Garland Mclaurin Email: [email protected] | Cell: 917-689-8151|

Total Page:16

File Type:pdf, Size:1020Kb

Garland Mclaurin Email: Gmclaurin@Gmail.Com | Cell: 917-689-8151| Garland McLaurin Email: [email protected] | Cell: 917-689-8151| www.garlandmclaurin.com EDUCATION & CREDENTIALS New York University, Tisch School of the Arts Concentration: Masters of Fine Arts, Film Production 2010 Howard University, School of communications Concentration: Bachelors of Arts, Radio-TV-Film, 1999 ACADEMIC APPOINTMENTS Adjunct Professor, Radio-TV-Film, Howard University School of Communications, Washington DC, 2018 Adjunct Professor, TV-Film, Kutztown University School of TV and Film, Kutztown PA, 2018 Lecturer, Radio-TV-Film, Howard University School of Communications, Washington DC, 2005 Visiting Lecturer, Film, Newton School of Film, Johannesburg South Africa, 2006 NON-ACADEMIC APPOINTMENTS Facilitator, Mississippi Public Television, Media Arts Club, Jackson, Mississippi, 2013 Facilitator, Black Public Media: Digital Media Arts Club, Washington, DC, 2011 Facilitator, Burke High School Film Festival, Washington, DC, 2009 Facilitator, Northern Virginia Urban League's Grandfather Program, Alexandria, VA, 2008 Facilitator, MHZ Networks Education Arts Teacher, Washington, DC, 2004 Facilitator, DC Commission of the Arts Student SEAS Summer Program, Washington, DC, 2001 & 2000 PROFESSIONAL WORK IN PROGRESS • Grant reader and Panelist “Jacquie Jones Memorial Scholarship Fund”, The Jacquie Jones Memorial Scholarship Fund (“JJMSF”) provides support for emerging and diverse content producers of non-fiction shorts, feature-length programs, web series, 360-VR, or podcasts. The Scholarship is inspired by the life and work of Jacquie Jones who dedicated her life to the development and growth of diverse content creators, and the creation of projects that serve the needs of all communities that encourage dialogue, nurture respect and promote understanding. Through funding provided by the Corporation for Public Broadcasting, Black Public Media is administering $300,000 in grants for the development and production of multi- platform content projects for public media distribution from emerging and diverse media makers as part of its continued commitment to future generations of diverse storytellers. Projects will be funded in amounts ranging from $20,000 - $100,000, 1 Garland McLaurin Email: [email protected] | Cell: 917-689-8151| www.garlandmclaurin.com depending on the type of project, scope and phase of development/production. All topics are welcome. • “Unspoken Truths”, Director and Producer of feature length documentary on HIV/Aids in the Deep South. Recipient of ITVS Diversity Development Funds and Black Public Media Funds. PROFESSIONAL WORK EXPERIENCE Series Director October 2018 – Present Family Pictures USA, ChimPanzee Prod./PBS/ITVS Family Pictures USA is a television series & transmedia project that explores neighborhoods & cities through the lens of the family photo album. Hosted by Thomas Allen Harris, this public television series enlarges our understanding of history, our diversity, and our shared values. The series is due to air on PBS in June of 2019 with WGCU and UNC-TV as presenting stations. I facilitated the series production in the field working with the host and crew to capture storylines and help develop the projects style with the executive producers. This also involved maintaining and delivering the series on schedule and within the budget, filming storylines, working with local PBS affiliated staff and local talent. The project required communicating with staff on the daily objectives related to the production. Setting up shoots and making sure that the project maintained high production values necessary for a national PBS show. We were able to complete principal photography on two hour-long episodes in five weeks. This required coordinating multiple locations and filming 10-12 subjects for each episode. Series Director & Creator January 2015 – Present POPS, ITVS Digital/PBS Digital Studios Pops is a documentary web series that examines the parenting experiences of African American men. I created and facilitated the series production from concept to final delivery. This involved maintain and delivering the series on time and on budget, researching storylines, shooting, and editing. I also contracted third parties for music and image properties, hired freelance contractors, delivered rough and final cuts for approval, including supervising the edits. The 11 episode series launched in October of 2017 and has over 50,000 views and almost 100K website visits at www.pops.life. I spoke at SXSW 2018 on a panel discussing how to create documentary web series and I also coordinate the social media accounts for the series. Freelance Producer July 2018 – Present United Negro College Fund The United Negro College Fund commissioned a series of videos for their