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24 August 2021
24 August 2021 12:01 AM Bruno Bjelinski (1909-1992) Concerto da primavera (1978) Tonko Ninic (violin), Zagreb Soloists HRHRTR 12:11 AM Wolfgang Amadeus Mozart (1756-1791) Piano Sonata in C major K.545 Young-Lan Han (piano) KRKBS 12:21 AM Johannes Brahms (1833-1897) 3 Songs for chorus, Op 42 Danish National Radio Choir, Stefan Parkman (conductor) DKDR 12:32 AM Giovanni Battista Viotti (1755-1824) Serenade for 2 violins in A major, Op 23 no 1 Angel Stankov (violin), Yossif Radionov (violin) BGBNR 12:41 AM Joseph Haydn (1732-1809),Ignace Joseph Pleyel (1757-1831), Harold Perry (arranger) Divertimento 'Feldpartita' in B flat major, Hob.2.46 Academic Wind Quintet BGBNR 12:50 AM Joaquin Nin (1879-1949) Seguida Espanola Henry-David Varema (cello), Heiki Matlik (guitar) EEER 12:59 AM Toivo Kuula (1883-1918) 3 Satukuvaa (Fairy-tale pictures) for piano (Op.19) Juhani Lagerspetz (piano) FIYLE 01:15 AM Edmund Rubbra (1901-1986) Trio in one movement, Op 68 Hertz Trio CACBC 01:35 AM Edvard Grieg (1843-1907) Peer Gynt - Suite No 1 Op 46 Bergen Philharmonic Orchestra, Ole Kristian Ruud (conductor) NONRK 02:01 AM Richard Strauss (1864-1949) Metamorphosen Auckland Philharmonia Orchestra, Giordano Bellincampi (conductor) NZRNZ 02:28 AM Max Bruch (1838-1920) Violin Concerto No. 1 in G minor, op. 26 James Ehnes (violin), Auckland Philharmonia Orchestra, Giordano Bellincampi (conductor) NZRNZ 02:52 AM Eugene Ysaye (1858-1931) Sonata for Solo Violin in D minor, op. 27/3 James Ehnes (violin) NZRNZ 02:59 AM Robert Schumann (1810-1856) Symphony No. -
Opce Strane.Vp
Color profile: Generic CMYK printer profile Composite Default screen Alcoholism 2013;49(1):45–53 Pathography Croatian composers’ diseases – biopathographies Darko Breitenfeld1, Stanislav Tuksar2, Danijel Buljan3, Lana [krgati}1, Marina Vuksanovi}1, Marija @ivkovi}1 1 Croatian Physicians’ Music Society – Croatian Medical Association, Zagreb, Croatia 2 Croatian Academy of Science and Art, Zagreb, Croatia 3 Department of Psychiatry, University Hospital Center »Sestre Milosrdnice«, Zagreb, Croatia Summary – Presentation of the diseases Elaborating the pathographic data, we among 25 significant croatian composers shall dedicate somewhat greater atten- reveals some infectious diseases (tubercu- tion to only a handful of our narrowly se- losis, etc.) among the composers who had died young and some chronic non-infec- lected, internationally recognized com- 1,8,9,12–16 tious diseases (mostly malignant, inflam- posers . matory and cardiocerebral origin) among We have some reliable data from the composers who died in old age. It is a part XVIIth century about Ivan Luka~i},who of the pathographic review of over 300 composers from the book »Diseases and lived in the city of [ibenik (1587–1648). destinies of famous composers«. More intensively studying his life, we learn more about the production of wine Key words: Croatia, composers, diseases and olive oil than about other data (he was the prior of a Franciscan monas- Croatians belong among »small« na- tery). Judging by the year of death, we tions, but, according to our experience can not trule out that he died because of with the lexicon structure of some world- plague, i.e. either of the epidemics of -known dictionaries of musicology, about pestilence or because of tumults, wars, a dozen Croatian composers have been famine, migration and other things.1 more widely reported of in such lexi- cons.1 Correnspodence to: Darko Breietenfeld, M.D., Ph.D., Deren~inova 25, 10000 Zagreb, Croatia. -
