DOCSLIB.ORG

Dear Friends, Mr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dear Friends, Mr בס''ד בס''ד WEEKLY SCHEDULE SHABBAT SCHEDULE Mincha 6:45pm SUNDAY Shir Hashir im: 7:00pm This Shabbat is Shabbat Hagadol. There Shaharit: 7:30am Candle Lighting: 7:24pm will be a Special Shabbat Hagadol Shiur on Minha 6:10pm Shaharit: 8:30am Shabbat afternoon on Hilchot Pesah to Men Followed by Arvit Youth Minyan: 9:00am & Women at 6:00pm. Zeman Keriat Shema 9:35am MONDAY TO FRIDAY 2nd Zeman Keriat Shema 10:10am Anyone wishing to say a Perek of Pirke Shiur 6:00am Daf Yomi 5:20pm Abot, from after Pesah to Shabuot, should Shaharit 6:20am Shiur: 6:05pm please contact the Rabbi. A few Perakim are Hodu Approx: 6:35am Minha: 7:00pm already reserved. As customary, for those Shiur in Spanish 5:40pm Followed by Seudat Shelishit & that read a Perek it is suggested they Minha 6:10pm Arvit sponsor the Communal Kiddush. Followed By Arbit Shabbat Ends: 8:24pm & Shiurim in English & Rabbenu Tam 8:55pm Spanish Avot Ubanim Recess We would like to remind our Kahal Kadosh to please Donate wholeheartedly towards our Beautiful Kehila. Anyone interested in donating for any occasion, Avot Ubanim $120, Kiddush $350, Seudat Shelishit $275, Weekly Bulletin $150, Weekly Daf Yomi $180, Daf Yomi Masechet $2500, Yearly Daf Yomi $5000, Weekly Breakfast $150, Weekly Learning $500, Monthly Rent $3500, & Monthly Learning $2000, Please contact the Rabbi. Thanking you in advance for your generous support. Tizke Lemitzvot! בס''ד Refuah Shelema List Men Women • Yosef Zvi Ben Sara Yosefia, • Isaac Ben Mesoda, • Simja Bat Esther, • Sara Ledicia Bat Mesoda, • Aviv Ben Luba Miriam, • Haim Ben Marcelle, • Mesoda Bat Esther, • Alegria Simha Bat Esther, • Mordechai Ben Brucha • Yizhak Ben Simja • Rachel Bat Sarah, • Naomie Bat Rarel Adda, Malka Shmalo, • Reuben Ben Eta, • Nina Bat Rachel, • Malka Bat Joyce Simja, • Yizhak Abraham Ben Sheli, • Michael Ben Aliza, • Gitel Rina Bat Yael, • Sivan Simha Bat Yehudit, • Yosef Yizh ak Ben Sara Hana, • Eliel Moshe Ben • Miriam Bat Sofy, • Natalie Rachel Bat Nancy, • Mordechai Ben Miriam, Sarah • Rahma Bat Simha • Abigael Haya Bat Esther • Meir Raymo nd Ben Mathilde • Refael Ben Clara • Esther Bat Fortuna • Madeleine Bat Esther • Salomon Benarroch Ben Alia • Netanel Sayegh Ben • Malka Bat Dina • Nurit Jacqueline Bat Rahel • Mordechai Ben Mercedes Rosa • Camouna Bat Fortuna • Atara Shira Bat Sara Beylla • Raizel Bat Miriam Torah Teaser s (AISH) 1. What two people in the Torah are inflicted with leprosy? 2. Which three objects involved in the purification of leprosy are also used in the purification process of someone ritually impure through contact with the dead (tameh meis) as described in Numbers 19:6? 3. In this parsha, what inorganic object is described as being alive? What else is described as being alive? 4. What action, usually forbidden, is part of the purification process of the leper? 5. What body part appears in this parsha, and nowhere else in the Torah? 6. a) What three letters comprise a verb and a color that are both mentioned in this parsha? b) What other two places in the Torah is that verb mentioned? 7. What country is mentioned in this parsha? Answers 1) In parshat Shemot, at the Burning Bush, Moshe's hand is temporarily inflicted with leprosy (Exodus 4:6). In parshat Beha'alotecha, Miriam is inflicted with leprosy for speaking improperly (lashon hara) against her brother Moshe (Numbers 12:10). 2) The purification of the leper involves the use of (1) cedar wood, (2) crimson colored wool, and (3) hyssop (Leviticus 14:4). In parshat Chukat, the purification process of someone ritually impure through contact with the dead, requires these ingredients, in addition to the ashes of the red heifer (Numbers 19:6). 