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We Shall Overcome? Bob Dylan, Complicity, and the March on Washington 1963
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/167125 Please be advised that this information was generated on 2021-10-07 and may be subject to change. Augustus 2016 We shall Overcome? Bob Dylan, Complicity, and the March on Washington 1963 By Frank Mehring Contemporary reports had been surprisingly quiet about the sounds and soundtrack of the March on Washington for Jobs and Freedom on 27 August 1963 where Martin Luther King, Jr. held his famous I have a dream speech. When journalist Lerone Bennett Jr. from the influential magazine for the African-American market, EBONY, reported on the March on Washington, music was more or less absent. As the most significant effect of the march, LIFE magazine emphasized the Negroess orderly demonstration of their potential as a moral force (20). The New York Times zoomed in on the po- litical speeches emphasizing particularly Martin Luther Kings speech, which touched all the themes of the day, only better than anybody else (1). There is hardly any mention of the power of music, which permeated the event. This silence of the contemporary press begs the following question: Is there a musical signature that can be connected to the March on Washington? The music of the March of Washington can- not be seen exclusively from the perspective of the African American struggle for freedom but also needs to be understood by drawing attention to the connec- tion between youth, ethnicity and the folk revival in the early 1960s. -
Wertheimer, Editor Imagining the Seth Farber an American Orthodox American Jewish Community Dreamer: Rabbi Joseph B
Imagining the American Jewish Community Brandeis Series in American Jewish History, Culture, and Life Jonathan D. Sarna, Editor Sylvia Barack Fishman, Associate Editor For a complete list of books in the series, visit www.upne.com and www.upne.com/series/BSAJ.html Jack Wertheimer, editor Imagining the Seth Farber An American Orthodox American Jewish Community Dreamer: Rabbi Joseph B. Murray Zimiles Gilded Lions and Soloveitchik and Boston’s Jeweled Horses: The Synagogue to Maimonides School the Carousel Ava F. Kahn and Marc Dollinger, Marianne R. Sanua Be of Good editors California Jews Courage: The American Jewish Amy L. Sales and Leonard Saxe “How Committee, 1945–2006 Goodly Are Thy Tents”: Summer Hollace Ava Weiner and Kenneth D. Camps as Jewish Socializing Roseman, editors Lone Stars of Experiences David: The Jews of Texas Ori Z. Soltes Fixing the World: Jewish Jack Wertheimer, editor Family American Painters in the Twentieth Matters: Jewish Education in an Century Age of Choice Gary P. Zola, editor The Dynamics of American Jewish History: Jacob Edward S. Shapiro Crown Heights: Rader Marcus’s Essays on American Blacks, Jews, and the 1991 Brooklyn Jewry Riot David Zurawik The Jews of Prime Time Kirsten Fermaglich American Dreams and Nazi Nightmares: Ranen Omer-Sherman, 2002 Diaspora Early Holocaust Consciousness and and Zionism in Jewish American Liberal America, 1957–1965 Literature: Lazarus, Syrkin, Reznikoff, and Roth Andrea Greenbaum, editor Jews of Ilana Abramovitch and Seán Galvin, South Florida editors, 2001 Jews of Brooklyn Sylvia Barack Fishman Double or Pamela S. Nadell and Jonathan D. Sarna, Nothing? Jewish Families and Mixed editors Women and American Marriage Judaism: Historical Perspectives George M. -
Theo Bikel with Pete Seeger (And More)
Theo Bikel with Pete Seeger (and more) First, here’s another item for consideration by people who think that Pete Seeger was anti-Israel. (If you haven’t already, read Hillel Schenker’s recent post on this.) We have the permission of Gerry Magnes — active with the Albany, NY regional J Street chapter, who married into an Israeli family — to quote what he emailed the other day: Thought I would share a small anecdote my father in law once told me. He’s 95 and still living on a kibbutz (Kibbutz Evron) in the Western Galilee. Last winter, when my wife and I mentioned to him that we’d just attended a Pete Seeger concert . in Schenectady, . he related how he’d seen him perform (I