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Belief in JRR Tolkien's Fictional Mythology and the Lord of the Rings
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CU Scholar Institutional Repository University of Colorado, Boulder CU Scholar Undergraduate Honors Theses Honors Program Spring 2014 The nflueI nce of Language: Belief in J.R. R. Tolkien's Fictional Mythology and The Lord of the Rings Jay Bennett University of Colorado Boulder Follow this and additional works at: http://scholar.colorado.edu/honr_theses Recommended Citation Bennett, Jay, "The nflueI nce of Language: Belief in J.R. R. Tolkien's Fictional Mythology and The Lord of the Rings" (2014). Undergraduate Honors Theses. Paper 45. This Thesis is brought to you for free and open access by Honors Program at CU Scholar. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of CU Scholar. For more information, please contact [email protected]. The Influence of Language: Belief in J.R.R. Tolkien’s Fictional Mythology and The Lord of the Rings Jay Bennett March 31, 2014 Dept. of English, University of Colorado at Boulder Defended April 7, 2014 Thesis Advisor: Dr. Benjamin J. Robertson, Dept. of English Defense Committee: Dr. Benjamin J. Robertson, Dept. of English Dr. Cathy Lynn Preston, Dept. of English Dr. Rolf Norgaard, Dept. of Writing and Rhetoric Bennett 2 Tolkien Thesis Introduction Studying the works of J.R.R. Tolkien inevitably leads to a question of belief, that is, the question of whether readers actually believe in the fictional world and how that experience of belief generates meaning. Much of the scholarship on fantasy literature is very interested in this question, beginning with Tolkien’s own discussions of “Secondary belief” in his essay “On Faiy- Stories.” The existing criticism has succeeded in establishing a lexicon of terms that describes how a work of fantasy conveys meaning. -
The Comforts: the Image of Home in <I>The Hobbit</I>
Volume 14 Number 1 Article 6 Fall 10-15-1987 All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings Wayne G. Hammond Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hammond, Wayne G. (1987) "All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 1 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol14/iss1/6 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines the importance of home, especially the Shire, as metaphor in The Hobbit and The Lord of the Rings. Relates it to the importance of change vs. permanence as a recurring theme in both works. -
Why Is the Only Good Orc a Dead Orc Anderson Rearick Mount Vernon Nazarene University
Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 10 Lewis & Friends 3-2004 Why Is the Only Good Orc a Dead Orc Anderson Rearick Mount Vernon Nazarene University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Rearick, Anderson (2004) "Why Is the Only Good Orc a Dead Orc," Inklings Forever: Vol. 4 , Article 10. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/10 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana Why Is the Only Good Orc a Dead Orc? Anderson Rearick, III Mount Vernon Nazarene University Rearick, Anderson. “Why Is the Only Good Orc a Dead Orc?” Inklings Forever 4 (2004) www.taylor.edu/cslewis 1 Why is the Only Good Orc a Dead Orc? Anderson M. Rearick, III The Dark Face of Racism Examined in Tolkien’s themselves out of sync with most of their peers, thus World1 underscoring the fact that Tolkien’s work has up until recently been the private domain of a select audience, In Jonathan Coe’s novel, The Rotters’ Club, a an audience who by their very nature may have confrontation takes place between two characters over inhibited serious critical examinations of Tolkien’s what one sees as racist elements in Tolkien’s Lord of work. -
You Have 1000CP
You are heading to the dark land of Mordor in the realm of Middle-earth. The events that are set to transpire here are some time between the events of the Hobbit and those of the Lord of the Rings but as a whole do not really fit into Tolkien’s canon. Until recently the rangers of Gondor held the Black Gate of Mordor and all was relatively quiet in the land of shadow. Orc activity seemed on the increase and now they have taken back the gate as the first step in consolidating a power that will threaten the whole of Middle-earth. You arrive just as a Gondorian Ranger of the Black Gate called Talion is revived and inhabited by the wraith of the long dead Ñoldorin prince Celebrimbor. Together the two of them will cut a swathe through the ranks of the uruk in a quest to hinder Sauron and avenge Talion’s butchered family. Elsewhere the white wizard Saruman is already looking enviously towards Mordor and has many spies both amongst the people and some of the fauna. Within Mordor the uruks dominate much of the landscape, building great forts and war machines to prepare for the wars to come. The Rangers of the Black Gate are all but destroyed but remnants within the Outcasts of Udûn hold desperately to their lives and freedom. The vast amount of the human population of Mordor has been enslaved but the Tribesmen of Núrn in the southeast continue to resist the orcs. The shadow of Mount Doom falls upon you. -
