- .JULIUS CAESAR

DeWitt's drawing of the Swan Theatre, c. 1596, is the only visual record we have as to what the interior of the Elizabethan theatres looked like. DeWitt's letter on London theatres was also copied and tells us that the Swan was 'the largest and most distinguished . . . ' ·BAm THE BROOKLYN ACADEMY OF MUSIC The look we're Big on this season! Liberate your body with full easy tops sliding over voluminous skirts or narrowed trousers for an exciting new proportion! Layer. on a roomy vest or an uncon­ structed blazer for polish in this new relaxed mood in dressing. At the A&S nearest you. AbrahamandStrau Brownstones THEY DON'T .MAKE 'E.M LIKE THAT ANYMORE

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'I Cast for Julius Caesar

Julius Caesar George Rose Triumvirs after the Death of Julius Caesar Octavius Caesar Thomas Hulce BREAKFAST SPECIALS Marcus Antonius Austin Pendleton COMPLETE LUNCHEONS M. Aemilius Lepidus Sheldon Epps OUR FAMOUS SANDWICHES Senators FULL COURSE DINNERS Cicero Ken Letner Popilius Lena George McDaniel LATE SUPPER SNACKS Conspirators against Julius Caesar SUNDAY BRUNCH Marcus Brutus Rene Auberjonois & DINNER Cassius Richard Dreyfuss Rex Robbins OPEN DAILY & SUN Casca from 6:30 AM 'til 1:30 AM; Trebonius Stephen Davies FRI to 3 AM; SAT to 4 AM Justin Deas Decius Brutus All Baking Done Metellus Cimber Philip Kraus on Premises Cinna Terry Alexander Tribunes OUR BURGUNDY Flavius Paul Perri BANQUET ROOM Marui Ius George McDaniel Available for Private Parties for up to 200 Artemidorus Paul Perri CALL A Soothsayer Sheldon Epps 852·5257 Cinna, A Poet Paul Perri Friends to Brutus and Cassius Lucilius Stephen Davies Titinius Ken Letner Messa Ia George McDaniel Young Cato Rex Stallings Volumnius Paul Perri For the BAM Theatre Company, Strato Philip Kraus these members have previously Lucius, Servant to Brutus Michael Gennaro played the following parts: Pindarus, Bondman to Cassius Justin Deas Norman Abrams Servant to Antony Rex Stallings Soldier (Devil's Disciple-1978) Servant to Caesar Paul Diaz A Lackey (Play's The Thing-1978) First Soldier Terry Alexander Rene Auberjonois Second Soldier Paul Diaz Karslake (New York ldea-1977) Third Soldier Norman Abrams Solyony (Three Sisters-1977) Sandor Turai (Play's The Thing-1978) Calpurnia, Wife to Caesar Sloane Shelton Portia, Wife to Brutus Holly Villaire Paul Diaz Soldier (Devil's Disciple-1978) Plebians, Workpeople of Rome THE COMPANY (Led by Ken Letner) A Lackey (Play's The Thing-1978) Assisted by the following students: Scott Barton, Robert Bedford, Ronald Jay Ken Letner Berliner, William Campbell, Jacqueline Cantey, Brudenell (Devil's Disciple-1978) Shawn Charles, Jeffrey Cohen, Lorrie Cook, John Doerner, Drew Farber, Tyrone Jones, George McDaniel Shiva Kumar, Randi Lieberman, Lisa Pollack, Officer (Devil's Disciple-1978) Evan Turk, Douglas Urbanski, Robert Wyatt. (Through the permission of Actors Equity Austin Pendleton Association) Tusenbach (Three Sisters-1977) Albert Adam (Play's The Thing-1978) Percussionist C.J. Everett Rex Robbins Synopsis Thomas (New York ldea-1977) Kulyugin (Three Sisters-1977) The action takes place in Rome and later at Philippi, Greece. Dwornitschek (Play's The Thing-1978)

There will be one fifteen minute intermission. George Rose General Burgoyne (Devil's Disciple-1978) UNDERSTUDIES Almady (Play's The Thing-1978) Understudies never substitute for listed players unless a specific announcement is made at the time Rex Stallings of the performance. Soldier (Devil's Disciple-1978) Understudy for Julius Caesar-Ken Letner; for Octavius Caesar-Sheldon Epps; for Marcus Antonius, Holly Villaire Decius Brutus, Messala-Paul Perri; Marcus Brutus-George McDaniel; for Cassius-Justin Deas; for Benson (New York ldea-1977) Casca, Cicero, Flavius, Marullus-Rex Stallings; for Trebonius, Cinna, Metellus Cimber, Lucius, Young Natasha (Three Sisters-1977) Cato-Paul Diaz; for Soothsayer, Portia , Calpurnia-Sharon Morrison; for M.Aemilius Lepidus, Pin­ Townsperson (Devil's Disciple-1978) darus, Servant to Antony, Artemidorus-Norman Abrams; Titinius, Cinna a Poet, Lucilius-Terry Alexander. The Play and Shakespeare's Theatre

JULIUS CAESAR was written in 1599 when Shakespeare was an octagonal building, open to the sky, with the was thirty-five years old. It played at the Globe Theatre audience in balconies surrounding the actors. The stage in London. A Swiss doctor, Thomas Platter, visited Lon­ was a wide flat expanse projecting into the audience. don in 1599. During his stay in the city he saw two plays The company had the best actors and writers of the day, and had this to say of one of them: but there was no scenery as we know it- merely large "After lunch on September 21st, at about two 'properties'-and the company was used to much doub­ o'clock, I and my party crossed the river, and there in ling of parts when they had a populous play like a histo­ the house with the thatched roof we saw an excellent ry to do. Costumes were important to the Elizabethan performance of the tragedy of the first Emperor Ju I ius actors, but they were modern dress (of their day) as a Caesar with about fifteen characters; after the play, basic, with pieces added for historical reasons. according to their custom they did a most elegant and curious dance, two dressed in men's clothes, and This contemporary drawing of Shakespeare's two in women's." "Titus Andronicus" shows how a Roman play was The Globe Theatre, Shakespeare's own theatre, presented and costumed in 1592.

