Lincoln's Speeches Reconsidered Briggs, John Channing
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The Dispute Over the Annexation of Texas and Opposition to the Mexican War Prior to Texas's Independence, the Nueces River Was R
American Studies Mr. Carlson The Dispute over the Annexation of Texas and opposition to the Mexican War Prior to Texas's independence, the Nueces River was recognized as the northern boundary of Mexico. Spain had fixed the Nueces as a border in 1816, and the United States ratified it in the 1819 treaty by which the United States had purchased Florida and renounced claims to Texas. Even following Mexico's independence from Spain, American and European cartographers fixed the Texas border at the Nueces. When Texas declared its independence, however, it claimed as its territory an additional 150 miles of land, to the Rio Grande. With the annexation of Texas in 1845, the United States adopted Texas's position and claimed the Rio Grande as the border. Mexico broke diplomatic relations with the United States and refused to recognize either the Texas annexation or the Rio Grande border. President James Polk sent a special envoy, John L. Slidell, to propose cancellation of Mexico's debt to United States citizens who had incurred damages during the Mexican Revolution, provided Mexico would formally recognize the Rio Grande boundary. Slidell was also authorized to offer the Mexican government up to $30 million for California and New Mexico. Between Slidell's arrival on December 6, 1845, and his departure in March 1846, the regime of President Jose Herrara was overthrown and a fervently nationalistic government under General Mariano Paredes seized power. Neither leader would speak to Slidell. When Paredes publicly reaffirmed Mexico's claim to all of Texas, Slidell left in a temper, convinced that Mexico should be "chastised." American Studies Mr. -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SCIENCE IN THE AMERICAN STYLE, 1700 – 1800 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By ROBYN DAVIS M CMILLIN Norman, Oklahoma 2009 SCIENCE IN THE AMERICAN STYLE, 1700 – 1800 A DISSERTATION APPROVED FOR THE DEPARTMENT OF HISTORY BY ________________________ Prof. Paul A. Gilje, Chair ________________________ Prof. Catherine E. Kelly ________________________ Prof. Judith S. Lewis ________________________ Prof. Joshua A. Piker ________________________ Prof. R. Richard Hamerla © Copyright by ROBYN DAVIS M CMILLIN 2009 All Rights Reserved. To my excellent and generous teacher, Paul A. Gilje. Thank you. Acknowledgements The only thing greater than the many obligations I incurred during the research and writing of this work is the pleasure that I take in acknowledging those debts. It would have been impossible for me to undertake, much less complete, this project without the support of the institutions and people who helped me along the way. Archival research is the sine qua non of history; mine was funded by numerous grants supporting work in repositories from California to Massachusetts. A Friends Fellowship from the McNeil Center for Early American Studies supported my first year of research in the Philadelphia archives and also immersed me in the intellectual ferment and camaraderie for which the Center is justly renowned. A Dissertation Fellowship from the Gilder Lehrman Institute for American History provided months of support to work in the daunting Manuscript Division of the New York Public Library. The Chandis Securities Fellowship from the Huntington Library, Art Collections, and Botanical Gardens brought me to San Marino and gave me entrée to an unequaled library of primary and secondary sources, in one of the most beautiful spots on Earth. -
University of Florida Thesis Or Dissertation Formatting
THE TELEVISED SOUTH: AN ANALYSIS OF THE DOMINANT READINGS OF SELECT PRIME-TIME PROGRAMS FROM THE REGION By COLIN PATRICK KEARNEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2020 © 2020 Colin P. Kearney To my family ACKNOWLEDGMENTS A Doctor of Philosophy signals another rite of passage in a career of educational learning. With that thought in mind, I must first thank the individuals who made this rite possible. Over the past 23 years, I have been most fortunate to be a student of the following teachers: Lori Hocker, Linda Franke, Dandridge Penick, Vickie Hickman, Amy Henson, Karen Hull, Sonya Cauley, Eileen Head, Anice Machado, Teresa Torrence, Rosemary Powell, Becky Hill, Nellie Reynolds, Mike Gibson, Jane Mortenson, Nancy Badertscher, Susan Harvey, Julie Lipscomb, Linda Wood, Kim Pollock, Elizabeth Hellmuth, Vicki Black, Jeff Melton, Daniel DeVier, Rusty Ford, Bryan Tolley, Jennifer Hall, Casey Wineman, Elaine Shanks, Paulette Morant, Cat Tobin, Brian Freeland, Cindy Jones, Lee McLaughlin, Phyllis Parker, Sue Seaman, Amanda Evans, David Smith, Greer Stene, Davina Copsy, Brian Baker, Laura Shull, Elizabeth Ramsey, Joann Blouin, Linda Fort, Judah Brownstein, Beth Lollis, Dennis Moore, Nathan Unroe, Bob Csongei, Troy Bogino, Christine Haynes, Rebecca Scales, Robert Sims, Ian Ward, Emily Watson-Adams, Marek Sojka, Paula Nadler, Marlene Cohen, Sheryl Friedley, James Gardner, Peter Becker, Rebecca Ericsson, -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
