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Chicken Wire and Telephone Calls: on Robert Caro
30 The Nation. December 10, 2012 LBJ PRESIDENTIAL LIBRARY/YOICHI OKAMOTO LBJ PRESIDENTIAL LIBRARY/YOICHI President Lyndon B. Johnson, October 22, 1968 Chicken Wire and Telephone Calls by THOMAS MEANEY obert Caro has been tracking his great The Years of Lyndon Johnson simply to be always the greediest, most ambi- white whale for thirty years now. As The Passage of Power. tious and ruthless man in the room. with any undertaking of this scale, an By Robert A. Caro. This is a serious criticism, but like the Knopf. 712 pp. $35. aura of legend attaches to the labor. journalistic halo over Caro, it confuses First there is the Ahab-like devotion to post-1960 scholarship. All of this fact- the trappings of his achievement for its Rwith which he has pursued the life of Lyndon hunting and what you might call Method core. Caro has always been more valuable Baines Johnson. In 1977, not long after pub- research has made Caro—who started his as a guide to how power works in postwar lishing his epic biography of Robert Moses, career as a reporter for Newsday—something America in particular than how it works New York City’s master builder, Caro de- of a hero for American journalists: he is the in some general abstract sense. Biography camped to Texas Hill Country for three years guildsman who made good and raised their would not initially seem to be the form best to take in the air of LBJ’s childhood. He spent craft to a level that academics can only envy. -
Talent Agenting in the Age of Conglomerates
6 Talent Agenting in the Age of Conglomerates Violaine Roussel “Now, everything in the talent agency business is different forever,” commented a talent agent I interviewed after the announcement, in late 2013, of the acquisi- tion of the sports marketing giant IMG (International Management Group) by the major agency WME (William Morris Endeavor). Indeed, in the past decade, Hollywood talent agencies have had to undergo drastic changes, for which they are also largely responsible. These changes are intrinsically connected to transforma- tions that have simultaneously affected and been generated by the studios, who are the agencies’ counterparts on the production side. This organizational mutation creates consequences in creative terms: it directly affects what “doing one’s job” as an agent means and, inseparably and subsequently, how agents contribute to making cultural products and artistic careers. In a tumultuous time of rapid pro- fessional reconfiguration, work situations feel more precarious to creative work- ers and, inseparably, more uncertain to their agents. This chapter addresses such transformations. Talent representatives in the United States are divided into four main types of professionals: talent agents, managers, publicists, and entertainment lawyers. Unlike managers, who have only recently developed as an organized occupa- tion, agents are closely regulated by the state in which they work. They also hold a legal monopoly over the right to seek and procure employment for their clients, a service for which the agency receives 10 percent of the amount negotiated in the artist’s contracts. Agents scout and “sign” talent (although not always in formal written form, especially in the large agencies), work at placing them in jobs, and negotiate deals with producers and studios. -
Race, Migration, and Chinese and Irish Domestic Servants in the United States, 1850-1920
An Intimate World: Race, Migration, and Chinese and Irish Domestic Servants in the United States, 1850-1920 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Andrew Theodore Urban IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advised by Donna Gabaccia and Erika Lee June 2009 © Andrew Urban, 2009 Acknowledgements While I rarely discussed the specifics of my dissertation with my fellow graduate students and friends at the University of Minnesota – I talked about basically everything else with them. No question or topic was too large or small for conversations that often carried on into the wee hours of the morning. Caley Horan, Eric Richtmyer, Tim Smit, and Aaron Windel will undoubtedly be lifelong friends, mahjong and euchre partners, fantasy football opponents, kindred spirits at the CC Club and Mortimer’s, and so on. I am especially grateful for the hospitality that Eric and Tim (and Tank the cat) offered during the fall of 2008, as I moved back and forth between Syracuse and Minneapolis. Aaron and I had the fortune of living in New York City at the same time in our graduate careers, and I have fond memories of our walks around Stuyvesant Park in the East Village and Prospect Park in Brooklyn, and our time spent with the folks of Tuesday night. Although we did not solve all of the world’s problems, we certainly tried. Living in Brooklyn, I also had the opportunity to participate in the short-lived yet productive “Brooklyn Scholars of Domestic Service” (AKA the BSDS crew) reading group with Vanessa May and Lara Vapnek. -
