ФОРТЕПИАНО PIANO XV Международный Конкурс Имени П. И. Чайковского XV Internation
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Interpreting Tempo and Rubato in Chopin's Music
Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings. -
Pushkin Romances CD Book.Indd
P U S H K I N R o m a N c e S π & © 2009 Delos Productions, Inc. P.O. Box 343, Sonoma, California (5476-9998 Disc(s) Made in Canada. Assembled in the USA IVaRY ILJa PIANO www.delosmusic.com DE 3392 P U S H K I N R o m a N c e S 1 I Remember the Wonderful Moment / Ja pomnu chudnoe mgnovenie... Glinka ROMANCES TO POEMS BY aLeXaNDeR PUSHKIN 2 Declaration of Love / Priznanie Glinka DmITRI HVoRoSToVSKY baritone 3 The Fire of Longing Burns in my Blood / V krovi gorit ogon zhelania Glinka IVaRY ILJa PIANO 4 The Night Wind / Nochnoi Zefir Glinka 5 The Youth and the Maiden / Yunosha i deva Dargomyzhskiy 6 For the shores of thy far native land / Dla beregov otchizny dalnei Borodin 7 The Clouds Begin to Scatter / Redeet oblakov Rimsky-Korsakov 8 On The Hills of Georgia / Na kholmah Gruzii lezhit nochnaja mgla Rimsky-Korsakov 9 The Urn with Water Falling Down / Urnu s vodoi yroniv Kui 10 I Loved You / Ya vas ljubil Kui 11 Gone Are My Heart Desires / Ya perezhil svoi zhelania Medtner 12 Winter Evening (The Snowstorm Covers the Sky with Darkness) / Zimnii vecher (Buria Mglou nebo kroet) Medtner 13 To the Dreamer / Mechtatelu Medtner Produced by Tatiana Vinnitskaya for SVIP Production, Ltd Recorded at Great Hall of Moscow Conservatory, Russia, 9-14 September 2007 14 To the Fountain of Bakhchisarai Palace / Fontanu Bakhchisarajsogo dvortsa Vlasov Engineered by Oleg Ivanov, Andrey Myagkov, Dmitri Misailov Microphones: Holophone H2-Pro, Schoeps MK-2, Brauner VM-1 Interconnecting Monster Cable series Prolink 15 Nightingale / Solovei Tchaikovsky Console -
Yury Favorin Charles-Valentin Alkan (1813-1888) Piano Works / Œuvres Pour Piano
CHARLES-VALENCHARLES-VALENTINTIN ALKANALKAN Piano Works YURY FAVORIN CHARLES-VALENTIN ALKAN (1813-1888) PIANO WORKS / ŒUVRES POUR PIANO Yury Favorin, piano 1 Super flumina Babylonis – Paraphrase du psaume 137, Op. 52 (1859) 6’47 Symphonie pour piano seul, Op. 39 No. 4-7 (1857) 2 II. Allegro 9’38 3 II. Marche funèbre: Andantino 6’02 4 III. Menuet 6’04 2 5 IV. Finale: Presto 4’23 Grande Sonate pour piano « Les Quatre Âges de la vie », Op. 33 (1847) 6 I. 20 ans. Très vite 6’09 7 II. 30 ans (Quasi-Faust). Sataniquement 11’23 8 III. 40 ans (Un heureux ménage). Lentement 10’24 9 IV. 50 ans (Prométhée enchaîné). Extrêmement lent 6’05 Total time: 67’01 favorin.ru 3 PIANO, ROMANTISME ET GRANDEUR Charles-Valentin Alkan est l’un des compositeurs et pianistes français romantiques les plus talentueux, malheureusement trop peu interprété. Né dans une famille juive parisienne de musiciens, il entre à l’âge de six ans au Conservatoire de Paris dans la classe de piano de Pierre-Joseph Zimmerman. Il obtient à dix ans son premier prix. Grâce à son professeur, le virtuose rencontre les grands pianistes de son temps, Marmontel, Chopin, Liszt mais aussi des artistes majeurs comme Victor Hugo et Eugène Delacroix. En 1838 il arrête les concerts pour se consacrer à la composition. Il ne reprend une vie publique de pianiste qu’en 1855 après de brèves apparitions musicales vers 1844. Fasciné par le piano, Alkan montre rapidement un grand intérêt pour les progrès de la facture instrumentale et compose ainsi de nombreuses œuvres pour piano seul. -
Liszt and Russia" TABLE of CONTENTS by Dmitry Rachmanov, Host
