DOCSLIB.ORG

Emergence at Pacific Northwest Ballet Encore Arts Seattle

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Emergence at Pacific Northwest Ballet Encore Arts Seattle March 2019 March 2019 Volume 32, No. 5 Paul Heppner President Mike Hathaway Senior Vice President Kajsa Puckett Vice President, Sales & Marketing Genay Genereux Accounting & Office Manager Production Susan Peterson Vice President, Production Jennifer Sugden Assistant Production Manager Ana Alvira, Stevie VanBronkhorst Production Artists and Graphic Designers Sales Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Devin Bannon, Brieanna Hansen, Amelia Heppner, Ann Manning Seattle Area Account Executives Carol Yip Sales Coordinator Marketing Shaun Swick BALLET PRELJOCAJ Senior Designer & Digital Lead THURS–SAT, APRIL 4–6 Ciara Caya Ballet Preljocaj performs La Fresque, a fantastical tale of a painting come Marketing Coordinator to life in a gorgeous reverie of time and space. Encore Media Group 425 North 85th Street Seattle, WA 98103 p 800.308.2898 | 206.443.0445 f 206.443.1246 [email protected] www.encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2019 Encore Media Group. Reproduction without written permission is prohibited. MOMIX THURS–SAT, APRIL 25–27 The dancer-illusionists of MOMIX create surreal and fantastic worlds that seamlessly blend illusion, magic and whimsy. TICKETS: MEANYCENTER.ORG 206-543-4880 2 PACIFIC NORTHWEST BALLET Kent Stowell and Peter Boal March 15-24, 2019 Francia Russell Artistic Director Marion Oliver McCaw Hall Founding Artistic Directors PRINCIPALS Leta Biasucci Lindsi Dec Rachel Foster Benjamin Griffiths William Lin-Yee James Moore Elizabeth Murphy Sarah Ricard Orza Seth Orza Noelani Pantastico Jonathan Porretta Lucien Postlewaite Lesley Rausch Jerome Tisserand Laura Tisserand SOLOISTS Kyle Davis Angelica Generosa Joshua Grant Steven Loch Elle Macy Leah Merchant Margaret Mullin Price Suddarth Ezra Thomson Dylan Wald CORPS de BALLET Madison Rayn Abeo Guillaume Basso Ryan Cardea Nancy Casciano Henry Cotton Dammiel Cruz Christopher D’Ariano Cecilia Iliesiu Clara Ruf Maldonado Angeli Mamon Amanda Morgan Sarah Pasch Miles Pertl Christian Poppe Calista Ruat Sarah-Gabrielle Ryan Emma Love Suddarth Madison Taylor Leah Terada Genevieve Waldorf APPRENTICES Mark Cuddihee Abby Jayne DeAngelo Luther DeMyer Juliet Prine Yuki Takahashi Emil de Cou Music Director/Principal Conductor Otto Neubert, Anne Dabrowski, Paul Gibson Ballet Masters Norbert Herriges Technical Director Randall G. Chiarelli Resident Lighting Designer Larae Theige Hascall Costume Shop Manager Christina Siemens Principal Company Pianist Elisabeth Ellis, Company Pianist Nesholm Family SEASON SPONSORS: PRESENTING SPONSORS: Foundation MAJOR SPONSOR: SUPPORTING SPONSOR: Cover: (l-r) Elizabeth Murphy and choreographer Robyn Mineko Williams during the creation of The Trees The Trees. © Lindsay Thomas. DIRECTOR’S Dancers hunger for these chances to enter the studio with a “dance maker and share the journey of creation. The possibilities are infinite and the combination of fresh thinking and uncharted territory is thrilling. © nycdanceproject.com ” about this time every year, we Both were intriguing. I hope to Justin Peck has been creating start to hear from dozens of dancers present Penny’s work soon, but I ballets for 11 years, starting right about their interest in auditioning chose to start with Robyn. Her work after attending a PNB School Summer for PNB. Dozens can become seemed more experimental, like she Course as a teenager. Now 31, he’s hundreds. They come from good was finding her way. The bodies were everywhere as resident choreographer, schools and established companies. testing music, interaction, space, and soloist dancer, and part of the interim Along with head shots and resumes, impact. I thought of how Robyn might team directing NYCB. He’s also most send well-written messages be in the studio with our dancers and choreographing West Side Story, a complimenting aspects of PNB and how they might aid in the process. remake of the original film directed by referencing the tremendous range What I pictured or hoped for was not Steven Spielberg. In the Countenance of our repertoire as a key factor in unlike what I witnessed last August of Kings, set to the groundbreaking their decision to reach out. They when Robyn played the alluring music sounds of Sufjan Stevens’ score, is a cite Alejandro Cerrudo, David of Kyle Vegter and began to sketch fluid and joyous work. It’s also our Dawson, Jessica Lang, Justin Peck, movement with our dancers. There third by the choreographer and you’d and Crystal Pite. Many are fledgling was direction from Robyn, but the be correct in thinking there will choreographers themselves