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Boletín De Sumarios BOLETÍN DE SUMARIOS Esta nueva entrega del Boletín de Sumarios recoge 110 nuevos números, correspondientes a 33 títulos distintos, recibidos en la Biblioteca durante los meses de octubre, noviembre y diciembre de 2017. Ordenados alfabéticamente, los títulos van seguidos de los números recibidos que, mediante enlaces, permiten acceder a los sumarios correspondientes. Si desea consultar alguna de estas revistas, puede hacerlo en la Sala de Lectura de la Biblioteca de Cultura. La mayoría de ellas se encuentra también en la Biblioteca Nacional. Si usted se encuentra fuera de Madrid, puede dirigirse a la Red de Bibliotecas de su Comunidad. Confiamos en que la información que ofrecen estos boletines sea de utilidad y rogamos remitan cualquier sugerencia sobre este servicio al buzón [email protected] Secretaría General Técnica Subdirección General de Documentación y Publicaciones ACADEMIA: La Revista del Cine Español. N. 225, 226 (2017) ADE Teatro. N. 168 (2017) AV Monografías. N. 191-192, 193-194, 195, 196 (2017) AV Proyectos. N. 79, 80, 81, 82, 83 (2017) BJC Boletín de Jurisprudencia Constitucional. N. 422, 423 (2016) Boletín de ANABAD. Vol. LXVII, n. 1 (2017) Caimán: cuadernos de cine. N. 64, 65, 66; N. especial 13, 15 (2017) Ciervo, El. N. 763, 764, 765 (2017) Clarín: Revista de Nueva Literatura. N. 128, 129, 130, 131 (2017) Claves de Razón Práctica N. 250, 251, 252, 253, 254, 255 (2017) Cultural Trends. Vol. 26, n. 4 (2017) Dirigido por.... N. 481, 482, 483 (2017) EPI: El profesional de la información. Vol. 26, n. 6 (2017) * Publicación electrónica Historia Social. N. 89 (2017) Ínsula. N. 850, 851, 852 (2017) International Journal of Arts Management. Vol. 19, n. 3; vol. 20, n. 1 (2017) International Journal of Cultural Policy. Vol. 23, n. 6 (2017) International Journal of Cultural Property. Vol. 24, n. 3 (2017) Journal of Cultural Economics. Vol. 41, n. 4 (2017) Leer en.... N. 279, 280, 281, 282, 283, 284, 285, 286, 287, 288 (2017) Letras Libres. N. 184, 186, 187, 188, 189, 191, 192, 193, 195 (2017) Library Technology Reports. Vol. 53, n. 5, 6, 7 (2017) © Biblioteca de Cultura – Ministerio de Educación, Cultura y Deporte Plaza del Rey, s/n. – 28004 Madrid – Telf. 917017213 [email protected] NIPO: 030-15-015-4 Ópera Actual. N. 207, 208 Quimera: Revista de Literatura. N. 398, 399, 400, 401, 402, 403, 404, 405, 406, 408 (2017) Revista de Estudios de Juventud. N. 115 (2017) Revista de Occidente. N. 428, 430, 436, 437, 438, 439 (2017) Revista Española de Derecho Administrativo. N. 187 (2017) Ritmo. N. 912, 913 (2017) Rural History. Vol. 28, n. 2 (2017) Scherzo. N. 333, 335 (2017) Sociedad Geográfica Española. N. 58 (2017) Tendencias del Mercado del Arte. N. 100, 101, 102, 103, 104, 105, 106, 107, 108 (2017) Turia. N. 120, 121-122, 123 (2017) © Biblioteca de Cultura – Ministerio de Educación, Cultura y Deporte Plaza del Rey, s/n. – 28004 Madrid – Telf. 917017213 [email protected] NIPO: 030-15-015-4 ACADEMIA. LA REVISTA DEL CINE ESPAÑOL Nº 225 MAYO-JUNIO 2017 Sumario 1 Cultivar la inteligencia, desarrollar el orgullo. Joan Álvarez 6 “El fin último de la conservación es la difusión”. Ana María Gallego, directora de Filmoteca Española 12 “El cine español no puede permitirse el lujo de desaparecer” Carlos Reviriego, adjunto a Dirección y Director de Programación de Filmoteca Española 14 ESPECIAL Cine y Educación. Por una cuestión de Estado 16 ¿Un sueño? Una realidad. El pacto educativo y la alfabetización mediática. Mercedes Ruiz Casas 20 El marco jurídico de la educación audiovisual. Susana de la Sierra 22 Sistema educativo, políticas públicas e industria. Tamara Moya 24 LOS IMPLICADOS. El tiempo de la formación cinematográfica. Íñigo Méndez de Vigo y Montojo / La oposición responde. PSOE, Podemos y Ciudadanos / De y sobre cine. Marina Díaz López y Begoña Soto Vázquez (Unión de Cineastas) / Leer y escribir imágenes. Gonzalo Salazar-Simpson (ECAM) / Narrar, y por tanto comunicar en cualquier ámbito, ya no es solo leer y escribir. Aintza Serra (ESCAC). 34 LA FORMACIÓN. La pantalla como pizarra. Ángel Gonzalvo Vallespí / Por una plataforma única. Carta a la buena gente. Lola Salvador / ¡Todos a una...! Sumando aquí y ahora por un proyecto común. 48 MIRANDO HACIA FUERA. La experiencia francesa (1989-2017). Pierre Forni / Hoy vamos al cine: mirar, escuchar, comprender.... y saber cómo se hace. Nieves Maroto, Maryse Capdepuy y Eduardo Rodríguez-Merchán / Mucho (+) que cine. Un proyecto con vocación europea. Carmen Buró / Listado de iniciativas de alfabetización audiovisual. 62 ¡Bienvenidos! Pedro Casablanc: “No hay tradición de ver a los actores como personas que hagan un bien social”. 