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38E Festival International D'opéra Baroque
38e festival international d’opéra baroque BEAUNE & romantique 38e Festival International d’Opéra Baroque & Romantique 2020 du 10 juillet au 2 août . 4 week-ends © JM Pettina/Caisse des Dépôts - Fotolia : Dmitry Vereshchagin, Okalinichenko, Vladimir Karpenyuk, KazantsevAlexander, CHROMAKEY ltd 2013, Narinbg. CHROMAKEY ltd 2013, KazantsevAlexander, Vladimir Karpenyuk, Okalinichenko, Vereshchagin, Dmitry : des Dépôts - Fotolia © JM Pettina/Caisse Mécénat POUR LA RÉUSSITE DES JEUNES TALENTS Depuis deux cents ans, la Caisse des Dépôts joue un rôle innovant dans le développement économique et social de notre pays. Son mécénat accompagne l’émergence des nouveaux talents de la musique classique, de la danse, de l’architecture et du paysage. @CaissedesDepots - www.groupecaissedesdepots.fr “Je suis la Musique et, par mes doux accents, Sais apaiser tous les cœurs tourmentés Et enflammer d’amour ou de noble courroux Les esprits les plus glacés” “Et quand j’aurai attendri le cœur du roi des ombres, Je t’entraînerai avec moi pour revoir les étoiles. Et si un cruel destin me le refuse, Je resterai avec toi dans la mort. Adieu terre, adieu ciel et soleil, adieu !” Prologue et Acte II de l’Orfeo de Monteverdi Le Festival d’Opéra Baroque et Romantique de Beaune s’est vu décerner EUROPE FOR FESTIVALS le premier Label EFFE (Europe for Festivals, Festivals for Europe) par la FESTIVALS FOR EUROPE Communauté Européenne, témoignant de l’excellence et de l’engagement EFFE LABEL 2015-2016 artistique de ses productions ainsi que leur dimensions internationales. Serse de Haendel Dir. Ottavio Dantone Riccardo Novaro Cour des Hospices - Juillet 2019 Photo Jean-Luc Cottier du 10 juillet au 2 août 2020 S o m m a i r e Éditorial pages 4 & 5 Calendrier page 7 Opéras & Oratorios pages 09 à 15 Die Zauberflöte de Mozart 9 Armida de Salieri 10 Il Ritorno di Ulisse in patria de Monteverdi 11 Pasticcio « Tell Me The Truth About Love » de Haendel, Vivaldi.. -
Explore Unknown Music with the Toccata Discovery Club
Explore Unknown Music with the Toccata Discovery Club Since you’re reading this booklet, you’re obviously someone who likes to explore music more widely than the mainstream offerings of most other labels allow. Toccata Classics was set up explicitly to release recordings of music – from the Renaissance to the present day – that the microphones have been ignoring. How often have you heard a piece of music you didn’t know and wondered why it hadn’t been recorded before? Well, Toccata Classics aims to bring this kind of neglected treasure to the public waiting for the chance to hear it – from the major musical centres and from less-well-known cultures in northern and eastern Europe, from all the Americas, and from further afield: basically, if it’s good music and it hasn’t yet been recorded, Toccata Classics is exploring it. To link label and listener directly we run the Toccata Discovery Club, which brings its members substantial discounts on all Toccata Classics recordings, whether CDs or downloads, and also on the range of pioneering books on music published by its sister company, Toccata Press. A modest annual membership fee brings you, free on joining, two CDs, a Toccata Press book or a number of album downloads (so you are saving from the start) and opens up the entire Toccata Classics catalogue to you, both new recordings and existing releases as CDs or downloads, as you prefer. Frequent special offers bring further discounts. If you are interested in joining, please visit the Toccata Classics website at www.toccataclassics.com and click on the ‘Discovery Club’ tab for more details. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