and process felt shared, like a discovery be more. Justin, Matt, and Robyn know about the opportunities PNB of something previously undefined. are all in our studios for this rep, affords students and professionals. Artists, stories, experimentation, adding the insight and inspiration Dancers hunger for these chances to and studio became fertile ground. only a choreographer can give. enter the studio with a dance maker On writing these notes, I haven’t Reps like these are how we and share the journey of creation. seen Matt Neenan work with our contribute to the future of ballet. The possibilities are infinite and the dancers. He brings more experience to Those dancers who long for a job combination of fresh thinking and the studio and stage than Robyn, with at PNB are correct: we have the uncharted territory is thrilling. many works created for Pennsylvania right mix of rep, with classics like Certain companies are regarded Ballet, his own BalletX, and a wide The Sleeping Beauty, Agon, and The as hotbeds of choreographic variety of companies and schools, Moor’s Pavane alongside the latest innovation. One of those companies including New York City Ballet and from these three innovators. Help is Hubbard Street Dance Chicago. the Juilliard School. He’s chosen PNB play a role in the future of A pioneering presenter of work by the music of Oliver Davis, which is dance by leaning into a program Jiri Kylian, Twyla Tharp, and Nacho nothing less than ear candy. All three like this—talk about it, learn, listen, Duato, the troupe has recently been composers on this program are young, reflect, and share. It’s all happening the base for resident choreographer and all three have a timeless and fresh here. Thanks for being a part of it. Alejandro Cerrudo. Several years approach to composition. I encourage ago Hubbard Street artistic director you to dig into the bios of all the Glenn Edgerton called with a artists involved in these works. Some recommendation, suggesting I have are veterans, like lighting designers a look at the choreography of Robyn Rico Chiarelli and Brandon Stirling Peter Boal Mineko Williams. I looked, I liked, Baker and costume designers Mark I looked some more, flying to Grand Zappone and Branimira Ivanova, Rapids, Michigan, (really cold) to while others like Ellen Warren and see works by Robyn and by fellow Alicia Walter are just starting to Hubbard Street alum Penny Saunders. make their contributions known. 4 PACIFIC NORTHWEST BALLET PNB Orchestra TICKETS Violin 1 Clarinet EW ORKS OlympicBallet.Org Michael Jinsoo Lim, Jennifer Nelson**, NEDMONDS WEVERETT Concertmaster Principal Center for the Arts Performing Arts Center 425-774-7570 Jennifer Caine Denise Lum March 30, 7pm April 6, 7pm Provine, Associate Bass Clarinet/ Concertmaster Photo: Alante Photography Emilie Choi, Assistant E-Flat Dancers: Elianna Langley & Concertmaster Denise Lum Josh Deininger Stephen Daniels** Bassoon Artistic Directors: Mara Vinson & Oleg Gorboulev Tom Dziekonski* Ella Marie Gray* Mona S. Butler*, YeSol Im Principal Lynn Bartlett Dana Jackson Johnson** Horn Petro Krysa Rodger Burnett*, Violin 2 Principal Rita Lee, Principal Danielle Lemieux Raffaela Kalmar, Richard Reed* Assistant Principal Ryan Stewart Ingrid Fredrickson* Trumpet William E. Boyd* Sarah Viens, Principal Anne Cady* Richard Werner* Adrianna Hulscher A thrilling night of contemporary Laurie Wells Trombone r dance showcasing OBT and world e g Kim Zabelle** n Mark Williams*, i premieres! Featuring choreographers: n i e Principal D Viola h s Kay D. Nichols* Nicole & Jason Cisler o J y Alexander Grimes, & h y Kyle Davis p e a l Principal r Bass Trombone g g n Mara Vinson o a t L Betty Agent*, o Douglas Nierman* h a P n n Assistant Principal e t a i l n E a l Kayleigh Miller Tuba : s A r : e o c Joyce Ramée* Ryan Schultz, t n o a h P Laura Renz Principal D Eileen Swanson* Tympani Cello Phil Hanson*, Page Smith*, Principal Principal Virginia Dziekonski*, Assistant Principal Percussion Meg Brennand** Matthew Andrea Chandler** Kocmieroski*, Charles Jacot Principal Brian Wharton Gunnar Folsom Seattle. Bass Harp Todd Larsen**, John Carrington, At your doorstep. Principal Principal Stephen Schermer**, At Mirabella Seattle, we’re proud Keyboard Assistant Principal to offer doorstep access to the city Christina Siemens, Maurice Clubb you love. Enjoy living within walking Ben Musa** Principal Allan Dameron distance of your favorite Seattle Flute Personnel Manager Laura Werner restaurants, landmarks, and parks, Rodger Burnett all complemented by our incredible Piccolo Music Librarian Laura Werner retirement lifestyle. Mona S. Butler Oboe Call for a tour today. Dan Williams, Principal 206-254-1441 Tad Margelli* mirabellaliving.com/seattle English Horn Tad Margelli *Founding members of PNB Orchestra (1989).**25