STEM Scholars/FUND II Foundation program and their UNCF/KOCH Scholars program that I won a bid to develop, produce and edit. I delivered a series of six videos while managing a crew of four freelance staffers on time and on budget. Freelance Field Videographer July 2009 – Present PBS News Hour The PBS NewsHour is an hour-long evening news broadcast, offers news updates, analysis, live studio interviews, discussions and foreign and domestic reports to put the day's news in context. As a third party contractor, my principal responsibility involved shooting interviews and live events at remote locations for programming related to the show. Upon receiving content ideas 2 Garland McLaurin Email: [email protected] | Cell: 917-689-8151| www.garlandmclaurin.com from supervising producers, I contacted locations and subjects to set up and supervise the field productions. In addition to shooting productions required lighting interview subjects and correspondents, recording audio and at times editing. My project contributions include, Artists taking on America’s history of violence, Freedom Schools, SAT testing, The Pope visits New York. Freelance Field Producer & Videographer August 2009 – December 2017 Time.com Time.com video division provides global and national news and online content related to the publication. I specialized as a third party shooter/field producer/editor for producers at Time’s NY and DC Divisions. This involved coordinating offsite shoots with subjects to execute production-planning goals assigned by supervising producers. All of the contracted projects required me to light and shoot interviews with or without correspondents, complete some editing and deliver footage to New York (usually within the same day). My past contribution to projects includes Millennial Priests, the Nest Thermostat Bill McDonough interview, 10 Questions Robert Groves, Why President Obama is Mr. Unpopular, Joe Biden Person of the Year, US Air Guitar National Finals. 2nd Camera OPerator May 2017 – August 2017 Breaking Big, OZY.com & PBS In Breaking Big, OZY explores how some of the world’s most influential artists, innovators, athletes, and leaders pushed, prodded and cajoled the big breaks that would make their careers. This series of twelve 30-minute documentary-style films traces the unusual paths to stardom followed by a dozen talented men and women who overcame nearly insurmountable obstacles and long odds to break big. Co-CinematograPher June 2016 – July 2016 Tell Them We Are Rising, PBS Tell them we are rising is a documentary produced by Firelight media and award-winning director Stanley Nelson. The documentary follows the history of historically black colleges and universities from their inception to the modern times. Freelance Producer March 2016 – October 2016 University of Florida Developed, budgeted and produced a series of training videos titled “Critical Thinking in Dysphagia Management: Blazing a New Clinical Trail (1.55 ASHA CEUs)”, for Drs. Ianessa Humbert and Emily Plowman at the University of Florida. The project required attendee interactive audience participation, testimonials, live hands on demonstrations and patient/physician interactions. After winning a contract bid I worked with staff to create a set of educational videos that incorporate the panel discussions in a documentary style format. We filmed each of the breakout panels and discussions centered on the agenda. The videos were edited and produced into a training series that were part of a lecture series. 3 Garland McLaurin Email: [email protected] | Cell: 917-689-8151| www.garlandmclaurin.com Co-Producer & Director August 2014 – June 2015 180 Days Hartsville, PBS The second season of the Peabody Award-winning series explores the education system in Hartsville, South Carolina. My primary responsibilities required filming, supervising and mentoring a production staff of 6-8 people in South Carolina, plan an implement shooting schedules, coordinate project storylines and negotiate some budget needs for staff. I also managed the relationships with the school district and selected subjects, oversaw and regulated weekly meetings between the South Carolina and Washington DC production staff. I helped reviewed production goals and offered input to solve project concerns that developed over the course of production. 180 Days Hartsville aired nationally as part of the CPB and PBS American Graduate initiative. Co-Producer & Director August 2013 – June 2014 180 Days: A Year Inside an American School, PBS A two-part Peabody Award-winning documentary series aired on PBS in 2013, the project centers on a tumultuous high school year in Washington DC seen through the eyes of a young charismatic school principal and students. I organized, guided, an implemented shooting schedules and plans for
Recommended publications
  • Counter-Apocalyptic Play in Richard Kelly's Southland Tales