3) a) The water used for the purification of the leper must be mayim chaim - "living waters" from a natural spring (Leviticus 14:5). b) as an offering, the leper must take what is described as "living birds" (14:4). 4) Normally, a person is forbidden to shave the hair off his entire body, which could involve the prohibition of cutting off the corners of the head and the corners of the beard (Leviticus 19:27). [It may also involve the prohibition for a man to adopt the practices of a woman, such as shaving parts of the body (Deut. 22:5 with Rashi).] Despite this, the purification of the leper involves shaving off all the hair on his body (Leviticus 14:8-9). 5) The leper, as part of his purification, must shave off all his hair including his eyebrows (Leviticus 14:9). Eyebrows are not mentioned anywhere else in the Torah. 6) a) The Torah discusses the consequences if a person with the ritual impurity of a zav were to spit on someone (Leviticus 15:8). The word for spit is "yarok," also the word for the color green. This color appears as a color of leprosy that may appear on the walls of a house (Leviticus 14:37). b) Two other places in the Torah mentions spitting: In parshat Beha'alotecha, Miriam is punished with leprosy for seven days - because if a father were to spit in front of his daughter she would be ashamed for seven days; so too Miriam should be isolated for seven days (Numbers 12:14). In parshat Ki Tetze, the procedure of chalitza requires the widowed sister-in-law to spit in front of the brother of her deceased husband (Deut. 25:9). 7) The land of Canaan appears in this parsha. Leprosy can only appear on the houses in the land of Canaan (Leviticus 14:34). If anyone would like to contact the Rabbi, please feel free to call or text 786-879-4951, or email [email protected]. בס''ד Community Announcements (It is YOUR Community, make the most of it!) Miscel laneous Announcements: • is still available for Sponsorship! This We ek’s Congregational Kiddush • The Kiddush Club Initiative. Anyone interested donating a Kiddush Please kindly contact the Rabbi. Tizke Lemizvot! • is still available for Sponsorship! This Week’s Congregational Seudat Shelishit • This Week’s Breakfast is still available for Sponsorship! Anyone intere sted in sponsoring Breakfast for this week or on any day please contact the Rabbi. • This Week’s Daf Yomi is still available for Sponsorship! • If anyone is interested in creating a weekly class in your house or an individual class with the Rabbi, please do not hesitate to contact the Rabbi. • We are tryi ng to update our Congregant’s contact information. We would like to start sending texts about different Events and Shiurim. We would also like to start emailing the weekly bulletin. We would like to start a list of Nahalot/Azkarot/Yahrzeits. We would also like to make a Refuah Shelema list. Please send your contact information to the Rabbi at [email protected] • Please fee l free to contact any of the board members either in person, or via email with suggestions or comments. Our email addresses are: board member’s first name @oroziel.com Important Me ssage!!! Eruv Update: Surfside: The Eruv in Surfside now includes the walking paths along the beach. Pushing strollers and carrying is permit ted on the paths, but not beyond the path or onto the beach. Bal Harb our: The Eruv in Bal Harbour included the inner (western) walking path only. The pier at Haulover Cut is not included. • Due to the recent reorganization of seats in the Bet Hakenesset, We are happy to announce the NEW possibility of purchasing seats in the