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To Improve the Qualityof Life for All Citizens of Our Area, Now
Dear Friends, Thanks to the efforts of many, the region served by the Greater New Orleans Foundation has begun a journey up from hurricane-inflicted disaster toward hope. to improve the of It is not an easy path, nor is it for the faint of heart. At times it feels like a quality yearlong sprint or a marathon that will last many years. But signs are everywhere that you and the great people of southeastern Louisiana are more than able. In for all citizens of our area, this report you will see signs in the hands of children, who are the best reason for life imagining—and creating—a livable, economically strong community. When Hurricane Katrina’s wind and floodwaters subsided, it became clear that generations of leaders and supporters of the Greater New Orleans Foundation had now and for future generations put the organization in a unique position. Now, it would be called upon to play both traditional and completely unexpected new roles in the recovery. Thanks to that history of support, to more than $25 million in new gifts and this is where we belong we are pledges from organizations and individuals, and to the way political, business and nonprofit leaders turned to the Foundation for leadership, the Greater New Orleans Foundation is poised to lead in the years ahead. home to stay in New Orleans We believe that creating a dynamic future for the region depends on three key areas of focus: a skilled workforce; safe, affordable neighborhoods; and great pub- lic schools. Since Katrina, the Foundation’s Board and staff have embraced the role of devoting their efforts to achieving and measuring success in those areas. -
2006 Illustrated Parade Notes
© 2006, School of Design 1. Rex, King of Carnival, Monarch of Merr iment Rex’s float carries the King of Carnival and his pages through the streets of New Orleans on Mardi Gras day. 2. His Majesty’s Bandwagon A band rides on this permanent float to provide music for Rex and for those who greet him on the parade route. 3. The King’s Jesters Even the Monarch of Merriment needs jesters in his court. Rex’s jesters dress in Mardi Gras colors—purple, green, and gold. 4. The Boeuf Gras This is one of the oldest symbols of Mardi Gras, symbolizing the great feast on the day before Lent begins. 5. Title Float: “Beaux Arts and Letters” While Rex Processions of past years have presented the history and culture of far-flung civilizations, this year’s theme explores the joys and beauties of Rex’s own empire and domain. New Orleans has a long and rich artistic history and has produced a wealth of artists and writers of national and international renown. Sculptors and painters, writers and poets have called New Orleans home, and have found inspiration for their work in her history, culture, and landscapes. Mardi Gras, the celebration unique to this city, has influenced the work of many of our artists and writers. 6. John James Audubon (1785-1851) Audubon, the pre-eminent American painter of birds and wildlife, was born in Haiti and came to America at age eighteen, living in Pennsylvania and Kentucky before traveling south with little more than his gun and his painting equipment. -
Checklist by Room
FRONT DESK COPY Checklist - Fallen Fruit “Empire”, NewcomB Art Museum Listed clockwise per room Entrance Room: The Gateway to Cultural Mythology 1 Artist Unknown Harriott Sophie Newcomb, 1855-1870 Late 19th century to mid 20th century Watercolor, gouache on paper Courtesy of Newcomb Art Museum of Tulane University Gift of Josephine Louise Newcomb 2 Fallen Fruit (David Allen Burns and Austin Young) The French Quarter — New Orleans 2018 wallpaper pattern, variable dimensions created for the exhibition project EMPIRE for Newcomb Art Museum Courtesy of the artists 3 Randolph Rogers Atala and Chactas 1854 Marble Newcomb Art Museum of Tulane University, Gift of Virginia C. Montgomery in memory of her husband R. W. Montgomery 4 Imitation Maya Stela, No. 1 c. 1930 Plaster cast inspired by Mayan monuments at Uxmal, Yucatan, Mexico Created for display in M.A.R.I.'s exhibit at the 1933 Chicago World's Fair Courtesy of The Latin American Library 5 Imitation Maya Stela, No. 2 c. 1930 Plaster cast inspired by Mayan monuments at Uxmal, Yucatan, Mexico Created for display in M.A.R.I.'s exhibit at the 1933 Chicago World's Fair Courtesy of The Latin American Library 6 After Giovanni Bologna Mercury c. 1580 Bronze cast reproduction Newcomb Art Museum of Tulane University, Gift of the Linton-Surget Collection 7 Designer unknown Hilma Burt House Gilded Mantel Piece c. 1906 This gilded mantelpiece adorned the parlor of the notorious Hilma Burt House, where Jelly Roll Morton reportedly played his “first piano job in the District.” Courtesy of the Al Rose Collection, Hogan Jazz Archive, Tulane University 8 Casting by the Middle American Research Institute Cast inspired by architecture of the Governor’s Place of Uxmal, Yucatán, México c.1932 Plaster, created for A Century oF Progress Exposition (also known as The Chicago World’s Fair of 1933), M.A.R.I. -
SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S
SELLING ART IN THE AGE OF RETAIL EXPANSION AND CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS AND THE AMERICAN ART MARKET OF THE 1930s AND 1940s by TIFFANY ELENA WASHINGTON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation advisor: Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY JANUARY, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of __________Tiffany Elena Washington_________ candidate for the __Doctor of Philosophy___ degree*. (signed) _______Anne L. Helmreich________ (chair of the committee) ______Catherine B. Scallen__________ ________ Jane Glaubinger__________ ____ _ _ Renee Sentilles___________ (date) 2 April, 2012 *We also certify that written approval has been obtained for any proprietary material contained herein. 2 For Julian, my amazing Matisse, and Livia, a lucky future artist’s muse. 3 Table of Contents List of figures 5 Acknowledgments 8 Abstract 11 Introduction 13 Chapter 1 46 Chapter 2 72 Chapter 3 93 Chapter 4 127 Chapter 5 155 Conclusion 202 Appendix A 205 Figures 207 Selected Bibliography 241 4 List of Figures Figure 1. Reeves Lewenthal, undated photograph. Collection of Lana Reeves. 207 Figure 2. Thomas Hart Benton, Hollywood (1937-1938). Tempera and oil on canvas mounted on panel. The Nelson Atkins Museum of Art, Kansas City. 208 Figure 3. Edward T. Laning, T.R. in Panama (1939). Oil on fiberboard. Smithsonian American Art Museum. 209 Figure 4. Plan and image of Associated American Artists Gallery, 711 5th Avenue, New York City. George Nelson, The Architectural Forum. Philadelphia: Time, Inc, 1939, 349. 210 Figure 5. Thomas Hart Benton, Departure of the Joads (1939). -
Art Trails in Alabama Public Art Members Alabama State Council on the Arts
ALABAMA Volume XXI, Number 2ARTS Art Trails in Alabama Public Art Members Alabama State Council on the Arts BERNICE PRICE CHAIRMAN Montgomery REBECCA T. B. QUINN VICE CHAIRMAN Huntsville FRANK HELDERMAN SECRETARY Florence EVELYN ALLEN Birmingham JULIE HALL FRIEDMAN Fairhope RALPH FROHSIN, JR. Alexander City DOUG GHEE Anniston ELAINE JOHNSON Dothan DORA JAMES LITTLE Auburn JUDGE VANZETTA PENN MCPHERSON Montgomery VAUGHAN MORRISSETTE Mobile DYANN ROBINSON Tuskegee JUDGE JAMES SCOTT SLEDGE Gadsden CEIL JENKINS SNOW Birmingham CAROL PREJEAN ZIPPERT Eutaw Opinions expressed in AlabamaArts do not necessarily reflect those of the Alabama State Council on the Arts or the State of Alabama. ALABAMAARTS In this Issue Volume XXI Public Art Trails in Alabama Number 2 Public Art in Alabama 3 Al Head, Executive Director, ASCA 4 Discovering Public Art: Public Art Trails in Alabama Georgine Clarke, Visual Arts Program Manager, ASCA 6 Continuing the Trail New Deal Art in Alabama Post Offices 42 and Federal Buildings On the cover: Roger Brown Autobiography in the Shape of Alabama (Mammy’s Door) (recto), 1974 Oil on canvas, mirror, wood, Plexiglas, photographs, postcards, and cloth shirt 89 x 48 x 18 inches Collection of Museum of Contemporary Art, Chicago, gift of Maxine and Jerry Silberman Photography © Museum of Contemporary Art, Chicago ©The School of the Art Institute of Chicago and the Brown family. Roger Brown, (1941-1997) was born in Hamilton, Alabama and later moved to Opelika. From the 1960’s he made his home in Chicago, where he graduated from The School of the Art Institute of Chicago and played a significant role in the city’s art scene for over 30 years as one of the Chicago Imagist artists. -
The Art of Charles H. Reinike : Lagniappes of Louisiana's
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2013 The ra t of Charles H. Reinike : lagniappes of Louisiana's landscapes and people Lauren J. Barnett Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Barnett, Lauren J., "The ra t of Charles H. Reinike : lagniappes of Louisiana's landscapes and people" (2013). LSU Master's Theses. 430. https://digitalcommons.lsu.edu/gradschool_theses/430 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE ART OF CHARLES H. REINIKE: LAGNIAPPES OF LOUISIANA’S LANDSCAPES AND PEOPLE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Lauren J. Barnett B.A., University of Florida, 2011 May 2013 ACKNOWLEDGMENTS This thesis would not have been possible without the support and guidance of the Reinike family, whose ambitions to preserve the legacy of Charles H. Reinike are extraordinary. Gretchen Reinike Eppling has not only been there to offer a wealth of information regarding the life and art of her father, but she has also become a dear friend to me throughout this process. Her brother, Charles Reinike III has also provided much assistance and inspiration, along with his wife, Edna, and daughter, Vera. -