    University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2014 "If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales Marcus O'Donnell University of Wollongong, [email protected] Publication Details O'Donnell, M. ""If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales." Journal of Religion and Film 18 .2 (2014): 1-35. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] "If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales Abstract Richard Kelly’s Southland Tales (2006) presents a dystopic, post-apocalyptic, near-future through an aesthetic, which fuses contemporary postmodern screens with the phantasmagorical of traditional apocalyptic visions. This article argues that Southland Tales is an example of what feminist theologian Catherine Keller calls the “counter-apocalyptic” (Keller 1996:19-20). Through strategies of ironic parody Kelly both describes and questions the apocalyptic and its easy polarities. In situating the film as counter-apocalyptic the paper argues that the film both resists the apocalyptic impulse however it is also located within it. In this sense it produces a unique take on the genre of the post-apocalyptic film and a powerful fluid critique of the post 9/11 security state. Keywords play, apocalyptic, counter, tales, hold, southland, can, you, if, kelly, richard Disciplines Arts and Humanities | Law Publication Details O'Donnell, M. ""If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales." Journal of Religion and Film 18 .2 (2014): 1-35.
    [Show full text]
  • Donnie Darko: a Film Review -- an Avid Movie Watchers View Point
    Film: Donnie Darko Rating: 9.3/10 by Quentin Cooper Director: Richard Kelly Release Date: January 19th, 2001 for Advanced Comp Genre: Science Fiction East TN State U Run Time on Film: 113 minutes Budget: 4.5 Million USD December 2018 Box Office: 7.5 Million USD Contact Info: [email protected] Donnie Darko: A Film Review An Avid Movie Watchers View Point Rating Scale: (Scale of 1-10) 1 – Hot Garbage These can become 10’s while watching under the influence of alcohol and in the presence of friends as you make fun of the 2 – Garbage film for being horrible. Stay away at all costs unless you’re trying to laugh at bad acting. 3 – Bad 4 – Sort of Bad If a score falls within the range It will vary person to person, but typically stays within this category. If it leans on the 5 – Meh higher end of the scale its suitable for a niche crowd. 6 – Okay 7 – Good Enjoyable films. Feel as if you’ve got your moneys worth at the movie theatre. 8 – Great 9 – Fantastic MUST SEE FILM. THE UNICORN OF FILMS. IS ANYTHING REALLY 10 – Perfect PEERFECT? NOT SURE Appendix: Categories the Film is being Rated on Dialogue Flow Story Cinematography Categories the Film is being Rated on: Dialogue – In movies there is a style of talking where it just doesn’t seem to be practical or feels forced. Donnie Darko isn’t one of those films that falls into this trap of falsehood. The film presents a followable dialogue that has a good flow throughout the cast of character and resonated with me in creating believable characters.
    [Show full text]
  • Assessing Trade Agendas in the US Presidential Campaign
    PIIE Briefi ng 16-6 Assessing Trade Agendas in the US Presidential Campaign Marcus Noland, Gary Clyde Hufbauer, Sherman Robinson, and Tyler Moran SEPTEMBER 2016 CONTENTS Preface 3 1 Could a President Trump Shackle Imports? 5 Gary Clyde Hufbauer 2 Impact of Clinton’s and Trump’s Trade Proposals 17 Marcus Noland, Sherman Robinson, and Tyler Moran 3 A Diminished Leadership Role for the United States 40 Marcus Noland Appendix A Disaggregation Methodology 45 © 2016 Peterson Institute for International Economics. All rights reserved. The Peterson Institute for International Economics is a private nonpartisan, nonprofit institution for rigorous, intellectually open, and indepth study and discussion of international economic policy. Its purpose is to identify and analyze important issues to make globalization beneficial and sustainable for the people of the United States and the world, and then to develop and communicate practical new approaches for dealing with them. Its work is funded by a highly diverse group of philanthropic foundations, private corporations, and interested individuals, as well as income on its capital fund. About 35 percent of the Institute’s resources in its latest fiscal year were provided by contributors from outside the United States. A list of all financial supporters for the preceding six years is posted at https://piie.com/sites/default/files/supporters.pdf. Preface International trade is a more prominent issue in this year’s presidential campaign than it has been in de- cades, if ever. Certainly, some of this attention is due to the combination of stagnating average incomes in the United States over the long term and the severe damage wrought by the American financial crisis of 2008–10.