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Shakespeare beqan Henry V with an appeal to the And let us, ciphers to this great accompt, audience's imagination: On your imaginary forces work. "0 for a Muse of fire, that would ascend Suppose within the girdle of these walls The brightest heaven of invention Are now confined two mighty monarchies, A kingdom for a stage, princes to act Whose high upreared and abutting fronts And monarchs to behold the swelling scene ... . The perilous narrow ocean parts asunder: ... But pardon, gentles all, Piece out our imperfections with your thoughts; The flat unraised spirits that have dared Into a thousand parts divide one man, On this unworthy scaffold to bring forth And make imaginary puissance; So great an object: can this cockpit hold Think, when we talk of horses, that you see them The vasty fields of France. Or may we cram Printing their proud hoofs i' the receiving earth; Within this wooden 0 the very casques For 'tis your thoughts that now must deck our kings, That did affright the air at Agincourt? Carry them here and there; jumping o'er times, 0, pardon! Since a crooked figure may Turning the accomplishments of many years Attest in little place a million; Into an hour glass .... " Historical Background PREPARE FOR: MCIT • DIT • LSIT GMIT • GRE • OCAT The Romans were proud that they had taken against order of whatever kind. ejected their kings early in their history Lord Acton could have been des­ VAT· SIT and created a great Rep ubi ic. cribing the leaders of the last years of the Julius Caesar was born in 100 B.C. Roman Republic in 1867 when he said: 1MB I. II, Ill· ECFMG At the early age of thirty-two he began to "Power tends to corrupt, and absolute hold a series of the most important offices power corrupts absolutely. Great men are FLEX·VQE in the Roman Rep ubi ic. At the age of almost always bad men." forty, he made an alliance with Pompey NAT'L DENTAL BOARDS in his address to the Great and Crassus to form the First Abraham Lincoln, Congress on the 4th of July, 1861, con­ NURSING BOARDS Triumvirate. The three men became all­ Flexible Programs & Hours powerful in Rome. After a number of sidered the same problem: great military successes, Caesar became "And this issue embraces more than the «rhere IS a difference!!! Pompey's enemy and defeated Pompey , fate of t hese United States . It presents to For Information Please Call : who was murdered at Alexandria. Caesar, the whole family of man the question Brooklyn (212) 336-5300 in the year 46 B.C. at the age of fifty-four, whether a consti tutional republic or de­ 1675 E 16 Bklyn N.Y. 11229 mocracy-a government of the people by Manhattan (212) 832-1400 was given the title of lmperator for life. Long Island (516) 538-4555 This office gave him all the power of an the same people-can or ca nnot maintain New Jersey (201) 846-2662 absolute king and he began to behave like its territorial integrity against its own Connecticut (203) 789-1169 one. domestic foes. It presents the question A group of conspirators first led by whether discontented individuals, too few Cassius, and then Brutus , afraid for the in numbers to control administration future of the Rep ubi ic, ass~ssinated Caesar according to organic law in any case, can E~~~EALTD in March 44, B.C. always, upon the pretences made in this TEST PREPARATION SPECIALISTS SINCE 1938 Brutus, Cassius' brother-in-law, who case, or arbitrarily without any pretence, ! 535 Madison Ave, NYC 10022 (nr 54 St) was possibly Caesar's illegitimate son, was break up their government, and thus prac­ honored by all in Rome and lent respecta­ tically put an end to free government upon Outside N.Y. State Only CALL TOLL FREE: 800-223-1782 Centers in Maior US Cities Toronto, Puerto Rico bility to the conspiracy. the earth. It forces us to ask : 'Is there, in and Lueano, Switzerland Shakespeare's play is a tragedy, but all republics, this inherent and fatal weak­ it is not just the tragedy of one person. It ness?' 'Must a government, of necessity, is a tragedy of Rome-an almost documen­ be too strong for the I iberties of its own tary study of the evi I possib i I ities of gov­ people, or too weak to maintain its own ernment and the conseq uences of violence existence?'" Restaurant Charcuteri.e Catering

OUR PRODUCTION

This production makes no attempt to be a histqrical reconstruction of ancient Rome. We are trying to make a re-creation of Shakespea re's intentions, to find a way into the play and its poetry, playing on a bare platform with the simplest elements of costumes and properties­ forcing us to rely on words, their sounds and sense to work on the imagination of the audience. Our resources in numbers of company are much the same as that of Shakespeare's company. Nearly every member of the company plays two or three parts. The crowd is led by members of the company assisted by a few walk-ons. The production will be in a permanent state of change. We are doing it not only to entertain you but to learn for ourselves. We hope you will make this journey of dis­ covery, research and understanding with us. We will be rehearsing and re -rehearsing co ntinually. It will be a work in progress : every day, we hope, making new discoveries. Who's Who· in the Cast . ..