think in Tel Aviv), probably in ’64. When he [Seeger] began to speak about the Israeli-Palestinian/Arab conflict at that time and his hopes for peace, he began to cry. He had to stop talking or singing for a bit until he could collect himself. The sincerity and depth of feeling left a deep impression on my father in law. http://www.cookephoto.com/dylanovercome.html Partners’ board chair Theodore Bikel goes back a long way with Seeger. They were part of the original board (with Oscar Brand, George Wein and Albert Grossman) that founded the Newport Folk Festival. This image captures a festival high point in 1963, with Theo and Seeger (at right) joining Bob Dylan, Joan Baez, the Freedom Singers and Peter, Paul and Mary to sing “We Shall Overcome.” Here’s Theo singing Hine Ma Tov with Seeger and Rashid Hussain (the latter identified as a Palestinian poet) from episode 29 of the 39-episode run of the “Rainbow Quest” UHF television series (1965-66), dedicated to folk music and hosted by Seeger: Upon hearing of Seeger’s passing, Theo wrote this on his Facebook page: An era has come to an end. -
Why the Success of Exodus in 1950S America? by Stephanie Schey Capstone Advisor: Dr. Lisa Moses Leff Spring Semester, 2011 Unive
Why the Success of Exodus in 1950s America? By Stephanie Schey Capstone Advisor: Dr. Lisa Moses Leff Spring Semester, 2011 University Honors in Jewish Studies College of Arts and Sciences: Jewish Studies 2 Capstone Abstract The positive reception of Exodus , by Leon Uris, in mainstream America during the 1950s is a phenomenon that has been largely overlooked. Arguably too much attention has been directed towards the aftermath of the book and film, without properly situating the novel in the context of current events and public opinion on Judaism and Israel at the time of its release. In order to establish a thorough framework within which to examine the legacy of Exodus , it is essential to understand American society at the time of publication and assess the impact of current events, such as the founding of the state of Israel and the 1956 Suez Crisis, upon the novel’s audience. In so doing, we learn a great deal about America’s attitudes toward Judaism and Israel. This paper explores the climate in America that allowed for the novel's positive reception, identifying the three strongest motivational factors for reading Exodus as: 1) Israel’s portrayal in the media, 2) suburban integration, and 3) Holocaust memory. Divided into three chapters, each portion of the paper analyzes one facet of America’s changing image of Israel or Judaism at the time of the novel’s publication in 1958. 3 Introduction The novel Exodus , written by Leon Uris, was published on September 18, 1958 and commanded immediate fame. Were his words the truth, Uris’s novel could have served as a creation myth for the state of Israel, inspiring nationalism amongst world Jewry and providing heroes for a downtrodden post-Holocaust generation. -
Transformations in Jewish Self-Identification Before, During, and After the American Civil War" (2020)
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2020 Changing Notions of Identity: Transformations in Jewish Self- Identification Before, During, and After the American Civil War Heather Byrum Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the History of Religion Commons, Jewish Studies Commons, and the United States History Commons Recommended Citation Byrum, Heather, "Changing Notions of Identity: Transformations in Jewish Self-Identification Before, During, and After the American Civil War" (2020). Undergraduate Honors Theses. Paper 1562. https://scholarworks.wm.edu/honorstheses/1562 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Changing Notions of Identity: Transformations in Jewish Self-Identification Before, During, and After the American Civil War A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in History from The College of William and Mary by Heather L. Byrum Accepted for _________________________ (Honors, High Honors, Highest Honors) _________________________ Carol Sheriff, Director Jay Watkins III Williamsburg, VA May 5, 2020 1 Changing Notions of Identity: Transformations in Jewish Self-Identification Before, During, and After the American Civil -