    [Show full text]
  • Film & Literature
    Name_____________________ Date__________________ Film & Literature Mr. Corbo Film & Literature “Underneath their surfaces, all movies, even the most blatantly commercial ones, contain layers of complexity and meaning that can be studied, analyzed and appreciated.” --Richard Barsam, Looking at Movies Curriculum Outline Form and Function: To equip students, by raising their awareness of the development and complexities of the cinema, to read and write about films as trained and informed viewers. From this base, students can progress to a deeper understanding of film and the proper in-depth study of cinema. By the end of this course, you will have a deeper sense of the major components of film form and function and also an understanding of the “language” of film. You will write essays which will discuss and analyze several of the films we will study using accurate vocabulary and language relating to cinematic methods and techniques. Just as an author uses literary devices to convey ideas in a story or novel, filmmakers use specific techniques to present their ideas on screen in the world of the film. Tentative Film List: The Godfather (dir: Francis Ford Coppola); Rushmore (dir: Wes Anderson); Do the Right Thing (dir: Spike Lee); The Dark Knight (dir: Christopher Nolan); Psycho (dir: Alfred Hitchcock); The Graduate (dir: Mike Nichols); Office Space (dir: Mike Judge); Donnie Darko (dir: Richard Kelly); The Hurt Locker (dir: Kathryn Bigelow); The Ice Storm (dir: Ang Lee); Bicycle Thives (dir: Vittorio di Sica); On the Waterfront (dir: Elia Kazan); Traffic (dir: Steven Soderbergh); Batman (dir: Tim Burton); GoodFellas (dir: Martin Scorsese); Mean Girls (dir: Mark Waters); Pulp Fiction (dir: Quentin Tarantino); The Silence of the Lambs (dir: Jonathan Demme); The Third Man (dir: Carol Reed); The Lord of the Rings trilogy (dir: Peter Jackson); The Wizard of Oz (dir: Victor Fleming); Edward Scissorhands (dir: Tim Burton); Raiders of the Lost Ark (dir: Steven Spielberg); Star Wars trilogy (dirs: George Lucas, et.
    [Show full text]
  • Rose Quarter: I-5/Broadway-Weidler Project Environmental Justice-Oriented Interviews Summary of Findings
    Rose Quarter: I-5/Broadway-Weidler Project Environmental Justice Interviews Summary and Findings from Interviews with 17 African American community members Portland, Oregon February 16, 2017 Rose Quarter: I-5/Broadway-Weidler Project Environmental Justice-Oriented Interviews Summary of Findings Table of Contents Executive Summary ....................................................................................................................................... 4 FAQs and Background ................................................................................................................................... 5 History of Area, Drivers for Changes, Shifts in Demographics & Contributing Factors ................................ 6 Vanport and the Shipyards .............................................................................................................. 6 Legacy Emanuel Hospital ................................................................................................................. 7 Rose Quarter/Moda Center ............................................................................................................. 7 Interstate 5 (I-5) ............................................................................................................................... 8 Coliseum........................................................................................................................................... 8 Redlining and Real Estate................................................................................................................