Norman Abrams (Soldier) appeared in the in The Matchmaker, Harry in The Time of Your BAM Theatre Company's production of The Life , McCue in The Front Page , Nicolai in War Devil's Disciple and The Play's The Thing. He and Peace , and Sandy Tyrell in Hay Fever. He has been previously seen in Scapino on Broad­ recently stood by for the two sons in the Broad­ way, and the subsequent national tour of that way production of November People and is cur­ production . He has toured nationally with the rently Bucky Carter on NBC's Ryan's Hope. Young Vic, doing Oedipus and Taming of the Shrew. He appeared on The Tonight Show with Paul Diaz (Servant to Caesar/Soldier) is a Johnny Carson. graduate of the University of Virginia, where he was a member of the Virginia Players Tour­ Terry Alexander (Cinna, Messenger) re­ ing Company; he also stage manageq pro­ cently appeared as Bernard Lee in the NBC-TV ductions of The Skin of Our Teeth, The movie, He has been seen on Broadway in House of Blue Leaves·, and The Pirates of Pen­ A maestro is a master of art. And at King. Charles Gordone's zance. In New York, Paul's credits include The Cafe Patisserie the art is in the cook­ No Place To Be Somebody and at Linco ln Center inthe New York Shak es­ Primary English Class with Diane Keaton, and ing. Each dish is a virtuoso perform­ peare Festival's Streamers. His other stage Castaways. He has also been a stage manager f or ance. Enjoy our savory, homemade credits include Naomi Court, He's Got A Jones, such evenings in the theatre as The George soups and salads, unusual sandwiches Rash oman, and Death of a Salesman . He has Abbott Tribute and The Ethel Merman and French quiches and our speciality~ also been seen as Zac Richards on NBC's Mary Martin Tribute. Paul has appeared at BAM a tempting array of palate pleasing daytime drama Another World. Mr. Alexander in Joseph and the Amazing Technicolor Dream­ crepes. The master confiteurs of received his theatrical training at Wayne State coat, The Devil's Disciple and The Play's The !?clair have created pastries which University in Detroit, Michigan. Thing. will surely inspire ah encore (or two or three!). Complement the experi­ Rene Auberjonois (Marcus Brutus) gradu­ ence with expresso or cappuccino : (Cassius) first gained ated Carnegie Mellon, B.F.A. Repertory: A Richard Dreyfuss the perfect ending to a memorable critical attention in a production of Shaw's indulgence. founding member of American Conservatory Major Barbara at the Mark Taper Forum in Los Theatre, San Francisco, where he appeared in Angeles. That performance led to his role in Minimax is only a few minutes from 30 productions, including title roles in Tartuffe, the film American Grafitti. Mr. Dreyfuss BAM . 174 Montague Street in his­ King Lear, Charley's Aunt and directed Beyond appeared in va rious New York off-Broadway toric Brooklyn Heights. the Fringe, and The Apollo of Be/lac. At Arena plays, notably Israe l Horowitz' Line, and made Mon-Thurs 8am-1lpm/Fri-Sat 8am- Stage,· Washington, D.C. : 27 productions in­ his Broadway debut in But Seriously . Returning 12pm/Sun 9am-10pm cluding The Hostage, Long Day's Journey Into to the Los Angeles stage, he performed with Night, Othello. At Lincoln Center: King Lear Henry Fonda in a revival of The Time of Your (the Fool) with Lee J. Cobb and Twelfth Night Life. His film credits include The Graduate (Malvolio) with Blythe Danner. At New York Valley of the Dolls, Dillinger, The Apprentice~ Shakespeare Featival: King Lear (Edgar) with ship of Duddy Kravitz, Jaws, and Inserts, for James Earl Jones. At the Center Theater Group , which he a Iso served as production associate. Los Angeles: The Miser (LaFleche) with Hume For his performance as Elliot Garfield in The Cronyn , Chemin de Fer, and Dance Next Door. Goodbye Girl he re ceived an Academy Award You're Surrounded! BAM Theatre Company : John Karslake in The nomination for Best Actor. He is currentl y star­ New York Idea, Solyony in The Three Sisters , ring in Close Encounters of the Third Kind, and and Sandor Turai in The Play's The Thing. co-producing the forthcoming film The Big Fix. On Broadway: with Katharine Coco Recntl y Mr. Dreyfuss returned t o the stage to Hepburn (Tony Award for Best Supporting by Boerum Hill and Fort Greene, star in Paddy Chayefsky's The Tenth Man in Actor), (Scapin) and Neil Simon's affordable elegance, convenience, Tricks The Los Angeles. community, tranquility. Antique Good Doctor (Nominated for Tony Award). zing. Come explore with He has. served on faculties of U.C. Ber­ keley, San Francisco State, and Juilliard . Sheldon Epps (M. Aemilius Lepidus) has Television: Incident at Vichy, directed appeared in stock and regional theatres across by Stacy Keach; N.E.T.'s Biography-George the United States in both musical and dramatic Washington; ABC movies Panache, Harvest productions. As a member of the Alley Theatre Home with Bette Davis and numerous "guest acting company for three seasons, he played shots" on Rhoda, Bob Newhart, Delvecchio. Feste in Twelfth Night and Clov in Endgame. Musical credits include Jacques Brei, Applause, . Films: Robert Altman'sM.A.S.H., Brew­ and Camelot. He ha s performed on TV soaps, ster McCloud, McCabe and Mrs. Miller, and 102 Hoyt Street, near Atlantic commercials and PBS specials. A graduate of Images . Also Pete and Tillie, The Hindenburg, Carnegie-Mellon University, he cu rrently teaches 875-5650 and the soon-to-be­ The Big Bus, King Kong, at the American Academy of Dramatic Arts. released with Faye Dunaway. Eyes Mr. Epps is an associate director of the Produc­ tion Company and recently appeared there in Stephen Davies (Trebonius, Lucilius) Kennedy's Children and The Three Cuckolds. appeared with Richard Dreyfuss in the motion picture Inserts. He has appeared on such tele­ Michael Gennaro (Lucius) is a graduate of visi on programs as Baretta, Starsky Hutch, & the Neighborhood Playhouse and a private stu ­ and and in the TV film The Rookies, The Has­ dent of Sanford Meisner, Su zan ne Shepherd . and stage Heart. He studied for three years at the Viveca Lindfors. His past credits include: God­ Ro yal Academy of Dramatic Arts, and was spell (Broadway and off-Broadway), Pericles, honored with the Gold Medal for Best Actor. The Three Musketeers, Every Mother's Son , and The Revenge of the Space Pandas (by David Justin Deas (Decius Brutus/Pindarus) la st Mamet). He is also very proud of his father who appeared as Billy in the Seattle ACT production won the 1977 Tony Award for the choreo­ of Streamers. Before that he p layed The Guard graphy of the musical , Annie. in the premiere production of Fantasies at the Frick and Hamlet in Hamlet at the Manhattan Theatre Club in off-off Broadway Productions. Thomas Hulce (Octavius Caesar) made his He also played Don in Butterflies Are Free, 15 Broadway debut starring as Alan Strang in roles in Scenes From American Life, and Kenic­ Equus. He then joined the Phoenix Theatre to ke in the 1st National Company of Grease. He play Bert in Memory Of Two Mondays. He made spent a year at the Asolo Repertory Theatre in his television debut in the rol e of young Frank Florida where he played such ro les as Barnaby in the Long Wharf Theatre's Forget Me Not Lane on NET. Mr. Hulce, born in Plymouth , both an actor and as a director and has worked the Kennedy Center, the Long Wharf, the Hart­ Michigan, made his first stage appearance at nearly every summer for 20 yea rs . Mr. Pendle­ man Theatre (w here last season he played T ar­ the age of 14 in the title role of Oliver. A gradu­ ton's New York debut was in Oh Dad, Poor Dad. tuffe), ACT, the Cincinnati Playhouse, The Man­ ate of the North Carolina School of the Arts, he He has since appeared in among others: Fiddler hattan Theatre Club, and the Academy Festiva l has since acted with the Asolo State Theatre in On The Roof, The Last Sweet 100 Days of Isaac, Theatre in Chicago where last season he di­ Florida , the Williamstown Theatre Festival, the The Sorrows of Frederick and M ik e Nichol's rected a-multi-prizewinning production of Mis­ Boothbay Pl ayhouse, and played Orestes in revival of The Little Foxes. H is films include alliance w ith Irene Worth and Lynn Redgrave. David Rabe's The Orphan in Philade lphia, and The Front Page, What's Up Doc, Catch 22 and Mr. Pendleton has won four acting awards and in The Adams Chronicles for NET. His perform­ Skidoo . He has directed in New York The Run­ teaches acting at the HB Studio in N.Y. ance as young Sean O'Casey in Pictures in the ner Stumbles, Benito Cereno, Shelter and Edna Hallway was filmed for the Lincoln Center Li­ O'Brien's The Gathering. He has acted and di­ brary Archives. He made his screen debut in rected in theatres ac ross the country including continued ... the Jim Bridges film September 30, 1955, fol­ lowed by a starring role in Animal House, a Universal film directed by John Landis sched­ uled to be released this summer. During the past year, Mr. Hulce received critical acclaim for his performance as the retarded young man in the Romanticism I ives' That image o f what Damon Runyon's "Big Apple" was Hallmark Hall of Fame's Emily, Emily , as Marchban ks in Candida at the Hartf ord Stage and what Brooklyn Heights should be . The best views of Lower Manhattan Company, and as Alan Strang in Equus opposite from our Promenade with its Dionysian seduction to strollleisurely.One restaurant, Anthony Hopkins in Los Angeles. Henry 's End, reflects all that. A wonderful place to share withfriends.Freshsoups, entrees sandwiches, and desserts created to sooth and satisfy the wounded palate. Philip Kraus (Mete/Ius Cimber, Strato) Becoming famous as has appeared o n Broadway in Equus and Shelter and has been seen in such regional productions as The Rivals, Henry IV and All The Way Home. For National Educational Television , Mr. Kraus -r::ome of the appeared in The Boston Massacre and as Hamlet. Chocolate ueca<:iartce' His films include Serpico and 1776. He served as the assistant director for the Cincinnati Sym­ phony production of the Bernstei n Mass.