Jewish Families and Mixed Marriage
Double or Nothing? mn Double or published by university press of new england hanover and london po po Nothing? Jewish Families and Mixed Marriage Sylvia Barack Fishman BRANDEIS UNIVERSITY PRESS nm Brandeis University Press Published by University Press of New England, 37 Lafayette St., Lebanon, NH 03766 © 2004 by Brandeis University Press All rights reserved Printed in the United States of America 54321 Library of Congress Cataloging-in-Publication Data Fishman, Sylvia Barack, 1942– Double or nothing? : Jewish familes and mixed marriage / Sylvia Barack Fishman. p. cm.—(Brandeis series in American Jewish history, culture, and life) (Brandeis series on Jewish Women) Includes bibliographical references and index. ISBN 1–58465–206–3 (cloth : alk. paper) 1. Interfaith marriage—United States. 2. Jews—United States—Social conditions. 3. Jewish families—United States. I. Title. II. Series. III. Series: Brandeis series on Jewish women HQ1031.F56 2004 306.84Ј3Ј0973—dc22 2003021956 Brandeis Series in American Jewish History, Culture, and Life Jonathan D. Sarna, Editor Sylvia Barack Fishman, Associate Editor Leon A. Jick, 1992 The Americanization of the Synagogue, 1820–1870 Sylvia Barack Fishman, editor, 1992 Follow My Footprints: Changing Images of Women in American Jewish Fiction Gerald Tulchinsky, 1993 Taking Root: The Origins of the Canadian Jewish Community Shalom Goldman, editor, 1993 Hebrew and the Bible in America: The First Two Centuries Marshall Sklare, 1993 Observing America’s Jews Reena Sigman Friedman, 1994 These Are Our Children: Jewish -
This Production Is Made Possible by the Generosity of Peter House & Carol Childs. Busy Direct
PRESS CONTACT: Nancy Richards – 917-‐873-‐6389 (cell)/[email protected] MEDIA PAGE: www.northcoastrep.orG/press PHOTOS BY: Aaron Rumley FOR IMMEDIATE RELEASE, PLEASE: FLAMBOYANT CIVIL WAR GENERAL CREATES HAVOC IN WORLD PREMIERE COMEDY, FADED GLORY, BY TIM BURNS AT NORTH COAST REP Performances BeginninG Wednesday, May 28, 2014 With OpeninG NiGht, Saturday, May 31, at 8 PM RunninG ThrouGh Sunday, June 22 Directed by DAVID ELLENSTEIN SOLANA BEACH -‐ Following its highly successful world premiere of MANDATE ME MORIES, North Coast Rep is mounting a second world premiere, FADED G LORY. Written by TimBurns, this comedic romp tells the improbable, but, true story of Daniel Sickels, a 19th-‐century congressman, friend to presidents, Civil War general, lover ofIsabella Queen II of Spain, notorious philanderer, embezzler, murderer,nd a the officer who almost cost the Union victory in perhaps the most pivotal battle of the Civil War, only to receive the Congressional Medal ofr. Hono Based on this real figure from American history, funny, poignant and filled with astonishing little-‐known historical information, FADED G LORY promises to be a highlight of our season. Audiences will enjoy a rollicking comedic romp through this amazing life. Artistic Director David Ellenstein* will directAndrew Barnicle,* Ben Cole, Frances Anita Rivera, Bruce Turk,* Rachel VanWormer, and Shana Wride.* Ryan Ford will be the assistant director. The design team includes Aaron Rumley,* Stage Manager; Marty Burnett, Scenic Design; Matt Novotny, Lighting; Sonia Elizabeth, Costumes; Melanie Chen, Sound; and Peter Herman, Hair & ign. Wig Des Peter Katz and Leon Williams are co-‐producers. *The actor orstage manager appears through the courtesy of Actors’ Equity Association, the union of professional actors and stage managers in the United States. -