CATALOGUE 2018 This Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 CATALOGUE 2018 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 CATALOGUE 2018 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany WORLD SALES CEO: Jan Mojto C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager All information is not contractual and subject to change without prior notice. [email protected] & Marketing [email protected] All trademarks used herein are the property of their respective owners. [email protected] Date of Print: February 2018 © UNITEL 2018 All rights reserved Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet [email protected] [email protected] ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES AVAILABLE FOR THE FIRST TIME FOR GLOBAL DISTRIBUTION LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Private Musiksammlung Archiv CD/DVD
Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Haas Haas Die heilige Elisabeth - 1 München Maria Venuti - Wolf Bruno Weil Ch-O - BR 4 Euba - - - - - - - Elmar Schloter, Joseph Haas (1879 - - Orgel - 1960) - Münchener 21.03.2004 - Rundfunkorchester op. 84 - cda403 T- VHS-Audi CD o Haas Die heilige Elisabeth - 1990 München Maria Venuti - Wolf Bruno Weil Ch - 26.11.1990 BR 4 Euba - - - - - - - - 1659,01 Joseph Haas (1879 - - 1960) - Münchner 31.03.2010 - Rundfunkorchester op. 84 - cda1003 T- Dok 409 2 CD 2 Haas Scharlatan - 1997 Prag Vladimir Chmelo - Anda-Louise Israel Yinon O - BR 4 Bogza - Miroslav Svejda - Leo 529,01 Pavel Haas (1899 - - MarianVodicka - Ladislav Mlejnek - 1944) - Orchester der Prager 22.06.1999 - Jan Jezek - - - - Staatsoper Oper 1 - T- VHS-Audio Haas Scharlatan - 2009 Gera Andreas Scheibner - Franziska Rauch - Jens Troester O - 06.03.2009 MDR Figaro Peter-Paul Haller - Konrad 1355,01 Pavel Haas (1899 - - Zorn - - - - - Kay Kuntze - Duncan 1944) - Sarlatán Opernchor und 07.03.2009 - Hayler Philharmonisches Oper 1 - cda1601 T- Dok 124 CD 6 Haas Bluthaus - 2011 Schwetzingen Sarah Wegener - Ruth Hartmann -
Vendredi 16 Et Samedi 17 Décembre Claudio Monteverdi | Intégrale Des Madrigaux : Deuxième Livre
Roch-Olivier Maistre, Président du Conseil d’administration Laurent Bayle, Directeur général Vendredi 16 et samedi 17 décembre et samedi 16 Vendredi 17 | Vendredi 16 et samedi 17 décembre Claudio Monteverdi | Intégrale des madrigaux : Deuxième Livre Dans le cadre du cycle La folie Du 9 au 17 décembre Intégrale des madrigaux : Deuxième Livre des madrigaux : Intégrale | Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, à l’adresse suivante : www.citedelamusique.fr Monteverdi Claudio Cycle La folie Schumann, Nietzsche, le Tasse sombrèrent dans la folie tout comme Lucia di Lammermoor et tant de personnages d’opéra. Jordi Savall, avec Érasme, célèbre les pouvoirs de subversion de la folie ; Fausto Romitelli en révèle le déchaînement. Dérangement psychique, hallucinations, somnambulisme, amnésie… ces scènes sont devenues une sorte d’épisode obligé pour les héroïnes (généralement soprano) dans l’opéra du début du XIXe siècle et donnent l’occasion d’un déploiement de virtuosité vocale impressionnante. Accompagnée par La Chambre