Ken Letner (Cicero/Titinius) was last seen as Chaplain Brudenell in the BAM Theatre Company production of The Devi/'s Disciple. Prior to that he appeared off-Broadway as Yakof in the American premiere of Our Father THE ONLY THREE CROWN RESTAURANT by Go rky . He recently appeared in A History Of The American Film at the Mark T aper Theatre in IN BREUCKELEN Los Angeles. Mr. Le"tner has been seen through­ out the co untry in repertory productions of such classics as The Crucible, A Streetcar Named FINE ITALIAN CUISINE ESTA BUSHED 1906 Desire, Cyrano de Bergerac, and Macbeth with E.G. Marshall; and in the musicals A Funny Thing Happened On The Way To The Forum, In Myra Waldo's Restaurant Guide for New York The Threepenny Opera, and The Fantasticks with Bill Bixby. For six years he was Associate Five minutes from B.A.M. by car, taxi, #37 bus. Open Director of the VMT Rep in Richmond . His noon to 12 AM Sun. thru Thurs. Friday & Sat. noon to most recent directorial credit was The Emperor 3 AM with music for dancing. Free valet parking. Jones starring Earle Hy man . Mr. Letner is also the film critic for-San Diego Magazine. MONTE'S VENETIAN ROOM George McDaniel (Popilius Lena, Marui!us, 451 CARROLL ST., BROOKLYN (212) 624-8984 Messala) has appeared on such television pro­ grams as Rich Man, Poor Man, Book II, Fern­ wood 2-Nite, and Barnaby Jones. He recently has been see n in the motion picture Goin' Home. Mr. McDaniel toured nationally with Tile very famous restaurant in Brooklyn. Lauren Baca ll in Applause and w ith Jea n-Pierre Au mont in There's a Girl in My Soup. In Los Angeles, he appeared in Long Day's Journey Before curtain at the Brooklyn Academy of Music. Into Night, MacBeth, Cyrano de Bergerac, Force The season at the Brooklyn Academy of Music is in full swing. of Habit, Harry Noon and Night, and Eccentri­ cities of a Nightingale. He ha s served as a guest Before curtain, let us make you welcome in the style !"": lecturer and director at San Jose State Univer­ that's made us a New York tradition for nearly a ~ sity and as Actor-in-Residence at Purdue Uni­ versity. century. Dine by soft gaslight on your choice of more than 100 savory dishes on our menu, each cooked Austin Pendleton (Marcus Antonius) ap­ strictly to order. Then be off to your seats in plenty of peared w ith the BAM Theatre Company time. It's how we came to fame. last seaso n as Tusenbac h in The Three Sisters and this seaso n as Albert Adam in The Play's The Thing. Since then he has devoted his work GAGE&ToLLNER to plays by Arthur Miller, play ing Adam in Up Brooklyn's Landmark Seafood Steak House (Est. 1879) From Paradise, the new Miller-Stanley Silverman & musi ca l comedy based on the Book of Genesis, 372 Fulton Street (between Boro Hall and BAM). Open daily except Sunday. and directing After The Fall at the Williams­ 11 :30 AM-9:00PM Mon. thru Fri. 4:00 PM-11:00 PM Sat. town Festival, the theatre where he started as For reservations call 875-5181. Am ex, Diners. Visa and Mastercharge. 7 Who's Who m1n1HY~ BAR AND RESTAURANT