Annual Report 2018
ANNUAL REPORT 2018 JULY 1, 2017 – JUNE 30, 2018 be out-of-date or reflect the bias and expeditionary initiative, which traveled to SCIENCE stereotypes of past eras, the Museum is Transylvania under Macaulay Curator in endeavoring to address these. Thus, new the Division of Paleontology Mark Norell to 4 interpretation was developed for the “Old study dinosaurs and pterosaurs. The Richard New York” diorama. Similarly, at the request Gilder Graduate School conferred Ph.D. and EDUCATION of Mayor de Blasio’s Commission on Statues Masters of Arts in Teaching degrees, as well 10 and Monuments, the Museum is currently as honorary doctorates on exobiologist developing new interpretive content for the Andrew Knoll and philanthropists David S. EXHIBITION City-owned Theodore Roosevelt statue on and Ruth L. Gottesman. Visitors continued to 12 the Central Park West plaza. flock to the Museum to enjoy the Mummies, Our Senses, and Unseen Oceans exhibitions. Our second big event in fall 2017 was the REPORT OF THE The Gottesman Hall of Planet Earth received CHIEF FINANCIAL announcement of the complete renovation important updates, including a magnificent OFFICER of the long-beloved Gems and Minerals new Climate Change interactive wall. And 14 Halls. The newly named Allison and Roberto farther afield, in Columbus, Ohio, COSI Mignone Halls of Gems and Minerals will opened the new AMNH Dinosaur Gallery, the FINANCIAL showcase the Museum’s dazzling collections first Museum gallery outside of New York STATEMENTS and present the science of our Earth in new City, in an important new partnership. 16 and exciting ways. The Halls will also provide an important physical link to the Gilder All of this is testament to the public’s hunger BOARD OF Center for Science, Education, and Innovation for the kind of science and education the TRUSTEES when that new facility is completed, vastly Museum does, and the critical importance of 18 improving circulation and creating a more the Museum’s role as a trusted guide to the coherent and enjoyable experience, both science-based issues of our time. -
1 Who Brings the Funny? 3 Mirroring the Political Climate: Satire in History
Notes 1 Who Brings the Funny? 1 . Obscenity, incitement to violence, and threatening the life of the president are several examples of restrictions on expression. 2 . There have been several cases of threats against political cartoonists and comedians made by Islamic extremists who felt their religion was being mocked. These examples include (but are not limited to) the Danish political cartoonist who drew a depiction of the Prophet Mohammed, the creators of South Park who pretended to, and David Letterman who mocked Al Qaida. 3 Mirroring the Political Climate: Satire in History 1 . I urge readers to review K. J. Dover’s (1974) and Jeffrey Henderson’s (1980) work on Aristophanes, and see Peter Green (1974) and Susanna Morton Braund (2004). Other work on Juvenal includes texts by Gilbert Highet (1960) and J. P. Sullivan (1963). I have also been directed by very smart people to Ralph M. Rosen, Making Mockery: The Poetics of Ancient Satire, (New York: Oxford University Press, 2 0 0 7 ) . 2 . Apparently, the “definitive” Pope prose is found in the volume edited by Ault and Cowler (Oxford: Blackwell, 1936–1986), and the “definitive” text for Gay’s poetry is edited by Dearing (Oxford: Clarendon, 1974). 3. The best collection from Swift comes from Cambridge Press: English Political Writings 1711–1714, edited by Goldgar (2008). Thanks to Dr. Sharon Harrow for her assistance in finding this authoritative resource. 4 . The most authoritative biographies of Franklin are from Isaacson (2003) and Brands (2002), and I recommend readers look to these two authors for more information on one of the most fascinating of our founding fathers. -
CONFERENCE 2016 RICHMOND MARRIOTT 500 EAST BROAD STREET RICHMOND, VA the 2015 Plutarch Award