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the exclusive roster of conferees points to the fact that the honor remains one of the few ways the United States gov- NOTES ernment can acknowledge a foreigner’s contribution to the nation and/or to mankind. The congressional joint resolu- 1. T. Lawrence Larkin, “A ‘Gift’ Strategically tion clearly enumerated Gálvez’s contributions: he led a truly Solicited and Magnanimously Conferred: The multi-national military force to strategically significant American Congress, the French Monarchy, and the victories against Great Britain during the Revolutionary State Portraits of Louis XVI and Marie-Antoinette,” War; he later served the cause of science as viceroy of New Winterthur Portfolio 44, no. 1 (2010): 31–75; Larkin, Spain by sponsoring hydrographic expeditions of the Gulf “Final Report for Research Undertaken with the Aid of Mexico; his name has been given to several localities in of the U.S. Capitol Historical Society, April–June Texas and Louisiana; and the state of Florida named him a 2000,” Research Files, USCHS. “Great Floridian” in 2012. 2.James Alton James, “Oliver Pollock, Financier of In the spring of 2014, Representative Jeff Miller (FL) the Revolution in the West,” Mississippi Valley His- introduced H.J. Res. 105 in the House, and Senator Marco torical Review, 16, no. 1(June 1929): 67–80; Robert Rubio (FL) introduced S.J. Res. 38 in the Senate, to confer Morris to Bernardo de Gálvez, 21 Nov. 1781, in honorary United States citizenship on Gálvez. As president E. James Ferguson and John Catanzariti, eds., The general of the Sons of the American Revolution, I wrote a Papers of Robert Morris, 1781-1784 (9 vols., Pitts- letter to every member of the House Foreign Affairs Com- burgh, PA, 1980–99), 2:221–22. -
Abraham Lincoln and the Power of Public Opinion Allen C
Civil War Era Studies Faculty Publications Civil War Era Studies 2014 "Public Sentiment Is Everything": Abraham Lincoln and the Power of Public Opinion Allen C. Guelzo Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/cwfac Part of the Political History Commons, Social History Commons, and the United States History Commons Share feedback about the accessibility of this item. Guelzo, Allen C. "'Public Sentiment Is Everything': Abraham Lincoln and the Power of Public Opinion." Lincoln and Liberty: Wisdom for the Ages Ed. Lucas E. Morel (Lexington: University Press of Kentucky, 2014), 171-190. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/cwfac/56 This open access book chapter is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. "Public Sentiment Is Everything": Abraham Lincoln and the Power of Public Opinion Abstract Book Summary: Since Abraham Lincoln’s death, generations of Americans have studied his life, presidency, and leadership, often remaking him into a figure suited to the needs and interests of their own time. This illuminating volume takes a different approach to his political thought and practice. Here, a distinguished group of contributors argue that Lincoln’s relevance today is best expressed by rendering an accurate portrait of him in his own era. They es ek to understand Lincoln as he understood himself and as he attempted to make his ideas clear to his contemporaries. -
Birds and Man Birds and Man
THIS EDITION IS LIMITED TO 7$O COPIES FOR SALE IN ENGLAND, IOO FOR SALE IN THE UNITED STATES OF AMERICA, AND 35 PRESENTATION COPIES THE COLLECTED WORKS 0/ W. H. HUDSON IN TWENTY-FOUR VOLUMES BIRDS AND MAN BIRDS AND MAN BY W. H. HUDSON MCMXXIII LONDON y TORONTO J. M. DENT & SONS LTD. NEW YORK: E. P. DUTTON & CO. AII rtghls reserved PRINTED IN GREAT BRITAIN CONTENTS CHAPTER I PAGE Birds at their Best ....... i Unpleasant impression produced by stuffed birds — The Booth Collection at Brighton—The Dartford warbler seen at its best—A painful contrast—Use and abuse of museum collections—A tale of the Age of Fools—Sun- light in a sack—Kingfisher in a glass case—Seeing every bird at its best—Emotional impressions the only per- manent ones—A picture of long-tailed tits among cat- kins:—The faculty of recalling sounds: its varying degrees—Memories of bird-sounds—The author’s case —Relative durability of sight- and sound-impressions —The author’s experience analysed—Vocal character- istics which chiefly impress—The charm of birds: a saying of Sir Edward Grey’s elucidated—The delight and consolation of remembered beauty. CHAPTER II Birds and Man ........ 