DOCSLIB.ORG

Abound Ojbwn Himself Has Tried to Downplay His Jonbenet "Striking the Pose," If You "Cockroach" Was Used to Excuse Not Own Personal Sense of Loss and to Will

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Abound Ojbwn Himself Has Tried to Downplay His Jonbenet PAGE 12 THE RETRIEVER WEEKLY FEATURES February 11, 1997 Retro Rival: Willy Wonka and the Stones Rock Andy Takes the Difficult Task of Separating the Scrumdidilyumptious and the Sucky NCIDENTALLY Andy Hershberger are not completely amazing, but they BUM: No Skin *MUSIC TYPE: Retriever Weekly Staff Writer sure as hell are a lot better than on *ARTIST: Soundtrack * ALBUM: Acoustic (sometimes) female sing- more recent concert releases, so the Willy Wonka & The Chocolate Fac- ers, possible Celtic influence, possible Still more outtakes from last se- album has its faults. Oh, Mick's in- ory *MUSIC TYPE: Kiddie Musical Indigo Girls influence *LABEL: mester. terview with John Lennon is ex- *LABEL: Hip-O/MCA Geffen tremely lame and you can tell SUMMARY: This is from one of SUMMARY: I spent a lot of time FEBRUARY 11-FEBRUARY 17 PART 20: everybody was on, or just off of, my all time favorite movies, heck I listening to this release and overall heroin so there's another mark used to have this album when I was was impressed. The songs overall are ♦ARTIST: Richie Rich *ALBUM: against it. ^■■■^^^^^ fmmmammmm^m four, and receiv- strong, and sound great while driv- February 11 multi-media performance will be Seasoned Veteran *MUSIC TYPE: But these acts are "I'll be the first to admit, ins this as a §ift ing around delivering chicken. I liked shown at 8 p.m. in the UMBC Rap *LABEL: Def Jam just so damn tal- was a great high. it so much I listened to it twice. Yet Art Stuff Theatre and tickets are only $6 for SUMMARY: Got to admit, I liked ented how can you *7 wrci*lOVed *»it ... Wellrrs-n. 'nuj-i/c-maybe Listening to itin was you should know that this would students and seniors. this release. Sure you can say, "Andy, resist purchasing it? not love, how about an an enjoyable probably fall in the adult contempo- Check out the exhibit. Wendy Ewald: Retratos y Suenos/ Por- February 14 you're the whitest of all the white I mean, the perfor- , ,. » . 0» romp into the rary group, sharing similarities to boys, how dare you review rap," and mances of/«v You open * relationship:*? — past, / and ■. showing, Peter, Paul and Mary, but so what. traits and Dreams: Photographs you'd be right, but hell a person does Can't Always Get Andy Oil Fountains Of it to all my friends Go and check it out. by Mexican Children in the Albin Valentine's Day Dance have a right to an opinion. This art- What You Want," Wavne resulted in thou- (Note: The song "lOmg Girl" O. Kuhn Library, on display ist, and his smart sampling of such and "Sympathy For ■^-b— ■ sands upon thou- seems like a re-write of The Who's through March 29. Singles, mixed-sex, and same- artists as Parliament, Prince, and the Devil," are spectacular, and Yoko sands of "what the hell is that?!" Yet "Whiskey Man" in structure. Why sex couples are welcome to this Funkadellic, has released one fine Ono practically steals the show with who cares what the commoner you should know this, I haven't a February 12 dance, sponsored by the Maryland album. It's smooth, it's hard, it asks "Whole Lotta Yoko" (I'm not kid- thinks? I know I don't. I like this al- clue.) Intercollegiate Lambda Coalition. the age old question "Do G's get to ding). Then there's Taj Mahal and bum, it's scrumdidilyumptious. (Note to Geffen: We reviewed your Book Discussion Formal/semt-formal dress is re- go to heaven?" What's not to like — Marianne Faithful in great form. (Lame reference to film has been album, please send us more stuff! We quested and it's just $4 in advance well maybe the 4 or 5 weak cuts, but Heck, even Jethro Tull rocks. This noted, Andy dies at dawn.) are so desperate.) Author, Bebe Moore Campbell or $6 at the door. For more details, beside that, what? is quite a necessity for any fan of '60s RATING: Willy Wonka & The RATING: The Dear Janes No discusses her best-selling book. call the Freedom Alliance at ext. RATING: Richie Rich Seasoned rock who has no friends. Chocolate Factory: @ @ @ 1/2 (well Skin: @@@ Brother and Sister, at 5 p.m. in UC 6370 Veteran: @@@l/4 RATING: The Rolling Stones Rock nothing's perfect.) 