Bet Hakenesset. For more information, please contact the Board. • Before hanging up anything anywhere in the Bet Hakenesset, please seek authorization from the Rabbi. This includes flyers etc. • Please be advised that prior to bringing any food or drinks for any occasion, you must first seek the authorization from the Rabbi. Spe cial Announ cements • We are pl eased to announce that Ness 26 is part of the , which would allow our community to Amazon Charity Program collect 0.5% of all the orders made by any of you on Amazon.com. In order to register you need to log on smile.amazon.com and select Ness 26, Inc as the Charitable Organization you want to support, and from then shop on smile.ama zon.com instead of www.amazon.com. It won’t cost anything more, and is an easy way to contribute to our budget nee ds. • Anyone wishing to receive the Daily Halacha by the Rabbi please send a whatsapp message to Simon Chocron 786-351- 1573 Community Calendar: • The prog ram for Teenaged Boys ages 13-18 Started again with Great Succes with Shiur by the Rabbi & Supper on Sund ay Evenings after Arvit at around at 6:00 pm With Supper. New Participants Welcome! Anyone wishing to sponsor this Shiur Please contact the Rabbi. Tizke Lemitzvot! • We have started the Mishmar Program Every other Thursday evening at 8:00 pm with Chulent, Beer, & Snacks. Everyone is welcome! Avot Ubanim: This Mosae Shabbat at 7:45pm In Recess Youth Minyan • We are proud to announce the inauguration of our YOUTH/TEEN MINYAN geared to train and teach our future generations on the different tefillot and parashiot. בס''ד בס''ד בס''ד We would like to Whole Heartedly Thank our Dear Friends, Mr. & Mrs. Laurent Becker for generously Donating the TORAH LEARNING of Nisan 5779 In Honor of Rabbi Elmaleh & Leiluy Nishmat Haim Mamou Ben Elyezer z”l We truly appreciate it. In this merit, may Hashem Bless you & your wonderful family with all the Berachot of the Torah. Amen. Birthdays Nahalot • Dina Hakimi z”l the 9th of Nisan (Grandmother of Mr.
Load more

Recommended publications
  • Encore Un Soir Céline Dion
    Encore un soir Céline Dion Version Guitare Capo 4 Intro D C Gadd9 G Gadd9 G Y'en a tant qui tue le temps |. |. | Am Tant et tant qui le perde ou ne passe Gadd9 G Gadd9 G Une photo, une date C'est à n'y pas croire D Temps qui se montre avant Am9 Am7 Am9 Am7 C'était pourtant hier Mentirait ma mémoire Gadd9 G Dans les rêves en des instants de grâce Em D Et ces visages d'enfants C Où je donne ma place au paradis C D Gadd9 G C/G Et le mien dans ce miroir F#m7/5b Si l'on m'oublie sur terre Gadd9 G B7sus4 B7 Oh, c'est pas pour me plaindre Encore hier Gadd9 G Ça, vous n'avez rien à craindre Em C/E Encore un soir, encore une heure Am9 Am7 La vie m'a tellement gâtée D/F# Gsus4 G Encore une larme de bon - heur Am9 Am7 J'ai plutôt du mal à l'éteindre Cmaj7 F#m7/5b Une faveur, comme une fleur Em D Oh mon Dieu j'ai eu ma part B7sus4 B7 Un souffle, une erreur C D Em9 Em Em9 Em Et bien plus à tant d'égard Em C/E Un peu de nous, un rien de tout D/F# D C Mais quand on vit trop beau trop fort Pour tout se dire encore ou bien se taire Gsus4 G Cmaj7 Am On en oublie le temps qui passe Un re - gard, juste un report F#m7/5b B7sus4 B7 D Comme on perd un peu le nord À peine encore, je sais il est tard Gadd9 G Au milieu de trop vastes espaces Em C C'est pas grand chose Rien qu'une pause C À peine le temps de s'y faire D Gsus4 Que le temps, les horloges se reposent F#m7/5b À peine on doit laisser la place Cmaj7 F#m7/5b Et caresser Juste un baiser B7sus4 B7 B7sus4 Oh si je pouvais..
    [Show full text]
  • Societas Criticus, Revue De Critique Sociale Et Politique on N'est Pas Vache…On Est Critique!
