Chris Stratemeyer, at 177- the 126-Pound Class
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Wwf Raw May 18 1998
Wwf raw may 18 1998 click here to download Jan 12, WWF: Raw is War May 18, Nashville, TN Nashville Arena The current WWF champs are as follows: WWF Champion: Steve Austin. Apr 22, -A video package recaps how Vince McMahon has stacked the deck against WWF Champion Steve Austin at Over the Edge and the end of last. Monday Night RAW Promotion WWF Date May 18, Venue Nashville Arena City Nashville, Tennessee Previous episode May 11, Next episode May. Apr 9, WWF Monday Night RAW 5/18/ Hot off the heels of some damn good shows I feel that it will continue. Nitro is preempted again and RAW. May 19, Craig Wilson & Jamie Lithgow 'Monday Night Wars' continues with the episodes of Raw and Nitro from 18 May Nitro is just an hour long. May 21, Monday Night Raw: May 18th, Last week, Dude Love was reinvented as a suit-wearing suit (nice one, eh?) and named the number one. Monday Night Raw May 18 Val Venis vs. 2 Cold Scorpio Terry Funk vs. Marc Mero Disciples of Apocalypse vs. LOD Dude Love vs. Dustin Runnells. Jan 5, May 18, – RAW: Val Venis b Too Cold Scorpio, Terry Funk b Marc Mero, The Disciples of Apocalypse b LOD (Hawk & Animal), Dude. Dec 22, Publicly, Vince has ignored the challenge, but WWF as a whole didn't. On Raw, Jim Ross talked shit about WCW for the whole show. X-Pac and. On the April 13, episode of Raw Is War, Dude Love interfered in a WWF World On the May 18 episode of Raw Is War, Vader attacked Kane during a tag . -
Currere, Illness, and Motherhood: a Dwelling Place for Examining the Self
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2011 Currere, Illness, and Motherhood: A Dwelling Place for Examining the Self Michelle C. Thompson Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Thompson, Michelle C., "Currere, Illness, and Motherhood: A Dwelling Place for Examining the Self" (2011). Electronic Theses and Dissertations. 550. https://digitalcommons.georgiasouthern.edu/etd/550 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. CURRERE, ILLNESS, AND MOTHERHOOD: A DWELLING PLACE FOR EXAMINING THE SELF by MICHELLE C. THOMPSON (Under the Direction of Marla Morris) ABSTRACT This dissertation is a pathography, my experience as a mother dwelling with illness which began because of my son‘s illness. The purpose of this dissertation is two-fold: to examine my Self as a mother dwelling with illness so that I may begin to work through repressed emotions and to further complicate the conversation begun by Marla Morris (2008) by illuminating the ill person‘s voice as one which is underrepresented in the canon. This dissertation is written autobiographically and analyzed psychoanalytically. The subjects of chaos, the Self, and motherhood are examined as they apply to my illness. In addition to psychoanalysis, this dissertation draws from illness narratives, pathographies, and other stories of illness as a way to collaborate voices within the illness community. -
Virtually Obscene: the Case for an Uncensored Internet
Virtually Obscene: The Case For an Uncensored Internet By: Amy E. White Citation: AMY E. WHITE, VIRTUALLY OBSCENE: THE CASE FOR AN UNCENSORED INTERNET (McFarland & Company, Inc., 2006). Reviewed By: Robert Sanfilippo1 Relevant Legal & Academic Areas: Constitutional Law, Internet Law, Censorship, Freedom of Speech, Government Regulation Summary: Virtually Obscene is divided into seven chapters. Chapter 1 provides an overview of what the Internet is, describing its origin, structure, and various attempts to regulate it. Chapter 2 provides an overview of the current obscenity standards in the United States and discusses the problems therein, while providing the author’s proposals and alternatives to the current standard. Chapter 3 discusses the First Amendment, particularly the freedom of speech clause and the arguments surrounding it, as well as the author’s reasons why freedom of speech does not protect Internet obscenity.2 Chapters 4, 5, and 6, introduce and analyze the arguments of Internet obscenity and its harm to children, women and the moral environment, respectively. Chapter 7 concludes with a discussion of why Internet obscenity regulation is “a bad idea.” About the Author: Amy E. White holds a doctorate in philosophy from Bowling Green State University.3 Dr. White is an assistant professor of philosophy at Ohio University in Zanesville, Ohio.4 Chapter 1- The Unknown Territory and the Quest to Tame the Internet Beast • Chapter Summary: Chapter 1 begins with an introduction briefly discussing pornographic websites. The chapter continues by examining what the Internet is, including its history and structure. The author touches upon different attempts at regulating the Internet and provides examples describing how foreign countries have 1 J.D. -