Milko Kelemen: Life and Selected Works for Violoncello
MILKO KELEMEN: LIFE AND SELECTED WORKS FOR VIOLONCELLO by JOSIP PETRAČ (Under the Direction of David Starkweather) ABSTRACT Milko Kelemen (b. 1924) is one of the most extraordinary Croatian composers of the post-World War II era. He has received numerous prestigious awards for his work, while his compositions are published by major companies, including Schott, Universal, Peters, and Hans Sikorski editions. His music is little studied or known internationally. This paper examines this innovative, avant-garde musician and sheds light both on Kelemen’s life and his compositional technique. The latter is examined in four compositions featuring cello as the main subject: Changeant (1968), Drammatico (1983), Requiem for Sarajevo (1994), and Musica Amorosa (2004). The examination of these compositions is placed in a biographical context which reveals how Kelemen’s keen political and cultural interests influenced his development as a composer. In particular, this document looks at Kelemen’s role as one of the founders, and the first president, of the Zagreb Music Biennale Festival, an event known for its ground-breaking work in bringing together artists and composers from the eastern and western blocs during the Cold War, as well as revitalising Croatia’s old-fashioned and provincial cultural scene. This festival of avant-garde music has been running since 1961. INDEX WORDS: Milko Kelemen, Zagreb Biennale, cello, avant-garde music, Changeant, Drammatico, Requiem for Sarajevo, Musica Amorosa MILKO KELEMEN:LIFE AND SELECTED WORKS FOR CELLO by JOSIP -
Complete Piano Music • 2 Goran Filipec
includes WORLD PREMIÈRE RECORDINGS BERSA COMPLETE PIANO MUSIC • 2 TEMA CON VARIAZIONI BALLADE IN D MINOR SONATA IN C MAJOR RONDO-POLONAISE WALTZES GORAN FILIPEC BLAGOJE BERSA © Croatian Institute of Music / Hrvatski glazbeni zavodi GORAN FILIPEC BLAGOJE BERSA (1873–1934) Goran Filipec, laureate of the Grand Prix du Disque of the Ferenc Liszt Society of Budapest for his 2016 COMPLETE PIANO MUSIC • 2 recording of Liszt’s Paganini Studies (Naxos 8.573458), was born in Rijeka (Croatia) in 1981. He studied at the TEMA CON VARIAZIONI • BALLADE IN D MINOR Tchaikovsky Conservatory in Moscow, the Royal SONATA IN C MAJOR • RONDO-POLONAISE Conservatory in The Hague, the Hochschule für Musik WALTZES in Cologne and the Zagreb Academy of Music. He is a prize winner of several piano competitions including GORAN FILIPEC, Piano the Premio Mario Zanfi ‘Franz Liszt’, Concurso de Parnassos, the José Iturbi International Music Competition and the Gabala International Piano Catalogue Number: GP832 Competition. Filipec performs regularly in Europe, the Recording Dates: 15–16 October 2019 Recording Venue: Fazioli Concert Hall, Sacile, Italy United States, South America and Japan. He made his Producer: Goran Filipec © Stephany Stefan debut at Carnegie Hall in 2006, followed by Engineer: Matteo Costa performances in venues including the Mariinsky Editors: Goran Filipec, Matteo Costa Theatre, the Auditorium di Milano, Minato Mirai Hall, the Philharmonie de Paris and Piano: Fazioli, model F278 the Palace of Arts in Budapest. With the award by the Liszt Society, Goran Filipec Booklet Notes: Goran Filipec German Translation: Cris Posslac joined the list of prestigious laureates of the Grand Prix such as Vladimir Horowitz, Publisher: Croatian Institute of Music György Cziffra, Alfred Brendel, Claudio Arrau, Zoltán Kocsis and Maurizio Pollini. -