BIOGRAPHERS INTERNATIONAL SEVENTH JUNE 35 ANNUAL CONFERENCE 2016 RICHMOND MARRIOTT 500 EAST BROAD STREET RICHMOND, VA The 2015 Plutarch Award Biographers International Organization is proud to present the Plutarch Award for the best biography of 2015, as chosen by you. Congratulations to the ten nominees for the Best Biography of 2015: The 2016 BIO Award Recipient: Claire Tomalin Claire Tomalin, née Delavenay, was born in London in 1933 to a French father and English mother, studied at Cambridge, and worked in pub- lishing and journalism, becoming literary editor of the New Statesman, then of the (British) Sunday Times, while bringing up her children. In 1974, she published The Life and Death of Mary Wollstonecraft, which won the Whitbread First Book Prize. Since then she has written Shelley and His World, 1980; Katherine Mansfield: A Secret Life, 1987; The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991 (which won the NCR, Hawthornden, and James Tait Black prizes, and is now a film);Mrs. Jordan’s Profession, 1994; Jane Austen: A Life, 1997; Samuel Pepys: The Unequalled Self, 2002 (winner of the Whitbread Biography and Book of the Year prizes, Pepys Society Prize, and Rose Crawshay Prize from the Royal Academy). Thomas Hardy: The Time-Torn Man, 2006, and Charles Dickens: A Life, 2011, followed. She has honorary doctorates from Cambridge and many other universities, has served on the Committee of the London Library, is a trustee of the National Portrait Gallery, and is a vice-president of the Royal Literary Fund, the Royal Society of Literature, and English PEN. -
Off the Record
About the Center for Public Integrity The CENTER FOR PUBLIC INTEGRITY, founded in 1989 by a group of concerned Americans, is a nonprofit, nonpartisan, tax-exempt educational organization created so that important national issues can be investigated and analyzed over a period of months without the normal time or space limitations. Since its inception, the Center has investigated and disseminated a wide array of information in more than sixty Center reports. The Center's books and studies are resources for journalists, academics, and the general public, with databases, backup files, government documents, and other information available as well. The Center is funded by foundations, individuals, revenue from the sale of publications and editorial consulting with news organizations. The Joyce Foundation and the Town Creek Foundation provided financial support for this project. The Center gratefully acknowledges the support provided by: Carnegie Corporation of New York The Florence & John Schumann Foundation The John D. & Catherine T. MacArthur Foundation The New York Community Trust This report, and the views expressed herein, do not necessarily reflect the views of the individual members of the Center for Public Integrity's Board of Directors or Advisory Board. THE CENTER FOR PUBLIC INTEGRITY 910 17th Street, N.W. Seventh Floor Washington, D.C. 20006 Telephone: (202) 466-1300 Facsimile: (202)466-1101 E-mail: [email protected] Copyright © 2000 The Center for Public Integrity All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information and retrieval system, without permission in writing from The Center for Public Integrity. -
Spitting in the Soup Mark Johnson
SPITTING IN THE SOUP INSIDE THE DIRTY GAME OF DOPING IN SPORTS MARK JOHNSON Copyright © 2016 by Mark Johnson All rights reserved. Printed in the United States of America. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic or photocopy or otherwise, without the prior written permission of the publisher except in the case of brief quotations within critical articles and reviews. 3002 Sterling Circle, Suite 100 Boulder, Colorado 80301-2338 USA (303) 440-0601 · Fax (303) 444-6788 · E-mail [email protected] Distributed in the United States and Canada by Ingram Publisher Services A Cataloging-in-Publication record for this book is available from the Library of Congress. ISBN 978-1-937715-27-4 For information on purchasing VeloPress books, please call (800) 811-4210, ext. 2138, or visit www.velopress.com. This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). Art direction by Vicki Hopewell Cover: design by Andy Omel; concept by Mike Reisel; illustration by Jean-Francois Podevin Text set in Gotham and Melior 16 17 18 / 10 9 8 7 6 5 4 3 2 1 CONTENTS Introduction ...................................... 1 1 The Origins of Doping ............................ 7 2 Pierre de Coubertin and the Fair-Play Myth ...... 27 3 The Fall of Coubertin’s Ideal ..................... 41 4 The Hot Roman Day When Doping Became Bad ..................................... 55 5 Doping Becomes a Crime........................ 75 6 The Birth of the World Anti-Doping Agency ..... 85 7 Doping and the Cold War........................ 97 8 Anabolic Steroids: Sports as Sputnik .......... -
Sparrows (1926)
