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Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
LAZARUS UNDER the HOOD Executive Summary
LAZARUS UNDER THE HOOD Executive Summary The Lazarus Group’s activity spans multiple years, going back as far as 2009. Its malware has been found in many serious cyberattacks, such as the massive data leak and file wiper attack on Sony Pictures Entertainment in 2014; the cyberespionage campaign in South Korea, dubbed Operation Troy, in 2013; and Operation DarkSeoul, which attacked South Korean media and financial companies in 2013. There have been several attempts to attribute one of the biggest cyberheists, in Bangladesh in 2016, to Lazarus Group. Researchers discovered a similarity between the backdoor used in Bangladesh and code in one of the Lazarus wiper tools. This was the first attempt to link the attack back to Lazarus. However, as new facts emerged in the media, claiming that there were at least three independent attackers in Bangladesh, any certainty about who exactly attacked the banks systems, and was behind one of the biggest ever bank heists in history, vanished. The only thing that was certain was that Lazarus malware was used in Bangladesh. However, considering that we had previously found Lazarus in dozens of different countries, including multiple infections in Bangladesh, this was not very convincing evidence and many security researchers expressed skepticism abound this attribution link. This paper is the result of forensic investigations by Kaspersky Lab at banks in two countries far apart. It reveals new modules used by Lazarus group and strongly links the tools used to attack systems supporting SWIFT to the Lazarus Group’s arsenal of lateral movement tools. Considering that Lazarus Group is still active in various cyberespionage and cybersabotage activities, we have segregated its subdivision focusing on attacks on banks and financial manipulations into a separate group which we call Bluenoroff (after one of the tools they used). -
Wono Magazine 16.1
WoNo Magazine 16.1 WoNo Magazine 16.1 1 © Foto Jan de Bloois WoNo Magazine 16.1 Geachte lezer, We vallen maar gelijk met de deur in huis: dit is de laatste WoNo Magazine. Het is mooi geweest. De laatste jaren kostte het steeds meer moeite er in een jaar nog een WoNo Magazine uit te persen. WoNo Magazine dreigde het blad te worden dat helemaal niet verschijnt omdat het niet meer uitkomt. Niet dat het niet leuk was, beste lezer, want dat was het wel. We hebben 15 jaar lang met ontzettend veel plezier dit blad gemaakt. We hebben vele illustere gastauteurs en redacteuren gehad. Denk aan Martin Bril zaliger, Layla, Drentix, Hé, HareD, BY, BenY, WoNoVice, Gustaaf Hortense Ledoux, Ko., Jeroen, Lourens, Marcel van der Kwaak enzovoort enzoverder. En wat hebben we gelachen! Het was altijd lachen om een WoNo te maken. Het ging vanzelf. Dat is allemaal verleden tijd. Ja we lachen nog steeds wat af op de redactie, bijvoorbeeld over die storende herrie op het Malieveld die dan later een bejubeld concert van niemand minder dan Bruce Springsteen blijkt te zijn. Brrrr! Of met interviews met beroemdheden, waar dan alleen ja/nee antwoorden komen op toch tamelijk open vragen… Maar toch, beste lezer, WoNo Magazine is geen grap meer. Kijkt u eens hoe professioneel het blog is geworden. Dat is geen grap meer, dat is serious business! Afgezien van die business, dan , want geld verdienen we er niet mee. Maar het WoNoBlog wordt serieus genomen in de muziekscene. Dat was ooit niet de bedoeling. En OPTA bestaat niet meer en de band met ACM is minder hecht. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 113 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 113 CONGRESS, FIRST SESSION Vol. 159 WASHINGTON, TUESDAY, SEPTEMBER 24, 2013 No. 127—Part II Senate MAKING CONTINUING APPROPRIA- Mr. KAINE. So the Senator will not other State and another race between TIONS FOR FISCAL YEAR 2014— vote to continue government oper- two candidates, where one candidate MOTION TO PROCEED—Continued ations unless ObamaCare is defunded? took the strong position that Mr. CRUZ. The Senator from Vir- ObamaCare should be repealed and the In the Senator’s view, is it acceptable ginia is correct, and I have stated that other candidate took the strong posi- for the discussion of a government I will not vote for a continuing resolu- tion that ObamaCare should not be re- shutdown to threaten the nonmilitary tion that funds ObamaCare. I believe pealed. In that State, the candidate priorities that are important to the this body should not vote for a con- that won by a sizable margin was the American public? tinuing resolution that funds candidate who said ObamaCare should Mr. CRUZ. I appreciate the question ObamaCare. Why? Because the facts not be repealed, having been plain from the Senator from Virginia. I show it is not working. about it with the voters, and the voters would note, I do not think we should That is why the unions that used to having heard the choices and made a shut anything down except ObamaCare. support it are, one after the other, choice. Does the Senator think it is I think we should fund it all. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Persona, Narrative, and Late Style in the Mourning of David Bowie on Reddit