Philharmonique que dirige Emmanuel Krivine, Olga Peretyatko interprète des grands airs de Donizetti et Bellini. La Malédiction du chanteur ainsi que les quatre ballades réunies sous le titre Le Page et la Fille du roi de Schumann, au programme du concert dirigé par Laurence Equilbey, datent de 1852, année au cours de laquelle le compositeur subit des troubles nerveux. Ces derniers sont les prémices de la folie qui le conduira à finir ses jours dans l’asile d’Endenich. Imprimé à Paris et dédié à son ami Thomas More, Éloge de la folie d’Érasme remet tout en cause avec subversion. -
Annual Report 2014 2014: the Year in Brief
ANNUAL REPORT 2014 2014: The year in brief In 2014 Glyndebourne celebrated its 80th a number of important engagements in anniversary and the 20th year of our ‘new’ major European houses. The last new theatre, but also mourned the death of production of the summer saw the return former Chairman and President, Sir George to Glyndebourne of that great Verdian, Sir Christie. Mark Elder, who conducted Tom Cairns’s staging of La traviata, which featured Sir George died on 7 May 2014, the very day a sensational UK operatic debut from that the London Philharmonic Orchestra Venera Gimadieva. arrived at Glyndebourne for rehearsals of our opening production of Der Rosenkavalier. As ever at Glyndebourne, revivals He had been listening to a recording of the were given an equal amount of careful opera the night before. It is impossible to preparation. Graham Vick returned to state just how much he will be missed by supervise the rehearsals for his iconic his many friends and colleagues – without production of Eugene Onegin and the him Glyndebourne would not be the world outstanding Israeli conductor, Omer Meir class organisation it is today. Our debt to Wellber, appeared in the Festival for the him is immense and I am delighted that first time. He will be back. Jonathan Kent’s we pay full tribute to his achievements production of Don Giovanni returned to the in the 2015 Festival programme book. He Festival for the third time, featuring the was a visionary man with a wonderful London Philharmonic Orchestra’s recently sense of humour who will continue to be a appointed Principal Guest Conductor, constant source of inspiration to all of us Andrés Orozco Estrada, and a new lucky enough to work for this remarkable generation of young principals. -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XVIII, Number 1 April 2003 A PILGRIMAGE TO IOWA As I sat in the United Airways terminal of O’Hare International Airport, waiting for the recently bankrupt carrier to locate and then install an electric starter for the no. 2 engine, my mind kept returning to David Lodge’s description of the modern academic conference. In Small World (required airport reading for any twenty-first century academic), Lodge writes: “The modern conference resembles the pilgrimage of medieval Christendom in that it allows the participants to indulge themselves in all the pleasures and diversions of travel while appearing to be austerely bent on self-improvement.” He continues by listing the “penitential exercises” which normally accompany the enterprise, though, oddly enough, he omits airport delays. To be sure, the companionship in the terminal (which included nearly a dozen conferees) was anything but penitential, still, I could not help wondering if the delay was prophecy or merely a glitch. The Maryland Handel Festival was a tough