Paul Perri (Flavius, Artemidorus, Cinna the of Hogan's Goat, and the CBS-TV series Beacon poet, Volumnius) is making his first appear­ Hill in which he created the role of the butler, Open Daily ance at BAM. His New York credits include Mr. Hacker. He also performed a one-man Music 11 : 30 am to 1 : 00 am Joseph Papp's productions of Henry V and Hall show for CBS ca lled George Rose Enter­ Agamemnon, directed by Andrei Serban. Mr. tains, written by himself. This versatile per­ SUNDAY BRUNCH Perri is a recent graduate of the Juilliard School former is an avid co llector of phonograph Drama Division, having studied under John records and has himself recorded over a dozen Eggs Benedict, Houseman and Alan Schneider. He is a native of LP's. He has recorded in their entirety several Bloody Mary, OJ, New Haven, Connecticut and comes from a novels for the American Foundation for the Coffee, $3.50 large family. Blind (including a complete Tom Jones that took five weeks of work and thirty-four discs). 'HAPPY HOUR' Rex Robbins (Casca) returns to BAM after His adaptations of Lewis Carroll's Alice books winning a Joseph Jefferson Award for his on the C. M.S. label are considered to be the de­ Monday thru Friday performance in the Lake Forrest, Ill. pro­ finitive recorded versions. Mr. Rose recently re­ 5 PM -7 PM duction of Landscape of the Body last summer, turned from V ienna where he played a starring and more recently appearing on Broadway role in Holocaust, an NBC Big Event, to be All Drinks $1.00 opposite Colleen Dewhurst in An Almost seen on television , April 16-19. Mr. Rose most at the Bar Only Perfect Person. Last season for BAM, Mr. recently appeared in the BAM Theatre Company Robbins appeared in The New York Idea productions of The Devi/'s Disciple and The (briefly), and opposite Ellen Burstyn in The Play's The Thing. Come to Minsky's for fine dining in Three Sisters, and this season in The Play's The comfortable surroundings. Thing. Other Broadway appearances include The Sloane Shelton (Calpurnia) appeared in Now at two convenient locations: Comedians, Gypsy (opposite Angela Lans­ Play and Other Plays by Samuel Beckett at the bury), The Magic Show, Sherlock Holmes, Manhattan Theatre Club prior to which she The Changing Room, and the original One 222 Seventh Ave. Park Slope played "Maggie" in The Shadow Box for four Flew Over The Cuckoo's Nest. Off-Broad­ months on Broadway. Other New York appear­ Brooklyn, N.Y. Tel. 499-2311 way he has appeared with the Phoenix ances include The Runner Stumbles, as "Mrs. Theatre in Boy Meets Girl, Memory of Two 163 Remsen St. Brooklyn Heights Shandig ," under the direction of Austin Pendle­ Mondays, Secret Service, and They Knew What ton, Sticks and Bones, I Never Sang For My Tel. 643-1444 They Wanted. A mainstay of the Long Wharf Father, The Gathering, Ramblings , and the Theatre and the Williamstown Summer Theatre, original production of The Basic Training of Mr. Robbins has also been seen in the motion Pavlo Hummel at the Pub lic Theatre in which pictures 1776 and the original Shaft, and on she originated the role of "Mrs. Hummel." TV television, for Theatre in America, in Secret appearances include The Andros Targets, Ryan's Service and The Widowing of Mrs. Holroyd. He Hope and currently, For Richer, For Poorer in has also appeared in severr.~l Julius Monk Revues which she plays "Mildred Quinn." She appeared at the Plaza, a club and some 70 television in the films , All the President's Men, as the commercials . bookkeeper's sister, I Never Sang For My Father and Somebody Killed Her Husband, soon to be George Rose (Julius Caesar) A Tony Award released. Winner, Mr. Rose won the honor in 1976asbest actor in a musical for his performance as Alfred Rex Stallings (Young Cato, Servant to P. Doolittle in My Fair Lady. Since his mem­ Antony) has been rreviously seen on the New orable performance as the Common Man in York Stage in the BAM Theatre Company pro­ Robert Bolt's A Man For All Seasons, Mr. Rose duction of The Devil's Disciple and in Ocean has appeared frequently on the Broadway stage. Walk at Playwright's Horizon . He has appeared Theatregoers have seen him in Sir John Giel­ in London and Canada in such productions as gud's revival of Much Ado About Nothing, the The Importance of Being Ernest, The Owl and Richard Burton Hamlet, Slow Dance On The the Pussycat, Barefoot in the Park, Glass Menag­ Killing Ground, The Royal Hunt Of The Sun, erie, A Touch of Spring, and Jean Louis Bar­ Loot, Sleuth, and the musicals Walking Happy rault's Rabelais. His films include Goodbye, and Canterbury Tales. He received a Tony Mr. Chips, Rollerball and Undercovers Hero Award nomination for his performance opposite with Peter Sellers. He also appeared in several Katharine Hepburn in the musical Coco and BBC television programs, including Blue Bitch the Drama Desk and Critic's Circle Awards for by Sam Sheppard. his performance opposite Lynn Redgrave in My Fat Friend. A product of the English clas­ sical theatre, Mr. Rose spent eight years of his is in her second sea­ career with the famed Royal Shakespeare Holly Villaire (Portia) son with the BAM Theatre Company. Last Company and the companies of Sir John season she was seen as Benson in The New Gielgud and the Old Vic. As a junior member York Idea and Natasha in The Three Sisters. of the Old Vic, he made his first New York Gon/ofa On Broadway she was standing-by and filling appearance at the Century Theatre in 1946. Two years prior to that, he had been noticed in for Jean Marsh in Habeas Corpus after a long by Lord Olivier and Sir Ralph Richardson run in Scapino. Off-off Broadway she has ap­ ~ CR.etauranV pea red in seve ral productions including Arms in a student performance at the Central School of Speech and Drama and had been rewarded and the Man and Eyes of Chalk, and she was co­ just acrnss frnm BAM with a year's contract with their company. producer of Hamm & Clov Stage Company His many London successes include The Visit which also toured abroad to Paris and the Edin­ burgh and Berlin Festivals. She has acted in tel: 855-4830 with the Lunts, The Apple Cart with Sir London, Munich, and Paris and is a graduate of Noel Coward , and The Chalk Garden with UL8-:!000 the Centre Dramatique National in Aix-en­ :Jame Edith Evans. He also clowned and danced Provence. In American Regional Theatre she his way through two hit revues - Living For has worked extensively, appearing in such roles npt:n daily for lunch and dinner Pleasure and On The Avenue. Mr. Rose has ap­ as Eliza in Pygmalion, Laura in The Glass Mena­ peared in over thirty motion pictures, including gerie, Cressida in Troilus and Cressida, and I ill Cj P.M. a performance as the Sergeant in the film The Helena in Look Back in Anger. Just recently Devil's Disciple with Burt Lancaster, Kirk Doug­ Italian and American Cuisine she has been seen as Audrey on ABC's Ryan's las, and Laurence Olivier. His television appear­ Hope. SfU!cial orders upon request ances include many of the Hallmark Hall of Fame shows, NET's much-praised production continued ... Frank Bennett (Composer) is origi nal ly . . . continued from D ur ham, North Ca ro lina. He holds a Doc­ tor of Musica l Arts Deg ree f rom Yale University. BAM Theatre Frank Dunlop (Director) was born in Mr. Bennett was recent ly award ed a grant f rom Leeds, b rought up in Leicestershire, and t ook