202. and Roll Circus: @ @ @3/4 Part 26: February 17 PART 21: PART 24: Hooked on Ebonics PART 22: * ARTIST: Tonic *CD SINGLE: Marlon Riggs Film *ARTIST: Various *ALBUM: The * ARTIST: Fountains of Wayne Casual Affair *MUSIC TYPE: In the Come out and join a discus- Rolling Stones Rock and Roll Circus * ARTIST: Jason Falkner *AL- *ALBUM: Fountains of Wayne style of Live and James *LABEL: sion on Ebonics, at 1 p.m. Loca- A documentary on the Black ex- *MUSIC TYPE: A bunch of old farts BUM: presents Author Unknown *MUSIC TYPE: Matthew Sweet Polydor tion is to be announced. perience, "Tongues Untied" will when they were young and hip ♦LA- *MUSIC TYPE: Pub singer whose bubblegum pop *LABEL: TAG SUMMARY: It's only a song, but be shown at noon in UC 202 and BEL: Abkco been listening to a lot of XTC, but is SUMMARY: Weezeresque, it didn't make its presence felt. Not More Art Stuff a discussion will be held later at 5 SUMMARY: Way back in 1968, more like Jackson Browne *LA- Blurish, Kinky, these are the words in quality but in the way it made sec- p.m. also in UC 202. the Rolling Stones decided to pro- BEL: Elektra that come to mind while listening to onds seem like hours. It was loud, had Baltimore's "longest running mote their scrumdilliumptious Beg- SUMMARY: Yet another dull bor- this pop duo. Slight pop is another, cheap eccentric musical passages, contemporary visual and perform- gars Banquet album by having a TV ing singer/songwriter, who somehow yet I'll be the first to admit, I loved it was over dramatic and sounded like ing arts series," Progressions '97, African Films special. All sorts of artists were manages to get two or three critical ... well maybe not love, how about a failed attempt to mix James and will present a FREE lecture by R. present, from The Who to Jethro accolades and then everybody thinks an open relationship? Anyway, I Live. On top of that it sounded like Thomas Hille, architect and de- In support of African Awareness lull to John Lennon, and it was a he's swell. Yet to these ears, this guy swallow this kinda music up. I've another song, which I can't recall the signer, at 8 p.m. in the Fine Arts Week, a screening of the film superstar gathering unlike few oth- is boring with a capital "B." Most of never hidden my love for the less sin- name of. There are two versions of building, room 306. Sankofa will be held at 7:30 p.m. ers. Of course the Stones had to think the listening experience was me sit- cere rock — maybe because more sin- "Casual Affair" on this release, an Venue is TB A. For more info, con- their performance sucked, and the le- ting on the floor with my arms cere rock tends to be crap — so I will edit and an LP version, so THANK February 13 tact Elvira at ext. 1491. gality of all these artists under one wrapped around my knees, chanting rate this album high and spit in the YOU GOD. roof had to be brought into question, "end, end, end." For a brief second, faces of credible music reviewers (What kind of Tonic is Tonic? Dancefest Foreign Film for Free so fans were forced to stick to boot- when I thought the album had a bo- everywhere. Snake Oil would be a better band legs and hearsay. nus cut, I almost had to end my life, RATING: Fountains of Wayne name for these guys! GET IT!!!! UMBC's own 3-week celebra- In continuation of the Language Well now the album is available - but hey, nothing's that bad. Fountains of Wayne: @ @ @2/5 SNAKE OIL INSTEAD OF TONIC tion of postmodern dance, Department's East European film in a legal form — and I must say, it is RATING: Jason Falkner presents ... cause snake oil is ... ya see ... OH Dancefest, continues with the 3- series, the Russian film Earth will impressive. Sure, the Who's "A Author Unknown: @ PART 25: GO TO HELL!) night presentation of the Phoenix be shown at 7:30 p.m. in Lecture Quick One While He's Away" is RATING: Tonic Casual Affair: Repertory Dance Company. Each - ,Hall IV. It's another freebie, folks. missing crucial lyrics, and the Stones PART 23: *ARTIST: The Dear Janes *AL SUCKS l lllllllllll m l llllllllllllllllllllllllllllllllll TV Sin, Sex and Sensationalism FROM SCANDALS, PAGE 8 we don't know Ennis. Mr. Cosby with this story, it's the footage of Abound oJbwn himself has tried to downplay his JonBenet "striking the pose," if you "cockroach" was used to excuse not own personal sense of loss and to will. Talk shows have recently posed just the main meal but also the appe- point out that all of these senseless the question, "Is it right to have such Events Happening Around The Baltimore Area tizers, dessert, side dishes, beverage tragedies deserve immediate atten- young children compete in beauty February 11 - February 17 and after-dinner breath mints... Need tion and the search for a remedy.
Load more

Recommended publications
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • Cultural and Acoustic Approaches to Music Retrieval
    Cultural and Acoustic Approaches to Music Retrieval Brian Whitman, Music Mind and Machine Group MIT Media Lab Outline • Music retrieval – Similarity – Signal feature extraction – Cultural feature extraction – Learning tasks – Evaluation • “Grounding” (audio/audience) Take Home • How to – Analyze audio from music – Extract cultural features from music – Form them into representations & learn relations – Evaluate models of similarity • Bigger Message: – Retrieval is still new & undefined, there is no clear best approach / method – Signal-only approaches have problems – Culture-only approaches have problems – Unsupervised methods (no bias) from observation seem to be our best bet Music-IR • Understanding music for organization, indexing, recommendation, browsing • Score / Audio / Library • Conferences: ISMIR, DAFX, AES, WEDELmusic, WASPAA, ICMC, SIGIR, MMSP, ICME, ACM-MM Music IR Applications Development Challenging Still Unsolved • Filename search • Genre ID • Source separation & • CF-style • Beat tracking friends: recommendation • Audio Similarity – Instrument ID – Transcription • Song ID • Structure mapping – Vocal removal • MIDI parsing: key • Monophonic finding, tempo from parameterization • Trusted-source recommendation score, score indexing • Robust song ID • Theme finding • Score intelligence • Artist ID What can we do? • Commercial: • Research: – Copyright – Cognitive models – Buzz tracking – Grounding music / – Recommendation music acquisition – Query-by-X – Machine listeners • Humming, singing, description, example – Synthesis
    [Show full text]
  • Bc Salsa: Identity,Musicianshipand Performance in Vancouver’Safro-Latinorchestras
    BC SALSA: IDENTITY, MUSICIANSHIP AND PERFORMANCE IN VANCOUVER’S AFRO-LATIN ORCHESTRAS by MALCOLM Al KEN B.Mus., The University of British Columbia, 2004 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2009 © Malcolm Aiken, 2009 11 ABSTRACT For over twenty-five years, musicians, dancers and singers of Afro-Latin music have maintained an active presence in the culturally diverse music scene of Vancouver, BC. During this time, the music performed and created by this group of artists has undergone dynamic changes in sound and function, reflecting a new transcultural music identity. This music, commonly referred to as salsa, is being created, performed and transformed by musicians of all backgrounds and social classes. Local composers are incorporating a variety of musical influences into their music and assimilating elements of the city’s music cultures. Today, an eclectic mix of musicians in Vancouver are creating new forms of music rooted in the Afro-Latin music traditions, and are establishing a unique contemporary musical scene. At the forefront of salsa’s local history are the Afro-Latin dance bands prominent in the city’s dance community. Their impact on the musicians and local music culture has been paramount and pivotal to the exposure of salsa to a mainstream Canadian audience. One prominent factor in the continued growth of the music has been the influence of the many non—Latino musicians who have assimilated into the salsa community as performers. Their musical and cultural influences have helped push the music in new directions and maintained the music’s relevance within the wider arts community.