The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music. -
James Jamerson 2000.Pdf
able to conjure up the one lick, fill or effect that perfected albums. Live at Fillmore West exhibits Curtis the bandleader the sound. Some of his best work is found on those records. at his absolute best on a night when his extraordinary players There’s little else to say about Hal Blaine that the music included Bernard Purdie, Jerry Jemmott and Cornell Dupree. itself doesn’t communicate. But I’ll tell you one experience I His 1962 “Soul Twist” single MfclNumber One on the R&B had that showed me just how widespread his influence has charts and the Top Twenty on the pop charts, and made such been. Hal was famous for rubber-stamping his name upon an impression on Sam Cooke that he referred to it in “Having all the charts to which he contributed. In 1981, after one of a Party:” But nothing King Curtis did on his own ever scaled our concerts at Wembley Arena, Bruce asked me into his the Promethean heights of his sax work as a sideman, where dressing room. He pointed to the wall and said, “Look at he mastered the ability to be an individual within a group, that.” I looked at the wall but didn’t see anything except peel standing out but never overshadowing the artists he was sup ing wallpaper. “Look closer,” he said. Finally, I kneeled down porting and mastering the little nuances that made winners to the spot he was pointing to, and - to my great surprise - of the records on which he played. His was a rare voice j a rare in a crack in the paper, rubber-stamped on the w a ll, there it sensibility, a rare soul; and that sound - whether it be caress was: HAL BLAINE STRIKES AGAIN. -
Students Assaulted in Hate Crime, Suspects Unknown to Light TCUJ's Role
THETUFTS DAILY (WhereYou Read It First 2,1999 Volume XXXVIII, Number 25 I Tuesday, March __ Students assaulted in hate crime, suspects unknown I byDANIELBARBARIS1 wordswereexchangedatthistime. tim suffered only minor bruises. Daily Editorial Board “The two males continued on The suspect’s identity, as well Tufts was rocked this weekend their way down the street,” Keith as whether he was a Tufts student, by what appears to be a violent continued. “As they came down remains unknown, although a hate crime, one that left two stu- Emory, the third male came run- physical description given by the dents in the hospital and the Tufts ning after them, yelling at them two victims lists him as a white University Police Department from behind. He ran up to one of male, 5’9”, with dirty blonde hair (TUPD)searchingforanunknown the individuals, knocked him to over his ears and amuscular build. assailant. the ground, and punched and The suspect was wearing a white The assault, which took place kickedhim. tanktop, bluejeans, andwasclean at 4: 10 a.m. Sunday morning, oc- “Thesecondvictimtriedtohelp, shaven. The possibility exists, curredonEmorySt.,whilethetwo but was punched and kicked as Keith said, that the assailant had students,whosenameshavebeen well. The suspect then fled on been at the party with the two withheld, were returning from an foot,” Keith concluded. victims prior to the assault. off-campus party, according to When askedwhatthethirdmale “There’s some indication that TUPD Captain Mark Keith. said to the two victims, Captain the suspect may have been at the “There was a party at a resi- Keith responded that the suspect party. -
The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM
GuitarPlayer: The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM | Sign-In | GO HOME NEWS ARTISTS LESSONS GEAR VIDEO COMMUNITY SUBSCRIBE The 50 Greatest Rhythm Guitarists Darrin Fox Tweet 1 Share Like 21 print ShareThis rss It’s pretty simple really: Whatever style of music you play— if your rhythm stinks, you stink. And deserving or not, guitarists have a reputation for having less-than-perfect time. But it’s not as if perfect meter makes you a perfect rhythm player. There’s something else. Something elusive. A swing, a feel, or a groove—you know it when you hear it, or feel it. Each player on this list has “it,” regardless of genre, and if there’s one lesson all of these players espouse it’s never take rhythm for granted. Ever. Deciding who made the list was not easy, however. In fact, at times it seemed downright impossible. What was eventually agreed upon was Hey Jazz Guy, October that the players included had to have a visceral impact on the music via 2011 their rhythm chops. Good riffs alone weren’t enough. An artist’s influence The Bluesy Beauty of Bent was also factored in, as many players on this list single-handedly Unisons changed the course of music with their guitar and a groove. As this list David Grissom’s Badass proves, rhythm guitar encompasses a multitude of musical disciplines. Bends There isn’t one “right” way to play rhythm, but there is one truism: If it feels good, it is good. The Fabulous Fretwork of Jon Herington David Grissom’s Awesome Open Strings Chuck Berry I don"t believe it A little trick for guitar chords on mandolin MERRY, MERRY Steve Howe is having a Chuck Berry changed the rhythmic landscape of popular music forever. -