    [Show full text]
  • BMJ in the News Is a Weekly Digest of BMJ Stories, Plus Any Other News
    BMJ in the News is a weekly digest of BMJ stories, plus any other news about the company that has appeared in the national and a selection of English-speaking international ​ media. ​ This week’s (24-30 July) highlights: ● Researchers in The BMJ question whether patients should finish their course of ​ ​ antibiotics. The story was covered across the globe, including an interview with the author on BBC Radio 4 Today, ITV Good Morning Britain, CNN and Washington ​ ​ ​ Post ● Also in The BMJ this week, a US study linking e-cigarette use to a rise in ​ smokers quitting was covered widely, including Reuters, ABC News, CBS News and ​ ​ ​ ​ International Business Times ● A JECH study suggesting that dog ownership boosts physical activity in later life ​ ​ ​ generated widespread coverage, including the New York Times, Times of India, ​ The Asian Age and Sky News Australia ​ ​ BMJ Innovative Figure 1 Medical Information App – Health Professional Radio 30/7/2017 ​ The BMJ Analysis: The antibiotic course has had its day ​ Researchers question whether you should really finish your antibiotics – CNN 27/07/2017 ​ Rule that patients must finish antibiotics course is wrong, study says - The Guardian ​ 27/7/2017 BBC Radio 4 Today Programme Interview with author Tim Peto and Helen Stokes-Lampard, ​ RCGP Chair (07.50am) 27/07/2017 Key broadcasts: BBC News Channel, BBC1 Breakfast, BBC1 London Breakfast, BBC2 ​ Newsroom Live, BBC Radio 5 Live Breakfast, BBC Victoria Derbyshire, BBC News at One, ​ ​ Newsday & Newshour (BBC World Service Radio), Good Morning
    [Show full text]
  • Brave New World Service a Unique Opportunity for the Bbc to Bring the World to the UK
    BRAVE NEW WORLD SERVIce A UNIQUE OPPORTUNITY FOR THE BBC TO BRING THE WORLD TO THE UK JOHN MCCaRTHY WITH CHARLOTTE JENNER CONTENTS Introduction 2 Value 4 Integration: A Brave New World Service? 8 Conclusion 16 Recommendations 16 INTERVIEWEES Steven Barnett, Professor of Communications, Ishbel Matheson, Director of Media, Save the Children and University of Westminster former East Africa Correspondent, BBC World Service John Baron MP, Member of Foreign Affairs Select Committee Rod McKenzie, Editor, BBC Radio 1 Newsbeat and Charlie Beckett, Director, POLIS BBC 1Xtra News Tom Burke, Director of Global Youth Work, Y Care International Richard Ottaway MP, Chair, Foreign Affairs Select Committee Alistair Burnett, Editor, BBC World Tonight Rita Payne, Chair, Commonwealth Journalists Mary Dejevsky, Columnist and leader writer, The Independent Association and former Asia Editor, BBC World and former newsroom subeditor, BBC World Service Marcia Poole, Director of Communications, International Jim Egan, Head of Strategy and Distribution, BBC Global News Labour Organisation (ILO) and former Head of the Phil Harding, Journalist and media consultant and former World Service training department Director of English Networks and News, BBC World Service Stewart Purvis, Professor of Journalism and former Lindsey Hilsum, International Editor, Channel 4 News Chief Executive, ITN Isabel Hilton, Editor of China Dialogue, journalist and broadcaster Tony Quinn, Head of Planning, JWT Mary Hockaday, Head of BBC Newsroom Nick Roseveare, Chief Executive, BOND Peter
    [Show full text]
  • Download Résumé