t he Smithsonian Institute and t he Amer ican In­ Company Donors an Ho nors Degree in English at U niversity Co l­ st itute of Ind ian St ud ies to com pose w estern lege, London. He then st udied at the Shake­ m usic based o n Indian Cl ass ica l Music. He has spea re Institute (w here he is now o ne of t he also received an award f rom the Connecticut two Honorary Fellows} and at the Old Vic Commiss io n on t he Art s for a Co ncerto for School , L ondon , w ith Michael St. Denis. Mr. l nd isn Viol in and Western Chamber Orchestra. The BAM Theatre Company gratefully ac­ Dun lop was A ssoc iate Director and Administra­ Mr. Bennett is also a j azz percussionist and com­ knowledges the fa ith and backing of the tive Direct or of the British National Theatre poser. and d irect ed five p lays at t he O ld Vic: Brecht's following who hel ped su pport its lnaugral Edward II, Maugham's Home and Beauty , season : John Spurl ing's MacCrune's Guevara , Webster's Barbara-Mae Phillips (Production Stage The White Devil , and Carl Z uck mayer's The Manager) has stage managed on Broad w ay Benefactors Captain of Kopenick, ad apted by John M ortim­ f o r the revival of A Streetcar Named Desire, All ($5,000 and more ) er . In London's West End, he direct ed two Sh aw Over Town and Sherlock Holmes. Previously play s, Too True to be Good and Getting Mar­ she w o rk ed at t he Repertory Theat re of Lincoln Alex Hillman Family Foundation ried, as well as Son of Oblomov. For the Edin­ Center. This is her seventh product ion w it h M r . Helena Rubinstein Foundatio n, Inc. burg h Festival, he direct ed The Winter's Tale Dunlop. Ame Vennema and A Midsummer Night's Dream. Among h is prod uctions abroad, Mr. Dun lop has d irected Patrons Pantagleise, Anthony and Cleopatra , and ($2,500- 4,999) Pericles for t he Belgi an National T heatre. In Berenice Weiler (Administrative Director) 1969, M r. Dunlop f o unded the Young Vic. has worked in all media. She was M anag ing Pro­ Janice H. Levin His p roductio ns there have included Scapino, ducer of the A meri can Shakespeare Theatre f or Transart Productions, Inc. The Taming of the Shrew, The Comedy of Er­ t hirteen years and in 1.976-77 was p roduce r of William C. Whitney Foundation rors , Genet's The Maids and Deathwatch, Much the Smithville Theatre in Smit hville, New Jer­ Ado About Nothing, Macbeth and Anthony sey, f or the A merican Broad cast ing Companies , Contributors and Cleopatra. His Ameri can Broadway credits Inc. Sh e has also served as Associate Produce r ($1 ,000- 2,499) of such varied shows for t elev isio n as Our Amer­ include Scapino, Sherlock Holmes and Habeas Anthony Anastasio Foundation, Inc. Corpus. Last year, as Director of the BAM ican Heritage and 196 Sid Caesar Shows. M s. Theatre Company, M r. Dun lop d irect ed The Weiler se rved in t he same ca pac ity fo r the BAM Harold Diamond & Company New York Idea and The Three Sisters , and this T heatre Company 's initial seaso n and was Gen­ Henry L. Goldberg Foundat ion yea r, The Devi!'s Disciple and The Play's The era l M anage r f or Joseph and the Amazing Tech ­ Lu cille Lortel Thing. nicolor Dreamcoat, The Devi/'s Disciple and The Play's The Thing. Associate Contributors ($500- 999) Dona Granata (Costume Designer) re­ Sydelle Berman cently co mpleted w ork o n Universa l's f orth­ Harvey & Beverly Karp Foundation, Inc. co ming sc ree n versio n of The Wiz , ass isting T o ny Leo Model Walto n and co-d es igning the 'Munchkin' se­ William Morris Agen cy, Inc. quences f or Mr. Walton. Her Santa Fe Opera prod uct ion o f t he A merica n premiere of N ino Harold L. Schiff Rota's Italian Straw Hat rece ntly mad e it s New Y o rk d eb ut at the Manhat tan Sch oo l of M usi c. Her Reg io nal Theatre w ork has been see n at the The BAM Theatre Company Philad elphia Drama Gu ild where she was Resi ­ dent Des igner; the Hartman T heatre, Balti­ more's Center Stage and t he Fo lge r Theatre in Washington , D .C. For Broadway, she was A s­ sist ant Desiqner on 1600 Pennsylvania Avenue and Shenandoah . Her opera designs have been seen at the San Francisco Opera , St. Lo uis Opera , Opera Society of Was h ingt o n , H oust o n D ire ct or of the Company Frank Dunlop Opera and Sant a Fe. She is currently d es igning a productio n of Albert Herring f o r WN ET and BBC. Her f ut ure plans includ e t he Ameri can pre­ Administrative Director Berenice Weiler m iere of Steven Oliver's The Duchess of Malfi f or the Santa Fe Opera. For t he Broo kly n A cad em y o f Music, she was Costume Superviso r For Ju I ius Caesar for Joseph and the Amazing Technicolor Dreamcoat. General Manager Berenice Weiler Produ ct ion Stag e Manager Barbara-Mae Phillips Asst. St age Manager Norman Abrams F. Mitchell Dana (Lighting Designer) d e­ Asst . Stage Manager Paul Diaz signed t he light ing for t he BAM production of Sharon Morrison Joseph and the Amazing Technicolor Dream­ Asst . Stage Manager coat and the BAM T heatre Company's The. Prod uction A ssts. t o Dona Gra nata Cynthia Doty, Kathleen Blake, Play's The Thing, The New York Idea and The Richard Schlissler, Denis Azaro Three Sisters. H e created the lighting for t he Asst . to Mr. Dan a Shirley Prendergast Good man T heatre prese ntatio ns of Long Day's Ha ir Sty I ist Karol Coeyman Journey Into Night and Richard Ill, f or w hich he has rece ived a Josep h Jefferso n Award nom­ Asst . to Genera l Manager Vivien Niwes inatio n. At t he America n Co nse rvat o ry Theatre Asst . t o Mr. Dun lop Gillian Marshall in San Francisco he has lit ove r 35 shows in the past five yea rs, as well as their two play-three city tour of t he Soviet Union. A t t he Mark Credits Taper Forum he designed the A merica n p remiere of Ashes. On Broadway he created light ing f o r Sce nery by Met ro Scenery Studios; Cost umes by Brooks-V an Ho rn ; Wigs by Pau l H untley Prod uctio ns, The Freedom of the City and was Associate De­ Inc.; Bea rds and Moustaches f ro m Bob Kell y Wig Creat io ns, Inc.; M en 's Boots and Shoes f rom si gner f o r 1776, A Doll's House and Hedda M cCreedy & Schreiber Boots & Shoes and Miller's Harness Company; Instr uments fro m Ca rro ll Musica l Gabler st arring Claire Bl oom. Amo ng his credits Instrument Service ; Wind mac hine and T h under Effect f rom t he Ameri ca n Shakespea re Fest iva l , are prod uctio ns f or Canad a's St ratford Festiva l "Co m e, Tho u Monarch o f the Vine", " O rpheus w ith his Lute" - Words by: Will ia m Shakespeare, and M anitoba Theatre Cent er , Yale Repertory Music: Trad itional. Theat re, M cCarter Theatre, Pittsburgh and Los Angeles Civic Light Operas and t he Alvin Ailey Th is is a j o int educatio nal project bet ween t he BAM Theatre Company and Lo ng Island University, and 5 b y 2 D ance Co mpanies. N ew Y o rk University Undergraduate Schoo l o f Drama and Quee ns Col lege. Jl Pay only$3.10 a month. Get $10,000 worth of peace of mind. That's the family protection you can get with 5-year Renewable Term Insurance at age 30. And other amounts at other ages are comparably low in cost. That's Savings Bank Life Insurance. If you live or work in New York State, you can get it at TheWilliamsburgh Savings Bank. Other types of policies and plans for special family needs are also available. We 'll be glad to tell you all about them without any obligation. Just ask for the insurance adviser at any of our offices.

