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Jason Flemyng Maybe I Was Russian in My Former Life…
we have only fresh and savory news! March 2014 | № 03 (126) DO NOT MISS: March 22 — Birthday of Korchma in Krasnokazarmennaya Street March 25 — Birthday of Korchma in Petrovka Street More news and photos at www.tarasbulba.us e U v o [email protected] k l r a h Project manager – Yuri Beloyvan i it n [email protected] i w an e c ad uisine – m Jason Flemyng Maybe I was RussIan In My foRMeR lIfe… 15 yEarS of SuccESS korchma ‘taraS BulBa’ cElEBratES itS BirthDay! GooD nEWS for thE GourmEtS! in march your faVoritE chain of ukrainian rEStaurantS korchma ‘taraS BulBa’ cElEBratES itS 15th anniVErSary. on our BirthDay WE not juSt SErhiy Prytula: rEcEiVE But alSo GiVE out PrESEntS. our motto: 15 yEarS – 25th of march – you’re going to laugh, but i am not a big fan of salo 15% off to Each GuESt. Exotic collEction: indian conch Shell, Wooden Drymba and corn Violin… taraS ShEVchEnko: the 200th anniversary of the birth of the genius’ DELIVERY OF HOMEMADE UKRAINIAN FOOD AND HOTLINE 6+ www.tarasbulba.us (212) 510-75-10 2 | guest guest | 3 ImpressIve settIngs, uneclIpsed actors’ performances, and box offIce records – thIs Is what accompanIed the trIumph of the hIghly – What will be your next project after antIcIpated new versIon of the fIlm vIy. that the fIlm was hIghly successful Is proved by the fact that In russIa oleg stepchenko’s pIcture Viy? Or will you take a break from filming? became the fIrst multI-mIllIon fIlm In 2014 and left the new leodardo dI caprIo fIlm the wolf of wall street far behInd. -
The Revenge of Geography: What the Map Tells Us About Coming
Copyright © 2012 by Robert D. Kaplan Maps copyright © 2012 by David Lindroth, Inc. All rights reserved. Published in the United States by Random House, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York. RANDOM HOUSE and colophon are registered trademarks of Random House, Inc. The preface contains material from four earlier titles by Robert D. Kaplan: Soldiers of God (New York: Houghton Mifflin Harcourt Publishing Company, 1990), An Empire Wilderness (New York: Random House, Inc., 1998), Eastward to Tartary (New York: Random House, Inc., 2000), and Hog Pilots, Blue Water Grunts (New York: Random House, Inc., 2007). LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Kaplan, Robert D. The revenge of geography : what the map tells us about coming conflicts and the battle against fate / by Robert D. Kaplan. p. cm. eISBN: 978-0-679-60483-9 1. Political geography. I. Title. JC319.K335 2012 320.1′2—dc23 2012000655 www.atrandom.com Title-spread image: © iStockphoto Jacket design: Greg Mollica Front-jacket illustrations (top to bottom): Gerardus Mercator, double hemisphere world map, 1587 (Bridgeman Art Library); Joan Blaeu, view of antique Thessaly, from the Atlas Maior, 1662 (Bridgeman Art Library); Robert Wilkinson, “A New and Correct Map v3.1_r1 But precisely because I expect little of the human condition, man’s periods of felicity, his partial progress, his efforts to begin over again and to continue, all seem to me like so many prodigies which nearly compensate for the monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time. -
Olga Zaitseva: Every Woman Is a Witch…
We have only fresh and savory news! December 2013 | № 12 (123) DO NOT MISS: December 8 – Korchma on Borovskoye Highway December 22 — Korchma in Sadovo-Samotochnaya Street December 29 — Korchma in Pyatnitskaya Street December 29 — Korchma in Bochkova Street More news and photos at www.tarasbulba.us e U v o [email protected] k l r a h Project manager – Yuri Beloyvan i it n [email protected] i w an e c ad uisine – m OLGA ZAITSEVA: EVERY WOMAN IS A WITCH… VIY: RETURNING PREMIERE 30 january in 3D INCREDIBLE ASIA: Blood, sacrifices and cremation in Nepal THE NEW YEAR: tar barrels, flower offerings and mass spam DELIVERY OF HOMEMADE UKRAINIAN FOOD AND HOTLINE 6+ www.tarasbulba.us (212) 510-75-10 2 | GUEST SHE BROUGHT TOGETHER THE OPPOSITE FEATURES OF A BEAUTY AND A WICKED WITCH IN THE ROLE OF GOGOL’S PANNOCHKA FROM THE HORROR STORY VIY, IN SEARCH OF THE BEST ANGLE SHE COULD LIE IN A COFFIN FOR HOURS … SHE WAS CHOSEN FOR THE PART FROM AMONG THOUSANDS OF CANDIDATES AND THE RESULT SURPASSED ALL EXPECTATIONS… THE NEW 3D VERSION OF VIY COMES TO THEATERS ON JANUARY 30; MEANWHILE BULBA NEWS TALKED TO OLGA ZAYTSEVA WHO PORTRAYED THE LEGENDARY PANNOCHKA IN THE MOVIE. OLGA ZAITSEVA: “EVERY WOMAN IS A WITCH…” – Olga, how did you start your work with the film creators? What is your secret? – It’s not a secret, really. We have been working together for long time, and working well. It all started at casting, like with all actors. I came in, and what followed next was ridiculous. -
