DOCSLIB.ORG

The Rings of Power

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The Rings of Power A Timeline of Their Beginnings and Ends Under the guise of Annatar, Sauron instructed the Gwaith-i-Mírdain (Elven master craftsmen) in Ring making around S.A. 1200 and “Many Lesser Rings” were created through S.A. 1500, when Sauron aided the work on creating 16 Rings of Power. These 16 Rings eventually became the Nine for the race of Men and the Seven for the race of Dwarves. 90 years later, Celebrimbor created the Three Elven Rings, which Sauron never touched. Around S.A. 1600 Sauron created the One Ring in secret. Nine for Seven for the Narya, Nenya, The One Mortal Men Dwarf-Lords & Vilya Ring 2nd 1200 ~1200-1500 Age Annatar instructs Elves in Ring making. “Many Lesser Rings” are made. 1300 1400 ~1500 1500 Annatar aids Gwaith-i-Mírdain in creating 16 Rings of Power. l l 1600 l G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. G-i-M. Ce Ce Ce 1590 1700 Celebrimbor creates Narya, Nenya, and Vilya. 1800 ~1600 Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron* Sauron Elrond Galadriel Sauron creates the One. Elves realize Annatar was Sauron & remove the Rings. 1900 Gil-galad ) ) ) ) ) 2000 ) 1693 ) Sauron demands the 19. Celebrimbor gives Nenya to Galadriel and 2100 Narya and Vilya to Gil-galad. Sauron attacks Eregion. Longbeards Stiffbeards Stonefoots Ironfists Blacklocks Broadbeams 2200 Firebeards 1697 2300 Sauron captures Celebrimbor and the Nine, then tortures and kills Celebrimbor 2400 (likely the Witch-king) and captures the Seven. Sauron redistributes those 16 at some point. (Khamûl) 2500 of unmentioned lineage of unmentioned lineage of unmentioned lineage of unmentioned lineage of unmentioned lineage 1701 (likely king of the (likely king of the (likely king of the (likely king of the (likely king of the (likely king of the 2600 (Durin, king of the First White Council meeting. Gil-galad gives Vilya to Elrond. 2700 2251 Dwarf-lord Dwarf-lord Dwarf-lord Dwarf-lord Dwarf-lord Númenórean Lord Númenórean Lord Númenórean Lord Easterling King Man Powerful Man Powerful Man Powerful Man Powerful Man Powerful Dwarf-lord 2800 Dwarf-lord The Nazgûl first appear. 2900 3000 3100 3200 3300 3430 3400 The Last Alliance of Elves and Men is formed. Gil-galad gives Narya to Círdan. 3rd 0 I. 3441 Age rdan í C Isildur takes the shard of his father's sword Narsil and cuts the One from 100 Sauron's finger. Sauron's physical form is destroyed. 200 2 300 Isildur killed by orcs and the One is lost in the Gladden River. 400 date) (unknown transfer date) (unknown transfer date) (unknown transfer date) (unknown transfer date) (unknown transfer date) (unknown transfer date) (unknown transfer date) (unknown transfer (unknown transfer date) 500 Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron Sauron 600 700 800 900 1000 ~1000 1100 The Istari come to Middle-earth. Círdan gives Narya to Gandalf. 1200 Gandalf 1300 1300 1400 Nazgûl reappear in Middle-earth. 1500 1600 1700 1800 1900 2000 2100 2200 2300 2400 2500 2463 Sméagol (later known as Gollum) becomes the fourth bearer of the One, 2600 By T.A.2570 after killing his cousin Déagol who found the Ring while fishing. 2700 four are lost.** Sméagol 2941 2800 At some point, Bilbo Baggins obtains the One. 2900 Sauron acquires 3001 two more. Bilbo Baggins gifts the One to Frodo. 3000 B T.A. 2845 Sauron 3018 T.A. 3019 All Nine are captures Thráin II The Three begin to Gandalf, Tom Bombadil, & Samwise briefly handle the One at different times. buried (possibly destroyed) and the final Ring. lose potency after 3019 (25 March) during the Barad-dûr the One is destroyed. *The Longbeards The One Ring is destroyed. collapse. If any survived, In T.A. 3021 Gandalf, claim Celebrimbor their potency wanes after Galadriel, and Elrond delivered Durin's Ring. the One is destroyed. go to Valinor with **“Lost” meaning their Rings. destroyed or taken by dragons. Three Rings may have been lost as early as S.A. 1697. | Information consolidated by Chad Bornholdt ([email protected])..
Recommended publications
  • The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien

    The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien

    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J.
  • Belief in JRR Tolkien's Fictional Mythology and the Lord of the Rings

    Belief in JRR Tolkien's Fictional Mythology and the Lord of the Rings

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CU Scholar Institutional Repository University of Colorado, Boulder CU Scholar Undergraduate Honors Theses Honors Program Spring 2014 The nflueI nce of Language: Belief in J.R. R. Tolkien's Fictional Mythology and The Lord of the Rings Jay Bennett University of Colorado Boulder Follow this and additional works at: http://scholar.colorado.edu/honr_theses Recommended Citation Bennett, Jay, "The nflueI nce of Language: Belief in J.R. R. Tolkien's Fictional Mythology and The Lord of the Rings" (2014). Undergraduate Honors Theses. Paper 45. This Thesis is brought to you for free and open access by Honors Program at CU Scholar. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of CU Scholar. For more information, please contact [email protected]. The Influence of Language: Belief in J.R.R. Tolkien’s Fictional Mythology and The Lord of the Rings Jay Bennett March 31, 2014 Dept. of English, University of Colorado at Boulder Defended April 7, 2014 Thesis Advisor: Dr. Benjamin J. Robertson, Dept. of English Defense Committee: Dr. Benjamin J. Robertson, Dept. of English Dr. Cathy Lynn Preston, Dept. of English Dr. Rolf Norgaard, Dept. of Writing and Rhetoric Bennett 2 Tolkien Thesis Introduction Studying the works of J.R.R. Tolkien inevitably leads to a question of belief, that is, the question of whether readers actually believe in the fictional world and how that experience of belief generates meaning. Much of the scholarship on fantasy literature is very interested in this question, beginning with Tolkien’s own discussions of “Secondary belief” in his essay “On Faiy- Stories.” The existing criticism has succeeded in establishing a lexicon of terms that describes how a work of fantasy conveys meaning.
  • You Have 1000CP

    You Have 1000CP

    You are heading to the dark land of Mordor in the realm of Middle-earth. The events that are set to transpire here are some time between the events of the Hobbit and those of the Lord of the Rings but as a whole do not really fit into Tolkien’s canon. Until recently the rangers of Gondor held the Black Gate of Mordor and all was relatively quiet in the land of shadow. Orc activity seemed on the increase and now they have taken back the gate as the first step in consolidating a power that will threaten the whole of Middle-earth. You arrive just as a Gondorian Ranger of the Black Gate called Talion is revived and inhabited by the wraith of the long dead Ñoldorin prince Celebrimbor. Together the two of them will cut a swathe through the ranks of the uruk in a quest to hinder Sauron and avenge Talion’s butchered family. Elsewhere the white wizard Saruman is already looking enviously towards Mordor and has many spies both amongst the people and some of the fauna. Within Mordor the uruks dominate much of the landscape, building great forts and war machines to prepare for the wars to come. The Rangers of the Black Gate are all but destroyed but remnants within the Outcasts of Udûn hold desperately to their lives and freedom. The vast amount of the human population of Mordor has been enslaved but the Tribesmen of Núrn in the southeast continue to resist the orcs. The shadow of Mount Doom falls upon you.
  • The Lord of the Rings: the Card Game.) TM

    The Lord of the Rings: the Card Game.) TM

    TM Difficulty Level = 7 Keyword - Secrecy X In the circle of Isengard, the heroes were preparing themselves for the journey to Tharbad. The leader of the White Council, Secrecy is a keyword on some player cards. Secrecy lowers the Saruman, had tasked them with an important quest: to find the cost to play the card by the specified value, provided the threat hidden forge of Celebrimbor, the master Elf-smith who forged of the player who is playing the card is 20 or below. Secrecy Rings of Power in the Second Age. The Wizard believed that only applies when the card is played from hand, and never knowledge of Celebrimbor’s secret forge could be learned from modifies the printed cost of the card. a Dwarf who they were to meet in Tharbad. Strategy Tip The heroes were tightening their belts and shouldering their There are a number of effects in The Dunland Trap that trigger bags when Saruman descended the stairs of Orthanc to wish after a player draws a card. If several of these effects are in play them farewell. “This gold should be sufficient to convince at the same time, it can be difficult to keep track of them all. In the Dwarf, Nalir, to sell you his map,” the Wizard said as he order to manage multiple effects that share the same trigger, it handed a heavy purse to the heroes. “Guard it well. For the can be helpful to keep this strategy in mind: location of Celebrimbor’s forge is a prize beyond worth, and we dare not let the servants of the Enemy find it in our stead.” After a player draws a card, check each encounter card in play for a Forced effect that triggers at that time.
  • <I>Simbelmynë</I>: Mortality and Memory in Middle-Earth