    Le présent fichier est une publication en ligne reçue en dépôt légal, convertie en format PDF et archivée par Bibliothèque et Archives nationales du Québec. L’information contenue dans le fichier peut donc être périmée et certains liens externes peuvent être inactifs. Version visionnée sur le site Internet d’origine le 9 avril 2009. Section du dépôt légal 1 Societas Criticus, Revue de critique sociale et politique On n'est pas vache…on est critique! D.I. revue d’actualité et de culture Où la culture nous émeut! Revues Internet en ligne, version archive pour bibliothèques Vol. 11 no. 2, du 8 février 2009 au 2 avril 2009 1999-2009, 10 ans déjà ! www.societascriticus.com Cette revue est éditée à compte d'auteurs. Pour nous rejoindre: [email protected] Societas Criticus C.P. 182, Succ. St-Michel Montréal (Québec) Canada H2A 3L9 Le Noyau! Michel Handfield, M.Sc. sociologie (U de M), cofondateur et éditeur; Gaétan Chênevert, M.Sc. (U de Sherbrooke), cofondateur et interrogatif de service; Luc Chaput, diplômé de l'Institut d'Études Politiques de Paris, recherche et support documentaire. Soumission de texte: Les envoyer à [email protected]. Si votre texte est en fichier attaché, si possible le sauvegarder en format "rtf" (rich text format) sans notes automatiques. 2 Index de ce numéro : Societas Criticus, revue de critique sociale et politique Édito Temps de crise, temps d’éduquer! Essais L’affaire de la bataille des plaines d'Abraham : Fêter, commémorer ou se pencher sur le passé? D.I., Delinkan Intellectuel, revue d’actualité et de culture Avis Arts et Culture Lettre des réalisatrices-équitables à la Ministre de la culture Sortie de Disques! « HAYDN La Passione : symphonies 41,49 & 44 » ; CHANSONS GALLOISES (AN 2 9965) ; Cinéma et Théâtre (Ciné, Théâtre et quelques annonces d’événements) Starmania opéra Mes rendez-vous québécois du cinéma 2009 (Fictions)! Papa à la chasse aux lagopèdes Serveuses demandées Babine La manipulation! Deux pièces, face à face, sur un thème : « Le déni » et « La Charge de l'orignal épormyable ».
    [Show full text]
  • Divas VH1 Divas Live Mp3, Flac, Wma
    Divas VH1 Divas Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin / Funk / Soul / Pop / Folk, World, & Country Album: VH1 Divas Live Country: Bulgaria Released: 1998 Style: Vocal, Soul, Ballad MP3 version RAR size: 1531 mb FLAC version RAR size: 1788 mb WMA version RAR size: 1597 mb Rating: 4.8 Votes: 424 Other Formats: DMF WMA VOC MMF VQF MP3 MP4 Tracklist Hide Credits 1 –Mariah Carey My All 5:45 2 –Mariah Carey Make It Happen 5:29 3 –Gloria Estefan Turn The Beat Around 5:07 4 –Gloria Estefan Heaven's What I Feel 4:54 Dr. Beat / Conga / Rhythm Is Gonna Get You / 1-2-3 / 5 –Gloria Estefan 3:33 Get On Your Feet 6 –Shania Twain Man! I Feel Like A Woman! 4:35 7 –Shania Twain You're Still The One 3:38 Chain Of Fools 8 –Aretha Franklin And Mariah Carey 4:25 Written-By – Don Covay River Deep, Mountain High 9 –Céline Dion 5:49 Written-By – Spector, Greenwich & Barry The Reason 10 –Céline Dion And Carole King 6:00 Written-By – Carole King, Greg Wells, Mark Hudson 11 –Céline Dion My Heart Will Go On 5:13 –Céline Dion, Gloria Estefan, Shania You've Got A Friend 12 5:29 Twain, Carole King Written-By – Carole King A Natural Woman 13 –The Divas* 5:15 Written-By – Goffin And King, Jerry Wexler 14 –The Divas* Testimony 9:47 Companies, etc. Distributed By – Sony Music Phonographic Copyright (p) – Sony Music Entertainment Inc. Copyright (c) – Sony Music Entertainment Inc. Phonographic Copyright (p) – Viacom International Inc.