LEOŠ JANÁČEK Born July 3, 1854 in Hukvaldy, Moravia, Czechoslovakia; Died August 12, 1928 in Ostrava
LEOŠ JANÁČEK Born July 3, 1854 in Hukvaldy, Moravia, Czechoslovakia; died August 12, 1928 in Ostrava Taras Bulba, Rhapsody for Orchestra (1915-1918) PREMIERE OF WORK: Brno, October 9, 1921 Brno National Theater Orchestra František Neumann, conductor APPROXIMATE DURATION: 23 minutes INSTRUMENTATION: piccolo, three flutes, two oboes, English horn, E-flat and two B-flat clarinets, three bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, percussion, harp, organ and strings By 1914, the Habsburg dynasty had ruled central Europe for over six centuries. Rudolf I of Switzerland, the first of the Habsburgs, confiscated Austria and much surrounding territory in 1276, made them hereditary family possessions in 1282, and, largely through shrewd marriages with far-flung royal families, the Habsburgs thereafter gained control over a vast empire that at one time stretched from the Low Countries to the Philippines and from Spain to Hungary. By the mid-19th century, following the geo-political upheavals of the Napoleonic Wars, the Habsburg dominions had shrunk to the present territories of Austria, Hungary, Czech Republic and Slovakia, a considerable reduction from earlier times but still a huge expanse of land encompassing a great diversity of national characteristics. The eastern countries continued to be dissatisfied with their domination by the Viennese monarchy, however, and the central fact of the history of Hungary and the Czech lands during the 19th century was their striving toward independence from the Habsburgs. The Dual Monarchy of 1867 allowed the eastern lands a degree of autonomy, but ultimate political and fiscal authority still rested with Emperor Franz Joseph and his court in Vienna. -
NARRATING the NATIONAL FUTURE: the COSSACKS in UKRAINIAN and RUSSIAN ROMANTIC LITERATURE by ANNA KOVALCHUK a DISSERTATION Prese
NARRATING THE NATIONAL FUTURE: THE COSSACKS IN UKRAINIAN AND RUSSIAN ROMANTIC LITERATURE by ANNA KOVALCHUK A DISSERTATION Presented to the Department of Comparative Literature and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2017 DISSERTATION APPROVAL PAGE Student: Anna Kovalchuk Title: Narrating the National Future: The Cossacks in Ukrainian and Russian Romantic Literature This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Comparative Literature by: Katya Hokanson Chairperson Michael Allan Core Member Serhii Plokhii Core Member Jenifer Presto Core Member Julie Hessler Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2017 ii © 2017 Anna Kovalchuk iii DISSERTATION ABSTRACT Anna Kovalchuk Doctor of Philosophy Department of Comparative Literature June 2017 Title: Narrating the National Future: The Cossacks in Ukrainian and Russian Romantic Literature This dissertation investigates nineteenth-century narrative representations of the Cossacks—multi-ethnic warrior communities from the historical borderlands of empire, known for military strength, pillage, and revelry—as contested historical figures in modern identity politics. Rather than projecting today’s political borders into the past and proceeding from the claim that the Cossacks are either Russian or Ukrainian, this comparative project analyzes the nineteenth-century narratives that transform pre- national Cossack history into national patrimony. Following the Romantic era debates about national identity in the Russian empire, during which the Cossacks become part of both Ukrainian and Russian national self-definition, this dissertation focuses on the role of historical narrative in these burgeoning political projects. -
