The Hilltop 4-9-1999
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Dickins' Sony Deal Opens New Chapter by Ajax Scott Rob Dickins Bas Teame Former Rival Sony Music Three Months After Leaving Warn
Dickins' Sony deal opens new chapter by Ajax Scott later building a team of up to 20. Rob Dickins bas teame Instant Karma will sign around five rA, ^ threeformer months rival Sony after Music leaving warner ri likelyartists to a be year, from most the UKof orwhom Ireland. are hisMusic music to launchindustry the career. next stage of Dickins says he will not specifically S Dickins' new record label Instant goclose chasing to expiring. after those Tm notacts. going If they to with the hasfirst got single off torelease a fiying under start the handling partnership Interscope - My releasesName Is inby the US UK they'reare interested going to in call," being he part says. of that therapper single, Eminem released - enjoying next Monday a huge initial(March shipout. 29), have Around been 220.000 ordered unitsby of months of negotiations between runningDickins, Warner's who spent UK ninepublishing years theretaiiefsVwhile Top 40 of the the Airplay track waschart. yesterday "Ifs appealing (Sunday) right on acrosscourse theto move board," into says Dickins, his lawyer Tony Russell arm before moving to head its Polydor head of radio promotionl" TU.Ruth ..U.._ Parrish. A V.UK promo visit will inelude wasand afinaliy list of whittled would-be down backers to Sony that New partners: Dickins (second isrecord in no company hurry toin 1983,issue addsrecords. he im_ rrShady LPes - thiswhich week debuted on The at Bignumber Breakfast twoThe in and the CD:UK.States earlierThe this (l-r)left) Sony in New Music York Worldwide last week with "Ifs really not important when the onth - follows on April 12. -
Silkk the Shocker, All Because of You Chorus
Silkk The Shocker, All Because Of You Chorus: Mia X: It's all because of you I know what hot boys do Silkk: And it's all because of you I know what hot girls do Mia X: It's all because of you I know what hot boys do Silkk: And it's all because of you I know what hot girls do (Mia X) It's all because of you I know what hot boys do and that's why I don't trust 'em I make sure it's all about me ain't even trying to love 'em cuz I know you're type hot boys don't wanna do right Screwing everything then have the nerve to wanna have a good wife nah bump that baby get ya sneakers and ya beeper let the door knob hit ya I bought this house ya heard me I'ma shine without ya mista it's the biggest Mama Mia X independent bringing weight to the table I'm financial stable and able to let you know what I'm not gone tolerate pay for everything I got you can't throw shit in my face wait a minute let me finish my name ain't Sparkle no promises from ten years ??? Sees nothing but the chase sees one kind of mista on a mission paper chasing building things with a sister I get caught up in my rapture ??? got you like a groupie gimp but you ain't getting inside ride with me oh no floss of my dough floss me on your arm boo I don't think so fantasize about the sex even lie on your I suck what rode who nah I ain't that chick think yall can screw beaucoup hoes same time have a wife giving broads two bills they think they living the life I rather stack my own digits make my world and spin in and call you just another citizen living in it ya heard me? Chorus: Mia X: It's all because of you I know what hot boys do Silkk: And it's all because of you I know what hot girls do Mia X: It's all because of you I know what hot boys do Silkk: And it's all because of you I know what hot girls do (Silkk) It's all because of you I know what women they do and umm.. -
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G. -
G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED
STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
YA HEARD ME? Is a Documentary Film About a Regional Version of Hip-Hop Specific to New Orleans, Louisiana Called “Bounce”
Directed by Matt Miller and Stephen Thomas RUNNING TIME: 77 min www.yaheardmefilm.com CONTACT: Kim Dixon, Emily Froelich dominion3 Public Relations 6464 Sunset Blvd. Suite 740 Los Angeles, CA 90028 Ph: (323) 466-3393 Fx: (323) 466-2773 [email protected] [email protected] DIRECTORS’ NOTES YA HEARD ME? Is a documentary film about a regional version of hip-hop specific to New Orleans, Louisiana called “Bounce”. Bounce is not just a style of music but a holistic community involving dance, block parties and clubs, which celebrates the unique contemporary story of New Orleans urban lifestyle. YA HEARD ME? uses extensive interviews and footage of the Bounce scene from 2002-2006, as well as an archival library of NOLA television program “All Good In The Hood” spanning the Bounce scene from the inside from 1997 until the