the particular and privileged continuous coming and going relationship with books, which of books and the several thefts, accompanied him since his as the General Master of the youth. One can easily say that Dominican Order pointed out, the main reason that led him to in 1571 Pope Pius V had joining the convent of St. published a “Breve”, in which Domenico was the fact that he he declared that whoever stole could get access to the well- or took, for whatever reason, equipped library of the any book from the Libraria, convent, which would quench without a clear licence of the his omnivorous hunger for Venetian edition of Aristotle's Pope or the General Master, knowledge, help him De Anima (1562) would be excommunicated1. developing his exceptional mnemonic skills This decision was written on a stone, which and feed that ingenious naturalistic and has now disappeared, inserted in the right infinitistic afflatus, which he strongly felt. But wall of the little hall which gives access to the this passion itself put him in danger. As he Library. This detail, which many had not said during the interrogations in Venice, he noticed, determined the final departure of the was first censored “because I asked one of the Nolan from his home land. -
Invention, Memory, and Place
!"#$"%&'"()*$+',-()."/)01.2$ 34%5',6789):/;.,/)<=)>.&/ >'4,2$9)?,&%&2.1)!"@4&,-()A'1=)BC()D'=)B)6<&"%$,()BEEE8()FF=)GHIJGKB 04L1&75$/)L-9)The University of Chicago Press >%.L1$)MNO9)http://www.jstor.org/stable/1344120 322$77$/9)EHPEKPBEGE)GE9QE Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ucpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org Invention, Memory, and Place Edward W. Said Over the past decade, there has been a burgeoning interest in two over- lapping areas of the humanities and social sciences: memory and geogra- phy or, more specifically, the study of human space. -
No Man's Elizabeth: Frances A. Yates and the History of History! Deanne Williams
12 No Man's Elizabeth: Frances A. Yates and the History of History! Deanne Williams "Shall we lay the blame on the war?" Virginia Woolf, A Room arOne's Own Elizabeth I didn't like women much. She had her female cousin killed, banished married ladies-in-waiting (she had some of them killed, too), and dismissed the powers and potential of half the world's population when she famously addressed the troops at Tilbury, "I know I have the body but of a weak and feeble woman, but I have the heart and stomach ~f a king."z Of course, being a woman was a disappointment from the day she was born: it made her less valuable in her parents' and her nation's eyes, it diminished the status of her mother and contributed to her downfall, and it created endless complications for Elizabeth as queen, when she was long underestim ated as the future spouse of any number of foreign princes or opportunistic aristocrats and courtiers. Elizabeth saw from a very early age the precarious path walked by her father's successive wives. Under such circumstances, who would want to be female? Feminist scholars have an easier time with figures such as Marguerite de Navarre, who enjoyed a network of female friends and believed strongly in women's education; Christine de Pisan, who addressed literary misogyny head-on; or Margaret Cavendish, who embodies all our hopes for women and the sciences.3 They allow us to imagine and establish a transhistor ical feminist sisterhood. Elizabeth I, however, forces us to acknowledge the opacity of the past and the unbridgeable distance that divides us from our historical subjects. -
Hermeticism Pt 1\374
"I wish to learn about the things that are, to understand their nature and to know God. How much I want to hear!" from [Discourse] of Hermes Trismegistus : Poimandres Hermeticism "The fifteen tractates of the Corpus Hermeticum, along with the Perfect Sermon or Asclepius, are the foundation documents of the Hermetic tradition. Written by unknown authors in Egypt sometime before the end of the third century C.E., they were part of a once substantial literature attributed to the mythic figure of Hermes Trismegistus, a Hellenistic fusion of the Greek god Hermes and the Egyptian god Thoth. This literature came out of the same religious and philosophical ferment that produced Neoplatonism, Christianity, and the diverse collection of teachings usually lumped together under the label "Gnosticism": a ferment which had its roots in the impact of Platonic thought on the older traditions of the Hellenized East. There are obvious connections and common themes linking each of these traditions, although each had its own answer to the major questions of the time." John Michael Greer : An Introduction to the Corpus Hermeticum "The Corpus Hermeticum landed like a well-aimed bomb amid the philosophical systems of late medieval Europe. Quotations from the Hermetic literature in the Church Fathers (who were never shy of leaning on pagan sources to prove a point) accepted a traditional chronology which dated "Hermes Trismegistus," as a historical figure, to the time of Moses. As a result, the Hermetic tractates' borrowings from Jewish scripture and Platonic philosophy were seen, in the Renaissance, as evidence that the Corpus Hermeticum had anticipated and influenced both. -
THE INVENTION of ATOMIST ICONOGRAPHY 1. Introductory