The Williamsburgh Savings Bank Incorporated 1851

CENTRAL OFFICE: 1 Hanson Place at Flatbush Avenue • OTHER BROOKLYN OFFICES: Bensonhurst Office: 86th Street and 23rd Avenue • Williamsburgh Office: 175 Broadway at Driggs Avenue • Starrett City Office: Pennsylvania Ave . at Twin Pines Drive • WALL STREET OFFICE: 74 Wall Street at Pearl REGO PARK OFFICE: 95-01 63rd Drive at Saunders Street • FLUSHING OFFICE: 136-65 Roosevelt Avenue FOREST HILLS OFFICE: 107-15 Continental Avenue • YORKVILLE OFFICE: 345 East 86th Street LEVITTOWN OFFICE: Hempstead Turnpike and Center Lane • FRANKLIN SQUARE OFFICE: 682 Dogwood Avenue • SUFFOLK OFFICE: Walt Whitman Shopping Center, Route 110, Huntington Station The Brooklyn Academy of Music, Inc.

The Brooklyn Academy is owned by the City Three thousand three hundred donors Franklin H. Moore of New York. The Brooklyn Academy of Music who responded to our Helen Hayes Alice Holbrook Platt gratefu lly acknowledges the support of the Emergency Flood Appeal RCA National Endowment for the Arts, the New Reader's Digest Foundation York State Council on the Arts, and the Depart­ Lila Acheson Wallace Fund No. 2 ment of Cultural Affairs of t he City of New Rock meadow Foundation, Inc. York; in add it ion the Board of Trustees wishes Richard Rodgers to thank the following r:orporations, founda­ Patrons Starr Foundation tions and private individuals who, through their William Matheus Sullivan Musical leadership and support, help to make these pro­ ( $2 ,500-4,999) grams possible. Foundation, Inc. American Tel epho ne & Telegrap h Co. Time, Inc. Chemical Bank Times Square Stores Corporation Fred C. Trump Foundation Pacesetters Charles E. Culpepper Foundation, Inc. Union Carbide Corporation ($1 0,000 and ;-nore) Dime Savings Bank Exxon Corporation J. Weinstein Foundation, Inc. Mr. & Mrs. Robert W. Wilson Foundation Ache I is Foundation International Telephone & Telegraph Bodman Foundation Corporation City of New Yor-k Janice H. Levin Robert Sterling Clark Foundation, Inc. Manufacturers Hanover Trust Company Associate Contributors Jerome Foundation, In c. Mulber Fund ($500-999) J.M . Kaplan Fund, Inc. Joseph M. Patterson Charitable Andrew W. Mellon Foundation Foundation American Savings Bank Henry & Lucy Moses Fund, Inc. Pfizer Inc. American Stock Exchange Inc. National Endowment for the Arts Pro spect Hill Foundation, Inc. Amstar Corporation New York Community Trust Michael Tuch Foundation, Inc. Bank Leumi New York State Council on the Arts Walco National Corporation Barclays Bank International Ltd . Edward John Noble Foundation Wi II iamsburgh Savings Bank Brooklyn Savings Bank Rockefe ller Brothers Fund, Inc. Camperdown Elm Rockefeller Foundation Capezio Foundation Helena Rubinstein Foundation, Inc. Cullen & Dykman Contributors Emma A. Sheafer Charitable Trust Dime Savings Bank of Williamsburgh ($1 ,000- 2,499) Schlumberger Horizons, Inc. Thomas H. Dixon Downe Foundation Shubert Foundation, Inc. Benjamin & Elizabeth Abrams Robert Stigwood Organizat ion Inc. Doris C. Freedman Foundation, Inc. Surdna Foundation, Inc. Mr. & Mrs. Harold L. Fisher Anthony A nastas io Foundation, Inc. Theatre Development Fund Inc. M ichae l V . Forresta l Anchor Savings Bank Ame Vennema Gage & Tollner Avon Products Foundation , Inc. Warn er Communications, Inc. Helen Hayes Bowery Savings Bank Wi II iam Josephson & Joan Beider Brooklyn Center Deve lopment Corp. Junior League of Brooklyn, Inc. Martin Chelnik Harvey & Beverly Karp Foundation, Inc. Coca-Cola Bottling Co. of N.Y., Inc. MacM iII an Foundation Constans Culver Foundation I. Stanley Kriegel Marie Christophe de Menil Benefactors James S. Marcus Foundation Harold Diamond & Company ( $5,000-9 ,999) Martins Doll Foundation, Inc. Metropolitan Savings Bank Abraham & Straus East New York Savings Bank Leo Model American Express Foundation Gilman Foundation, Inc. Rentar Development Corporation BAM Sponsors Henry L. Goldberg Foundation Republic National Bank Bankers Trust Company W. R. Grace & Company Lewis Rud in Brooklyn Union Gas Company Greater New York Savings Bank Harold L. Schiff CBS ·Inc. Greenpoint Savings Bank Seatrain Lines, Inc. Chase Manhattan Bank IBM Corporation Mr. Mrs. Danie l Seymour Citibank International Paper Company Foundation & Conso lidated Edison Co. of New Yo rk, Inc. Irv ing One Wa ll Street Foundation, Inc. Co nsta nt ine Sidamon-Eristoff A rthur D. Emil Johnson & Higgins Patrick Smith Friends of BAM Joseph H. H irsh horn William Tobey Independence Savi ngs Bank Phyllis Lichtenstein Robert Vadheim Alex Hillman Fam il y Foundation Lincoln Savings Bank Western Electric Fund Mobil Fo undation , Inc . Samuel H. Lindenbaum Morga n Guaranty T rust Company Lucille Lortel Needmor Fund R. H. Macy & Company, Inc. New York Telephone Co mpa ny Ru sse ll Mag ui re Foundation, Inc. New York Times Co. Found ation , Inc. Maya Corporation Thousands of BAMgoers responding to Merri II Ly nch Pierce Fenner & Sm it h Inc. t he $5 Reasonable Request Metropolitan Life Insura nce Company 13 The Brooklyn Academy of Music a non-profit organization