Job, Zeisl, Exile, and the Suffering of the Ordinary
Job, Zeisl, Exile, and the Suffering of the Ordinary MICHAEL BECKERMAN Mendel Singer, the protagonist of the Josef Roth’s 1930 novel, Job gets out his phylacteries, takes off his prayer shawl, and prepares to throw both into the fire. He wants to burn them, but cannot bring himself to do so. Instead he curses the Almighty: “God is cruel, and the more one obeys Him the more brutally He treats one. He is mightier than the most mighty; with the nail of one of His little fingers He can wipe them out, but He does not do it. Only the weak He gladly destroys. The weakness of a man tempts His strength and obedience awakens his scorn.” And why shouldn’t Mendel Singer, a “pious, ordinary and utterly commonplace man” from Galicia curse the Lord? Didn’t he have four children who broke his heart; Jonas, a soldier who drank vodka with the peasants; Shemaria, interested only in money; Miriam, who lies with soldiers in the fields, and poor crippled Menuchim, deformed and mute? Hasn’t the flesh of his wife, Deborah become alien to him? And didn’t the whole family move to America, abandoning poor Menuchim, only to confront an endless wave of sorrows? The composer Eric Zeisl encountered Roth’s Job in Paris in 1939 when the director Paul Gordon asked him to write some incidental music for a staged version being put to honor the author just after his death. Himself a recent exile from Vienna, where he had enjoyed considerable early success, Zeisl quickly came to identify with Mendel Singer, and also with his mute but somehow visionary son, Menuchim. -
PROGRAM NOTES Leoš Janáček – Taras Bulba, Rhapsody
PROGRAM NOTES Leoš Janáček – Taras Bulba, Rhapsody for Orchestra Leoš Janáček Born July 3, 1854, Hochwald (Hukvaldy), Northern Moravia. Died August 12, 1928, Moravska Ostravá, Czechoslovakia. Taras Bulba, Rhapsody for Orchestra Leoš Janáček loved all things Russian. He formed a Russian Club in Brno in 1897, visited Russia twice in the early years of the twentieth century, and even sent his children to Saint Petersburg to study. Of the Russian writers he admired, including Tolstoy and Dostoevsky, it was the novelist and playwright Nikolai Gogol he loved most. Janáček considered writing music based on Gogol's tale of Taras Bulba as early as 1905, although a decade passed before he started work on it. He completed the score three years later, the day before his sixty-first birthday. Still, Taras Bulba is one of Janáček's "early" compositions. Taras Bulba is Janáček's first significant orchestral work. Like Jenůfa, which was premiered in 1904 but didn't come to attention in the larger music world until it was staged in Prague in 1916, Taras Bulba would wait to find its audience. When it was finally performed for the first time in January 1924, Janácek left the hall as soon as the piece was over (the concert was billed as an early observance of his seventieth birthday and he didn't want to celebrate until the actual day arrived) and he failed to hear the enthusiastic crowd calling for him. The violent, bloody story of Taras Bulba is one of Gogol's most enduring and influential works. Ernest Hemingway called it "one of the ten greatest books of all time" (although Vladimir Nabokov, normally a Gogol admirer, likened it to "rollicking yarns about lumberjacks"). -
A Wild Cossack Rides Into A
A Wild Cossack Rides Into a Cultural Battle - NYTimes.com http://www.nytimes.com/2009/04/13/world/europe/13cossacks.html?