    [email protected] www.kristinbye.com feature films: kristin Obit / EDITOR A documentary feature about life on the New York Times’ obituary desk. bye Directed by Vanessa Gould. (93 minutes / Kino Lorber) 2016 Tribeca International Film Festival (world premiere), Hot Docs Film Festival (int’l premiere) Rams / CONSULTING EDITOR A documentary feature about legendary German industrial designer Dieter Rams. Directed by Gary Hustwit. Stray Dog / ADDITIONAL EDITOR (in conjunction with The Edit Center) A documentary portrait of Ron “Stray Dog” Hall: Vietnam vet, biker and lover of small dogs. Directed by Debra Granik (Winter’s Bone). 2014 LA Film Festival, Jury Award Best Documentary Ivory Tower / ASSISTANT EDITOR A documentary feature that explores the cost and value of higher education in the United States. Directed by Andrew Rossi (Page One: Inside the New York Times) for CNN Films. 2014 Sundance Film Festival Ride, Rise, Roar / ASSISTANT EDITOR A David Byrne concert documentary feature. Directed by Hillman Curtis. 2010 SXSW and SilverDocs Film Festivals Inside Job / PRODUCTION ASSISTANT A documentary about the 2008 financial crisis. Directed by Charles Ferguson. 2010 Academy Award for Best Documentary Feature; Cannes, New York, Toronto International and Telluride Film Festivals short film clients (commercial & documentary): EDITOR: Bobbi Brown Cosmetics Razorfish Brooklyn Academy of Music (BAM) Revlon Daniel Libeskind R/GA Hillman Curtis Squarespace Knoll Steinway & Sons New York Times TED Nokia United Nations Prescriptives Cosmetics Whitney Museum of American Art Purpose World Health Organization short films (fiction): Drowned Lands Powerhouse Books graphic design: studio 209, inc. PORTLAND, OR / 1997– 2008 Co-founder and partner of graphic design studio in Portland, Oregon, specializing in print and interactive media for a diverse range of clients including Nike, Oregon Symphony, Portland Center Stage, Portland Trailblazers and the Robert Wood Johnson Foundation.
    [Show full text]
  • The Donnie Darko (2001) Case
    doi: http://dx.doi.org/10.5007/1984- 8412.2020.e70764 SUBVERTING THE CHRONOTOPE: THE DONNIE DARKO (2001) CASE SUBVERTENDO O CRONOTOPO: O CASO DONNIE DARKO (2001) SUBVERTIENDO EL CHRONOTOPE: EL CASO DONNIE DARKO (2001) Marcia Tiemy Morita Kawamoto* Instituto Federal de Santa Catarina | Campus Gaspar ABSTRACT: This paper analyzes the film Donnie Darko (2001) by director and screenwriter Richard Kelly through the theoretical perspective of Mikhail Bakhtin’s (1981) chronotope. The latter defines it as an intermingling between temporal and spatial relations, artistically assimilated in literature (BAKHTIN, 1981), but in this study it is applied to film studies. Gilles Deleuze’s (1986, 1989) concepts of movement-image and time-image also contribute to the analysis. The film presents sequences of chronotope disruption, which are associated to the main’s characters mental state. Film techniques as parallelism, superimposition and ellipsis contribute to this break in the time and space association. Lastly, the analysis discusses Garret Stewart’s (2007) proposal that the digital cinema contributes to a disruptive cinematography, especially in relation to time-space constructions. KEYWORDS: Film studies. Chronotope. Science fiction. RESUMO: Este artigo analisa o filme Donnie Darko (2001) do diretor e roteirista Richard Kelly através da perspectiva teórica do cronotopo de Mikhail Bakhtin (1981). Este último define-o como um entrelaçamento entre relações temporais e espaciais, artisticamente assimiladas na literatura (BAKHTIN, 1981), mas neste estudo é aplicado aos estudos de filmes. Os conceitos de imagem-movimento e imagem-tempo de Gilles Deleuze (1986, 1989) também contribuem para a análise. O filme apresenta sequências de interrupção cronotópica, que estão associadas ao estado mental do personagem principal.