66 Rodajes De dramas y búsquedas ACADEMIA. LA REVISTA DEL CINE ESPAÑOL Nº 226 JULIO-AGOSTO 2017 Sumario 1 Editorial 6 INFORME. La mirada iberoamericana 9 Somos responsables de nuestro cine. Axel Kuschevatzky 10 FIACINE. Un viaje de largo alcance. 22 Darnos rostro y voz. Paz Alicia Garcíadiego 24 Pensar lo pensado. Pablo Larraín 26 Buscar al equipo ideal. Lorenzo Vigas 27 El mundo necesita la visión femenina. Pituka Ortega- Heilbron 28 Apuntes sobre cine iberoamericano. Jorge Perugorría 30 Se avecinan cambios. Mariela Besuievsky 32 Puntas de lanza. Los nuevos cineastas iberoamericanos 36 Entrevista a Luis Gnecco. “Cuando compartimos el dolor y la candidez, los iberoamericanos nos encontramos” 38 Los rostros del cine de la resistencia. Actrices iberoamericanas ¡Viva la variedad! Iberoamericanos en Hollywood 40 44 FIPCA. Pasado, presente y futuro. Ignacio Rey 46 EGEDA. Financiación, calidad y promoción. Enrique Cerezo 47 IBERMEDIA. Autocrítica, reformulación y reinvención. Elena Vilardell 48 CINEMA 23. Un espacio para la diversidad. Ricardo Giraldo Actualidad 54 Entrevista a Nacho Vigalondo. “La victoria para un personaje femenino es imponer su voz” 58 Entrevista a Laura Ferrés – Premio en la Semana de la Crítica de Cannes – “Me interesa la gente corriente que atraviesa catástrofes en silencio” 60 Sin visibilidad en Cannes Academia Invisibles e indispensables. Homenaje a los 65 Profesionales 2017 74 Entrevista a Terence Winter. “La sala de los guionistas es como la de un terapeuta” 76 Entrevista a Manuel Gutiérrez Aragón – Premio Muñoz Suay – “Los intérpretes nunca pasan desapercibidos, ni en la pantalla ni fuera de ella” 78 ¡Bienvenidos! Sonia Grande: “La lealtad es fundamental en nuestro trabajo” 82 Rodajes. Carcajadas de emociones ADE TEATRO REVISTA DE LA ASOCIACIÓN DE DIRECTORES DE ESCENA DE ESPAÑA Nº 168 Diciembre 2017 EDITORIALES TEXTO TEATRAL Carta abierta a la Subcomisión por Medealand: el mapamáter, la patria, los el Pacto por la Educación del Congreso, abandonados, los olvidados, el ensueño De nuevo la educación teatral, del proscrito..., por Steve Sem-Sandberg......... por Manuel F. Vieites....................................…. 126 3 Medealand, de Sara Stridsberg.......................... Estatuto del Artista: Un modelo de futuro, 132 por Ignacio Martín Pina...................................... 6 NOTAS DE DIRECCIÓN De la farsa a la tragedia: “Amor de don Perlimplín con Belisa en su jardín”, DE STRIDSBERG por Etelvino Vázquez........................................... 151 A STRIDSBERG: Todos tenemos una isla. “La última boqueá”, Tragicomedia en tres fracasos, TEATRO SUECO por Selu Nieto.................................................. 154 El fragmento histórico en escena. Notas de DEL SIGLO XXI dirección de “Historia del cerco de Lisboa”, Teatro en Suecia: un teatro vivo y para todos, versión escénica de José Gabriel López por Lars-Hjalmar Wide, embajador de Antuñano sobre la novela de José Saramago, Suecia en España........................................…. 9 por Ignacio García.............................................. 158 En el país más teatralizado del mundo, Metaficción para cuestionar la verdad por Elda García-Posada................................... 11 histórica. aNotas de dramaturgia a “História Ecos hispano-portugueses en la historia sueca do cerco de Lisboa”, por José Gabriel López (extracto), por August Strindberg....................... 18 Antuñano............................................................. 163 Entre la realidad y el sueño. El drama sueco del siglo XX, por Elda García-Posada............... 27 INTERNACIONAL/FESTIVALES Un “smörgâsbord” de nuevas voces suecas, 34º Festival Internacional de Teatro de por Ylva Lagercrantz Spindler.......................... 47 Almada, encrucijada de expresiones e “A través de los clásicos intento interpretar Innovación, por Irène Sadowska........................ 169 mi época”. Entrevista al director y Nekrosius, un artista de lo sensorial. dramaturgo Mattias Andersson, Notas sobre el estreno de “A Hunger Artist” por Elda García-Posada.................................... 63 en la XXXIII MIT Ribadavia, por Hugo De aquí a la eternidad: la Señorita Julia Álvarez Domínguez............................................ 176 contraataca y se niega a morir, Susana Lastreto: Una trayectoria polifacética, por Tiina Rosenberg......................................... 68 resistiendo con rabia y risa, una entrevista 182 La postergada obra dramática de de Irène Sadowska.............................................. P.O. Enquist, por Lars Ring............................... 76 Un teatro nacional descentralizado en un Paisaje teatral de diversidad. Loa cuatro LIBROS…...............................................................187 teatros nacionales de Suecia. por Rikard Hoogland y Wilmar Sauter. ............. 80 NOTICIAS ADE Una herencia teatral segada: Una velada en el Teatro
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