Founded in 1964 Volume 31, Number 2 An officiAl publicAtion of the AmericAn liszt society, inc. 2016 Festival: "Liszt and Russia" TABLE OF CONTENTS by Dmitry Rachmanov, host The theme of the American Liszt Society’s 2016 festival and conference is “Liszt and Russia.” The festival is being presented by the Department of Music at California State 1 "Liszt and Russia" University, Northridge, June 2 - 5. 2016 ALS Festival/Conference, The genesis of the festival theme goes back to Liszt’s tours of Russia in the 1840s by Dmitry Rachmanov and his contacts with Russian musicians. Liszt’s influence and support of music and musicians in Russia lasted throughout his mature life. This opens a fertile ground of 2 President's Message exploration of Franz Liszt’s legacy and lasting mark on Russian musical culture and musicians. Liszt’s impact on Russian music history and its development is hard to overestimate; during his heyday as the world's preeminent piano virtuoso, he made 3 Letter from the Editor three tours of Russia (1842 - 1847), leaving an indelible and powerful impression in all circles of Russian society. Subsequently, many Russian musicians made their pilgrimage to visit Liszt in Weimar and other places where he resided. On his part, 4 2016 ALS Festival Schedule Liszt encouraged and supported many Russian composers by performing their music, making piano transcriptions of their works, and popularizing them in other ways. The festival will feature eclectic and stimulating programming. Special events 5 A Conversation with include solo recitals by the most recent Van Cliburn Gold Medalist, Vadym Dmitry Rachmanov Kholodenko, with works by Liszt and Scriabin; the Italian pianist Antonio Pompa- Baldi, one of ALS's regular featured artists, performing works by Liszt and Anton Rubinstein; and a senior professor of the Moscow Conservatory, Mikhail Voskresensky, 8 In Memoriam: Maurice Hinson, presenting music by Liszt, Borodin, Glinka-Balakirev, Tchaikovsky, Medtner, and by Wesley Roberts Prokofiev. -
In Medias Res Amélie Niermeyer Regisseurin
DAS OPERNHAUS Spielplan-Pressekonferenz, Freitag, 5. April 2019, 10.00 Uhr Es sprechen: Roland Geyer Intendant des Theater an der Wien Franz Patay SAISON Geschäftsführer der Vereinigten Bühnen Wien Gäste: in medias res Amélie Niermeyer Regisseurin Nikolaus Habjan Regisseur & Puppenspieler Die Pressekonferenz wird via Livestream übertragen: livestream.theater-wien.at facebook.com/theateranderwien Hauptsponsor Theater an der Wien beyond | Leopold Kogler THEATER AN DER WIEN: In medias res – Die Saison 2019/20 Mit der Spielzeit 2019/20 startet das Opernhaus der Stadt Wien in seine vierzehnte Saison. Diese umfasst 13 Premieren im Theater an der Wien und in der Kammeroper mit Werken von Georg Friedrich Händel, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Gaspare Spontini, Vincenzo Bellini, Stanisław Moniuszko, Charles Gounod, Christoph Willibald Gluck, Antonín Dvořák, Richard Strauss, Sergei Prokofjew sowie Uraufführungen von Christian Jost und Tscho Theissing. Anlässlich der Spielplan-Präsentation 2018/19 im April letzten Jahres hat Intendant Roland Geyer ein Vier-Jahres-Konzept entwickelt und vorgestellt, das in der Vorsaison A priori „Im Morgengrau“ begann und in der kommenden Spielzeit 2019/20 In medias res gehen wird. Der neue Programmkatalog ist mit Bildern des österreichischen Malers Leopold Kogler gestaltet. > Im Fokus #1: Die Wurzeln des Saisonprogramms: Mozart und Beethoven Das Fundament der Spielzeit 2019/20 bilden die „Hausgötter“ des Theater an der Wien: Wolfgang Amadeus Mozart und Ludwig van Beethoven. Am 17. Oktober gelangt Mozarts letzte Oper La clemenza di Tito zur Premiere, unter der musikalischen Leitung von Stefan Gottfried mit dem Concentus Musicus Wien. Erstmals führt der britische Regisseur Sam Brown Regie, als Tito ist der Tenor Joseph Kaiser zu erleben. -