“Beaux Arts and Letters” Tuesday, February 28, 2005 New Orleans
The 2006 Rex Procession: “Beaux Arts and Letters” Tuesday, February 28, 2005 New Orleans, Louisiana 1. Rex, King of Carnival, Monarch of Merriment Rex’s float carries the King of Carnival and his pages through the streets of New Orleans on Mardi Gras day. 2. His Majesty’s Bandwagon A band rides on this permanent float to provide music for Rex and for those who greet him on the parade route. 3. The King’s Jesters Even the Monarch of Merriment needs jesters in his court. Rex’s jesters dress in Mardi Gras colors—purple, green, and gold. 4. The Boeuf Gras This is one of the oldest symbols of Mardi Gras, symbolizing the great feast on the day before Lent begins. 5. Title Float: “Beaux Arts and Letters” While Rex Processions of past years have presented the history and culture of far-flung civilizations, this year’s theme explores the joys and beauties of Rex’s own empire and domain. New Orleans has a long and rich artistic history and has produced a wealth of artists and writers of national and international renown. Sculptors and painters, writers and poets have called New Orleans home, and have found inspiration for their work in her history, culture, and landscapes. Mardi Gras, the celebration unique to this city, has influenced the work of many of our artists and writers. 6. John James Audubon (1785-1851) Audubon, the pre-eminent American painter of birds and wildlife, was born in Haiti and came to America at age eighteen, living in Pennsylvania and Kentucky before traveling south with little more than his gun and his painting equipment. -
Charles Bein (1891-1966): Graduate and Professor, Tulane School of Architecture--Belatedly
Charles Bein (1891-1966): Graduate and Professor, Tulane School of Architecture--Belatedly Acknowledged Two Tulane graduates live in Charlottesville where they are longtime friends: James Leslie Kelly of New Orleans, who graduated in engineering at Tulane in 1954, later acquiring his PhD at LSU in Chemical Engineering and Roulhac Bunkley Toledano (Newcomb 1960) who studied art and architectural history under Alfred Moir along with painting and printmaking under Ida Kohlmayer and James Steg. Recently Kelly, a relative of New Orleans native, Charles Bein, yet another Tulane graduate and a professor at the Architecture School, inherited a number of Bein’s paintings and an extensive collection of scrapbooks and newspaper clippings about Bein and his successful career in the arts. This mass of art and manuscript material, as well as Mallard and Seigneuret furniture from Bein’s Bay Saint Louis, Mississippi residence along with the Tulane connection, captivated me when I saw them. Subsequently, Jim Kelly showed me the handsome Mexican silver service that had been in Bein’s house, reminiscent of the work developed and popularized by Bein’s friend William Spratling. News clipping with articles on Bein by his good friends William Spratling and Lyle Saxon revealed that Bein had gone to Mexico with Spratling, so well known as the man who revitalized and transformed the silver tradition among the Indians at Taxco, Mexico. More clippings elucidating the amazing life of the architect and artist Charles Bein sent me to Tulane Architecture School, the Louisiana Rare Book Collection and the Southeast Architectural Archives where little information was available beyond the architecture school’s publication Talk About Architecture and a web 1 site partially based on that information. -
READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue. -
Rolland Golden (American, B
Rolland Golden (American, b. 1931) _____________________________________________ Acclaimed southern artist Rolland Golden has earned a place in the canon of American masters. Born in New Orleans and trained under renown instructor John McCrady, Golden’s career has spanned six decades. He has amassed numerous awards and in 1976 he was chosen as the American realist painter to represent the United States on a tour of soviet Russia. In 2014, he was honored with an exhibition at the Ogden Museum of Southern Art (Rolland Golden: An Alternate Vision). Awards: Marquis Who’s Who Lifetime Achievement Award (2017); Louisiana Legends (2014); National Watercolor Society, CA (Grumbacher Purchase Award; Winsor Newton Cash Award; Cartwheel Cash Award; Brugger