32 Man from the bird’s point of view—The blackbird and the strawberries—Birds* relations with beasts—Seven daws and a cow — A daw’s attentions to a hind — Nesting birds: their behaviour to intruders analysed—Anecdote of a sheep and a lapwing—Partridges at a rabbit-fight —Herbert Spencer on animal sociability: his ignorance of the cow’s mind—The robin’s attitude towards man —Indifference of swifts and the swallow tribe to man— Contrasted behaviour of a hen pheasant—A hostile demonstration by gold-crests—Another by swallows— The mystery explained. -
Greenberg – a Wicked
POLK, CLAY, LINCOLN, AND THE 1846 U.S. INVASION OF MEXICO WICKED WAR AMY S. GREENBERG I do not think there was ever a more wicked war than that waged by the United States on Mexico. I thought so at the time, when I was a youngster, only I had not moral courage enough to resign. —ULYSSES S. GRANT, 1879 Introduction THIS is THE STORY of five men, four years, and one foreign war. Henry Clay, James K. Polk, Abraham Lincoln, John J. Hardin, and Nicholas Trist were bound together in unexpected political and personal battle during the years 1844-48 as AmericaVwar against Mexico unfolded, then stumbled to an end. That conflict, which breached George Washington's injunction to avoid entanglements abroad, was an act of expansionist aggression against a neighboring country. It reshaped the United States into lord of the continent and announced the arrival of a new world power. TheJJ.S.-Mexican conflict also tipped an internecine struggle over slaveryjnto civil war. Though both Its justification and its consequences are dim now, this, America's first wgr against another republic, decisively broke with the past, shaped the future, and to this day affects how the United States acts in the world. This is also a story about politics, slavery, Manifest Destiny, Indian kill- ing, and what it meant to prove one's manhood in the nineteenth century. It explores the meaning of moral courage injVmerica, the importance of legacies passed between generations, and the imperatives that turn politi- cians into leaders. And it attempts to explain why the United States invaded a neighboring country and how it came to pass that a substantial number of Americans determined to stop the ensuing war. -
Download Booklet
ALSO AVAILABLE ... STOLEN RHYTHM 7 1 5 2 0 0 D D C C R R H H C C YOU PROMISED ME EVERYTHING THE GLORY TREE VOCAL AND CHORAL WORKS BY CHAMBER WORKS BY CHERYL FRANCES-HOAD CHERYL FRANCES-HOAD “from supple assurance... to very funny.. “This retrospective of her chamber works is to austerely epic... Frances-Hoad’s work like a declaration of faith in the eternal shows a keen instinct for text-setting...” verities of composition.” The Times “Mezzo Jennifer Johnston is a superb advocate, the glossy depth of her voice “This makes an essential part of any RAMBERT ORCHESTRA matched by the spirited intelligence of contemporary music listening library.” her musicality.” PHOENIX PIANO TRIO, Recording of the month IVANA GAVRIC BBC Music Magazine MusicWeb International with Nicholas Daniel David Cohen Paul Hoskins FOREWORD As a composer, I take inspiration from myriad sources: art, poetry, the natural landscape, politics, other genres of music. But throughout my composing life I have found myself continually looking to composers from the past in order to create something new. This disc of chamber orchestral, chamber and solo piano music is united by the theme of ‘homage’: each piece, although I hope clearly recognisable as my own, involved immersing myself in the language of another composer in order to write it. Stolen Rhythm would have been impossible without generous funding from Arts Council England, The Fidelio Charitable Trust, The Ambache Charitable Trust, The Ralph Vaughan Williams Trust, The Winship Foundation and the Hildon Foundation. I am eternally, tremendously grateful to Mary and David Bowerman for their continued support of my music. -
The Semi-Weekly News
THE SEMI-WEEKLY NEWS VOL. VI. NO. 3. MOUNT HOLLY, BURLINGTON CO., N. J., MONDAY, JANUARY 9, 1882. .00 A YEAR. THE DAYS THAT HAVE PASSED, utilized has been dearly demonstrated “Did your uncle leave you any- fJiHE NEW YORK WEEKLY HERALD 1853. GIRARD 1880 the fine of the industri- in his Thomas ?” “Oh ONE DOLLAR A TEAR. the that come back after sum- bj vineyards thing will, Ob, days FIRE INSURANCE COMPANY, mer ii fled I ous Germans at £gg Harbor City. "yes,” said Thomas, cheerfully, “he The circulation of this popular news- From Market Street to Ghosts of that revisit the shades of paper U constantly It con- PHILADELPHIA, pa days! The of their re- left me out.’’ increasing. Filbert, the dead, produets vineyards tains ail the leading news of the Daily Herald AH SETH.$1,179,008,99. Whose breath is all whose gar- ceived very favorable notioe at our and is arranged in handy depart- balmy, harness maker leaves traces of ments are dyed Centennial Exhibition. Every ments. The I* among the aoundestinstitutloaeoftheooun- try. Us liabilities are very small,andltsmath- With the blood of the harvest and vintage his work behind. FOREIGN NEWS the coast and in the ematlcal standard very high. beside Fishing along A. ; embraces special despatches from all parts S.Gillitt.President Not springtime’s shy beauty, not sum- for the fish knovtn as mossbunk- Uuder the head of “Musical’’ a Cieve. of the Under the head of Liabilities, including re-Insurance bays globe. fund. 9308,669.31 AN ENTIRE mer’s land an a BLOCK ripe days, ers near relative to the first paper gives account of horse AMERICAN NEWS Net surplus over all liabilities, inclu- Nor warm color—its (a shad) ding September’s purple trot. -
Abraham Lincoln: Preserving the Union and the Constitution
ABRAHAM LINCOLN: PRESERVING THE UNION AND THE CONSTITUTION Louis Fisher* I. THE MEXICAN WAR ..................................................................505 A. Polk Charges Treason ...................................................507 B. The Spot Resolutions ....................................................508 C. Scope of Presidential Power .........................................510 II. DRED SCOTT DECISION ...........................................................512 III. THE CIVIL WAR .....................................................................513 A. The Inaugural Address.................................................515 B. Resupplying Fort Sumter .............................................518 C. War Begins ...................................................................520 D. Lincoln’s Message to Congress .....................................521 E. Constitutionality of Lincoln’s Actions .......................... 523 F. Suspending the Writ .....................................................524 G. Statutory Endorsement ................................................527 H. Lincoln’s Blockade .......................................................528 IV. COMPARING POLK AND LINCOLN ...........................................531 * Specialist in constitutional law, Law Library, Library of Congress. This paper was presented at the Albany Government Law Review’s symposium, “Lincoln’s Legacy: Enduring Lessons of Executive Power,” held on September 30 and October 1, 2009. My appreciation to David Gray Adler, Richard -
1 Carleton University Early Summer 2017 Department of English ENGL 4115A Culture and the Text / 5900R Selected Topic in English
1 Carleton University Early Summer 2017 Department of English ENGL 4115A Culture and the Text / 5900R Selected Topic in English Studies I Melodrama and Seriality: Soap Operas, Superheroes, and Literature Tues, Thurs /11:35am – 2:25pm Location: 3400 Canal Building Instructor: Brian Johnson Email: [email protected] Office: Dunton Tower 1818 Phone: 613-520-2600 ext. 2331 Hours: By Appointment Melodramatic narratives are driven by the experience of one crisis after another, crises involving severed family ties, separation and loss, misrecognition of one’s place, person, and propriety. Seduction, betrayal, abandonment, extortion, murder, suicide, revenge, jealousy, incurable illness, obsession, and compulsion—these are part of the familiar terrain of melodrama. —Marcia Landry What draws us to melodrama as a narrative mode? Why do we seem to find the emotional trials and life-or-death calamities besetting longsuffering soap heroines, superheroes, and postapocalyptic zombie survivalists so endlessly enthralling? At what point does melodrama become camp? And conversely, what distinguishes “low” genres like melodrama from “high” genres like the novel? What do these convulsive narratives, which focus so obsessively on the Freudian hothouse of the bourgeois family, have to tell us about our private but also our collective social pleasures, perversions, and aspirations? What does it mean that readers and viewers return again and again to the site of crisis in search of narrative pleasure? This course explores the poetics and politics of melodrama