Season 2017/2018 the BELGRADE PHILHARMONIC ORCHESTRA
Season 2017/2018 THE BELGRADE PHILHARMONIC ORCHESTRA The Philharmania(c) Conductor: Hans Graf Soloist: Sergei Babayan, piano Thursday, 7 December 2017 Ilija M. Kolarac Foundation, 8pm www.bgf.rs Programme: Igor Stravinsky Funeral Song, Op. 5 (Serbian premiere) Duration: approx. 12 minutes. Pyotr Ilyich Tchaikovsky Piano concerto No. 1, Op. 23 in B-flat minor Allegro non troppo e molto maestoso – Allegro con spirito Andantino semplice – Prestissimo Allegro con fuoco Duration: approx. 35 minutes. *** Sergei Rachmaninoff Symphony No. 3, Op. 44 in A minor Lento – Allegro moderato – Allegro Adagio ma non troppo – Allegro vivace Allegro – Allegro vivace – Allegro (Tempo primo) – Allegretto – Allegro vivace. Duration: approx. 35 minutes. Concertmaster: Mirosla Paloić One of the world’s most significant events in musical circles in 2016 was the rediscovery of Igor Stravinsky’s (1882–1971) lost composition, which went missing at the time when the composer was at the beginning of his career. Funeral Song was written in 1908 as a memorial tribute to the death of composer Nikolai Rimsky- Korsakov, Igor Stravinsky’s teacher and close friend. The piece was performed the first time in the following year, 1909, and then it was lost during the Russian Revolution. In the ensuing years, Stravinsky talked highly about this piece, referring to it as the precursor to his early masterpieces – the ballets The Firebird and The Rite of Spring, confident that it had to still exist somewhere in Saint Petersburg’s archives. The search for the long-lost score lasted longer than a century, before it was fortuitously discovered in the archives of Saint Petersburg Conservatory. -
SERGEI BABAYAN, Piano DANIIL TRIFONOV, Piano
October 27, 2016 at 8:00pm Pre-concert Talk by Ruth Ochs at 7:00pm Richardson Auditorium in Alexander Hall 3RD PERFORMANCE OF THE 123RD SEASON / HISTORY IN THE MUSIC-MAKING SERGEI BABAYAN, piano DANIIL TRIFONOV, piano ROBERT SCHUMANN (1810 – 1856) Andante and Variations in B-flat Major for Two Pianos, Op. 46 FRANZ SCHUBERT (1797 – 1828) Fantasie in F Minor for Piano Four Hands, D. 940 JOHANNES BRAHMS (1833 – 1897) Selections from 21 Hungarian Dances, WoO. 1 No. 9 in E Minor: Allegro non troppo No. 10 in E Major: Presto No. 17 in F-sharp Minor: Andantino No. 18 in D Major: Molto vivace No. 21 in E Minor: Vivace —INTERMISSION— SERGEI RACHMANINOFF (1873 – 1943) Suite No. 1 in G Minor “Fantasie-Tableaux” for Two Pianos, Op. 5 Barcarolle A Night for Love Tears Russian Easter SERGEI RACHMANINOFF Suite No. 2 in C Minor for Two Pianos, Op. 17 Introduction Waltz Romance Tarantella ABOUT THE PROGRAM TONIGHT’S PROGRAM By Paul Schiavo ©2016 he Nineteenth Century saw a dramatic expansion of nearly all aspects of TWestern music. Orchestras became larger, new harmonies and harmonic relationships became available, and the scale on which composers executed their work grew significantly. It is not surprising, then, that this period also saw the emergence of music for piano duo. True, Mozart had written several pieces for two pianos, notably his fine Sonata in D Major of 1781, but these proved isolated and exceptional works. Even Beethoven, Mozart’s heir in many respects, left nothing for piano duo among his many keyboard compositions. -
Volume LIV, No 1, January-March 2016