Persona Studies 2020, vol. 6, no. 1 THE BLACKSTAR: PERSONA, NARRATIVE, AND LATE STYLE IN THE MOURNING OF DAVID BOWIE ON REDDIT SAMIRAN CULBERT NEWCASTLE UNIVERSITY ABSTRACT This article considers how David Bowie’s last persona, The Blackstar, framed his death through the narratives of mourning it provoked on the social media site Reddit. The official media narratives of death and the unofficial fan narratives of death can contradict each other, with fans usually bringing their own lived experiences to the mourning process. David Bowie is a performer of personas. While Bowie died in 2016, his personas have continued to live on, informing his legacy, his work, and his death reception. Through the concepts of persona, narrative, authenticity, late style, and mourning, this article finds that Bowie’s Blackstar persona actively constructs fan’s interaction with Bowie’s death. Instead of separate and contradicting narratives, this article finds that users on Reddit underpin and extend the media narrative of his death, using Bowie’s persona as a way to construct and establish their own mourning. As such, Bowie’s last persona is further entrenched as one of authentic mourning, of a genius constructing his own passing. With these narratives, fans construct their own personas, informing how they too would like to die: artistically and with grace. KEY WORDS Persona; Mourning; David Bowie; Late Style; Narrative; Reddit INTRODUCTION The Blackstar persona presented by Bowie in his last album and singles helped structure his fans’ mourning process. These last acts of artistry offered fans something to attach their mourning onto, allowing for them to work through their own mourning via Bowie’s presentation of his own death. -
Pearl Harbor Today
You Are There! Pearl1941 7, December Harbor, Pearl There! Are You Harbor December 7, 1941 Rice Dona Herweck Rice You Are There! Pearl Harbor December 7, 1941 Dona Herweck Rice Consultants Timothy Rasinski, Ph.D. Kent State University Lori Oczkus, M.A. Literacy Consultant Publishing Credits Rachelle Cracchiolo, M.S.Ed., Publisher Conni Medina, M.A.Ed., Managing Editor Dona Herweck Rice, Series Developer Emily R. Smith, M.A.Ed., Content Director Seth Rogers/Noelle Cristea, M.A.Ed., Editors Robin Erickson, Senior Graphic Designer The TIME logo is a registered trademark of TIME Inc. Used under license. Image Credits: Cover and p.1 GL Archive/Alamy Stock Photo; pp.2–3 Lebrecht Music and Arts Photo Library/Alamy Stock Photo; pp.4–5 Epics/Getty Images; pp.10–11 Popperfoto/Getty Images; pp.12–13 SPUTNIK/Alamy Stock Photo; p.13 LOC [LC-USZ62-108206]; pp.14–15 Google Earth; p.16 (bottom) World History Archive/Alamy Stock Photo; pp.16–17 Bob Cornelis/Getty Images; pp. 18–19 NARA [295976]; pp.20–21, 22–23, 24–25 Granger, NYC; pp.26–27 Douglas Peebles Photography/Alamy Stock Photo; all other images from iStock and/or Shutterstock. Library of Congress Cataloging-in-Publication Data Names: Rice, Dona, author. Title: You are there! Pearl Harbor, December 7, 1941 / Dona Rice. Description: Huntington Beach, CA : Teacher Created Materials, [2017] | Includes index. | Audience: Grades 7-8. Identifiers: LCCN 2016052267 (print) | LCCN 2016052574 (ebook) | ISBN 9781493839285 (pbk.) | ISBN 9781480757882 (eBook) Subjects: LCSH: Pearl Harbor (Hawaii), Attack on, 1941--Juvenile literature. Classification: LCC D767.92 .R528 2017 (print) | LCC D767.92 (ebook) | DDC 940.54/26693--dc23 LC record available at https://lccn.loc.gov/2016052267 Teacher Created Materials 5301 Oceanus Drive Huntington Beach, CA 92649-1030 http://www.tcmpub.com ISBN 978-1-4938-3928-5 © 2017 Teacher Created Materials, Inc. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
The Bad Ass Pulse by Martin Longley