Nordic Roots in Tolkien's Writings Mr
Nordic Roots in Tolkien's Writings Mr. Rayan Akbari & Dr. Sayyed Rahim Moosavinia Associate Professor of English Literature Faculty of Letters and Humanities Shahid Chamran University of Ahvaz Ahwaz, Khuzestan, Iran Introduction The social cataloguing website, Goodreads, in accord with Amazon, ranks The Lord of the Rings as the third best-selling book of all time, and The Hobbit as the fourth. This statistic is also confirmed by Facebook's 2014 data analysis of over 130,000 accounts for finding the top 100 most popular books. Sophie Hinger believes that this success stems from Tolkien's different attitude towards his writing. She suggests that Tolkien has pictured "Middle-earth as a mythological version of Europe, rather than creating a new and separate world as many fantasy authors after him did" (3). Her view is perhaps shared by many of the scholars who are searching for the outside influences of Tolkien's works. So far, as different sources as Celtic, Anglo-Saxon, Viking, Old Norse, Finnish, Arthurian, and biblical have been suggested by scholars like Thomas, Atherton, Hinger, Birkett, Tarkka, and Carpenter. Yet, the Nordic side of the argument seems to be better recognized. Many articles and books have established their aim to find these Nordic references; still, none seems to consider Scandinavia as a concrete place. Therefore, articles on different aspects of the culture like the mythology, literature, and specific people, like Vikings, and Finnish are popular in Tolkien studies. The present paper, however, does not discriminate between the different aspects of the concept; therefore, words like Norse, Nordic, Icelandic, Northern, and Scandinavian have all been used by the researchers to refer to the same thing, meaning the culture and literature of the Northern Germanic people. -
The Lord of the Rings: the Card Game.) TM
TM Difficulty Level = 7 Keyword - Secrecy X In the circle of Isengard, the heroes were preparing themselves for the journey to Tharbad. The leader of the White Council, Secrecy is a keyword on some player cards. Secrecy lowers the Saruman, had tasked them with an important quest: to find the cost to play the card by the specified value, provided the threat hidden forge of Celebrimbor, the master Elf-smith who forged of the player who is playing the card is 20 or below. Secrecy Rings of Power in the Second Age. The Wizard believed that only applies when the card is played from hand, and never knowledge of Celebrimbor’s secret forge could be learned from modifies the printed cost of the card. a Dwarf who they were to meet in Tharbad. Strategy Tip The heroes were tightening their belts and shouldering their There are a number of effects in The Dunland Trap that trigger bags when Saruman descended the stairs of Orthanc to wish after a player draws a card. If several of these effects are in play them farewell. “This gold should be sufficient to convince at the same time, it can be difficult to keep track of them all. In the Dwarf, Nalir, to sell you his map,” the Wizard said as he order to manage multiple effects that share the same trigger, it handed a heavy purse to the heroes. “Guard it well. For the can be helpful to keep this strategy in mind: location of Celebrimbor’s forge is a prize beyond worth, and we dare not let the servants of the Enemy find it in our stead.” After a player draws a card, check each encounter card in play for a Forced effect that triggers at that time. -
<I>Simbelmynë</I>: Mortality and Memory in Middle-Earth