Board of Directors Hon. Edward I. Koch and Han. Howard Golden, Honorary Chairmen/Kenneth S. Rosen, Chairman/Dan Seymour_ and Anthony Scot~o. Vice-Chairmen/Harvey Lichtenstein, President/Harry W. Albright, Jr./ Enjoy fine food & Henry Bmg, Jr./Harald L . Fisher/Leonard Garment/!. Stanley Kriegei/Samuel Lindenbaum/Eugene H. Luntey/W. Barnabas McHenry/D?~ald E. Moore/Evelyn Ortner/Cynthia Peltz/William Tobey/Directors drink in a delightful ex-off1c1o: Han. Henry Geldzahler/Howard Lewis atmosphere Officers Harvey Lichtenstein President and Chief Executive Officer Brunch, Sun 11:30-4 Judith E. Daykin Executive Vice President and General Manager Sharon Rupert Vice President and Treasurer Dinner, T ue-Sat Charles E. Ziff Vice President for Promotion 5 to midnight. Sun 4-11 Henry A. Young, Jr. Vice President for Planning Closed Mondays Administrative Office Staff Barbara Rothenstein, Ruth Goldblatt, Susan Spiegel, Sam Sweet, Shirley Jones Reservations Suggested Finance Steve Dennin , Josephine DiNenno, John Howland, Pearl Light 84 7 Union Street Promotion Louis Sica Director of Press Relations Off 7th Avenue in Gerald M . Aiello Advertising Manag~r Park Slope Joy Waller Graphics Designer John Howlett Press Representative Virginia Sanders Group Sales Representative (212) 638-0860 Paul Vega, Geneva Alvarez, Alice Ashmead , Ken Shuldman, Ted Killmer Planning Martha McGowan BECA Coordinator Sheila Grether Contributions Coordinator Cyndy Dietel , E. Amelia Rogers, Andrea Walton Production Malcolm J. Waters Production Manager William Mintzer Lighting Consultant to BAM Sal Rasa Assistant Production Manager Toby Mailman Production Assistant BROOKLYN Martin Green Crew Chief Walter Rivera Wardrobe Supervisor Bernard Gilmartin, Naamin Griffin , John Fuller, Howard Larson, Patrick McDonald, Leonardo Raphael, HAS IT ALLI Donald Riordan, Cy Similly, Jr., Ernest Southerland CALL US FOR Theatre Management FREE ASSISTANCE John J. Miller Theatre Manager WE'LL HELP YOU LOCATE IT Leonard Natman Assistant Theatre Manager Building Management NEW YORK YELLOW PAGES, INC. Stan Mangin Building Manager Ronald Spiegel Parking Facilities Supervisor Frank Abbruscato, Leonard Abbruscato, Frank Alaimo, Steven Calamucci, James Carter, Jatwe Cooper, cityptiOiie· Lazzaro Curato, Nicholas Curato, Ray Dorsa, Donald Farr, Frank Favata, Rosalie Ferrell, Peter Ganci, Charles Gilli, Ronald Grant, John Imperiale, Bernard Lawrence, Gregory Lombardi, Joseph Mattera, Martin Miranda, Tony Ola, Walter Robinson, Robert Wells

675-0900 Box Office Call After 10 A.M. Weekdays Daniel J. Sullivan Box Office Treasurer Sa heed Baksh, Michael G Iassman Beverly Hand Children's Program Betty Rosendorn Children's Program Manager Rae Lesser, Hessie McCollum, Sarah Walder Foodstuffs Ralph Lupoli, Caterers The Brooklyn Academy building is owned by the City of New York and funds for its maintenance are administered by the Department of Cultural Affairs, Henry Geldzahler,Commissioner, Edward I. Koch, Mayor. Directory of Facilities and Services Box Office Hours: Monday: Noon to 6:00pm/ Tuesday through Saturday: Noon to 9:00pm/ Sunday: Performance Times only. Lost and Found: Telephone 636-4100 Lounges and Restrooms: Opera House Ladies: Orchestra and Balcony levels; Men: Mezzanine and Balcony levels. Playhouse Ladies: Orchestra level; Men: Mezzanine level. Lepercq Space Ladies: Theatre level; Men: Theatre level. Public Telephones: Main Lobby, Ashland Place Entrance For information about discount group rates on tickets, or to find out about advertising in BAM theatre programs, call our Sales Department at (212) 636-4126. The taking of photographs or the use of recording devices in this theatre is strictly forbidden. Brooklyn Academy of Music 30 Lafayette Avenue, Brooklyn, New York 11217 (212) 636-4100 - · ------. ~~~~ ~~\~~-:fi;-~ -': ~-~~-:- -

Brooklyn. It's a niee plaee to visit •.. and a great plaee to live.

Sheepshead Bay when the boats are coming in. The fabulous productions at the Academy of Music. The Children's Museum. The Botanical Garden when the mums are in bloom. The Aquarium. The Brooklyn Museum. The beach at Coney Island ... the list of things that make Brooklyn special goes on and on. Kings Plaza - Brooklyn's only enclosed shopping mall -is proud to be part of our borough. Brooklyn. It's a nice place to visit .. . and a great place to live.

BROOKLYN'S ONLY ENCLOSED MALL Ratbush Avenue & Avenue U • Belt Parkway Exit 11 N • Free indoor parking in our multi-level garage SHOPPING HOURS: MON-SAT, 10 AM - 9:30 PM; SUNDAY, NOON - 5 PM

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