    [Show full text]
  • Foreign Government-Sponsored Broadcast Programming
    February 11, 2021 Foreign Government-Sponsored Broadcast Programming Overview Radio Sputnik, a subsidiary of the Russian government- Congress has enacted several laws to enable U.S. citizens financed Rossiya Segodnya International Information and the federal government to monitor attempts by foreign Agency, airs programming on radio stations in Washington, governments to influence public opinion on political DC, and Kansas City, MO. Rossiya Segodnya has contracts matters. Nevertheless, radio and television viewers may with two different U.S.-based entities to broadcast Radio have difficulty distinguishing programs financed and Sputnik’s programming. One entity is a radio station distributed by foreign governments or their agents. In licensee itself, while the other is an intermediary. DOJ has October 2020, the Federal Communications Commission directed each entity to register under FARA. Copies of the (FCC) proposed new requirements for broadcast radio and Rossiya Segodnya’s contracts with both entities are television stations to identify foreign government-provided available on both the FCC and DOJ websites. programming. FCC filings and a November 2015 report from the Reuters Statutory Background news agency indicate that China Radio International (CRI), For nearly 100 years, beginning with the passage of the an organization owned by the Chinese government, may Radio Act of 1927 (P.L. 69-632) and the Communications have agreements to transmit programming to 10 full-power Act of 1934 (P.L. 73-416), Congress has required broadcast U.S. radio stations, but independent verification is not stations to label content supplied and paid for by third readily available. parties so viewers and listeners can distinguish it from content created by the stations themselves (47 U.S.C.
    [Show full text]
  • Cornerstones of Community: Building of Portland's African American History
    Portland State University PDXScholar Black Studies Faculty Publications and Presentations Black Studies 8-1995 Cornerstones of Community: Buildings of Portland's African American History Darrell Millner Portland State University, [email protected] Carl Abbott Portland State University, [email protected] Cathy Galbraith The Bosco-Milligan Foundation Follow this and additional works at: https://pdxscholar.library.pdx.edu/black_studies_fac Part of the United States History Commons, and the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Citation Details Millner, Darrell; Abbott, Carl; and Galbraith, Cathy, "Cornerstones of Community: Buildings of Portland's African American History" (1995). Black Studies Faculty Publications and Presentations. 60. https://pdxscholar.library.pdx.edu/black_studies_fac/60 This Report is brought to you for free and open access. It has been accepted for inclusion in Black Studies Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. ( CORNERSTONES OF COMMUNITY: BUILDINGS OF PORTLAND'S AFRICAN AMERICAN HISTORY Rutherford Home (1920) 833 NE Shaver Bosco-Milligan Foundation PO Box 14157 Portland, Oregon 97214 August 1995 CORNERSTONES OF COMMUNITY: BUILDINGS OF PORTLAND'S AFRICAN AMERICAN HISTORY Dedication This publication is dedicated to the Portland Chapter ofthe NMCP, and to the men and women whose individual histories make up the collective history ofPortland's
    [Show full text]
  • The History of Portland's African American Community
    ) ) ) ) Portland City Cor¡ncil ) ) Vera Katz, Mayor ) ) EarI Blumenauer, Comrrissioner of Public Works Charlie Hales, Commissioner of Public Safety ) Kafoury, Commissioner of Public Utilities Gretchen ,) Mike Lindberg, Commissioner of Public Affairs ) ) ) Portland CitV Planning Commission ) ) ) W. Richard Cooley, President Stan Amy, Vice-President Jean DeMaster Bruce Fong Joan Brown-Kline Margaret Kirkpatrick Richard Michaelson Vivian Parker Doug Van Dyk kinted on necJrcJed Paper History of Portland's African American Community (1805-to the Present) CityofPortland Br¡reau of Planning Gretchen Kafoury, Commissioner of Public Utilities Robert E. Stacey, Jr., Planning Director Michael S. Harrison, AICP, Chief Planner, Community Planning PnojectStatr Kimberly S. Moreland, City Planner and History Project Coordinator Julia Bunch Gisler, City Planner Jean Hester, City Planner Richard Bellinger, Graphic Illustrator I Susan Gregory, Word Processor Operator Dora Asana, Intern The activity that is the subject of the publication has been frnanced in part with federal funds from the National Park Service, Department of the Interior, as provided through the Oregon State Historic Preservation Offrce. However, the õontents and opinions do not necessarily reflect the views or policies of the Department of the Interior, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of Interior. This program receives federal frnancial assistance. Under Title VI of the Civil Righti Act of 1964 and Section 504 of the Rehabilitation Act of L973, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, nafional origin, age or handicap in its federally-assisted programs. If you believe you have been discriminated against in any program, activity, or facility operated by a recipient of federal assistance, you should write to: Office for Equal Opportunity, U.S.
    [Show full text]