    [Show full text]
  • Audrée Wilhelmy
    critique + littérature Audrée Wilhelmy lettres québécoises | automne 2017 | 167 pub-écrits-LQ-120417.qxp_pub-écrits-LQ 17-04-12 21:29 Page1 TÊTE À POUX LE BONHEUR PAGES INTIMES Monique Juteau CET ILLUSIONNISTE DE MA PEAU Julie Stanton (réimpression) Josée Yvon JUS D’ORANGE / JUGO L’ATELIER DES FORGES AMOURS / MEXICO DE NARANJA 2016 AMORES / MÉXICO Carmen Villoro Collectif Renaud Longchamps DIFFICILE DE DÉFAIRE POÈMES RETROUVÉS TESTAMENT LA COULEUR Gatien Lapointe DE NAISSANCE Annie Molin Vasseur Choix et présentation David Goudreault de Jacques Paquin DANS LES SOIRS PARFAITS Mario Cyr 9 POÈTES COLOMBIENS Collectif LA VALSE FATALE Claude Péloquin LÈVRES URBAINES #49 Collectif Montréal en poésie Distribution au Canada : Prologue • www.prologue.ca Écrits des Forges : 992-A, rue Royale, Trois-Rivières (Québec) G9A 4H9 Tél. : 819.840.8492 C o u r r i e l : e c r i t s d e s f o r g e s @ g m a i l . c o m • w w w. e c r i t s d e s f o r g e s . c o m Sommaire critique Éditorial par Annabelle Moreau . 3 + littérature Cahier Audrée Wilhelmy La bête au corps par Audrée Wilhelmy . 6 † Fondateur Adrien Thério Esthétique sauvage par Marie-Hélène Larochelle . 10 Membre honoraire André Vanasse Questionnaire LQ . 14 Équipe Dans la bibliothèque d’Audrée Wilhelmy par Jérémy Laniel . 16 Éditeur Alexandre Vanasse Le corps des bêtes d’Audrée Wilhelmy par Marie-Michèle Giguère . 18 Rédactrice en chef Annabelle Moreau Cahier Dossier | Le renouveau des librairies indépendantes Coordonnateur éditorial Jérémy Laniel Libraires : une nouvelle vague par Chantal Guy .
    [Show full text]
  • Socio-Anthropologie Des Socialisations Funéraires Juvéniles Et Du Vécu Intime Du Deuil
    Université de Strasbourg École doctorale 519 : Sciences de l’Homme et des Sociétés Laboratoire Cultures et Sociétés en Europe, UMR 7043 Soutenance Publique le 6 Décembre 2010 par Martin JULIER-COSTES Pour l’obtention du Doctorat de l’Université de Strasbourg Discipline : Sociologie - Socio-anthropologie des socialisations funéraires juvéniles et du vécu intime du deuil Les jeunes face à la mort d’un(e) ami(e) - Thèse dirigée par Pascal Hintermeyer, professeur Membres du jury : Mme Marie-Frédérique Bacqué, professeur à l'Université de Strasbourg, rapporteur M. Jean-Hugues Déchaux, professeur à l’Université Lumière, Lyon 2, examinateur M. Pascal Hintermeyer, professeur à l'Université de Strasbourg, directeur de thèse M. Claude Javeau, professeur émérite à l'Université Libre de Bruxelles, rapporteur M. Denis Jeffrey, professeur à l’Université de Laval, rapporteur M. David Le Breton, professeur à l’Université de Strasbourg, examinateur 2 3 4 Résumé En se démarquant du paradigme du déni social de la mort, ce travail vise à approfondir des études récentes traitant du vécu intime du deuil et des socialisations provoquées par un décès (J-H. Déchaux, K. Roudaut). Cette recherche, basée sur un travail d’observation et 45 entretiens semi-directifs présentant 31 situations de décès, interroge les réactions de jeunes (de 18 à 30 ans) face à la mort d’un(e) ami(e). S’inspirant des concepts d’ institué et d’ instituant de R. Bastide, l’analyse porte sur les rites officiels (institués) et les autres socialisations funéraires (instituant) avec la fête comme figure emblématique. La perspective socio-anthropologique proposée ici définit un modèle de compréhension des rapports à la mort où l’individu est au centre de multiples cercles d’appartenance et dans lequel la confrontation individuelle à la perte est questionnée au travers d’invariants anthropologiques permettant de dégager une anthropologie de l’intime du deuil .