_r=1 Welcome to TimesPeople Lets You Share and Discover the Best of NY... 1:05 PM Get Started No, thanks TimesPeople What’s this? HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Log In Register Now Search All NYTimes.com Europe WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS AFRICA AMERICAS ASIA PACIFIC EUROPE MIDDLE EAST A Wild Cossack Rides Into a Cultural Battle Next Article in World (26 of 26) » Politics E-Mail Keep up with the latest news from Washington with the daily Politics e-mail newsletter. See Sample | Privacy Policy Central Partnership Bogdan Stupka, a Ukrainian actor, in "Taras Bulba," a film based on Nikolai Gogol’s novel about a 15th-century Cossack. By ELLEN BARRY Published: April 12, 2009 SIGN IN TO E-MAIL MOSCOW — Russia’s latest action hero galloped onto movie PRINT screens here this month, slicing up Polish noblemen like so many SINGLE PAGE MOST POPULAR cabbages. REPRINTS E-MAILED BLOGGED SEARCHED SHARE 1. Big City: $80,000 for a Year Off? She’ll Take It! Taras Bulba, the 15th-century 2. With Finance Disgraced, Which Career Will Be King? Related Cossack immortalized in Nikolai 3. Longer Unemployment for Those 45 and Older Times Topics: Gogol’s novel by that name, disdains 4. Paul Krugman: Tea Parties Forever Ukraine | Russia | Nikolai Gogol peace talks as “womanish” and awes 5. -
Erich Und Gertrud Zeisl – Affidavit Aus Dem Telefonbuch
Inhalt VORWORT ................................................................................................ 6 KLAUS VON DOHNANYI EINLEITUNG ..........................................................................................12 Der Anschluss Österreichs an das Deutsche Reich .....................................................18 STEFAN ZWEIG | FRITZ ALTMANN | BARBARA SCHOENBERG HANNES SCHNEIDER | CARL ZUCKMAYER | ELSPETH 1 CHERNIAVSKY Entrechtung, Enteignung und Vertreibung .................................................................50 MONICA DUGOT | ERIKA MANN | MAGDALENA M. WROBEL 2 MIRNA FUNK | ARYE SHARUZ SHALICAR | AUGUST ZIRNER Flucht und Emigration .....................................................88 GABRIEL BACH | LORE SEGAL | THOMAS MANN | WALTER MEHRING | BENJAMIN POGRUND | RUTH ROTEM | ORNAN 3 ROTEM | LIAN ROTEM-STIBBE | LINDA RACHEL SABIERS 4 Die Novemberpogrome 1938 ...................................... 128 MARCEL REICH-RANICKI | RUTH ANDREAS-FRIEDRICH KURT SEELIG | CARL VON OSSIETZKY | ERICH KÄSTNER 4 WALTER FRANKENSTEIN | WILLY COHN Widerstand und Zivilcourage .................................... 160 HELMUT GOLLWITZER | ELISABETH SCHMITZ | RUTH FROMM | LISELOTTE HERRMANN | LUDWIG BECK | GEORG 5 ELSER | SOPHIE SCHOLL | WERNER FINCK IM SPIEGEL DER BERICHTERSTATTUNG ....................................... 188 FRANK MECKLENBURG NACHWORT ........................................................................................ 192 ANHANG ............................................................................................. -
By Leos Janacek: a *Transcription for Wind Symphony
UNLV Retrospective Theses & Dissertations 1-1-2005 "Taras Bulba" by Leos Janacek: A *transcription for wind symphony Beth Anne Lynch Duerden University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Duerden, Beth Anne Lynch, ""Taras Bulba" by Leos Janacek: A *transcription for wind symphony" (2005). UNLV Retrospective Theses & Dissertations. 2629. http://dx.doi.org/10.25669/owl5-4aku This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
Eric Zeisl Papers PASC-M.0029
http://oac.cdlib.org/findaid/ark:/13030/kt5c60215z No online items Finding Aid for the Eric Zeisl Papers PASC-M.0029 Processed by UCLA Library Special Collections staff. The processing of this collection was generously supported by Arcadia funds. UCLA Library Special Collections Online finding aid last updated 2020 October 07. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Eric Zeisl PASC-M.0029 1 Papers PASC-M.0029 Contributing Institution: UCLA Library Special Collections Title: Eric Zeisl papers Creator: Zeisl, Eric, 1905-1959 Identifier/Call Number: PASC-M.0029 Physical Description: 31 Linear Feet(62 boxes) Date (inclusive): 1862-1987 Date (bulk): 1925-1959 Abstract: Zeisl's music manuscripts, published scores, correspondence, documents, recordings, and other materials. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS UNPROCESSED AUDIOVISUAL MATERIALS: Audiovisual materials are not currently available for access and will require further processing and assessment. If you have questions about this material please email [email protected]. Conditions Governing Use Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. -
The Pedagogical Philosophies and Techniques of David Effron
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