THE INVENTION OF ATOMIST ICONOGRAPHY Christoph Lüthy Center for Medieval and Renaissance Natural Philosophy University of Nijmegen1 1. Introductory Puzzlement For centuries now, particles of matter have invariably been depicted as globules. These glob- ules, representing very different entities of distant orders of magnitudes, have in turn be used as pictorial building blocks for a host of more complex structures such as atomic nuclei, mole- cules, crystals, gases, material surfaces, electrical currents or the double helixes of DNA. May- be it is because of the unsurpassable simplicity of the spherical form that the ubiquity of this type of representation appears to us so deceitfully self-explanatory. But in truth, the spherical shape of these various units of matter deserves nothing if not raised eyebrows. Fig. 1a: Giordano Bruno: De triplici minimo et mensura, Frankfurt, 1591. 1 Research for this contribution was made possible by a fellowship at the Max-Planck-Institut für Wissenschafts- geschichte (Berlin) and by the Netherlands Organization for Scientific Research (NWO), grant 200-22-295. This article is based on a 1997 lecture. Christoph Lüthy Fig. 1b: Robert Hooke, Micrographia, London, 1665. Fig. 1c: Christian Huygens: Traité de la lumière, Leyden, 1690. Fig. 1d: William Wollaston: Philosophical Transactions of the Royal Society, 1813. Fig. 1: How many theories can be illustrated by a single image? How is it to be explained that the same type of illustrations should have survived unperturbed the most profound conceptual changes in matter theory? One needn’t agree with the Kuhnian notion that revolutionary breaks dissect the conceptual evolution of science into incommensu- rable segments to feel that there is something puzzling about pictures that are capable of illus- 2 THE INVENTION OF ATOMIST ICONOGRAPHY trating diverging “world views” over a four-hundred year period.2 For the matter theories illustrated by the nearly identical images of fig. -
History 373-01
1 History 371-01 U. of. C. Dr. M. J. Osler Fall 2007 Office: Social Sciences 636 Telephone: 220-6414/6401 e-mail: [email protected] Office Hours: MWF 10-11, or by appointment History of Magic, Science, and Religion This course embarks on an historical study of the development of and relationships among three worldviews by which Europeans have sought to understand the universe and human nature. Starting from late antiquity, the course will include the following topics: early Christianity and the natural world, the development of witchcraft, Christian responses to Greek science and philosophy, Hermetic magic in the Renaissance, and the Trial of Galileo. Course Requirements and Grading Course Requirements 1. Examinations There will be a one-hour mid-term test and a two-hour final examination. Mid-term test: Friday, November 2. Final examination: To be scheduled by the Registrar Examinations will be based on both readings and lectures. The final will be cumulative. 2. Term Papers (a) Minimum 2500 words (10 double-spaced typed pages or the equivalent). Outlines and bibliographies must be handed in no later than Friday, October 26. No paper will be accepted or graded until and outline and bibliography have been received, commented upon, and returned to the student. Papers are due NO LATER THAN Friday, November 30. Lateness will be penalized: for each day that the paper is late, the grade will drop by one step (e.g. A to A-, etc.). ALL PAPERS MUST CONFORM TO THE Department of History Essay Guide, which is available in the bookstore and on the History Department’s Home Page (http://hist.ucalgary.ca/) Be sure to read the section on plagiarism (http://hist.ucalgary.ca/essay/EssayGuide.htm#plag) carefully and make sure that you give proper credit to the sources of your work. -
Frances Yates: the Art of Memory Rose Theatre: Kingston-Upon-Thames Saturday April 30 2016
FRANCES YATES: THE ART OF MEMORY ROSE THEATRE: KINGSTON-UPON-THAMES SATURDAY APRIL 30 2016 The great Renaissance and Shakespeare scholar Frances Yates lived for over half a century in Kingston-upon-Thames, and to mark the 50th anniversary of her great book The Art of Memory, Kingston Shakespeare Seminar will host a one-day conference on her life and work at the Rose Theatre: a playhouse inspired by her theories of the ‘memory theatre’ and the ‘theatre of the world’. Close to where Yates wrote her books, a range of international scholars will evaluate their enduring influence, and reflect on her ideas about memory, Europe, empire, occult philosophy, academies, architecture, performance, intellectual history, and the place of a scholarly community in the modern world. Programme: Time Activity Location 9.00 Registration and coffee (refreshments provided) The Rose Cafe 9.30 Richard Wilson (Kingston): ‘Yates and Shakespeare’ Dilwyn Knox (UCL): ‘ Frances Yates on Giordano Bruno’ 10.30 Roy Eriksen (Agder): ‘Mission Impossible: Bruno in London’ The Gallery Anne-Valérie Dulac (Paris 13): ‘Frances Yates’s Alhazen’ 12.00 Sajed Chowdhury (Galway): ‘Hermeticism and Women’ Marjorie Jones: ‘Daring Spiritual Adventures’ 1.00 Break for lunch* 2.00 Margaret McGowan (Sussex): ‘Frances Yates: Phantom of Empire in a Season of Violence’ The Gallery 3.00 Felix Sprang (Munich): ‘The Art of Memory’ Claudia Wedepohl (Warburg): ‘Warburg, Yates and Memory’ 4.00 Break for tea* 4.30 Kenneth Pickering (Kent): ‘Memory Theatre’ Ildiko Solti (Kingston): ‘Theatre of the -