Förteckning Över
Förteckning över: 1) De la Gardieska släktarkivet från Löberöd; 2) Varia; 3) De övriga släktarkiven i De la Gardieska arkivet (dvs Barnekow, Bille, Boije, Douglas, Ekeblad, Forbus, Gyllenkrook, Horn - von Gertten, Hägerstierna, Kruus, Kämpe, Königsmarck, Lillie, Månsson, Nils, i Skumparp, Oxenstierna, Ramel, Reenstierna, von Reiser, Sparre, Stenbock, Sture, Wrangel, Wrede) upprättad 2008 av Annika Böregård Vapenförbättringsbrev för Magnus Gabriel De la Gardie, 1650 Universitetsbiblioteket, Lunds universitet 1 De la Gardieska samlingen Släktarkiven De la Gardie De la Gardie är en grevlig släkt, härstammande från en fransk borgarsläkt som på oklara grunder tillskrivits adlig status. En del av släkten var dock möjligen lokal lantadel; om det råder delade meningar i forskningen. I Frankrike hette släkten d´Escouperie och den förste kände stamfadern var Robert d´Escouperie (levde omkr. 1387), som uppges ha ägt gårdarna Château Russol och La Gardie i departementet Aude. Släktens svenska gren härstammar från köpmannen Jacques Scoperier (†1565) i staden Caunes nära Carcassonne i södra Frankrike. Hans son Ponce d´Escouperie invandrade till Sverige 1565 och antog namnet Pontus De la Gardie efter en av släktens gårdar i Languedoc. I sitt äktenskap med en illegitim dotter till Johan III blev han far till riksmarsken Jakob de la Gardie som "upphöjdes i grefligt stånd" 10 maj 1615 och introducerades 1625 på Sveriges Riddarhus med nr 3 bland grevar. Denna gren finns fortfarande. I Sverige fanns en gren som 1571 fick friherrelig värdighet men som utslocknade 1640. Samtliga ättemedlemmar, bortsett från stamfadern Pontus, härstammar via hans fru Sofia Johansdotter från hennes far, Johan III. Nuvarande (2007) huvudman för ätten De la Gardie är greve Carl Gustaf De la Gardie, f.1946 och bosatt i Linköping. -
Arv Nordic Yearbook of Folklore 2015 2 3 ARVARV Nordic Yearbook of Folklore Vol
1 Arv Nordic Yearbook of Folklore 2015 2 3 ARVARV Nordic Yearbook of Folklore Vol. 71 Editor ARNE BUGGE AMUNDSEN OSLO, NORWAY Editorial Board Anders Gustavsson, Oslo; Gustav Henningsen, Copenhagen Bengt af Klintberg, Lidingö; Ann Helene Bolstad Skjelbred, Oslo Ulrika Wolf-Knuts, Åbo (Turku) Published by THE ROYAL GUSTAVUS ADOLPHUS ACADEMY UPPSALA, SWEDEN Distributed by SWEDISH SCIENCE PRESS UPPSALA, SWEDEN 4 © 2015 by The Royal Gustavus Adolphus Academy, Uppsala ISSN 0066-8176 All rights reserved Articles appearing in this yearbook are abstracted and indexed in European Reference Index for the Humanities and Social Sciences ERIH PLUS 2011– Editorial address: Prof. Arne Bugge Amundsen Department of Culture Studies and Oriental Languages University of Oslo Box 1010 Blindern NO–0315 Oslo, Norway phone + 4792244774 fax + 4722854828 e-mail: [email protected] http://www.hf.uio.no/ikos/forskning/publikasjoner/tidsskrifter/arv/index.html Cover: Kirsten Berrum For index of earlier volumes, see http://www.kgaa.nu/tidskrift.php Distributor Swedish Science Press Box 118, SE–751 04 Uppsala, Sweden phone: +46(0)18365566 fax: +46(0)18365277 e-mail: [email protected] Printed in Sweden Textgruppen i Uppsala AB, Uppsala 2015 5 Contents Articles Ulrika Wolf-Knuts: Scepticism and Broad-mindedness in Talk of Paedophilia . 7 Amber J. Rose: The Witch on the Wall: The Milk-Stealing Witch in Scandinavian Iconography . 27 Jason M. Schroeder: Ruins and Fragments: A Case Study of Ballads, Fragments and Editorial Echolarship in Svenska folk- visor från forntiden . 45 Rósa Þorsteinsdóttir: “Ég kann langar sögur um kónga og drottningar”: Eight Icelandic Storytellers and their Fairy Tales . -