    [Show full text]
  • Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
    JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero.
    [Show full text]
  • David Rose Papers 0347
    http://oac.cdlib.org/findaid/ark:/13030/kt1s20331p No online items Finding Aid of the David Rose papers 0347 Finding aid prepared by Jacqueline Morin, Ranjanabh Bahukhandi, and Mandeep Condle First Edition USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2009 Finding Aid of the David Rose 0347 1 papers 0347 Title: David Rose papers Collection number: 0347 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 10.0 Linear feet16 boxes Date: 1970s-1990s Summary: David Rose (1910-2006) was a well-known courtroom sketch artist whose work documented some of the most notorious trials of the last half of the twentieth century: Klaus Barbie, Patty Hearst, Sirhan Sirhan, members of the Manson family, John Z. De Lorean, Timothy McVeigh, as well as crimes and criminals which were more well-known by their nicknames: The Hillside Strangler, The Night Stalker, the Bob's Big Boy Murders, etc. During his life, Rose also worked for the Hollywood studios as an animator, layout artist, publicity artist, art director, illustrator, and designer. creator: Rose, David, 1910-2006 Scope and Content This collection is comprised of the original artwork of David Rose, renown courtroom sketch artist, and several boxes of his personal research files and clippings. Rose covered the trials of many famous cases, both regional and national, including the Manson family murders, Richard Ramirez (Night Stalker), John De Lorean, Patty Hearst, and many others from the early 1970s to the mid- 1990s. Also included with the collection are several boxes of videotapes, mainly interviews with David Rose on various local television news stations.
    [Show full text]
  • Beck Nach Fast Sechs Jahren Mit Neuem Material US-Musiker Kündigt Für Februar Eine Neue Platte An
    Innovative und schillernde Persönlichkeit der Alternative-Szene: Beck kündigt nach fast sechs Jahren neues Material an. Beck nach fast sechs Jahren mit neuem Material US-Musiker kündigt für Februar eine neue Platte an 07. Dezember 2013, Von: Redaktion, Foto(s): Peter Hapak Der US-amerikanische Gitarrist und Sänger Beck zählt zu den besonders kreativen und schillernden Figuren der internationalen Alternative-Szene. In Deutschland schaffte Beck im Jahr 1994 mit dem Song „Loser“ aus dem im gleichen Jahr erschienen Album „Mellow Gold“ seinen Durchbruch. Für Februar 2014 kündigt Beck sein neues Album „Morning Phase“ an, das erste mit ganz neuen Songs seit „Modern Guilt“ aus dem Jahr 2008. Musik von der Stange, das war noch nie die Sache von Beck, der 1970 als David Bek Hansen geboren wurde. Beck hatte schon immer den Hang zum etwas unkonventionellem Musizieren, in seinen Song fanden sich schon in den Neunzigern Samples und Elemente aus so unterschiedlichen Genres wie Folk oder HipHop. Das galt vor rund 20 Jahren als innovativ und speziell und nicht zuletzt deshalb war der Musiker regelmäßig ausführlich behandeltes Thema in der Musikpresse. Zu seinen Album Klassikern zählt das 2002 veröffentlichte „Sea Change“ und in einer klanglich recht ähnlichen Form soll auch das neue Beck-Werk „Morning Phase“ daherkommen. Als „begleitendes Stück“ zu „Sea Change“ soll es von Experten beschrieben worden sein, die schon in das neue Material des Musikers reinhören konnten, Fans und Insidern ist damit wohl eine Orientierung geben. Viele der Musiker, die bereits vor gut elf Jahren an „Sea Change“ beteiligt waren, konnte Beck auch für die Aufnahmen von „Morining Phase“ gewinnen, darunter Justin Meldal-Johnsen, Joey Waronker, Smokey Hormel, Roger Joseph Manning Jr.