present. Post-Katrina follow up in such locations as Houston, Atlanta, Mobile, Baton Rouge and New Orleans, make this documentary a snapshot into a culture rooted in tradition, then uprooted by tragedy. The resulting story is a vital, raw, rhythm driven experience told by the characters that created this important community. YA HEARD ME? is a definitive view of a people, a time and a location that may never exist in the same way again. Matt Miller Stephen Thomas SCRATCH MAGAZINE, SEPT/OCT 2007 More Bounce To The Ounce A new documentary goes deeper into the roots of New Orleans rap. “Triggerman” is merely the rue in New Orleans bounce's gumbo. The first documentary about bounce, Ya Heard Me, is a bottom-up look at the genre. -
Aboriginal Men of High Degree Studiesin Sodetyand Culture
])U Md�r I W H1// <43 H1�hi Jew Jn• Terrace c; T LUCIA. .Id 4007 �MY.Ers- Drysdale R. 0-v Cape 1 <0 �11 King Edward R Eylandt J (P le { York Prin N.Kimb �0 cess Ch arlotte Bay JJ J J Peninsula Kalumbur,:u -{.__ Wal.cott • C ooktown Inlet 1r Dampier's Lan by Broome S.W.Kimberley E. Kimberley Hooker Ck. La Grange Great Sandy Desert NORTHERN TERRITORY Port Hedland • Yuendumu , Papanya 0ga Boulia ,r>- Haasts Bluff • ,_e':lo . Alice Springs IY, Woorabin Gibson Oesert Hermannsburg• da, �igalong pe ter I QU tn"' "'= EENSLAND 1v1"' nn ''� • Ayre's Rock nn " "' r ---- ----------------------------L- T omk i nson Ra. Musgrave Ra. Everard Ra Warburton Ra. WESTERN AUSTRALIA Fraser Is. Oodnadatta · Laverton SOUTH AUSTRALIA Victoria Desert New Norcia !) Perth N EW SOUT H WALES Great Australian Bight Port �ackson �f.jer l. W. llill (lr14), t:D, 1.\ Censultlf . nt 1\n·hlk.. l �st Tl·l: ( 117} .171-'l.lS Aboriginal Men of High Degree Studiesin Sodetyand Culture General Editors: Jeremy Beckett and Grant Harman Previous titles in series From Past4 to Pt�vlova: A Comp��rlltivt Study ofIlllli1111 Smlm m Sydney & Griffith by Rina Huber Aboriginal Men of High Degree SECOND EDITION A. P. Elkin THEUNIVERSITY OF QUEENSLANDLffiRARY SOCIALSCIENCES AND HUMANITIES LIBRARY University of Queensland Press First edition 1945 Second edition © University of Queensland Press, St Lucia, Queensland, 1977 This book is copyright. Apart from any fair dealing for the purposes of private study, research, criticism, or review, as permitted under the Copyright Act, no p�rt may be reproduced by any process without written permission. -
Voice Misappropriation in California-Bette Midler, Tom Waits, and Grandma Burger Edwin F
University of Miami Law School Institutional Repository University of Miami Business Law Review 4-1-2003 Voice Misappropriation in California-Bette Midler, Tom Waits, and Grandma Burger Edwin F. McPherson Follow this and additional works at: http://repository.law.miami.edu/umblr Part of the Law Commons Recommended Citation Edwin F. McPherson, Voice Misappropriation in California-Bette Midler, Tom Waits, and Grandma Burger, 11 U. Miami Bus. L. Rev. 43 (2003) Available at: http://repository.law.miami.edu/umblr/vol11/iss1/3 This Article is brought to you for free and open access by Institutional Repository. It has been accepted for inclusion in University of Miami Business Law Review by an authorized administrator of Institutional Repository. For more information, please contact [email protected]. VOICE MISAPPROPRIATION IN CALIFORNIA-BETTE MIDLER, TOM WAITS, AND GRANDMA BURGER BY: EDWIN F. MCPHERSON* On October 4, 2001, the California Court of Appeal, for the first time, acknowledged, defined, explained, and confirmed the common law ofvoice misappropriation in California. Unfortunately, only onejustice on the three justice panel saw fit to tell the legal world the status of the law before the parties had to go through the expense and uncertainty of a trial. The case is PriorityRecords v. SuperiorCourt (Geneva Burger). 1 As it turns out, the case was settled during trial, for an undisclosed sum of money, and the California Court of Appeal still has yet to make its voice officially heard. When Prioritywasdecided, the only common lawvoice misappropriation cases in California were Federal cases, both decided by the Ninth Circuit Court of Appeals, and both involving celebrity recording artists. -
Thesis, the Songs of 10 Rappers Were Analyzed