Sparrows (1926) Closing Night Gala: Sunday 21 March 2021 Music composed by: Taylor and Cameron Graves Sparrows, released in 1926, marks the final time Mary Pickford plays a youngster on the big screen and it was her next to last silent film. She was 33 years old and had already starred in 40 features and more than 100 short films. Over the 17 years she had been making movies, she had become a creative producer, a savvy businesswoman and the highest paid and best-known actress in the world. She was also one of the hardest working people in the business. Between 1912 and 1919, Pickford jumped between a variety of studios, increasing her paychecks astronomically each time until she risked it all to produce her own movies and join with Douglas Fairbanks, D.W. Griffith and Charlie Chaplin to form United Artists to distribute them. She married Fairbanks in 1920 and they ruled the filmmaking world from their Beverly Hills home dubbed Pickfair. They built their own Pickford Fairbanks studio on Santa Monica Blvd and on those 18 acres, they each had their administration offices as well as crew and craftsmen to write, direct and film their movies. Mary had her own bungalow where Doug often joined her for lunch and they came to the studio together in the morning and went home – often very late – together at night. Only a few months before deciding on Sparrows, Mary’s portion of the lot had been a turn of the century, New York tenement for her film Little Annie Rooney. -
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir. -
Satchmo's Shadow
Satchmo’s Shadow: An Excerpt from Satchmo at the Waldorf Terry Teachout Downloaded from http://direct.mit.edu/daed/article-pdf/142/4/135/1831623/daed_a_00242.pdf by guest on 02 October 2021 Author’s Note: Writing the biography of a perform- ing artist is like standing in the wings to watch a play. You see what the public sees, only from a dif- ferent perspective. Pops: A Life of Louis Armstrong, my 2009 biography of the greatest jazz musician of the twentieth century, is about the much-loved genius-entertainer who made millions of people feel warm inside–but it’s also about the private Armstrong, who swore like a trooper and knew how to hold a grudge. The fact that Satchmo (as he liked to call himself ) had two sides to his personality doesn’t mean that the public man was somehow less “real” TERRY TEACHOUT, drama critic than the private one. Like all geniuses, Armstrong for The Wall Street Journal, is the au - was complicated, and that complexity was part of thor of Satchmo at the Waldorf (2011), what made his music so beautiful and profound. which premiered in Orlando, Fla., Biography is about telling, theater about show- and was produced in 2012 at Shake - ing. Having written a book that told the story of speare & Company of Lenox, Mass., Armstrong’s life, it occurred to me that it might be Long Wharf Theatre of New Ha - a worthwhile challenge to try to show an audience ven, Conn., and Philadelphia’s Wil - what he was like offstage. -
Longfellow House's Brazilian Connection
on fellow ous L g ulletinH e Volume 4 No. 2 A Newsletter of the Friends of the Longfellow House and the National Park Service December 2000 The Emperor and the Poet: LongfellowB House’s Brazilian Connection t Brazil’s Independence Day celebra- Ambassador Costa went on to cite Dom Using Longfellow’s published letters Ation on September 7, 2000, Ambas- Pedro II‘s long correspondence with and the House archives, Jim Shea sador Mauricio Eduardo Cortes Costa, Henry Wadsworth Longfellow confirmed that on June 10, 1876 Consul General of Brazil in Boston, and his visit to the poet’s Dom Pedro II dined with bestowed upon Boston’s Mayor Thomas house in 1876. Henry W. Longfellow and Menino the “Medal Order of the South- This story has recently friends at what was then ern Cross, Rank of Commander.” The been pieced together known as Craigie House. medal was created by Brazil’s first emperor, through a collaboration In his journal Longfel- Dom Pedro I, in 1822, as he wrote, to “ac- between members of the low wrote: “Dom Pedro knowledge the relevant services rendered to National Park Service II, Emperor of Brazil, the empire by my most loyal subjects, civil and the Brazilian Con- dined with us. The servants, and foreign dignitaries, and as a sulate. In August Mar- other guests were Ralph token of my highest esteem.” cilio Farias, Cultural Waldo Emerson, Oliver In his address at the ceremony at Boston Affairs Advisor at the Wendell Holmes, Louis City Hall, the Ambassador spoke of the Brazilian Consulate in Agassiz, and Thomas Gold ties between Brazil and the U.S., particu- Boston, called Site Manager Appleton.