CyprusTODAY Volume LIV, No 1, January-March 2016 Contents Editorial .................................................................................2 Towards Digital Cultural Heritage in Cyprus .......................4 Excellence in Letters, Arts and Sciences ............................12 World Heritage of Cyprus: history, myth and religion .......19 16th Cyprus Contemporary Dance Platform ........................30 Vestiges 1991-2016 .............................................................36 The Conservation of the Creative Process ..........................39 Niki Marangou, 1948-2013: In Memoriam ........................40 Elena Zymara at Contemporary Space Athens ...................42 The Cyprus Symphony Orchestra .......................................44 The Cyprus Theatre Organisation .......................................46 The Pharos Arts Foundation ................................................49 International Short Film Festival Oberhausen ....................58 O!PLA ACROSS THE BORDERS ....................................60 2nd Ayia Napa Street Art Festival .........................................62 Creative Plates .....................................................................64 Volume LIV, No 1, January - March 2016 A quarterly cultural review of the Ministry of Education and Editorial Assistance: Culture published and distributed by the Press and Information Renos Christoforou Office (PIO), Ministry of Interior, Nicosia, Cyprus. [email protected] Press and Information Office Address: Ministry of -
Radio Aktuell Nr
RADIO AKTUELL NR. 21/2021 | IHR RUNDFUNK-PROGRAMM VOM 29. MAI – 4. JUNI | WWW.HOERZU.DE WEST FOTO: IMAGO / THOMAS TRUTSCHEL THOMAS / IMAGO FOTO: WEST KONZERT Legendärer Violinist Daniel Hope & Friends Joseph Joachim gehörte als Geiger und Gründungsdirektor der Königlichen Musikhochschule in Berlin zu den prägen- den Musikerpersönlichkeiten des 19. Jahrhunderts. 1844 brachte er Beethovens jahrzehntelang vergessenes Violin- konzert in London unter Mendelssohns Leitung zur Neuauf- führung, worauf das Werk einen festen Platz im Konzert- repertoire erhielt. 1889 wurde Joachim Ehrenpräsident des Vereins Beethoven-Haus in Bonn und wirkte bei den ersten Kammermusikfesten mit. Im Rahmen der diesjährigen Ausgabe widmete ihm der Geiger Daniel Hope (Foto) ein Konzert mit Werken von Beethoven. MI 20.04 WDR 3 HÖHEPUNKTE DER WOCHE ARD RADIOFEATURE HÖRSPIEL LIVE-JAZZ Licht aus im Bordell „Alles spricht“ The Four Tenors Ein Bericht über die Missstände in der Ein Stück über ungewöhnliche Stimmen Die WDR Big Band begleitet ein legalen Prostitution in Deutschland und Formen der Kommunikation Quartett von Tenorsaxofonen. SO 13.04 WDR 5 MO 23.00 Eins Live DO 20.04 WDR 3 SA 29. MAI RADIOPROGRAMM 29. MAI SA KABARETT 15.04 WDR 5 DEUTSCHLAND- EINS LIVE WDR 3 WDR 5 SWR 2 NDR KULTUR HR 2 BREMEN ZWEI BR-KLASSIK DLFDKULTUR KULTUR FUNK NDR INFO 6.00 1LIVE 6.04 Mosaik der abenteuerlustige 7.04 Morgenecho 6.03 Musik am Morgen 6.00 Klassisch 6.04 Musik am Morgen 6.50 Die Morgen- 6.05 Auftakt 5.05 R Aus den 5.35 R Presseschau 5.56 Morgenandacht Der Samstagmorgen 7.50 R Kirche Georg fort, um sich Orientierung in 6.45 R Zeitwort in den Tag Werke von Wagner, andacht Werke von Ibert, Archiven 6.05 R Kommentar Manfred Büsing, in 1LIVE in WDR 3 den Soldaten anzu- der Nachrichtenflut 29.05.1913: „Le Sacre Aktuelles aus der Kultur Corelli, Schumann, Kal- 7.00 Der Samstagmorgen Brahms, Händel, Der Kanzler als 6.10 R Informationen Diakon und Seelsorger In ihrem Buch 9.00 1LIVE 9.04 Klassik Forum schließen. -
Deutsche Nationalbibliografie 2017 T 04
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2017 T 04 Stand: 19. April 2017 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2017 ISSN 1613-8945 urn:nbn:de:101-201612065587 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Scottish International Piano Competition 1 – 10 September 2017