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Jewish Intermarriage in American Society Jewish Intermarriage in American Society: Literature Review Aviva Gordon, Wayne State University, Detroit, MI, USA Abstract As of the 1960s, intermarriage has been the most researched, contentious, and discussed topic of American Jewish family life. Jews, like other ethnic groups, struggle and work hard to find a place in American life, while debating what level of their traditional Jewish heritage is to be maintained. As the tensions and pulls between assimilation and ethnic group loyalty ensue, the greatest debate is the context and impact of intermarriage amongst and between the Orthodox and Reform sections of the Jewish people. On one hand, Orthodox families argue Jewish intermarriage decimates the continuity of the Jewish people. On the other hand, the Reform movement views intermarriage as an opportunity to effectively assimilate within American culture while maintaining a sense of Jewishness. As American life continues to evolve, and as Jews continue to intermarry, the debate for optimal stability, functionality, consistency, and continuity for the American Jewish community will continue. As of the 1960s, intermarriage has been the most researched and discussed topic of sociologists interested in Jewish family life. When Jewish leaders and commentators declared there is an intermarriage crisis within the American Jewish community, they turned to sociologists for “expert testimony” (Morgan 1964:42-43). Since this declaration, there has been a plethora of opinions from the varying denominations of the Jewish community grappling with what is crucial for the social stability and democracy of the American Jewish family (Berman 2008). This has led to American Jewish organizations hiring sociologists as part of their staff. -
1 Bob Dylan's American Journey, 1956-1966 September 29, 2006, Through January 6, 2007 Exhibition Labels Exhibit Introductory P
Bob Dylan’s American Journey, 1956-1966 September 29, 2006, through January 6, 2007 Exhibition Labels Exhibit Introductory Panel I Think I’ll Call It America Born into changing times, Bob Dylan shaped history in song. “Life’s a voyage that’s homeward bound.” So wrote Herman Melville, author of the great tall tale Moby Dick and one of the American mythmakers whose legacy Bob Dylan furthers. Like other great artists this democracy has produced, Dylan has come to represent the very historical moment that formed him. Though he calls himself a humble song and dance man, Dylan has done more to define American creative expression than anyone else in the past half-century, forming a new poetics from his emblematic journey. A small town boy with a wandering soul, Dylan was born into a post-war landscape of possibility and dread, a culture ripe for a new mythology. Learning his craft, he traveled a road that connected the civil rights movement to the 1960s counterculture and the revival of American folk music to the creation of the iconic rock star. His songs reflected these developments and, resonating, also affected change. Bob Dylan, 1962 Photo courtesy of John Cohen Section 1: Hibbing Red Iron Town Bobby Zimmerman was a typical 1950’s kid, growing up on Elvis and television. Northern Minnesota seems an unlikely place to produce an icon of popular music—it’s leagues away from music birthplaces like Memphis and New Orleans, and seems as cold and characterless as the South seems mysterious. Yet growing up in the small town of Hibbing, Bob Dylan discovered his musical heritage through radio stations transmitting blues and country from all over, and formed his own bands to practice the newfound religion of rock ‘n’ roll. -
Theodore Bikel Trivia Quiz
THEODORE BIKEL TRIVIA QUIZ by Marjorie Gottlieb Wolfe Syosset, New York Theodore Bikel, actor, activist, singer, and writer, has passed away at the age of 91. In the Foreword to his book, “Theo - The Autobiography of Theodore Bikel,” he wrote, “Most people lead two distinct lives--a private life and a public one. Others lead multiple lives; I am one of those. Professionally I can count three or four separate existences, politically three or four more. Add the personal aspects and altogether they add up to a cat’s count of nine.” Bikel said of “Fiddler” in a 2008 interview, “It’s a charming show. It’s a nice show. But it is what my wife calls ‘SHTETL LITE.’” Grab a #2 pencil and let’s see how well you fare on this not-so-serious Theodore Bikel Trivia Quiz. 1. While performing the role of Tevye in “Fiddler on the Roof,” the following story took place: A new arrival to this country had never in his life seen a stage play. On his first day of leisure (“fraye tsayt”), he walked up to the ticket window (“fentster”) and asked the price of admission. “Downstairs, the tickets are $4.80,” explained the ticket clerk. “Upstairs, the price is $2.20.” “Is that so?” said the surprised immigrant? “Tell me, what’s playing upstairs?” A) True B) False 2. Which Yiddishist celebrated Bikel’s 85th birthday, which was held at Carnegie Hall? A) Michael Wex B) Ruth R. Wisse C) Uriel Weinreich D) Leo Rosten E) Miriam Weinstein 3. “Iz nisht gut tsu zayn aleyn” means, It’s not good to be alone. -