Volume 29 Number 1 Article 10 10-15-2010 Simbelmynë: Mortality and Memory in Middle-earth William H. Stoddard Independent Scholar Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Stoddard, William H. (2010) "Simbelmynë: Mortality and Memory in Middle-earth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 29 : No. 1 , Article 10. Available at: https://dc.swosu.edu/mythlore/vol29/iss1/10 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Elegiac contemplation of the function of memory in Tolkien’s Middle-earth, and the complex intersections of memory, loss, immortality, consolation, and creativity made flesh in olkienT ’s depictions of the races of Elves and Men and their interactions. Additional Keywords Creativity in J.R.R. -
News from Bree 27
NewsNewsNews fromfromfrom BreeBreeBree MEPBM Newsletter: Issue 27, February '05 "Strange as News Updating the Game from Bree..." by Greg Shaffer The Lord of the Rings, chapter 9 MEPBM is a great game (credit to its original Dragon Flea Market. Also in 1650, we have the most inventors!) and has become a bit out of focus with rare and intelligent and powerful and selfish, its original intent, original game balance, and the idiosyncratic, temperamental creatures in Middle Earth Talk at the flavor of Tolkien’s world given growth in player called DRAGONS. Yet any character can waltz up to knowledge and playing style. The buyout of one of these mythic creatures (and the locations are MEPBM will allow the game moderators to make predictable) and sign them up at will to destroy 'Prancing'Prancing changes to update the game and allow the GSI folks numerous enemy armies simply by giving a stock to continue doing what they enjoy most – inventing response that everyone knows and doesn’t change from Pony... great new games. Here are the top 10 reasons we turn to turn or game to game. Again, in the original should be glad our game moderators to have the version noone knew the “one correct response per ability to update the game: dragon” but now everyone knows. This makes Bilbo’s Updating the Game fated encounter with Smaug look like a couple of Hobbit Welcome to my capital, here’s the keys. maidens getting together for afternoon tea. Tweak Your Nation Currently it is a piece of cake for dark servants to waltz into Lothlorien or granite-enclosed Moria Ineffectual Nations. -
The Geology of Middle-Earth
Volume 21 Number 2 Article 50 Winter 10-15-1996 The Geology of Middle-earth William Antony Swithin Sarjeant Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Sarjeant, William Antony Swithin (1996) "The Geology of Middle-earth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 50. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/50 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A preliminary reconstruction of the geology of Middle-earth is attempted, utilizing data presented in text, maps and illustrations by its arch-explorer J.R.R. Tolkien. The tectonic reconstruction is developed from earlier findings yb R.C. Reynolds (1974). Six plates are now recognized, whose motions and collisions have created the mountains of Middle-earth and the rift structure down which the River Anduin flows. -
Tolkien's Monsters: Concept and Function in the Lord of the Rings (Part 1) the Balrog of Khazad-Dum
Volume 16 Number 1 Article 5 Fall 10-15-1989 Tolkien's Monsters: Concept and Function in The Lord of the Rings (Part 1) The Balrog of Khazad-dum Joe Abbott Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Abbott, Joe (1989) "Tolkien's Monsters: Concept and Function in The Lord of the Rings (Part 1) The Balrog of Khazad-dum," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 16 : No. 1 , Article 5. Available at: https://dc.swosu.edu/mythlore/vol16/iss1/5 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Three-part examination of “how Tolkien’s theory of the centrality of the monsters in Beowulf influenced his own concept of ‘monster’ and what function that concept should fulfill within” The Lord of the Rings. -
Trees in Tolkien, and What Happened Under Them
Volume 11 Number 1 Article 20 Summer 7-15-1984 Trees in Tolkien, and What Happened Under Them Elizabeth Harrod Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Harrod, Elizabeth (1984) "Trees in Tolkien, and What Happened Under Them," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 11 : No. 1 , Article 20. Available at: https://dc.swosu.edu/mythlore/vol11/iss1/20 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Analyzes Tolkien’s use of trees as symbols, using terms from Jungian psychology, Mircea Eliade’s studies of myth, and Buddhism. Sees the four hobbits as representing different aspects of the ego in the journey toward self-hood and individuation. Additional Keywords Individuation in The Lord of the Rings; Jungian analysis of Irish mythology; Tolkien, J.R.R.—Objects—Trees; Trees in J.R.R. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25