act to follow and I, and perhaps others, were apprehensive about whether Handel in Iowa would live up to the high standards set by its august predecessor. In one way the comparison is inappropriate. By the time I started attending the Maryland conference (in the early ‘90’s), it was a first-rate operation, a Cadillac among festivals. Comparing a one-year event with a two-decade institution is unfair, though I am sure in the minds of many it was inevitable. Fortunately, I feel that the experience in Iowa compared very favorably with what many of us had grown accustomed Frontispiece from William Coxe, Anecdotes fo George Frederick Handel and John Christopher Smith to in Maryland. -
Internationale Händel-Festspiele 2020
SO 9.2. MITGLIEDERVERSAMMLUNG DER HÄNDEL-GESELLSCHAFT KARLSRUHE e. V. 10.00 MITTLERES FOYER SONNTAG VOR DER PREMIERE: TOLOMEO, RE D’EGITTO Dramma per musica in drei Akten von Georg Friedrich Händel 11.00 KLEINES HAUS FR 14.2. ERÖFFNUNG DER 43. INTERNATIONALEN HÄNDEL-FESTSPIELE 18.00 MITTLERES FOYER TOLOMEO, RE D’EGITTO Seite 16 Dramma per musica in drei Akten von Georg Friedrich Händel 19.00 GROSSES HAUS PREMIERE anschließend Premierenfeier SA 15.2. 34. INTERNATIONALE HÄNDEL-AKADEMIE: Seite 146 SYMPOSIUM & KONZERT 11.00 – 17.00 UNTERES FOYER & KLEINES HAUS GALA-KONZERT MIT VALER SABADUS & NUOVO ASPETTO Seite 80 Werke von Georg Friedrich Händel u. a. 19.00 GROSSES HAUS SO 16.2. PREISTRÄGERKONZERT DES HÄNDEL-JUGENDPREISES Seite 140 DER HÄNDEL-GESELLSCHAFT KARLSRUHE e. V. 11.00 KLEINES HAUS TOLOMEO, RE D’EGITTO Seite 16 15.00 GROSSES HAUS ABENDSTERNE 1 HALLE – ROM – LONDON: Seite 106 STATIONEN IM LEBEN HÄNDELS Coro Piccolo – Karlsruher Barockorchester Christian-Markus Raiser 20.00 EVANGELISCHE STADTKIRCHE DI 18.2. ABENDSTERNE 2 CAMERON SHAHBAZI – MAHAN ESFAHANI Seite 114 Werke von Antonio Caldara, Georg Friedrich Händel u. a. 20.00 CHRISTUSKIRCHE MI 19.2. TOLOMEO, RE D’EGITTO Seite 16 19.00 GROSSES HAUS DO 20.2. 3. SONDERKONZERT: Seite 88 FESTKONZERT DER DEUTSCHEN HÄNDEL-SOLISTEN Werke von Georg Friedrich Händel, Jean-Philippe Rameau, Wilhelm Friedemann Bach & Johann Sebastian Bach 19.00 GROSSES HAUS FR 21.2. SERSE Seite 42 Dramma per musica in drei Akten von Georg Friedrich Händel 19.00 GROSSES HAUS WIEDERAUFNAHME SA 22.2. TOLOMEO, RE D’EGITTO Seite 16 18.00 GROSSES HAUS ZUM VORLETZTEN MAL IN DIESER SPIELZEIT SO 23.2. -
Emmanuelle De Negri’S Career Demonstrated Remarkable Breadth of Repertoire and Emoti Onal Range
From its very beginning Emmanuelle de Negri’s career demonstrated remarkable breadth of repertoire and emoti onal range. Aft er a fl ying start as Yniold in Debussy’s Pelléas et Mélisande (Edinburgh and Glasgow 2005: “poignant brightness” wrote Opera magazine), and as “a real revelati on” (Il Giornale della Musica) in the ti tle-role of Bernardo Pasquini’s oratorio Sant’ Agnese (Innsbruck Festi val 2008), she established an enduring performing relati onship with William Christi e and les Arts Florissants, for whom outstanding performances have included Purcell’s The Fairy Queen, The Indian Queen, and Dido and Aeneas, Handel‘s Susanna and Silete venti , Monteverdi’s Selva morale e spirituale, and numerous roles in French Baroque operas including Rameau’s Hippolyte et Aricie (at Aix-en- Provence and Glyndebourne) and Platée (at the Theater an der Wien, the Opéra Comique and in New York), Lully’s Atys (Sangaride – “a sensati on” according to Opéra magazine), and Campra’s Les Fêtes