Natural and Human Factors Affecting Shallow Water Quality in Surficial Aquifers in the Connecticut Housatonic, and Thames River Basins
U.S. Department of the Interior U.S. Geological Survey National Water-Quality Assessment Program Natural and Human Factors Affecting Shallow Water Quality in Surficial Aquifers in the Connecticut Housatonic, and Thames River Basins Water-Resources Investigations Report 98-4042 Connecticut, Housatonic, and Thames River study unit National Water-Quality Assessment Study Unit USGS science for a changing world Natural and Human Factors Affecting Shallow Water Quality in Surficial Aquifers in the Connecticut, Housatonic, and Thames River Basins By STEPHEN J. GRADY anofJOHN R. MULLANEY_____ U.S. Geological Survey Water-Resources Investigations Report 98-4042 NATIONAL WATER-QUALITY ASSESSMENT PROGRAM Maryborough, Massachusetts 1998 U.S. DEPARTMENT OF THE INTERIOR BRUCE BABBITT, Secretary U.S. GEOLOGICAL SURVEY Thomas J. Casadevall, Acting Director The use of trade or product names in this report is for identification purposes only and does not constitute endorsement by the U.S. Geological Survey. For additional information write to: Copies of this report can be purchased from: Chief, Massachusetts-Rhode Island District U.S. Geological Survey U.S. Geological Survey Branch of Information Services Water Resources Division Box 25286, Building 810 28 Lord Road, Suite 280 Denver, CO 80225-0286 Marlborough, MA 01752 FOREWORD The mission of the U.S. Geological Survey Describe how water quality is changing over (USGS) is to assess the quantity and quality of the time. earth resources of the Nation and to provide informa Improve understanding of the primary natural tion that will assist resource managers and policymak- and human factors that affect water-quality ers at Federal, State, and local levels in making sound conditions. -
Distribution of Dissolved Pesticides and Other Water Quality Constituents in Small Streams, and Their Relation to Land Use, in T
Cover photographs: Upper left—Filbert orchard near Mount Angel, Oregon, during spring, 1993. Upper right—Irrigated cornfield near Albany, Oregon, during summer, 1994. Center left—Road near Amity, Oregon, during spring 1996. The shoulder of the road has been treated with herbicide to prevent weed growth. Center right—Little Pudding River near Brooks, Oregon, during spring, 1993. Lower left—Fields of oats and wheat near Junction City, Oregon, during summer, 1994. (Photographs by Dennis A. Wentz, U.S. Geological Survey.) Distribution of Dissolved Pesticides and Other Water Quality Constituents in Small Streams, and their Relation to Land Use, in the Willamette River Basin, Oregon, 1996 By CHAUNCEY W. ANDERSON, TAMARA M. WOOD, and JENNIFER L. MORACE U.S. Department of the Interior U.S. Geological Survey Water-Resources Investigations Report 97–4268 Prepared in cooperation with the Oregon Department of Environmental Quality and Oregon Association of Clean Water Agencies Portland, Oregon 1997 U.S. DEPARTMENT OF THE INTERIOR BRUCE BABBITT, Secretary U.S. GEOLOGICAL SURVEY Mark Schaefer, Acting Director The use of firm, trade, and brand names in this report is for identification purposes only and does not constitute endorsement by the U.S. Geological Survey. For additional information write to: Copies of this report can be purchased from: U.S. Geological Survey District Chief Information Services U.S. Geological Survey Box 25286 10615 SE Cherry Blossom Drive Federal Center Portland, Oregon 97216 Denver, CO 80225 E-mail: [email protected] CONTENTS -
Scotty Moore 2000.Pdf