Vrednovanje Tonskih Zapisa S Varaždinskih Baroknih Večeri I Drugih Koncerata Klasične Glazbe Te Značenje Njihova Očuvanja Kao Glazbene Baštine
RADOVI UDK 78.034.7:930.253 Zavoda za znanstveni rad Pregledni članak HAZU Varaždin Review VLADIMIR GOTAL Primljeno: 14. 12. 2015. Udruga za menadžment glazbene i Prihvaćeno: 13. 04. 2016. primijenjene umjetnosti „Aulos„ Varaždin [email protected] VREDNOVANJE TONSKIH ZAPISA S VARAŽDINSKIH BAROKNIH VEČERI I DRUGIH KONCERATA KLASIČNE GLAZBE TE ZNAČENJE NJIHOVA OČUVANJA KAO GLAZBENE BAŠTINE Rad je nastao kao rezultat autorova dugogodišnjeg isku- stva na tonskim snimanjima, produkciji diskografskih izdanja i arhiviranju tonskih zapisa vezanih uz glazbenu baštinu grada Varaždina i varaždinskog okružja. Spomi- njući probleme u radu u ovom području, autor ukazuje na važnost daljnje zaštitite glazbene baštine s ciljem di- gitalizacije tonskih snimaka te njihove javne dostupnosti. Također navodi pregled naslova dosadašnjih vrijednih iz- danja nosača zvuka te vrijeme nastanka pojedinih tonskih snimaka. SNIMANJE I ARHIVIRANJE – PREDNOSTI I PROBLEMI S obzirom na to da sam do umirovljenja radio kao glazbeni urednik, baveći se uz to sakupljanjem i sistematiziranjem tonskih zapisa koncerata klasične i suvre- mene ozbiljne glazbe, prihvatio sam zamolbu da napišem nekoliko riječi o važ- nosti glazbene produkcije i očuvanja glazbene baštine. Dugi niz godina bavim se i tonskim snimanjima te uredničko-producentskim poslovima na pripremama glazbenih izdanja nosača zvuka. Pamtim moje prvo tonsko iskustvo iz davne 1985. godine kad sam u koncer- tnoj dvorani Hrvatskoga narodnog kazališta u Varaždinu snimao Koncert nagra- đenih u okviru Međunarodnoga pijanističkog natjecanja Bach – Händel – Scarlatti. Iz snimljenoga tonskog zapisa diskografska kuća Jugoton, današnji Croatia Recor- ds, objavila je 1987. godine vinilnu LP-ploču. 135 Vladimir Gotal: Vrednovanje tonskih zapisa s Varaždinskih baroknih večeri ... Radovi Zavoda za znanstveni rad HAZU Varaždin; br. -
THE JVEDIS. ART SONG Presented to the Graduate Council of the North
110,2 THE JVEDIS. ART SONG THESIS Presented to the Graduate Council of the North Texas State College in Partial ifillment of the requirements For the Degree of MAST ER OF MUSIC by 223569 Alfred R. Skoog, B. Mus. Borger, Texas August, 1953 223569 PREFACE The aim of this thesis is to present a survey of Swedish vocal music, a subject upon which nothing in English exists and very little in Swedish. Because of this lack of material the writer, who has spent a year (195152) of research in music in Sweden, through the generosity of Mrs. Alice M. Roberts, the Texas Wesleyan Academy, and the Texas Swedish Cultural Foundation, has been forced to rely for much of his information on oral communication from numerous critics, composers, and per- formers in and around Stockholm. This accounts for the paucity of bibliographical citations. Chief among the authorities consulted was Gsta Percy, Redaktionssekreterare (secretary to the editor), of Sohlmans Jusiklexikon, who gave unstintedly, not only of his vast knowledge, but of his patience and enthusiasm. Without his kindly interest this work would have been impossible, iii TABLE OF CONTENTS Page . 