December 2010 | No. 104 Your FREE Monthly Guide to the New York Jazz Scene aaj-ny.com The THE Bad Ass bad Pulse PLUS Mulgrew Miller • Microscopic Septet • Origin • Event Calendar Many people have spoken to us over the years about the methodology we use in putting someone on our cover. We at AllAboutJazz-New York consider that to be New York@Night prime real estate, if you excuse the expression, and use it for celebrating those 4 musicians who have that elusive combination of significance and longevity (our Interview: Mulgrew Miller Hall of Fame, if you will). We are proud of those who have graced our front page, lamented those legends who have since passed and occasionally even fêted 6 by Laurel Gross someone long deceased who deserved another moment in the spotlight. Artist Feature: Microscopic Septet But as our issue count grows and seminal players are fewer and fewer, we must expand our notion of significance. Part of that, not only in the jazz world, has by Ken Dryden 7 been controversy, those players or groups that make people question their strict On The Cover: The Bad Plus rules about what is or what is not whatever. Who better to foment that kind of 9 by Martin Longley discussion than this month’s On The Cover, The Bad Plus, only the third time in our history that we have featured a group. This tradition-upending trio is at Encore: Lest We Forget: Village Vanguard from the end of December into the first days of January. 10 Bill Smith Johnny Griffin Another band that has pushed the boundaries of jazz, first during the ‘80s but now with an acclaimed reunion, is the Microscopic Septet (Artist Feature). -
Using Pop Soundtrack As Narrative Counterpoint Or Complement Margaret Dudasik Honors College, Pace University
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 5-1-2013 Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement Margaret Dudasik Honors College, Pace University Follow this and additional works at: http://digitalcommons.pace.edu/honorscollege_theses Part of the Film and Media Studies Commons Recommended Citation Dudasik, Margaret, "Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement" (2013). Honors College Theses. Paper 127. http://digitalcommons.pace.edu/honorscollege_theses/127 This Thesis is brought to you for free and open access by the Pforzheimer Honors College at DigitalCommons@Pace. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement By: Margaret Dudasik May 15, 2013 BA Film & Screen Studies/ BFA Musical Theatre Dr. Ruth Johnston Film & Screen Studies, Dyson College of Arts and Sciences 1 Abstract There is much argument against using pre-existing music in film, Ian Garwood noting three potential problems with the pop song: obtrusiveness, cultural relevance, and distance from the narrative (103-106). It is believed that lyrics and cultural connotations can distract from the action, but it is my belief that these elements only aid narrative. By examining the cinematic functions of the soundtracks of O Brother Where Are Thou? (2000) and Marie Antoinette (2006), I will argue that using pre-existing music in film is actually more effective than a score composed specifically for a film. Film theorist Claudia Gorbman notes that film scores have “temporal, spatial, dramatic, structural, denotative, [and] connotative” abilities” (22), and it is my belief that pop music is just as economical in forming character, conveying setting, and furthering plot. -
Legenden David Bowie Släpper Ny Singel Och Samling
2014-09-09 15:49 CEST LEGENDEN DAVID BOWIE SLÄPPER NY SINGEL OCH SAMLING Nya Deluxe samlingen ”Nothing Has Changed” som släpps den 17 november via Parlophone innehåller den nya singeln ”Sue (Or In A Season Of Crime)”. ALBUM: 3CD, 2CD, DUBBEL VINYL OCH DIGITAL DOWNLOAD SINGEL: LIMITERAD UPPLAGA OM 10" vinyl och digital download Femtio år efter sin första inspelning fortsätter David Bowie att vara i spetsen för samtida kultur som musiker, konstnär och ikon. ”Nothing Has Changed” samlar för första gången all Bowie’s musik från åren 1964-2014. Albumet (uppkallat efter en text från öppningsspåret "Sunday" från albumet "Heathen”) samlar låtarna från varje period av Bowies karriär – allt från hans tidigaste inkarnationer som "Liza Jane" och "Can’t Help Thinking About Me” enda fram till James Murphys "Hello Steve Reich Mix" av "Love Is Lost" från förra året. Albumet innehåller Bowies första nya musik sedan han släppte det kritikerrosade albumet ”The Next Day" förra året. Den nya singeln "SUE (Or In A Season Of Crime) spelades in särskilt för ”Nothing Has Changed” tillsammans med långtida samarbetspartnern Tony Visconti och kommer att släppas i en begränsad upplaga (10" singel och digital nedladdning) samma dag som albumet. Vid sidan av det helt nya spåret innehåller albumet den tidigare outgivna låten "Let Me Sleep Beside You" som togs fram från inspelningarna till mytomspunna albumet "TOY" som aldrig släpptes, låten "Your Turn To Drive" som gör debut på CD samt den fantastiska 2001 nyinspelningen av låten "Shadow Man" från år 1971. DAVID BOWIE -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE