DOCSLIB.ORG

Keane Kommer Til Store VEGA På Deres Cause and Effect Tour

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Keane Kommer Til Store VEGA På Deres Cause and Effect Tour 2019-09-30 10:00 CEST Keane kommer til Store VEGA på deres Cause And Effect Tour VEGA og Live Nation præsenterer KEANE: CAUSE AND EFFECT TOUR 9. FEBRUAR 2020 STORE VEGA KEANE ANNONCERER 2020 EUROPA-TOUR I FORBINDELSE MED DET NYE ALBUM ‘CAUSE AND EFFECT’ - UDE NU Efter udgivelsen af deres seneste studiealbum ‘Cause and Effect’, annoncerer Keane en Europa-tour i begyndelsen af 2020. Touren starter 20. januar i Ancienne Belgique i Bruxelles og Keane vil efterfølgende turnere kontinentet rundt med 16 shows i januar og februar 2020. Bandet har brugt sommeren på at blæse festivalpublikummer omkuld i Storbritannien og Europa og udsolgte efterfølgende en række intimkoncerter i USA, Frankrig og Tyskland, inkl. shows i La Maroquinerie i Paris og Lido i Berlin. ’CAUSE AND EFFECT’ er Keanes efterfølger til ’Strangeland’ fra 2012, hvorpå man kunne finde singlerne ’Disconnected’ og ’Silenced by the Night’. Det nye albums tilblivelse kom som en overraskelse for bandet selv: Da de holdte en pause udgav sanger Tom Chaplin to succesfulde soloalbums, men han savnede sin gamle sparringspartner Tim Rice-Oxley. “I found myself wondering how I had come to let this very enigmatic and important relationship in my life drift,” udtalte Tom. I mellemtiden opdagede Tim, der havde kæmpet sine egne kampe, at han havde skrevet sange nok til et helt album; Nogle meget personlige sange, drevet af humor såvel som smerte. Da Tom, bassisten Jesse Quin og trommeslager Richard Hughes hørte sangene blev de omgående draget til dem, både lydmæssigt såvel som lyrisk. Derfra tog bandet i studiet for at lave det de elsker: at gøre sangene til virkelighed og hænge ud med hinanden. Som Tim Rice-Oxley siger: “We’ve got a lot of great music in us.” – og det er lige præcis det ’CAUSE AND EFFECT’ er. EUROPA-TOUR DATOER: 20/1/20 Brussels, Belgium Ancienne Belgique 21/1/20 Paris, France Olympia 23/1/20 Barcelona, Spain Razzmatazz (Main Room) 25/1/20 Porto, Portugal Coliseum Do Porto 26/1/20 Lisbon, Portugal Campo Pequeno 27/1/20 Madrid, Spain La Riviera 29/1/20 Toulouse, France Le Bikini 31/1/20 Zurich, Switzerland Halle 622 2/2/20 Prague, Czech Republic Forum Karlin 3/2/20 Berlin, Germany Verti Music Hall 5/2/20 Gothenburg, Sweden Trädgår’ n 6/2/20 Stockholm, Sweden Cirkus 7/2/20 Oslo, Norway Sentrum Scene 9/2/20 Copenhagen, Denmark Vega 10/2/20 Hamburg, Germany Docks 11/2/20 Amsterdam, Netherlands AFAS Live https://www.keanemusic.com/ Billetpriser: 425kr. + gebyr Billetsalget starter fredag 4. oktober kl. 10.00 via vega.dk, livenation.dk og ticketmaster.dk. Jyske Bank kunder og Live Nation Danmark nyhedsbrevsmodtagere presale: Torsdag 3. oktober kl. 10.00 til 4. oktober kl. 9.00 (23 timer). Læs mere på www.livenation.dk og www.jyskebank.dk/musikken Live Nation er verdens førende producent og formidler af live entertainment oplevelser. På verdensplan bliver det til + 25.000 årlige koncerter og mere end 68 millioner solgte billetter. Live Nation Denmark er Danmarks førende koncertbureau med 50 engagerede medarbejdere der holder til på Frederiksberg Allé i København. Vi producerer alt fra mindre klubshows til arenakoncerter og store udendørskoncerter. Vores udbud spænder fra ny upcoming musik til mere etablerede kunstnere. Vi arrangerer også COPENHELL Festivalen på Refshaleøen, og Heartland Festivalen ved Egeskov Slot på Fyn. Vi ønsker at tilbyde vores gæster det bedste; både før, under og efter arrangementet! Seriøs billetsalg og en musik- og begivenhedsrige oplevelser man husker for livet. Kontaktpersoner Heidi Degn Pressekontakt PR & Promotion Manager [email protected] 35254100.
Load more

Recommended publications
  • DE WAARDE VAN POP 2.0 1 Investeren in Popmuziek Is Investeren in Veel Meer Dan Alleen Cultuur
    De maatschappelijke DE betekenis van popmuziek WAARDE VAN 2.0 POP DE WAARDE VAN POP 2.0 1 Investeren in popmuziek is investeren in veel meer dan alleen cultuur. Popcultuur en popmuziek bieden talloze kansen voor gemeenten en burgers. Stichting POPnl, en VNPF bieden met deze publicatie wethouders, raadsleden en ambtenaren inspiratie en handvatten voor een vruchtbaar gemeentelijk popbeleid waar burgers, muzikanten, gemeente, overheid en horeca de vruchten van plukken. 2 DE WAARDE VAN POP 2.0 DE WAARDE VAN POP 2.0 3 INHOUD Voorwoord . 5 VOORWOORD Samenvatting . 7 Met meer dan 202.000 inwoners, tal van voorzieningen en een internationale sfeer is Wat is popcultuur? . 11 Popmuziek en de gemeente, Popmuziek en de markt . 11 Groningen met recht dé stad van Noord-Nederland. Wie door Groningen loopt krijgt De Waarde van Pop 2.0 . 13 een zeer gevarieerd en kleurrijk beeld van een dynamische stad en haar inwoners. Welke kansen biedt popmuziek? . 14 Groningen is een gastvrije festivalstad, waar heel veel kan en mag en waar het toch Cultureel ondernemerschap . 14 altijd gezellig blijft. Groningen is een echte studentenstad. Dat merkt de bezoeker aan Multipliereffect en popmuziek, Popmuziek en de Raad voor Cultuur . 15 de sfeer op straat, de aantrekkelijke uitgaansgelegenheden, de aanwezigheid van de DE POPSECTOR IN VOGELVLUCHT. 17 vele gebouwen van de Rijksuniversiteit en de Hanzehogeschool. Dat is ook te merken: Cultureel clusteren, Welke kerntaken zijn er weggelegd voor de gemeente? . 18 een jonge bevolking, waarvan het overgrote deel tussen de twintig en dertig jaar is. Overzicht: Wat is de popsector? . 19 RINGENMODEL VAN WIJN . 20 Voor popmuziek en popmuzikanten is Groningen een geweldige stad.
    [Show full text]
  • February 5, 2013 - Uvm, Burlington, Vt Uvm.Edu/~Watertwr - Thewatertower.Tumblr.Com
    volume 13 - issue 3 - tuesday, february 5, 2013 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by staceybrandt Veiled in a dimness that makes every- thing ironic and decorated with items from a shitty garage sale, Radio Bean creates the perfect environment for local talent to sing, strum, and squawk their stuff . It’s no won- der that when sign-ups for Monday night’s Open Mic rolled around the line was liter- ally out the door. Hoards of hipsters and hippies crammed around the sign-up sheet eager to reserve fi ft een precious minutes of attention from strangers. I managed to squeeze my name onto the list, and be- ing a fi rst timer, my name was generously weed smell in one’s dorm room. It’s funny spotlight, an idiot with a microphone, and subsequent performers included a mind- pushed to the top: 9 o’clock was my time. I what the Radio Bean crowd can do to one’s my words now somehow mattered. Con- blowing bongo drummer who later col- would perform fi rst. mental state. Th e cool chick sitting next to templating using an edgy stage name (Cool laborated with a resident beat-boxer (they When I am nervous, I tend to yawn me gave me the sudden urge to dread my Jew?), I half-mumbled my intro and began did an impromptu jam session that brought involuntarily—probably because I forget hair and get a tattoo sleeve. And a heavily to pluck my guitar strings. People got quiet everyone to their feet), a man making nois- to breath and, deprived of oxygen, I must bearded man across the bar made becom- when I started to sing which made me relax es which he called “hip-hop”, and a talented resort to large spontaneous gulps of air to folk-country singer named Will Overman remain conscious.
    [Show full text]
  • Download the Programme (PDF)
    those true facts in full One of the most popular features of BTIS was our now-retired ‘true facts’, dreamed up when we realised that some of our listeners were slightly more naive than others. Here’s your souvenir guide to all twenty-nine of them. #1 - Keane's popularity in Argentina soared after #15 - A clause in the contract of Keane's PA, Beth, Hopes and Fears was re-released in Spanish, with forces her to always appear in public wearing a scarf. vocals by local singer Andres Calamaro (Sorry Beth! - A&C) #2 - In 2004, the Italian principality of San Marino #16 - Tom Chaplin was offered a contract by the an evening with adopted Bedshaped as their national anthem. Indian Premier League, but turned it down to safe- #3 - Richard Hughes can render a deer unconscious guard his England future. with a single blow. #17 - A Peruvian fan has a tattoo of Tom Chaplin's beyond the iron sea #4 - On A Day Like Today was excluded from the face across her entire back. American version of Hopes and Fears, after its drum #18 - Ashbee and Son, Rye’s premier butchers shop, beat was ruled illegal by the US Supreme Court. has invented a special sausage in Tom's honour con- #5 - Aged 14, Richard Hughes became British junior taining a delicious mix of pork, beef... and mackerel. puissance champion. #19 - At Keane's 2004 Mexico City gig, the support act #6 - Tom Chaplin is still traumatised after a childhood was a luchador wrestling bout featuring local hero encounter with a mad goat.
    [Show full text]
  • In the Transition from Stage to Arena, Live Music Is Remade
    Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer.
    [Show full text]
  • P20-21 Layout 1
    20 Established 1961 Lifestyle Gossip Tuesday, February 19, 2019 Tom Jones set for Live at Chelsea gig ir Tom Jones will play a special show at the home of the Chelsea fifth year, and has previously seen the likes of James Blunt, Kaiser Chiefs, Rufus S Pensioners in West London this summer. As part of the ‘Live At Wainwright, Ludovico Einaudi, Simply Red and Belle & Sebastian perform for Chelsea Concert Series 2019’, the ‘It’s Not Unusual’ hitmaker - who the pensioners and audience members. A portion of the ticket sales from the can currently be seen as mentor on ‘The Voice UK’ - will perform at event is donated towards the care of the Chelsea Pensioners, as well as, the the outdoor event held at the grounds of the Royal Hospital Chelsea on June 15. maintenance of the Grade I listed site, which has provided care and comrade- Tweeting about the forthcoming gig, Tom said: “London ... It’s give me great ship to ex-military personnel since 1682 when it was founded by King Charles pleasure to announce a show for you this June!” Other confirmed acts include II. Tickets for the 78-year-old Welsh music legend’s show go on sale on Friday ‘Africa’ hitmakers Toto on June 13 and Gipsy Kings featuring Nicolas Reyes and from 10am. Tonino Ballardo on June 14. The ‘Live At Chelsea Concert Series’ returns for its Richard E. Grant was told he looked ‘too weird’ to be an actor ichard E. Grant was told he “looked too weird” mind that it would be possible to ever be in a movie - R to make it as an actor when he was studying that’s what happened overseas or in America or in drama at university.
    [Show full text]
  • Upgrades, Rebranding Designed to Further
    CRANKING UP ‘THE AMP’ BY LISA WHITE UPGRADES, REBRANDING DESIGNED TO FURTHER HEIGHTEN PROFILE OF ST. AUGUSTINE AMPHITHEATRE AND PONTE VEDRA CONCERT HALL . Amphitheatre kicked o its main-stage concert season March 1 with a sold-out show by Alabama, guests at the Florida venue couldn’t help but notice the changes. The 4,000-seat facility had been expanded by 700 seats, and a new food truck area provided fresh local options beyond the traditional concession stands. “We sell out a lot of our shows quickly, so we knew the demand was Athere and the ability to bring in bigger acts,” said Gabe Pellicer, assistant director of the venue and the adjacent Ponte Vedra Concert Hall, about the new seats. “We knew we had a lot of momentum, so we went for it.” The changes coincide with a rebranding for what’s now being called The Amp St. Augustine, including new graphics and brand colors and a fresh tagline — “Big Acts, Small Venue” — that echoes Pellicer’s words. The rebranding eorts are among a continuing eort to create a nationally known venue in a small market. “We felt like we ran into a fork in the road,” Pellicer said. “Do we create more revenue, more shows or a better experience? We’re a government-run venue that doesn’t have to chase prots, so we decided to make it the best we possibly could.” Owned and operated by the cultural events division of St. Johns County, The Amp hosts over 40 concerts and multiple community events annually, including the Saturday Farmers Market, held year-round, and the Sing Out Loud Festival, Florida’s largest free live entertainment festival and benet, held every weekend in September.
    [Show full text]
  • European Tour Dates Featuring Sza Plus Special Guests
    BRYSON TILLER ANNOUNCES ‘SET IT OFF’ EUROPEAN TOUR DATES FEATURING SZA PLUS SPECIAL GUESTS SET IT OFF TOUR ARRIVES IN AMSTERDAM, NETHERLANDS AT AFAS LIVE ON 24 OCTOBER TICKETS ON SALE FRIDAY, 14 JULY MULTIPLATINUM-SELLING ARTIST’S MUCH-AWAITED SOPHOMORE ALBUM TRUE TO SELF AVAILABLE NOW AMSTERDAM, THE NETHERLANDS (10 July, 2017) – On the heels of the release of his highly-anticipated sophomore album True to Self, BRYSON TILLER today announces his European leg of the SET IT OFF TOUR, which will arrive in Amsterdam on 24 October at AFAS Live. Tickets will go on sale 14 July at 10h00 through Ticketmaster.nl. Presented by Concerts West/AEG Presents, the Set It Off Tour kicks off 17 October in Marseille, France and hits 23 cities and 13 countries before concluding in Dublin, Ireland. The European leg features SZA, whose recently released album Ctrl garnered massive critical acclaim and clinched the No. 3 spot on the Billboard 200 chart, as well as a special guest to be announced. The new dates mark Bryson’s second headlining tour and the first since his hugely successful T R A P S O U L Tour, which sold out 47 dates in both the US and Europe, including two back-to-back shows at Radio City Music Hall. Bryson’s previously-announced North American Set It Off tour dates will kick off this August in Atlanta and make over 25 stops including two nights at Radio City Music Hall and the singer’s first time at Los Angeles’ Greek Theatre before concluding for a hometown finale at Louisville’s KFC Yum! Center.
    [Show full text]
  • Northside Releases the Final Poster
    Keane 2019-03-26 10:00 CET NorthSide releases the final poster Keane, Pond, and Hop Along are among the last eight acts for this year's fantastic NorthSide poster Since October last year, NorthSide has been able to present a string of world- class acts such as Bon Iver, New Order, Tame Impala, The Streets, Major Lazer, Foals, Khalid, Migos, Nas, First Aid Kit, Mark Ronson, and many others, and now the festival adds another eight exciting acts for this year's poster. Among the international additions are the Platinum-selling band Keane, who after a six-year break is finally ready to tour again. The band's latest Danish show was at NorthSide in 2013, and now Keane is promising both new music and a comeback to the big stages. The band with Tom Chaplin in front broke through in 2004 with the album "Hopes and Fears", which contained inevitable hits such as "Somewhere Only We Know", "Everybody's Changing", and "Bedshaped", and today the band's debut is one of the best-selling British records of the past twenty years. The string of hits continued with "Is It Any Wonder?", "Crystal Ball", "Stop for a Minute”, "Silenced by the Night", and "Sovereign Light Café" before taking a well-deserved break in 2013. Keane has sold more than 10 million records worldwide, and all of their four albums went to number one in their native England. They are an excellent live band with lots of songs that everyone can sing along to, and this summer they finally get their comeback at NorthSide.
    [Show full text]
  • Hoogoorddreef 60 | Center Point Amsterdam
    HOOGOORDDREEF 60 | CENTER POINT AMSTERDAM TE HUUR I FOR RENT INHOUD | CONTENTS Samenvatting Summary Het gebouw The property Locatie Location Bereikbaarheid Accessibility Plattegrond Floor plans Foto’s Photos Contact Contact Colliers International Colliers International Samenvatting Het gebouw is gelegen aan de Hoogoorddreef 60 in het centrum van Amsterdam Zuid-Oost, en ligt zeer dicht bij het NS-station Amsterdam Bijlmer ArenA. In de nabije omgeving zijn veel grote bedrijven gevestigd waaronder ABN AMRO, ING Bank, DTG, de Bijenkorf hoofdkantoor en Tesla. Daarnaast bevinden evenementenlocaties zoals de Johan Cruijff ArenA, Ziggo Dome en AFAS Live zich op loopafstand van het gebouw. Bij de toekomstige inrichting van het gebouw wordt zeer veel aandacht besteed aan thema’s als circulair bouwen, duurzaamheid (ook materiaal), het gebruik van contrasten, fris kleurgebruik en het creëren van een connectie tussen binnen en buiten. Verschillende verdiepingen kunnen inclusief inbouwpakket worden opgeleverd, en de entree op korte termijn een grootschalige renovatie ondergaan. Summary The building is located on the Hoogoorddreef 60 in the center of Amsterdam Zuid-Oost (South-East) and is very close to the Amsterdam Bijlmer Arena Station. In the surrounding area there are many established businesses such as ABN AMRO, ING BANK, DTG, de Bijenkorf head office and Tesla. Moreover, in the area event locations such as the Johan Cruijff ArenA, Ziggo Dome and AFAS Live are at a walking distance from the building. With future renovations, a lot of attention will be given to themes such as circular building, sustainability (materials included), the use of contrasts, use of light colours and creating a connection between the inside and the outside.