véniti ennes (at the Opéra Comique, Caen and Toulouse). Emmanuelle has made regular performances with other prominent French ensembles such as Pulcinella, Les Folies Françoises, Les Enfants d‘Apollo, Raphaël Pichon’s Pygmalion, Vincent Dumestre‘s Le Poème Harmonique, Le Banquet Céleste, Les Paladins, and Les Accents. For Emmanuelle Haïm and her Concert d’Astrée, Emmanuelle also sung in Rameau’s Castor et Pollux (in Lille, Dijon, Montpellier and Beaune), and recently, in a new producti on Emmanuelle of Rameau‘s Les Boréades staged by Barrie Kosky (at the Opéra de Dijon), de Negri leading to unanimous praise from the press, “we kneel before Emmanuelle de Negri.. -
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, fitness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE Chef Francis Ramirez’ cuisine centers around sourcing quality seasonal ingredients to create delectable dishes combining French techniques with a California flare! TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo Russian Reflections the fourteenth season July 15–August 6, 2016 D AVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 R ussian Reflections Program Overview 6 E ssay: “Natasha’s Dance: The Myth of Exotic Russia” by Orlando Figes 10 Encounters I–III 13 Concert Programs I–VII 43 Carte Blanche Concerts I–IV 58 Chamber Music Institute 60 Prelude Performances 67 Koret Young Performers Concerts 70 Master Classes 71 Café Conversations 72 2016 Visual Artist: Andrei Petrov 73 Music@Menlo LIVE 74 2016–2017 Winter Series 76 Artist and Faculty Biographies A dance lesson in the main hall of the Smolny Institute, St. Petersburg. Russian photographer, twentieth century. Private collection/Calmann and King Ltd./Bridgeman Images 88 Internship Program 90 Glossary 94 Join Music@Menlo 96 Acknowledgments 101 Ticket and Performance Information 103 Map and Directions 104 Calendar www.musicatmenlo.org 1 2016 Season Dedication Music@Menlo’s fourteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible. -
Téléchargez La Version
sm16-8_layout2_sm16-7_pXX 2011-04-26 8:36 PM Page 1 sm16-8_pxx_ads_sm16-7_pXX 11-04-27 12:09 PM Page 2 sm16-8_pxx_ads_sm16-7_pXX 11-04-26 12:04 PM Page 3 LA CHAPELLE HISTORIQUE DU BON PASTEUR, MONTRÉAL MAISON DE LA MUSIQUE PRÉSENTE UNE EXPOSITION DES ŒUVRES DE M. M. CICIOVAN Une soirée sur les collines, 2010, Huile sur panneau, 61 cm x 122 cm À la recherche du temps perdu EXPOSITION DU 14 AVRIL AU 15 MAI 2011 100, RUE SHERBROOKE EST, MONTRÉAL MERCREDI, JEUDI : DE 13 H À 20 H VENDREDI, SAMEDI : DE 13 H À 17 H DIMANCHE : DE 13 H À 15 H RENSEIGNEMENTS : 514 872-5338 MICHEL BURUIANA, AGENT *&),(("%.%.BT7JGJ>[email protected] sm16-8_pxx_ads_sm16-7_pXX 11-04-27 12:14 PM Page 4 sm16-8_pxx_ads_sm16-7_pXX 11-04-25 7:40 PM Page 5 LA CHAPELLE HISTORIQUE DU BON PASTEUR, MONTRÉAL MAISON DE LA MUSIQUE PRÉSENTE UNE EXPOSITION DES ŒUVRES DE M. M. CICIOVAN Columna, 2009, Huile sur toile, 41 cm x 41 cm À la recherche du temps perdu EXPOSITION DU 14 AVRIL AU 15 MAI 2011 100, RUE SHERBROOKE EST, MONTRÉAL MERCREDI, JEUDI : DE 13 H À 20 H VENDREDI, SAMEDI : DE 13 H À 17 H DIMANCHE : DE 13 H À 15 H RENSEIGNEMENTS : 514 872-5338 MICHEL BURUIANA, AGENT *&),(("%.%.BT7JGJ>[email protected] sm16-8_p06-07_TOC+Masthead_sm15-1_pXX 2011-04-27 1:25 PM Page 4 CD DÉCOUVERTE Parmi nos plus grands ambassadeurs musicaux, on retient le nom du CE NUMÉRO-CI duo de piano Bouchard-Morisset auquel est COUP D’ŒIL consacré votre CD Découverte du mois.