Cash Award; Helga Hansen Memorial Cash Award); National Arts Club NY (First Place (3)), N.A.C. Second Place (2); President’s Award, One-man Show; Grumbacher Silver Medal; Grumbacher Gold Medal); American Watercolor Society, NY (Paul Remmey A.W.S. Memorial Award); Allied Artists of America (Gloria Benson Stacks Award); and others. Museum collections: Pushkin Museum, Moscow, Russia; Bon Encontre Cultural Center, France; New Orleans Museum of Art, Ogden Museum of Southern Art and the Historic New Orleans Collection, New Orleans, LA; Mississippi Museum of Art, Jackson, MS; The National Arts Club, New York, NY; Springfield Art Museum, Springfield, MO; Morris Museum of Fine Art, Augusta, GA; Lauren Rogers Museum of Art, Laurel, MS; Alexandria Museum of Art, Alexandria, LA; and others. Corporate collections: Louisiana’s Art in Public Places, City of New Orleans, New Orleans International Airport, Diamond B Construction, Central Louisiana Arts Center, Ochsner Foundation, New Orleans Art Association, Baton Rouge Art Association, Unifirst Bank & Savings, Pfizer, Inc. -
1 Louisiana Boys: Raised on Politics by Paul Steckler, Louis Alvarez, and Andrew Kolker, Video, 52 Rnins., 1991
L OUISIANALYSIS A FILM& VIDEOSURVEY curated by Reni Broussard Presented by HALLWALLSCONTEMPORARY ARTS CENTER & THENEW ORLEANS WOMEN'S CAUCUS FOR THE ARTS Sponsored by Cinema 16, New Orleans New Orleans Film & Video Society New Orleans Video Access Center (NOVAC) Squeaky Wheel/Buffalo Media Resources Special thanks to Dean Pascal, Mary Jane Parker, Rebecca Drake, and Video Alternatives October 19 & 20,1992 HALLWALLS CONTEMPORARYARTS CENTER Buffalo, New York December 5 - 12,1992 This program is sponsored by the Arts Council of New Orleans with funds provided by the City of New Orleans Municipal Endowment Grants for the Arts from annual payments in the fran- chise of Cox Cable New Orleans, administered by the New Orleans Women's Caucus for the Arts. THEHALLWALLS FILM PROGRAMis supported by public funds from the New York State Council on the Arts, the National Endowment for the Arts, a federal agency, the City of Buffalo, and the County of Erie, and by a grant from The John D. & Catherine T. MacArthur Foundation. Catalog written & edited by Reni Broussard Design by Paul Szpakowski innocent little comedy, The Gun In Betty Lou's Handbag, that actu- ally included reference to the dreaded "Cajun Mafia." I haven't met a cajun, myself included, who could ever keep a secret much have never claimed to be from Louisiana although I was born less an entire syndicate. The Louisiana of Hollywood is good oY and raised there and have lived there most of my life. I've boys and bad little girls, voodoo queens and killer cajuns. The list is always said instead, "I'm from New Orleans," hoping people incredible: Southern Comfort, The Big Easy,JFK, Angel Heart, Pretty wouldn't make the connection. -
Encyclopedia of New Orleans Artists, 1718-1918, Bibliography
ENCY' LOQ DIA OF NEW LEANS ARTISTS 1718-1918 THE HISTORIC NEW ORLEANS COLLECTION BIBLIOGRAPHY SECONDARY SOURCES AANO. Artists' Association of New Orleans. Catalogue of the Annual Exhibition. New Orleans, 1886-1903. Published annually. ---. Catalogue of the Paintings By Members of the Artists' Association of New Orleans, At Auction Sale, By E. Curtis, Under the Free Library, Lafayette Square, Saturday, April 10th, 1897, at 2 o'clock. --. Charter, Constitution and By-Laws. New Orleans, 1893. --. School of Art, Season of 1886-1887. New Orleans, (1886]. --. School of Art, Session of 1892-1893. New Orleans, (1892]. "Acquisitions." Archives of American Art Journal 18(1978):30. Adams, Alexander B. John James Audubon. New York: G. P. Putnam's Sons, 1966. Adams, James H., Jr. "A Brief History of Walle & Co." A paper presented at Southeastern Louisiana University, Hammond LA, May 1976. (Typewritten.) Alexander, Edward Porter. Catterel Ratterel (Doggerel). New York: G. P. Put nam's Sons, 1890. Alexander, James E. Transatlantic Sketches. 2 vols. London: Richard Bentley, 1833. Allibone, S. Austin. A Critical Dictionary of English Literature and British and American Authors. 3 vols. Philadelphia: J. B. Lippincott, 1877. Almanach de la Louisiane. New Orleans: Francis Bouvain, 1866. Almanach de la Louisiane. New Orleans: Francis Bouvain, 1867. Almanach de la Renaissance pour 1870. New Orleans: Emile LeFranc, 1870. American Art Annual. 37 vols. Washington DC: American Federation of Arts, 1898-1948. American Illustrating Company. Pen and Sunlight Sketches of Greater New Or leans. New Orleans: American Illustrating Company, (1912]. American Institute of Architects, New Orleans Chapter, and Louisiana Land marks Society. A Century of Architecture in New Orleans, 1857-1957.