    [Show full text]
  • Facts & Figures
    Facts & Figures CAPACITEIT AFAS Live SURFACE SEATED STANDING Black Box 3.000 m² ± 3.500 personen max. 5.500 persons removable stage (832) balcony (666) and 2 VIP balconies isla Talent Stage 500 m² 487 persons 670 persons Foyer 1.000 m² reception 1.500 persons Vide 255 m² Restaurant First 152 m² 84 persons Legends Lounge 56 m² 42 persons isla Talent Stage EXCELLENT LOCATION AND ACCESSIBILITY • Private sponsor/VIP entrance • Located in the Southeast of Amsterdam, just off the A2 (Utrecht – on the Johan Cruijff Boulevard Amsterdam) on the Johan Cruijff Boulevard, opposite the Amsterdam • Triangular shaped area of 500 m², ArenA located on the first floor • 100 m from train and tube station “Bijlmer ArenA” • Ideal separated party area Vide VIP BALCONIES EASY ACCESS LOADING AREA • reception area • Two VIP balconies with • Doors (13 and 7.5 m wide, 4.5 m • floor area of 255 m² perfect sightlines high) • catering facilities • Buffet and hostess • Easy access to main hall for trucks • acces from isla Talent Stage • Large service elevator to restaurant First Foyer • Transparent façade • Spacious entrance and foyer • Cloakroom facilities (> 5.000) • Fixed sound and light equipment • Total: 1232 lockers • Panorama elevator DE BLACK BOX • Approx. 3.000 m² area surface • Excellent acoustics • High-quality air conditioning • Removable stage and balcony • 650 Amp power outlet for stage techniques and 250 Amp power outlet for other require RESTAURANT FIRST ments • Beams (4.000 kg) – almost every requirement LEGENDS LOUNGE can be met • Free space to bottom
    [Show full text]
  • Tool the Commonheart Robert Randolf & the Family
    TANYA TUCKER COMMON REDD KROSS ROBERT RANDOLF & THE FAMILY BAND TOOL WHILE I’M LIVIN LET LOVE BEYOND THE DOOR BRIGHTER DAYS FEAR INOCULUM FANTASY LOMA VISTA MERGE RECORDS MASCOT LABEL GROUP RCA RECORDS Produced by (and co-written with) Brandi Carlile Grammy and Academy Award-winning rapper The best rock band you’ve still never heard of, Redd Robert Randolph grew up playing sacred steel music At long last Tool are back with Fear Inoculum – and Shooter Jennings, While I’m Livin’ marks Tanya Common’s twelfth studio album Let Love was inspired Kross, invite you to explore Beyond the Door, an – basically gospel played on pedal steel guitar – in the an album perfectly titled for these strange times. Tucker’s first release of all new material since 2002’s by his 2019 memoir Let Love Have the Last Word, album inspired by the band’s “total commitment to House of God church in Orange, NJ, and proceeded to Preceded by the sprawling 10-minute plus title cut Tanya. “It’s a musical biography of sorts,” says Carlile, which left him “charged to go to raw, personal and having the best f*cking time we can have while we’re take his joyous, gospel-infused music out to the clubs epic, the 85-minute follow-up to 2006’s 10,000 Days “about Tanya’s real life and the places she’s seen… spiritual places in the music.” Boasting contributions all still here” (what they like to call “The Party”). It’s a and into the world. When it was time to record Brighter was produced by Tool, with Joe Barresi (10,000 Days) And it’s narrated by the greatest country-and-western
    [Show full text]
  • The Problem of Philosophy in Siegfried Kracauer's
    PECULIAR THEORY: THE PROBLEM OF PHILOSOPHY IN SIEGFRIED KRACAUER’S THEORY OF FILM Nicholas Alexander Warr Submitted for the qualification of PhD University Of East Anglia School of Film, Television and Media Studies 2013 © “This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent”. ABSTRACT The republication of Theory of Film: The Redemption of Physical Reality by Siegfried Kracauer (1889 – 1966) in 1997 marked not just the highpoint of a period of renewed interest in his work, a period initiated by a series of events organized to mark the centenary of his birth, but also the limit of his scholarly influence. Though enthusiasm for his early sociological and cultural criticism written in Frankfurt and Berlin during the 1920s and 1930s continues to permeate research in numerous other disciplines within the humanities, his film theory continues to have little or no impact on the debates that currently define film studies. The reason for this, I argue, relates to the problematic role of philosophy in his film theory. Focusing primarily on Theory of Film, I examine in detail what makes Kracauer’s theory peculiar; peculiar in the sense that it belongs specifically to the film medium and peculiar in regard to the ambiguous philosophical claims that distinguish it from subsequent methods of film analysis. The contemporary image of Kracauer as a cultural philosopher, I argue, restricts how we read the relationship between film and philosophy in his work.
    [Show full text]