1.F. .:.A . !. !. ! .! . .! ! PREFACE.! . ! .0 01 ! OF LIST ITLISTRATITONS. - - - . a- . a . V FORH4ORD . .* . .- . * .* . * * * * * * * . vii Chapter I. EARLYSEDIS0H SONG. I The Uppsala School II. NINETEENTH CENTURY NATIONALISTS . 23 The Influence of Mid-Nineteenth Century German Romanticism (Mendelssohn, Schumann, Liszt and Wagner) The French Influence III. LATE NINETEENTH CENTURY ND EARLY TWENTIETH CENTURY COMPOSERS . 52 Minor Vocal Composers of the Late Nine- teenth Century and Early Twentieth Century IV. THE MODERN SCHOOL OF S7E)ISl COMPOSERS. -
Yury Favorin Charles-Valentin Alkan (1813-1888) Piano Works / Œuvres Pour Piano
CHARLES-VALENCHARLES-VALENTINTIN ALKANALKAN Piano Works YURY FAVORIN CHARLES-VALENTIN ALKAN (1813-1888) PIANO WORKS / ŒUVRES POUR PIANO Yury Favorin, piano 1 Super flumina Babylonis – Paraphrase du psaume 137, Op. 52 (1859) 6’47 Symphonie pour piano seul, Op. 39 No. 4-7 (1857) 2 II. Allegro 9’38 3 II. Marche funèbre: Andantino 6’02 4 III. Menuet 6’04 2 5 IV. Finale: Presto 4’23 Grande Sonate pour piano « Les Quatre Âges de la vie », Op. 33 (1847) 6 I. 20 ans. Très vite 6’09 7 II. 30 ans (Quasi-Faust). Sataniquement 11’23 8 III. 40 ans (Un heureux ménage). Lentement 10’24 9 IV. 50 ans (Prométhée enchaîné). Extrêmement lent 6’05 Total time: 67’01 favorin.ru 3 PIANO, ROMANTISME ET GRANDEUR Charles-Valentin Alkan est l’un des compositeurs et pianistes français romantiques les plus talentueux, malheureusement trop peu interprété. Né dans une famille juive parisienne de musiciens, il entre à l’âge de six ans au Conservatoire de Paris dans la classe de piano de Pierre-Joseph Zimmerman. Il obtient à dix ans son premier prix. Grâce à son professeur, le virtuose rencontre les grands pianistes de son temps, Marmontel, Chopin, Liszt mais aussi des artistes majeurs comme Victor Hugo et Eugène Delacroix. En 1838 il arrête les concerts pour se consacrer à la composition. Il ne reprend une vie publique de pianiste qu’en 1855 après de brèves apparitions musicales vers 1844. Fasciné par le piano, Alkan montre rapidement un grand intérêt pour les progrès de la facture instrumentale et compose ainsi de nombreuses œuvres pour piano seul. -
Den Svenska Lantbrukskooperationens Bakgrund, Framväxt Och Utveckling Till 1930: Inspiratörer, Idéutveckling Och Praxis
Den svenska lantbrukskooperationens bakgrund, framväxt och utveckling till 1930: inspiratörer, idéutveckling och praxis Ett ej färdigställt manuskript av Tore Johansson (1937–2010), fil. lic. och arkivarie vid LRF. Innehållet är av stort intresse för forskningen om svenska lantbrukskooperationens framväxt och utveckling varför det publiceras i ofärdigt skick. INNEHÅLL 1. FÖRE NÄRINGSFRIHETEN 1.1 EKONOMISKA VERKSAMHETSFORMER I AGRARSAMHÄLLET 1.1.1 Olaus Magnus och den inbördes hjälpen 1.1.2 Lagbildningarna 1.1.2.1 By och byalag 1.1.2.2 Samägande och samdrift i lantbruket 1.1.2.3 Arbetsbyten 1.1.2.4 Arbetsinvandringar och arbetslag 1.1.2.5 Skeppslag och bondeseglation 1.1.2.6 Bergsmän och bergslag 1.1.2.7 Fiskelagen 1.1.3 Sockenmagasinen 1.1.4 Brandstod och brandförsäkring 1.1.5 Försvar och kommunikationer 1.2 SAMVERKAN UNDER SKIFTANDE VILLKOR 1.2.1 Samfund i omvandling 1.2.1.1 Förändringsagenter 1.2.1.2 Skatterna 1.2.1.3 Samhället och lagbildningarna 1.2.1.4 Ståndssamhällets avveckling 1.2.2 Det stadsekonimiska systemet 1.2.2.1 Handeln 1.2.2.2 Stadspolitikernas framväxt 1.2.2.3 Marknaderna 1.2.2.4 Hantverket 1.2.3 De ekonomiska doktrinerna 1.2.3.1 Merkantilismen 1.2.3.2 Fysiokraterna 1.2.3.3 Doktrinerna i Sverige 1.2.3.4 Den tidiga landsbygdsindustrin 1.2.3.5 Näringsfrihet och självhjälp 1846 1.2.4 Kropotkin, Hasslöf och den inbördes hjälpen 1.2.4.1 Samverkans guldålder 1.2.4.2 Nedgång och pånyttfödelse 1.2.4.3 Samverkan och konkurrens 1.2.4.4 En ofullbordad ansats 1.2.4.5 Olof Hasslöf och allmogens lagbildningar 1.3 EKONOMISKA INITIATIV -