Recognition of Theodore Bikel's Years of Labor Service
RESOLUTION 26 Recognition of Theodore Bikel’s Years of Labor Service Submitted by Department for Professional Employees, AFL-CIO Referred to the Legislation and Policy Committee Theodore Bikel, better known as Theo, is the Royal Academy of Dramatic Art, graduating the epitome of a Renaissance Man. Not with honors. In his first role in London’s famed content with a robust and diverse résumé as a West End theaters, Theo was directed by Sir multihyphenate performer, Theodore Bikel also Lawrence Olivier in A Streetcar Named Desire, leads a life committed to social justice. A longtime starring Vivien Leigh. In 1954, with a career in the labor leader and president of the Associated UK thriving, Theo received an invitation to appear Actors and Artistes of America, AFL-CIO (the 4 on Broadway in a play starring Louis Jourdan As) since 1988, Theo’s 55 years in the American titled Tonight in Samakand. For this role, Bikel labor movement are a testament to both the man earned his Actors’ Equity Association union card and the professional. A member of five different and, in his own words, “Little could they suspect AFL-CIO unions (Actors’ Equity Association, that, by doing so, they bought themselves a future American Federation of Musicians, American president for their own union.” Federation of Television and Radio Artists, Screen Actors Guild and American Guild of Variety Theo went on to an extremely active career Artists), Theo has never backed down from his in American theater. He starred in the world conviction that “working people as individuals are premiere of The Sound of Music, where he helpless and powerless unless they band together created the role of Captain von Trapp. -
Professor Karla Goldman 4704 School of Social Work Building [email protected], 734-763-6583 Office Hours by Appointment
Professor Karla Goldman 4704 School of Social Work Building [email protected], 734-763-6583 Office Hours by Appointment A History of American Jewish Women Judaic Studies 417 - 001 / Social Work 513 – 001/ History 468 – 001/ AmCult 405 - 009 Tuesday, 2-5 p.m. / 1804 SSWB / Winter 2019 Course Description: This class on American Jewish history foregrounds the experience and perspectives of Jewish women. It explores the creation of American Judaism and Jewish community; the experience of immigration; the pursuit of political activism and social justice; and changing notions of identity, sexuality, family, and leadership through the lens of women’s lives and voices. Drawing upon primary and literary texts, this course challenges us to consider how the telling of American Jewish history changes when women are placed at the center. Course Objectives: Completion of this course will result in the ability of students to: 1. Think critically and expansively about the sources of history. Whose stories get told? Whose are ignored? What kind of historical sources shape the stories we receive? 2. Grasp the central themes shaping the historical experience of American Jewish women. 3. Recognize the difference between accounts of American Jewish history that incorporate women and those that do not. 4. Make connections across historical periods – be able to see the relevance of past historical periods to today. 5. Recognize how evolving gender roles and expectations have inflected American Jewish identity at the intersection of socio-economic, racial, religious, and ethnic American identities. 6. Understand general frameworks shaping American Jewish experience through different historical periods. 7. Become familiar with major events and central figures in the history of American Jewish women while also holding onto the stories and significance of “ordinary” women.