Grounding the Angels
––––––––––––––––––––––– Grounding the Angels: An attempt to harmonise science and spiritism in the celestial conferences of John Dee ––––––––––––––––––––––– A thesis submitted by Annabel Carr to the Department of Studies in Religion in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) University of Sydney ––––––––––––– Supervised by Dr Carole Cusack June, 2006 Acknowledgements Thank you to my darling friends, sister and cousin for their treasurable support. Thank you to my mother for her literary finesse, my father for his technological and artistic ingenuity, and my parents jointly for remaining my most ardent and loving advocates. Thank you to Dominique Wilson for illuminating the world of online journals and for her other kind assistance; to Robert Haddad of the Sydney University Catholic Chaplaincy Office for his valuable advice on matters ecclesiastical; to Sydney University Inter-Library Loans for sourcing rare and rarefied material; and to the curators of Early English Books Online and the Rare Books Library of Sydney University for maintaining such precious collections. Thank you to Professor Garry Trompf for an intriguing Honours year, and to each member of the Department of Studies in Religion who has enriched my life with edification and encouragement. And thank you most profoundly to Dr Carole Cusack, my thesis supervisor and academic mentor, for six years of selfless guidance, unflagging inspiration, and sagacious instruction. I remain forever indebted. List of Illustrations Figure 1. John Dee’s Sigillum Dei Ameth, recreated per Sloane MS. 3188, British Museum Figure 2. Edward Kelley, Ebenezer Sibly, engraving, 1791 Figure 3. The Archangel Leaving the Family of Tobias, Rembrandt, oil on canvas, 1637 Figure 4. -
Hermeticism in Sweden 189
Hermeticism in Sweden 189 Chapter 24 Hermeticism in Sweden Hermeticism in Sweden Susanna Åkerman The fragmentary sources for tracing Hermeticism in Sweden stem from the seventeenth and eighteenth centuries, when these texts still formed a basis for cosmological thinking. The Corpus Hermeticum was often associated with another Hermetic text, the Tabula smaragdina or Emerald Tablet. Translated into Latin from the Arabic in the twelfth century, the text was particularly pop- ular among German alchemists, who rarely read the Corpus Hermeticum but instead based their understanding of Hermeticism on the short sentences from the Emerald Tablet. The Emerald Tablet was furthermore used to present alchemy in a simple but enigmatic form. The Tablet formulated the kernel of Hermeticism in a widely spread maxim on the parallels between the cosmo- logical macrocosm and the human microcosm: “As above, so below”. This figure of thought had a great influence on Hermeticism in Sweden. Swedenborg, for example, reformulated it to treat of correspondences between the natural, the spiritual, and the heavenly realms. Hermetic philosophy likewise influenced three other currents: mysticism, alchemy, and Rosicrucianism. Seventeenth-Century Metaphysics Hermeticism began to be an important current in Sweden with Johan Skytte (1577–1645), who was the Chancellor of Uppsala University. In the 1640s Skytte delivered an oration in which he praised King Gustavus II Adolphus for having opened the doors for “Theophrastus [Paracelsus] and [Hermes] Trismegistos” to the Swedish universities. This was a clear signal that the older pagan phi- losophy was compatible with Christian beliefs. In the same spirit, the Finnish natural philosopher Sigfrid Aron Forsius (1560–1624) edited several almanacs to be used for astrological purposes. -
Giordano Bruno and Michel De Montaigne
Journal of Early Modern Studies, n. 6 (2017), pp. 157-181 DOI: http://dx.doi.org/10.13128/JEMS-2279-7149-20393 (Re)thinking Time: Giordano Bruno and Michel de Montaigne Rachel Ashcroft Durham University (<[email protected]>) Abstract The article seeks to illustrate how the theme of time may be a worthwhile starting point towards uncovering useful connections between the philosophy of Giordano Bruno and that of Michel de Montaigne. Firstly, a brief literature review will assess the admittedly small but promising criticism that has previously attempted to bring the two writers together. Subsequently, the article argues that time is a meaningful way to approach their texts. Specifically, time refers to the drama that arises between the material body, which generally exists within a so-called natural order of time, and the mind which is not tied to the present moment, and is free to contemplate both past and future time. The article argues that Bruno and Montaigne’s understanding of time in this manner leads them to question traditional representations of time, such as the common fear of death, in remarkably similar ways. This process will be illustrated through examples drawn from two chapters of the Essais and a dialogue from the Eroici furori, and will conclude by assessing the straightforward connections that have arisen between the two authors, as well as scope for further research in this area. Keywords: Giordano Bruno, Michel de Montaigne, Sixteenth Century, Time 1. Introduction In recent years, a small number of critics have attempted to establish significant biographical and intellectual connections between Giordano Bruno and Michel de Montaigne.