    [Show full text]
  • Dear Friends That Love Music
    Thorcraft Cobra ~ The Distance Thorcraft Cobra have perfected the seemingly lost art of combining big, radio-friendly hooks with big, classic-rock guitars.” - LA Weekly “It's not really a record people can bone to, so it better be cerebral.” – Billy Zimmer First off, despite their righteously badass nom de artiste Thorcraft Cobra are not purveyors of weed- hazed, beer-soaked SoCal Throttle Rock. Together, Billy Zimmer (Brown Eyed Susans) and Tammy Glover (Sparks) combine a knack for concise pop songwriting, a gift for crafting immediately engaging melody, and impeccable taste in rock and roll sonics into something that is both fresh and undeniable. Zimmer and Glover first crossed paths when their respective acts signed to the same label. “I started as a fan of his guitar tone” relates Glover, “but quickly fell for his wit and songwriting skills.” Zimmer’s band, Brown Eyed Susans, had moved to Los Angeles, recorded a lost classic Afraid of Heights with Jason Falkner (Beck, Air, Paul McCartney, Jellyfish) producing, and was seemingly poised for success. Meanwhile, Tammy became the drummer for brothers Ron and Russell Mael in their iconic band, Sparks, and toured the world. When Brown Eyed Susans imploded in a cloud of dust, Zimmer retreated to his depressing North Hollywood wood-paneled hermitage to lick his wounds. He started working on some rough demos, and decided to play a few for his labelmate. “I wasn't super confident in my work. Then I played some it for Tammy, and she was like, "whhhaaatttt". And told me that it was good, and that she should play drums on it and we should put it out” explains Zimmer.
    [Show full text]
  • WARNER BROS. / WEA RECORDS 1970 to 1982
    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
    [Show full text]
  • Jim Henderson's Power Pop Show January 2009
    Playlists: Jim Henderson’s Power Pop Show January 2009 – December 2009 Show 21 First Broadcast 29.01.09 1. 21 intro - (00:15) 2. Gone - Pete Best (02:34) 3. 21a - (00:19) 4. Don't Speak Loudly - Pilot (04:41) 5. Get in the Swing - Sparks (04:08) 6. Duchess - The Stranglers (02:30) 7. 21b - (00:19) 8. Dreamtime - Daryl Hall (04:45) 9. It's Hard to Believe I'm Not - Captain Sensible (03:11) 10. Day by Day - The Hooters (03:22) 11. 21c - (00:30) 12. Everything I Want - Pete Best (03:38) 13. I Don't Mind - Buzzcocks (02:18) 14. Wild Youth - Generation X (02:53) 15. 21d - (00:20) 16. I Stand Accused - The Merseybeats (02:48) 17. Can't help thinking about me - David Bowie & the Lower Third (02:45) 18. Six O'Clock - The Lovin' Spoonful (02:41) 19. 21e - (00:21) 20. Are You Trying To Be Lonely? - Andy Lewis & Paul Weller (03:02) 21. Daylight - Drive-By Truckers (03:36) 22. Can't Explain - Nick Heyward (02:47) 23. Red Light - Pete Best (04:01) 24. 21 outro - (00:31) Show 22 First Broadcast 05.02.09 1. 22 intro - (00:25) 2. You Say You Don't Love Me - Buzzcocks (02:54) 3. I Don't Know What to Do with My Life - Buzzcocks (02:43) 4. 22a - (00:18) 5. Looking for Lewis & Clark [Long Version] - The Long Ryders (04:01) 6. We Belong - Pat Benatar (03:42) 7. Going For The Gold - Don McLean (02:44) 8.