    <I>Simbelmynë</I>: Mortality and Memory in Middle-Earth

    Volume 29 Number 1 Article 10 10-15-2010 Simbelmynë: Mortality and Memory in Middle-earth William H. Stoddard Independent Scholar Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Stoddard, William H. (2010) "Simbelmynë: Mortality and Memory in Middle-earth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 29 : No. 1 , Article 10. Available at: https://dc.swosu.edu/mythlore/vol29/iss1/10 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Elegiac contemplation of the function of memory in Tolkien’s Middle-earth, and the complex intersections of memory, loss, immortality, consolation, and creativity made flesh in olkienT ’s depictions of the races of Elves and Men and their interactions. Additional Keywords Creativity in J.R.R.
  • Clashing Perspectives of World Order in JRR Tolkien's Middle-Earth

    Clashing Perspectives of World Order in JRR Tolkien's Middle-Earth

    ABSTRACT Fate, Providence, and Free Will: Clashing Perspectives of World Order in J. R. R. Tolkien’s Middle-earth Helen Theresa Lasseter Mentor: Ralph C. Wood, Ph.D. Through the medium of a fictional world, Tolkien returns his modern audience to the ancient yet extremely relevant conflict between fate, providence, and the person’s freedom before them. Tolkien’s expression of a providential world order to Middle-earth incorporates the Northern Germanic cultures’ literary depiction of a fated world, while also reflecting the Anglo-Saxon poets’ insight that a single concept, wyrd, could signify both fate and providence. This dissertation asserts that Tolkien, while acknowledging as correct the Northern Germanic conception of humanity’s final powerlessness before the greater strength of wyrd as fate, uses the person’s ultimate weakness before wyrd as the means for the vindication of providence. Tolkien’s unique presentation of world order pays tribute to the pagan view of fate while transforming it into a Catholic understanding of providence. The first section of the dissertation shows how the conflict between fate and providence in The Silmarillion results from the elvish narrator’s perspective on temporal events. Chapter One examines the friction between fate and free will within The Silmarillion and within Tolkien’s Northern sources, specifically the Norse Eddas, the Anglo-Saxon Beowulf, and the Finnish The Kalevala. Chapter Two shows that Tolkien, following Boethius’s Consolation of Philosophy, presents Middle-earth’s providential order as including fated elements but still allowing for human freedom. The second section shows how The Lord of the Rings reflects but resolves the conflict in The Silmarillion between fate, providence, and free will.
  • Lioi, Anthony. "The Great Music: Restoration As Counter-Apocalypse in the Tolkien Legendarium." Nerd Ecology: Defending the Earth with Unpopular Culture

    Lioi, Anthony. "The Great Music: Restoration As Counter-Apocalypse in the Tolkien Legendarium." Nerd Ecology: Defending the Earth with Unpopular Culture

    Lioi, Anthony. "The Great Music: Restoration as Counter-Apocalypse in the Tolkien Legendarium." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 123–144. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781474219730.ch-005>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 12:12 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 4 The Great Music: Restoration as Counter-Apocalypse in the Tolkien Legendarium In which I assert that J. R. R. Tolkien’s legendarium begins with an enchanted sky, which provides the narrative framework for a restoration ecology based on human alliance with other creatures. This alliance protects local and planetary environments from being treated like garbage. Tolkien’s restorative framework begins in the Silmarillion with “The Music of the Ainur,” a cosmogony that details the creation of the universe by Powers of the One figured as singers and players in a great music that becomes the cosmos. This is neither an organic model of the world as body nor a technical model of the world as machine, but the world as performance and enchantment, coming- into-being as an aesthetic phenomenon. What the hobbits call “magic” in the Lord of the Rings is enchantment, understood as participation in the music of continuous creation. In his essay “On Fairy-Stories,” Tolkien theorized literary enchantment as the creation of a “Secondary World” of art that others could inhabit.
  • The Sense of Time in J.R.R. Tolkien's the Lord of the Rings

    The Sense of Time in J.R.R. Tolkien's the Lord of the Rings

    Volume 15 Number 1 Article 1 Fall 10-15-1988 The Sense of Time in J.R.R. Tolkien's The Lord of the Rings Kevin Aldrich Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Aldrich, Kevin (1988) "The Sense of Time in J.R.R. Tolkien's The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 1 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss1/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses the importance of time, death, and/or immortality for various races of Middle-earth. Additional Keywords Death in The Lord of the Rings; Immortality in The Lord of the Rings; Time in The Lord of the Rings This article is available in Mythlore: A Journal of J.R.R.
  • Treasures of Middle Earth

    Treasures of Middle Earth

    T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25
  • The Celeblain of Celeborn and Galadriel

    The Celeblain of Celeborn and Galadriel

    Volume 9 Number 2 Article 5 6-15-1982 The Celeblain of Celeborn and Galadriel Janice Johnson Southern Illinois University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Johnson, Janice (1982) "The Celeblain of Celeborn and Galadriel," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 9 : No. 2 , Article 5. Available at: https://dc.swosu.edu/mythlore/vol9/iss2/5 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Reviews the history of Galadriel and Celeborn as revealed in unpublished materials as well as The Lord of the Rings, The Silmarillion, Tolkien’s Letters, and Unfinished alesT , and examines variations and inconsistencies. Additional Keywords Tolkien, J.R.R.—Characters—Celeborn; Tolkien, J.R.R.—Characters—Galadriel; Patrick Wynne This article is available in Mythlore: A Journal of J.R.R.
  • The Psychology of Power in Tolkien's the Lord of the Rings, Orwell's 1984 and Le Guin's a Wizard of Earthsea

    The Psychology of Power in Tolkien's the Lord of the Rings, Orwell's 1984 and Le Guin's a Wizard of Earthsea

    Volume 15 Number 1 Article 8 Fall 10-15-1988 The Psychology of Power in Tolkien's The Lord of the Rings, Orwell's 1984 and Le Guin's A Wizard of Earthsea Mason Harris Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Harris, Mason (1988) "The Psychology of Power in Tolkien's The Lord of the Rings, Orwell's 1984 and Le Guin's A Wizard of Earthsea," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 1 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol15/iss1/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Argues that despite their differences, Tolkien and Orwell share a similar response to absolute power, as “parallel evolution in the imagination of two humane British fantasists with an interest in the moral implications of politics.” Sees A Wizard of Earthsea as dealing with a similar problem but in psychological terms constrained by the coming-of-age theme.
  • An Exploration of Character and Leadership in J.R.R Tolkien's Lord

    An Exploration of Character and Leadership in J.R.R Tolkien's Lord

    MJUR 2017, Issue 7 37 Concerning Power: An Exploration of Character and Leadership in J.R.R. Tolkien’s The Lord of the Rings Brittany Andrews Crown College Abstract Although seldom studied as a commentary on leadership and the various forms of underlying power, The Lord of the Rings offers extended insight on power and its relation to human nature. Tolkien recognizes the potential evil of power, but he also understands humanity’s need for leadership and power. It is in this paradox that the studies of John French and Bertram Raven are immensely insightful. In a 1959 study and continuing research of more recent years, French and Raven conclude that there are six basic types of social power used to influence people. Each of these bases of power can be found in characters in The Lord of the Rings. They are portrayed in a way that helps to illuminate the importance that Tolkien places on utilizing self-awareness, teamwork, and community when exercising power. Although seldom studied as a commentary on leadership and various forms of underlying power, The Lord of the Rings offers extended insight on power and its relation to human nature. There can be little doubt that, on a surface level, Tolkien is wary of power—Middle Earth almost falls due to a malicious buildup of it. While Tolkien’s not so subtle allusions to Hitler’s ironworks and proliferation of weapons fashion some of Tolkien’s political commentary, his exploration of leadership and human nature have far-wider applications. Tolkien recognizes the potential evil of power and how easily humans are swayed by the influence it promises, yet he also understands humanity’s need for leadership.