Following the company to the West Coast, Jamerson spent the last ten years of his life trying to recapture the glory he had experienced in Detroit. But as much as he tried, the scene was foreign to him, and without the emotional support of Hitsville’s Funk Brothers, Jamerson faltered. Alco holism and emotional prob lems diminished his talents, eventually ending his life in 1983. At Jamerson’s funeral, Stevie Wonder eulogized how James had changed the fabric of his and all of our lives. Certainly, the leg endary bassist’s imprint has been indelibly etched onto our popular culture: Every time you’ve ever partied to a Motown record, that seis mic event making your feet move was James Jamerson’s bass. When backseat Romeos across America made their best moves to the soundtrack of Smoke/s silky thing else and was real keen to succeed.” smooth voice crooning through the dashboard speaker, In that nutshell, Phillips (who was speaking to Colin Escott Jamerson was right there. And as G.I.S shivered with fear in and Martin Hawkins for their book Good Rockin’ Tonight) some God-forsaken Southeast Asia foxhole and found a few summarized everything that was and is special about Winfield moments of solace in Marvin Gaye’s “What’s Going On,” “Scotty” Moore, one of the architects of rock & roll guitar. Even Jamerson was there too. the muted criticism regarding Atkins’s influence speaks to By the time his Motown tenure ended, Jamerson had Moore’s strengths. Like Atkins, Moore plays with precision, played on a staggering total of fifty-six Number One R&B hits hitting every note cleanly, but still manages to convey a loose- and twenty-three Number One pop hits. -
Williamson Umn 0130E 13794.Pdf (773.8Kb Application/Pdf)
Reading the Rhetoric of Universality: The Discursive Transformation of Race in 1930s Public Discourse A DISSERTATION SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Kasi L. Williamson IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kirt Wilson, Adviser May, 2013 © Kasi Williamson, 2013 i Acknowledgments I count myself lucky to have worked among such smart and generous teachers, colleagues, friends, and family members. I am indebted to their wisdom, kindness, and support. First, I must thank my husband, Rob Schlette, whose daily support and encouragement over many years enabled me to complete this project. My adviser, Kirt Wilson, made this dissertation better and more focused at every step. I have learned from his insights, but also from his example as an exceptional scholar, a challenging teacher, and a generous mentor. I am grateful to have been his student. I am also grateful to the members of my committee. The thoughtful questions and observations of Richard Graff, Mary Vavrus, and Art Walzer urged me toward greater clarity and precision in my critical language and theoretical claims. For my work to receive such attention and care from these remarkable scholars is a true gift. I also want to thank Karlyn Kohrs Campbell, whose standards for rigor and elegance will always guide my work, and Ed Schiappa, whose mentorship has been instrumental to my professional growth. Bea Dehler deserves special acknowledgement for all that she has done to support me and so many other Communication Studies graduate students. Joe Messina and Mary Ann Klein were the professors who helped me to find my voice; they became friends who have shown me what it means to be scholars in community. -
Director Francis Ford Coppola Once Remarked of His Place in Modem
NON PERFORMER “I’M NOT THE OLDEST OF ognized a truth that would soon transform the the young guys,” director record business: Underground, album-oriented Francis Ford Coppola once rock was giving birth to artists whose creativity, remarked of his place in longevity and widespread commercial appeal modem Hollywood. “I’m would at least equal that of established main the youngest of the bid stream performers and, indeed, ultimately guys.” That surprising - and surprisingly apt - become the mainstream. His belief in the assessment can be applied with even greater artistic legitimacy and commercial efficacy of illumination to the extraordinarily wide- the new music scene became an evolving ranging career and contributions of record epiphany for CBS as Davis bet the record com executive Clive Davis. pany’s future on rock. The presence of Bob Dylan and the Byrds on During his tenure as president, Davis and its roster notwithstanding, Columbia Records company created and nurtured a far-reaching was hardly a rock powerhouse in 1967when its and well-balanced rock roster. Aside from new president, Clive Davis, ventured west to Joplin, the list of performers he signed or the Monterey Pop Festival. A Brooklyn-bred, whose careers he would champion came to Harvard-educated lawyer with a taste for include Laura Nyro, Donovan, Sly and the Broadway show tunes and a reputation as a Family Stone, Blood, Sweat and Tears, hard worker and a good deal maker, Davis Santana, Loggins and Messina, Bruce hardly seemed uniquely suited to lead the Springsteen, Aerosmith, Chicago, Pink Floyd, company through a burgeoning musical and the Mahavishnu Orchestra and Billy Joel.