ABSTRACT Get Rich or Die Tryin’: A Semiotic Approach to the Construct of Wealth in Rap Music Kristine Ann Davis, M.A. Mentor: Sara J. Stone, Ph.D. For the past 30 years, rap music has made its way into the mainstream of America, taking an increasingly prominent place in popular culture, particularly for youth, its main consumers. This thesis looks at wealth through the lens of semiotics, an important component of critical/cultural theory, using a hermeneutical analysis of 11 rap songs, spanning the last decade of rap music to find signification and representation of wealth in the rap song lyrics. The research finds three important themes of wealth - relationship between wealth and the opposite sex, wealth that garners respect from other people, and wealth as a signifier for “living the good life” - and five signifiers of wealth – money, cars, attire, liquor, and bling. Get Rich or Die Tryin': A Semiotic Approach to the Construct of Wealth in Rap Music by Kristine Ann Davis, B.A. A Thesis Approved by the Department of Journalism ___________________________________ Clark Baker, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Sara J. Stone, Ph.D., Chairperson ___________________________________ Mia Moody-Ramirez, Ph.D. ___________________________________ Tony L.Talbert, Ed.D. Accepted by the Graduate School August 2011 ___________________________________ J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. Copyright ! 2011 by Kristine Ann Davis All rights reserved! CONTENTS ACKNOWLEDGMENTS v Chapter 1. -
SMITHSONIAN INSTITUTION the Medicine Bundles of Ihe Florida Seminole and the Green Corn Dance
SMITHSONIAN INSTITUTION Bureau of American Ethnology Bulletin 151 Anthropological Papers, No. 35 The Medicine Bundles of ihe Florida Seminole and the Green Corn Dance By LOUIS CAPRON 155 CONTENTS PAGE Introduction 159 The Florida Seminole 160 Mode of living 161 The Medicine Bundles 162 The Medicine 163 The Rattlesnake and the Horned Owl 164 How the Medicine came (Cow Creek version) 165 How the Medicine came (Miccosuki version) 166 African animals 166 One original Bundle 167 The horn of the Snake King 168 Power in War Medicine 168 The Boss Stone 169 War rattles.- 170 How the Medicine is kept 171 New Medicine 171 Other Medicine 172 Religion 172 The Green Corn Dance 175 The dance ground 182 Helpers with the Medicine 183 Tin-can rattles 184 The dances. 186 Picnic Day 188 Court Day 188 The Medicine Bundle 190 Scratching the boys 191 The Feather Dance 193 The Black Drinks 195 Crime and the Court 196 State of the nation 198 Court Day afternoon 198 The last nightl 200 The Big Pot Drink 202 Dance all night 202 The scene at midnight 204 The final morning 205 The scratching 206 Explanation of plates 208 157 158 BUREAU OF AMERICAN ETHNOLOGY [Bulu 151J ILLUSTRATIONS PLATES PAGE 7. Typical Seminole village 210 8. Two Seminole Medicine Men. Left: Ingraham Billy, Medicine Man of the Tamiami Trail Seminole. Right: Sam Jones, long-time Medicine Man of the Cow Creek Seminole 210 9. Two Seminole Medicine Men. Left: John Osceola, Big Cypress Medi- cine Man at the 1949 Green Corn Dance. Right: Josie Billy, former Medicine Man of the Tamiami Trail Seminole 210 10. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
WHO's WHO in POP LP ENGINEERING the Following Is a List of ENGINEERS Credited on at Least One Album in the Top Pop 100 Charts from January 1997 to the Present
WHO'S WHO IN POP LP ENGINEERING The following is a list of ENGINEERS credited on at least one album in the Top Pop 100 Charts from January 1997 to the present.. (Please note that, due to computer restraints, ENGINEERS are NOT credited on an album that has more than 4 ENGINEERS listed)) This listing includes the ENGINEER'S Name (# of records credited) "Album Title" - Artist/ Other ENGINEERS credited on the record. 4th Disciple(2) - "Silent Weapons For Quiet Wars"- Killarmy-/ + "Heavy Mental"- Killah Priest-/Troy Mike Dean(3) - "Picture This"- Do Or Die-/ The Legendary Traxster + "The Untouchable"- Scarface-/ + Hightower Bob Power 4th Disciple "My Homies"- Scarface-/ Brian Ackley(1) - "Christmas Live"- Mannheim Steamroller-/ John Dee(1) - "Dig Your Own Hole"-The Chemical BrothersVSteve Dub Tim Holmes John Dee Oliver Adams(1) - "Our Little Secret"- Lords Of AcidVPeer Rave Michael Denten(1) - "An Eye For An Eye"- RBL Posse-/ The Enhancer Chuck Ainlay(1) - "Blue Clear Sky"-George StraitVSteve Tillisch Ian Devaney(1) - "Lisa Stansfield"-Lisa StansfieldVAidan McGovern Peter Mokran John Alagia(1) - "Live At Red Rocks 8.15.95"-Dave Matthews BandVDan Healy Jeff Thomas Nick Didia(2) - "Blue Sky On Mars"-Matthew Sweet-/ + "Yield"- Pearl JamVBrendan O'Brien Ken Allardyce(l) - "Nimrod"- Green Day-/ Brian Dobbs(2) - "Eight Arms To Hold You"- Veruca Salt-/ + "Reload"- Metallica-/Randy Staub Mike Carlos Alvarez(1) - "Tango'-Julio Iglesias-/ Fraser Slamm Andrews(1) - "Turn The Radio Off"- Reel Big Fish-/ Kevin Globerman Tony Dofat(1) - "Waterbed Hev"- Heavy D.-/ Kenneth Lewis Jamie Staub Greg Archilla(2) - "Disciplined Breakdown"- Collective Soul-/ + "Yourself Or Someone Like You"- Jimmy Dougias(3) - "Ginuwine...The Bachelor"- Ginuwine-/ + "Supa Dupa Fly"-Missy 'Misdemeanor1 Matchbox 20-/Jeff Tomei Matthew Serletic Elliott-/ Timbaland + "Welcome To Our World"-Timbaland & Mag-oo-/ Dave Aron(1) - "Last Man Standing"- MC Eiht-/DJ Muggs Alan Douglas(1) - "Pilgrim"-Eric Clapton-/ "Ben 0.