Juliette Trichet Philology in Tolkien's Work : the Creation of a Myth
Juliette Trichet Philology in Tolkien's Work : the Creation of a Myth through the Power of languages -------------------------------------------------------------------------------------------------------------------------- TRICHET Juliette. Philology in Tolkien's Work : the Creation of a Myth through the Power of languages, sous la direction de Manuel Jobert. - Lyon: Université Jean Moulin (Lyon 3), 2016. Mémoire soutenu le 30/05/2016. -------------------------------------------------------------------------------------------------------------------------- Document diffusé sous le contrat Creative Commons « Paternité – pas d’utilisation commerciale - pas de modification » : vous êtes libre de le reproduire, de le distribuer et de le communiquer au public à condition d’en mentionner le nom de l’auteur et de ne pas le modifier, le transformer, l’adapter ni l’utiliser à des fins commerciales. Faculty of Languages Department of English Studies 7jsJj%V11F6$G5F11FaD51Dj16Gc$15F.k$CjEg21#N6$C`^CsDt$89N65$68BjF5E4aEt%hFa6G8t#j1Dj7 Philology in Tolkien’s Work The Creation of a Myth through the Power of Languages j71Djt#86GahFt%aE45EjF865$69N8t$sD`^CF6$C1#N2gjEk$C.5F1c$6G1j1D5aD1F15F6$G1F1j%VsJ7j Juliette TRICHET Director of Research: Pr. Manuel JOBERT Master’s Thesis Master 2 LCE Anglais 2015-2016 “Not all those who wander are lost.” —J. R. R. Tolkien 1 Acknowledgments Thank you to M. Jobert, for your understanding of my initial fears regarding the scale of this master’s thesis. Thank you for your attentive ear, your guidance and your suggestion of this subject which proved to be so interesting to work on. Finally, thank you for these years of learning and discovering at Jean Moulin University, and for sparking my passion for phonetics and linguistics. Thank you to Maria Prozesky, lecturer at the University of Auckland, for instigating my fascination for Old and Middle-English and for all things medieval. -
The Routledge Companion to Imaginary Worlds Invented Languages
This article was downloaded by: 10.3.98.104 On: 23 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Companion to Imaginary Worlds Mark J. P. Wolf Invented Languages Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315637525.ch3 Dimitra Fimi, Andrew Higgins Published online on: 09 Oct 2017 How to cite :- Dimitra Fimi, Andrew Higgins. 09 Oct 2017, Invented Languages from: The Routledge Companion to Imaginary Worlds Routledge Accessed on: 23 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9781315637525.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 INVENTED LANGUAGES Dimitra Fimi and Andrew Higgins Language invention has occupied many brilliant minds throughout history, from the philosophically driven pursuit for the prelapsarian “perfect language” of Adam in the Middle Ages (Eco, 1995) to the more utilitarian 20th-century aim of facilitating communication in an increasingly globalized world by creating languages such as Esperanto and its offspring (see Okrent, 2009).