sipc2017.org Scottish International Piano Competition 1 – 10 September 2017 sipc2017.org 1 Contents Welcome 4 UNESCO City of Music 5 Why Glasgow? 5 Scottish International Piano Competition 6 A Festival of Piano Music 7 Sponsors and Donors 8 Patrons and Friends 9 Competition Calendar 11 The Jury 13 The Competitors 21 Frederic Lamond 38 Competition Repertoire 39 Gordon McPherson and the Test Piece 40 The Orchestra 42 Thomas Søndergård, Conductor 44 Scottish International Piano Competition sipc2017.org Welcome Why Glasgow? It is my pleasure to welcome the Scottish Welcome to the Scottish International Piano Glasgow was named UNESCO City of Music in Glasgow’s legendary music scene stretches International Piano Competition to the city. Competition 2017. August 2008. It is the second Scottish city to join across the whole spectrum from contemporary This triennial event is an established and highly the Creative Cities Network beside Edinburgh City of and classical to Celtic and Country. Its venues are regarded musical fixture that attracts gifted As ever we look forward to a veritable feast of piano Literature. equally varied and include King Tut’s Wah Wah Hut competitors from across the globe to Glasgow. music from our hugely talented competitors from (consistently voted the top live music venue in the Glasgow is a city with a reputation for musical across the world. It is a huge honour for Glasgow, What is UNESCO? Founded in 1945, currently 193 UK), the Barrowlands, 02 Academy, the Hydro, the excellence. As a UNESCO City of Music we pride UNESCO City of Music, to serve once more as the member states – cultural arm of the United Nations. -
The Mariinsky II Opening Gala
The Mariinsky II Opening Gala Live HD transmission from st Petersburg tHursDay may 2, 2013 Worldwide live transmission from The Mariinsky II (New stage of the Mariinsky Theatre) Thursday May 2, 2013 | 8.00pm St Petersburg time tv director Don Kent | running time 1 x 100’ | format HD Valery Gergiev Artistic Director > The OpeningMariinsky Gala II Opening Gala > Starring tHe mariinsky tHeatre front view tHe mariinsky ii auDitorium The Mariinsky Theatre, one of Il viaggio a Reims, and the Cappella opera ballet the largest and most acclaimed Boys’ Chorus of St Petersburg and Anna Netrebko Soprano Diana Vishneva Principal dancer performing arts institutions in the a Children’s Chorus comprised of Olga Borodina Mezzo-soprano Yekaterina Kondaurova Principal dancer world, under the leadership of Artistic students from [St. Petersburg] local Sergei Semishkur Tenor Ulyana Lopatkina Principal dancer and General Director Valery Gergiev schools will sing Beethoven’s Ode to Placido Domingo Baritone Vladimir Shklyarov Principal dancer will be inaugurated on May 2nd with Joy and Rachmaninoff’s The Angel. Alexei Markov Baritone the Opening Night Black Tie Gala This evening of multi generational Yevgeny Nikitin Bass-baritone and soloists and corps de ballet Concert, featuring some of the performances at Mariinsky II will Ildar Abdrazakov Bass of the Mariinsky Theatre Mariinsky’s most notable vocalists pay homage to the grand tradition René Pape Bass Vaganova Ballet Academy and instrumentalists and the of the Theatre and will celebrate Mikhail Petrenko Bass dynamic range of all of the Mariinsky the beginning of a new era. Theatre’s prestigious companies: Academy of Young Singers soloists the opera, orchestra, ballet, chorus, “The opening of Mariinsky II is the Children chorus and chorus Denis Matsuev Piano and youth ensembles (see cast).