    [Show full text]
  • The 2010 Haitian Earthquake: Disaster and the Limits of Narrative
    The 2010 Haitian Earthquake: Disaster and the Limits of Narrative Katarzyna Maria Mika Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English October, 2015 i The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Katarzyna Maria Mika ii Acknowledgements This thesis is the fruit of countless exchanges with the many teachers and friends I have been lucky enough to encounter along the way. It is my hope that they will accept this work as a way of showing my gratitude and thanks for their generosity and unwavering support. The thesis would not have been possible without the careful and meticulous work of my supervisor, Prof Graham Huggan. For his enthusiasm, support, and patience with my writing and ever-expanding footnotes, I thank him. I am particularly grateful to him for helping me think through the methodological coordinates of the thesis and for allowing my numerous displacements to shape the project. My parents, Jolanta and Krzysztof, and my family engendered in me an unquenched curiosity and love for books and far-away destinations. The sacrifices they made are countless and so are the lessons they taught me over the years. This PhD started with an order. Special thanks to Adrienne Janus for setting the challenge and for her faith in me during my time at the University of Aberdeen.
    [Show full text]
  • A Comparative Study of the Evolution of Prestige Formations and of Speakers' Attitudes in Occitan
    A Comparative Study of the Evolution of Prestige Formations and of Speakers’ Attitudes in Occitan and Catalan A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2010 Aurélie Joubert School of Languages, Linguistics and Cultures LIST OF CONTENTS List of figures……………………………………………………………………………6 Abstract………………………………………………………………………………….7 Declaration………………………………………………………………………………8 Copyright statement…………………..…………………………..……………………..9 Acknowledgements…………………………………………………………………….10 CHAPTER ONE: Introduction: Two sister languages with opposite destinies……..…14 1.1 General introduction………..……………………………….………….14 1.2 Aims………………………..……………………………..…………….17 1.3 Sociolinguistic perspective…………………………….…………….. 18 1.4 Research questions and research hypothesis…………….……………20 1.5 Outline of chapters………………..…………………….………………20 CHAPTER TWO: Historical background: two languages with parallel external developments………………………………………………...…………………………23 2.1 Emancipation from the Latin model and prestigious literature (11 th - 15 th centuries)…………………………………...………………………………23 2.2 Gradual minoritisation (15 th - 19 th centuries)…………..………………25 2.3 The revitalisation period (19 th - 20 th century)………...…………………28 2.4 Recent dissimilarity (post 1978)………………………………………..30 2.5 Conclusion…………………………...…………………………………33 CHAPTER THREE: Conceptual framework: Interlacing micro and macro- phenomena………………………………………………………………………….34 3.1 Attitudes………………………………………………………………...35 3.1.1 Definitions…………………..….………………………………35 3.1.1.1 The cognitive
    [Show full text]
  • Département Des Lettres Et Communications
    DÉPARTEMENT DES LETTRES ET COMMUNICATIONS Faculté des lettres et sciences humaines Université de Sherbrooke Les chercheurs d'aube, nouvelles, suivi de « Lirécrire »: Une école en soi, par FRANCISCA GAGNON Mémoire présenté pour l'obtention du grade de Maître ès Arts en Études françaises (cheminement création) Sherbrooke AOUT 2010 Library and Archives Bibliothèque et Canada Archives Canada ~fi Published Héritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A0N4 Canada Canada Yourfile Votre référence ISBN: 978-0-494-83658-3 Ourfile Notre référence ISBN: 978-0-494-83658-3 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, télécommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protégé cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Instigations Together with an Essay on the Chinese Written Character
    Instigations Together with An Essay on the Chinese Written Character Author: Ezra Pound Ernest Fenollosa Project Gutenberg's Instigations, by Ezra Pound and Ernest Fenollosa This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: Instigations Together with An Essay on the Chinese Written Character Author: Ezra Pound Ernest Fenollosa Release Date: September 24, 2012 [EBook #40852] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK INSTIGATIONS *** Produced by Annemie Arnst & Marc D'Hooghe at http://www.freeliterature.org (Images generously made available by the Internet Archive.) INSTIGATIONS OF EZRA POUND TOGETHER WITH AN ESSAY ON THE CHINESE WRITTEN CHARACTER BY ERNEST FENOLLOSA BONI AND LIVERIGHT PUBLISHERS NEW YORK 1920 TO MY FATHER HOMER L. POUND TABLE OF CONTENTS I. A STUDY IN FRENCH POETS Narration Jules Laforgue Tristan Corbière Arthur Rimbaud Remy de Gourmont De Régnier Emile Verhaeren Vielé-Griffin Stuart Merril Laurent Tailhade Francis Jammes Moréas Spire Vildrac Jules Romains Unanimisme De Bosschère's study of Elskamp Albert Mockel and "La Wallonie" II. HENRY JAMES III. REMY DE GOURMONT, a Distinction followed by notes IV. IN THE VORTEX Eliot Joyce Lewis An Historical Essayist The New Poetry Breviora PART SECOND V. OUR TETRARCHAL PRECIEUSE A divagation from Jules Laforgue VI. GENESIS, or the first book in the Bible VII. ARNAUT DANIEL VIII. TRANSLATORS OF GREEK IX.
    [Show full text]
  • Liste Des Articles Par Auteur Alpha Sé- CD Compact Disc Lec- 11-Févr.-20 Tion
    Liste des Articles par Auteur Alpha Sé- CD Compact Disc lec- 11-févr.-20 tion NomAuteur RefOuvrage Titre Classement AMB DISQUE AMBIANCE 43É REGIMENT DE LILLE AMB0124 LES PLUS CELEBRES MARCHES MARCHE 43É MILITAIRE A CRÉER AMB0227 A CRÉER ,, BUSS AMB0233 ,, A CR AFRO CELT SOUND SYSTEM AMB0157 CAPTURE 1995 - 2010 AMBIANCE AFR ALAGNA ROBERTO AMB0166 PASION AMBIANCE ALA AMERICAN BALLADS AMB0106 LES PLUS GRANDS MOMENTS COUNTRY AMER COUNTRY ANNE SOFIE VON OTTER & BRAD AMB0154 LOVE SONGS AMB AMBIANCE ANN ARNALDS OLAFUR AMB0238 REMEMBER ,, ARNA BAKER JOSEPHINE AMB0050 THE BEST OF COLI BEETHOVEN AMB0120 BEETHOVEN FOR THE BATH CLASSIQUE BEE BEGA LOU AMB0029 A LITTLE BIT OF MAMBO COLI BIGARD AMB0055 LES MEILLEURS MOMENTS HUMOUR CALYPSO ROSE AMB0230 FAR FROM HOME ,, CALY CASH JONNHY AMB0107 COUNTRY JOHNNY CASH RING OF COUNTRY CASH FIRE THE LEGEND OF JOHNNY CASH CHICO & THE GYPSIES AMB0194 FIESTA ,, CHIC COLLECTIF AMB0155 100 TUBES 90'S AMBIANCE COL AMB0144 100% DANCEFLOOR 2009 AMBIANCE COL AMB0081 1996 GRAMMY NOMINEES CHANUTE COLL AMB0084 1997 GRAMMY NOMINEES CHANUTE COLL AMB0083 1998 GRAMMY NOMINEES CHANUTE COLL AMB0156 2011 100 HITS POUR FAIRE LA FETE AMBIANCE COL AMB0071 34 EME FESTIVAL DE LORIENT CELTIQUE COLL AMB0079 35 EME FESTIVAL INTERCELTIQUE DE CELTIQUE COLL LORIENT AMB0098 36 EME FESTIVAL INTERCELTIQUE DE CELTIQUE COLL LORIENT AMB0129 38EME FESTIVAL DE LORIENT CELTIQUE COLL AMB0133 60'S & 70'S VOL 3 AMBIANCE COL AMB0134 60'S & 70'S VOL 5 ,, COLL AMB0200 AFRICAN VOICES ANTHOLOGIY WORLD MUSI CO AMB0135 ANNEE 80 5 CD AMBIANCE COL AMB0099 ANNEE
    [Show full text]
  • Par La Médiathèque Jacques Prévert De Dives-Sur-Mer Et La Compagnie PMVV Le Grain De Sable
