Close-Up for the Real World While You May Not Have Heard of Him Before, Audiences Around the Globe Certainly Have

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Close-Up for the Real World While You May Not Have Heard of Him Before, Audiences Around the Globe Certainly Have Alain Ianonne Close-Up For The Real World While you may not have heard of him before, audiences around the globe certainly have. Alain Ianonne has been a featured performer at major events throughout Europe for the last 20 years as well as in Hollywood’s famed Magic Castle. His work has been published worldwide in assorted magic magazines including Genii and a “One Man Parade” in The Linking Ring. His lecture includes far more than just new tricks. It blends proven ideas from a generation of successfully performing for real-world audiences. Alain will deliver both practical advice and theoretical data on how magicians can make their magic more...well, magical. For example, how to: • Make yourself and your magic emotionally memorable. • Effectively move between tables at a function. • Amaze your audience in impromptu situations. Alain will show and explain effects that can be used in "real life" situations, covering not just the mechanics but with performance tips that will have people remembering you long after your show is over. TESTIMONIALS “I’ve had the opportunity to see Alain’s amazing sleight of hand talent over the past several years. He never fails to connect with his audience and he performs great magic with a soft touch. His charm, sense of humor, and amazing skill combine to create a truly unique magical experience. Don’t miss your opportunity to see Alain in person!” – Rick Merrill – FISM Champion “Alain in one is a very good Italian magician who has been to 4F many times in the last 6 years and he speaks good English (even if he says his English is fair). His knowledge of magic is excellent and I would highly recommend him. – Obie O’Brien, Head Forker of F.F.F.F. Visit his YouTube Channel for video performances: https://www.youtube.com/user/alainiannone TLRmarCVR.indd 1 2/28/17 12:15 PM AlaiMAGIC AROUND n Iannone THE WORLD By Rachel Strnad is slogan is “Class and Magic.” He performs in business-casual black. HHe puts wonder in people’s hands. Alain Iannone has been a self- taught magician for over twenty years, performing in restaurants, casinos, on television, and in venues throughout Europe. He has contributed to publications such as Qui Magia, The Linking Ring, and Genii. His confer- ence series is much sought after by those interested in close-up magic, as well as the philosophy behind magic performance. Born in Milan, Italy, in 1968, Alain participation. “I’ve always been fascinat- spent his youth in Rome and Nice, France. ed by the fact that people are so amazed When he was seven, a friend shared a when the magic happens in their hands magic kit he’d received for his birthday. under their noses.” He began reading Alain liked it so much that he asked his magic books. Alain studied these so thor- parents for one for Christmas. Thus, the oughly that he has come to look on their seeds were planted for what would later authors as friends, even though he hasn’t become his life passion. When he turned met most of them. Through frequent visits twelve, another friend introduced him to to his local magic shops and clubs, he also his brother who was studying magic, who began to meet and share ideas with fellow in turn introduced Alain to the local magic magicians. Soon, he developed his own club – and his passion fully bloomed. philosophy of magic, as well as a uniquely Although he began studying all branch- elegant and minimalist style. es of the art, from the beginning he was In 1989, he joined his local I.B.M. Ring drawn particularly to mentalism and as well as Club Magico Italiano (C.M.I.) close-up magic with a focus on audience as a way to connect with other magi- 22 www.magician.org The Linking Ring March 2017 www.magician.org 23 cover story Mar.indd 22 2/28/17 2:18 PM AlaiMAGIC AROUND n Iannone THE WORLD PHOTO BY MARCO SCICHILONE cians. “Being a member of a magic club During the day, he worked as a salesman was the only way to be connected to the in an airport duty-free area, then as a hotel magic world,” he said. “There was no concierge. For some years, he also sold Internet.” magic supplies, both retail and wholesale, In the same year that he joined the though he never considered himself a good I.B.M., he entered the IV Congress’ salesman. Meanwhile, he continued to enter regional competition in Rome, hosted magic contests as he refi ned his act. His by the Italian Magic Club (C.M.I.) fi rst international competition was on the and walked away with the fi rst prize. French Riviera, where he took second Afterward, an agent approached him about place. The next year, he took fourth place, performing publicly, and thus began a ten- and the Colombe d’Or hired him to lecture year stint of nightly close-up performances on restaurant magic for their convention in restaurants. He continues to perform in and to perform for their gala at the Eden this venue, though not as regularly, making Casino. this the longest-running part of his magic It wasn’t until 1994 that he decided career. to make the leap and turn what was once PHOTO BY MARCO SCICHILONE 22 www.magician.org The Linking Ring March 2017 www.magician.org 23 cover story Mar.indd 23 2/28/17 2:18 PM just something he did for the joy of it into a full-time career. Alain worked his way up to performing about forty shows a month, making connections throughout the magic world and building relationships. One such connection was Tony Binarelli, editor of Qui Magia, who invited Alain to write some articles for the publication. They were so well received that some of his effects made it into Genii. Binarelli decided to plan a lecture tour for the twen- ty-one-year-old Alain to share his ideas and experience in restaurant magic with a wider audience. One difficulty of lecturers is that often the ideas are more theoreti- cal than practical. “This is not the case of Alain Iannone,” said Binarelli. Alain has shared his knowledge and expertise with colleagues all over Italy – from Milan, to Rome, to Naples. He has spoken in The Magic Circles of Geneva, Paris, London, Los Angeles, and many others. “I love to share my magic and my point of view with other magicians,” he Alain lectures at The Magic Circle (London). said, “because the cross-pollination of dif- magic effects, and discussion of his phi- ferent points of view is the only way to losophy. “The most important part of a grow.” Alain’s elegant performance tech- lecture is to understand not the ‘how you niques, coupled with theories derived from do,’ but the ‘why you do’ that: the philos- real-world work experience, make his lec- ophy behind the magic, the theory of the tures highly sought after. What began as a actions, and so on.” one-lecture tour has grown into four sepa- His first lecture, Restaurant Magic, rate workshops. covers specific effects that are adaptable Each workshop is split into two parts: to most any venue. The theoretical sec- demonstration and explanation of his tion discusses his Ten Commandments of Left: Alain’s 2009 lecture in Turin. Right: Performing at Club Magico Italiano in Rome, 2009. 24 www.magician.org The Linking Ring March 2017 www.magician.org 25 cover story Mar.indd 24 2/28/17 2:18 PM Working in Restaurants, which include subjects such as choice of effects for spe- cific venues, what position one takes at a table, relationships with patrons, relation- ships with the management, and possible difficulties of working in restaurants. Some years after creating this lecture, he added Impromptu Magic, which explores the constant demand on a magician to per- form. The lectures cover both the dynamics of requests from those interested in magic, and practical tools and effects that will amaze any audience at any moment in any place. His third lecture, Silvan vs. Harry Potter, is possibly his most theoretical lecture series, exploring the contrast between an audience’s image and expectations of a magician and what magicians actually do. His fourth lecture harkens back to one of the reasons he was drawn to mentalism and close-up magic: the deeply personal connection a performer can make with his audience. “From my point of view, close-up magic and mentalism are the best ways to share emotions and feelings with people,” he said. This lecture explores ways to incite deep emotions in one’s audi- ence. Clockwise from top: 1996 publicity photo. First professional photo shoot, 1990, after winning first place in a magic competition in Rome. Monte Carlo, 1999. 24 www.magician.org The Linking Ring March 2017 www.magician.org 25 cover story Mar.indd 25 2/28/17 2:18 PM Above: On stage at the Colombe D’or magic convention organized by Ring 350 in 2011. Right: A comedic moment at The Magic Circle (London), December 2016. Alain has not only performed live but also appeared on various Italian televi- sion shows. He has been a guest on Serata d’Onore, hosted by Pippo Baudo, and Unomattina Estate with Amedeo Goria. He also made an appearance on the twelfth stage size. However, unlike the “wiz-bang” episode of Masters of Magic, where he wonder of close-up magic, mentalism performed a variation on the classic Pick- taps an entirely different human desire: a-Card effect involving a paper bag and the desire to touch the ethereal.
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