    [Show full text]
  • Ambience with Andy (From Lowercase Noises) 1 Don't Feed the Trolls
    Ambience with Andy (from Lowercase Noises) 1 Matt: So Nate, the funny things is, we were supposed to record this podcast on 4/20. Then I realized you were on vacation, so we couldn’t do it. But I did prep a really funny intro to the podcast that I would like to read to you still. Nate: Okay, I guess. Matt: Here we go. Welcome to Don’t Weed the Bulls Budcast, it’s 4/20 and we’re going to talk about some really trippy, deep stuff. Like how music affects your mood. But first! Nate: That’s great, man. Matt: It was pretty stupid. But in all reality we do have a pretty good guest on today. Andy Othling of Lowercase Noises, which is an ambient instrumental project. He’s going to be talking to us about how music and mood and consciousness and all that plays off each other. But first. Nate: But first! Holy cow, I’m looking at this list of new patrons. Matt: Dang. Nate: We’re going to read a really long list right now, and butcher it badly. Matt: Yes, yes, we thank them by butchering their names, that’s how it works. Nate: Yeah. So here we go, I’m going to try this without butchering anybody’s. Alright here we go: John Hone, Seth Gunter, Michael Jewel, J’han Borzhan, Erin Benninger, Joey Holt, Mo Dubs, Nick Halversen, Torrin Donowski, Kevin Morrey. That was easy, I blew that one. Kellen Craiger, John Beacon, Zane Harnish, Jason Wilder, Chris Kelley, Grant Litton, Travis Peterson, Nathan Saner, Matt Adams, Anthony Baker, Ty Hopkins.
    [Show full text]
  • Prioriry Hutii Acts to Follow
    Top PRioRiry traffic • for fro m home RA HIC, "FAR FRO M H O ME," YIRqIN After Steve's multi format exposure overload through the late '80s, this UnSingle is one Tbrilliant move — and career course correction aside, it's damn catchy in a late '60s kind of way. No synth. No horns. No female vocalists. That's not to say that those ingredients couldn't once again be combined for Platinum payback. But what Winwood and Capaldi needed — and have realized — on this go round is a solid blast from the past The flute (reminiscent of John Barleycorn) is what you notice first, followed by the trademark minor chords and bluesy extended song structure, complete with plenty of period piece Hammond work and just the proper amount of well placed fuzz tone. Gotta love the fact that you can't make out all the words on first pass, too, just like in the old days. It might also be significant that Steve and Jim wrote the tune, as opposed to Steve's collaborations •••,,TrefelW with Will Jennings that most recently blanketed the airwaves. Be aware that other than Capaldi's signature stick work, Winwood plays all the instruments, flute included. Also be sure to make max use of the Pro-CD's live version of "Glad" from Winwood's last tour. Speaking of which, the 70 city Traffic tour starts May 18th, with May 3rd the day the record hits retail. hutii Acts To Follow The Grays j Very Best Years n ob Rub, G m Too FAT Loaf, "ObjEcTs IN Thu RETENdERS, ”HiglIT IN My .wha Quays, "Vasty BEST MEacuRy This new MREAR VIE W MIRROR May pVEINS," SIRE/ WARNER YEARS," Epic From the iro band, led by former Mary's Danish APPEAR CIOSER Thaa Tim Bros.
    [Show full text]
  • Tabloidization in the Modern American Press: a Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case
    Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 1-12-2006 Tabloidization in the Modern American Press: A Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case Nichola Reneé Harris Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Harris, Nichola Reneé, "Tabloidization in the Modern American Press: A Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/communication_theses/7 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Tabloidization in the Modern American Press: A Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case by Nichola Reneé Harris Under the Direction of Merrill Morris ABSTRACT The media have extensive power in that they represent the primary, and often the only, source of information about many important events and topics. Media can define which events are important, as well as how media consumers should understand these events. The current trend towards tabloidization, or sensationalism, in today’s American
    [Show full text]