    Par la médiathèque Jacques Prévert de Dives-sur-Mer et la compagnie PMVV le grain de sable. Avec le concours des bibliothèques de Pont-l’Évêque Terre d’Auge, Cabourg, Caen, Hermanville-sur-Mer, Honfleur, Merville-Franceville, Saint-Aubin-sur-Mer et Trouville-sur-Mer. Dans le cadre des 18e Rencontres d’été théâtre & lecture en Normandie www.rencontresdete.fr 1- Il est difficile de répondre à cette question. Est-on heureux parce qu’on a un ordinateur grâce à quoi les générations anciennes sont plus ou moins méprisées par les nouvelles ? Est-on heureux grâce aux smarthones et Iphones, aux tablettes et à la télévision qui commence déjà à ne plus être si à la mode ? Certes, l’ordinateur facilite la vie, nous pouvons trouver des réponses à nos questions, par exemple, sur Google, nous pouvons entrer en communication avec des gens grâce aux e-mails, à facebook, où nous avons de tas d’amis, etc. Sont-ils de vrais amis ? Nous pouvons mettre nos photos sur nos ordinateurs que nous regardons d’ailleurs moins souvent qu’à l’époque où nous les rangions dans nos albums. Certes, le nombre de photos a été moins important que celui que nous pouvons stocker sur notre ordinateur, mais nous les regardons moins souvent. En ce qui concerne le téléphone mobile, nous ne pouvons pas l’oublier à la maison, il est vrai qu’il rend la vie plus facile. Cependant, demandons-nous souvent des nouvelles de nos connaissances et surtout les membres de notre famille pour autant ? Nos discussions deviennent-elles plus profondes et plus enrichissantes grâce à cet appareil ? Et quand nous nous retrouvons avec notre famille, que se passe-t-il ? Chacun regarde son téléphone portable, les applications, les jeux, etc, mais nous ne discutons plus, donc nos réunions de famille ne servent pas à grand-chose.
    [Show full text]
  • Mapping Céline Dion's Outstanding Contribution to Music and Global
    TERRITORIAL IDENTITY AND DEVELOPMENT Volume 4 / No. 1, Spring 2019 ISSN 2537 - 4850 ISSN–L 2537 - 4850 MUSIC GEOGRAPHIES AND ICONIC MUSIC LEGENDS: MAPPING CÉLINE DION’S OUTSTANDING CONTRIBUTION TO MUSIC AND GLOBAL POPULAR MUSIC CULTURE Ioan-Sebastian JUCU West University of Timişoara, Faculty of Chemistry, Biology, Geography, ROMANIA [email protected] DOI: http://doi.org/10.23740/TID120195 ABSTRACT Between music geography and iconic music legends, a strong connection has been established in terms of spatial and temporal analysis of popular music and the representation of national identities in the contemporary global cultures of popular music. The existing literature unveils a gap in the analysis of music geography and famous musicians, real global music icons identified with particular cultures. This paper argues that such music legends must be geographically studied to unveil their outstanding contribution to the world music cultures. Against such a background, a geographical approach that takes Canadian singer Céline Dion as a case study is developed. The research aims to analyse Dion’s outstanding contribution to global music culture in both spatial and temporal terms. Based on the music industry emergence, the paper focuses on how and why Céline Dion appeared in global music culture and examines her outstanding contribution with specific reference to music cartographies and statistical research. National identity and related cultural issues beyond the music, lyrics, and performances are also addressed. The empirically led study is based on a multi-method approach and makes use of statistical data analysis, GIS methods, biographical inquiry, the analysis of lyrics and visual methodologies, all suggesting that Dion’s contribution has greatly influenced the global popular music culture of the last few decades.
    [Show full text]