Load more

Recommended publications
  • Sufjan Stevens Yarn/Wire
    BAM 2015 Winter/Spring Season #Sufjan Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer Round-Up Sufjan Stevens Yarn/Wire BAM Harvey Theater Jan 20—25 at 7:30pm Running time: one hour and 15 minutes, no intermission Season Sponsor: Viacom is the BAM 2015 Music Sponsor The Steinberg Screen at the BAM Harvey Theater is made possible by The Joseph S. and Diane H. Steinberg Charitable Trust Major support for Round-Up provided by The Frederick Loewe Foundation Major support for music at BAM provided by: Frances Bermanzohn & Alan Roseman Pablo J. Salame Round-Up FILM Director, Composer Sufjan Stevens Cinematographer Aaron Craig Cinematographer Alex Craig Co-Producer Lisa Moran Co-Producer We Are Films COMPANY Sound Mix Dan Bora Lighting Seth Reiser Stage Manager Mary-Sue Gregson Production Management Lisa Moran Live Projection & Design Josh Higgason Round-Up was filmed at the Pendleton Round-Up in eastern Oregon, September, 2013. Additional footage was shot in Brooklyn and upstate New York, July 2014. Courtesy We Are Films Courtesy We Are Films Who’s Who SUFJAN STEVENS was born in Detroit and WE ARE FILMS raised in northern Michigan. He attended Hope Alex and Aaron Craig discovered their passion for College in Holland, MI, and the masters program filmmaking in their early teens. With camcord- for writers at the New School for Social Research ers in hand, willing neighbors as actors, and the in New York City.
    [Show full text]
  • October 2020 New York City Center
    NEW YORK CITY CENTER OCTOBER 2020 NEW YORK CITY CENTER SUPPORT CITY CENTER AND Page 9 DOUBLE YOUR IMPACT! OCTOBER 2020 3 Program Thanks to City Center Board Co-Chair Richard Witten and 9 City Center Turns the Lights Back On for the his wife and Board member Lisa, every contribution you 2020 Fall for Dance Festival by Reanne Rodrigues make to City Center from now until November 1 will be 30 Upcoming Events matched up to $100,000. Be a part of City Center’s historic moment as we turn the lights back on to bring you the first digitalFall for Dance Festival. Please consider making a donation today to help us expand opportunities for artists and get them back on stage where they belong. $200,000 hangs in the balance—give today to double your impact and ensure that City Center can continue to serve our artists and our beloved community for years to come. Page 9 Page 9 Page 30 donate now: text: become a member: Cover: Ballet Hispánico’s Shelby Colona; photo by Rachel Neville Photography NYCityCenter.org/ FallForDance NYCityCenter.org/ JOIN US ONLINE Donate to 443-21 Membership @NYCITYCENTER Ballet Hispánico performs 18+1 Excerpts; photo by Christopher Duggan Photography #FallForDance @NYCITYCENTER 2 ARLENE SHULER PRESIDENT & CEO NEW YORK STANFORD MAKISHI VP, PROGRAMMING CITY CENTER 2020 Wednesday, October 21, 2020 PROGRAM 1 BALLET HISPÁNICO Eduardo Vilaro, Artistic Director & CEO Ashley Bouder, Tiler Peck, and Brittany Pollack Ballet Hispánico 18+1 Excerpts Calvin Royal III New York Premiere Dormeshia Jamar Roberts Choreography by GUSTAVO RAMÍREZ
    [Show full text]
  • BEYOND BALLET a Town Hall on the State of Ballet and Diversity
    FOR IMMEDIATE RELEASE MEDIA CONTACT: April 17, 2017 Gary Tucker 206.441.2426 [email protected] PACIFIC NORTHWEST BALLET Presents BEYOND BALLET A Town Hall on the State of Ballet and Diversity 7:00 pm, Wednesday, May 3, 2017 The Phelps Center 301 Mercer Street at Seattle Center Seattle, WA 98109 SEATTLE, WA – On Wednesday, May 3, 2017, Pacific Northwest Ballet (PNB) will host BEYOND BALLET, a Town Hall-style conversation which will investigate aesthetics, diversity, equity, and the efforts to redesign arts institutions. PNB, Spectrum Dance Theater, and Memoirs of Blacks in Ballet (MOBB) invite attendees to share their thoughts, feelings and experiences in a Town Hall format. Ballet—its aesthetics, lack of diversity and equity—is the springboard from which we begin to examine these issues in the theater and arts at large. This forum will be an open study group for organizations participating in the Seattle Office of Arts & Culture Racial Equity Learning Cohorts, part of the Race and Social Justice Initiative (RSJI), the City’s commitment to eliminate racial disparities and achieve racial equity in Seattle. BEYOND BALLET will take place at 7:00 pm on Wednesday, May 3, 2017 at PNB’s Phelps Center, 301 Mercer Street at Seattle Center. This is a free event, however space is limited and registration is required at PNB.org/BeyondBallet. Panelists for BEYOND BALLET include Peter Boal, Artistic Director of PNB; Donald Byrd, Artistic Director of Spectrum Dance Theater; Erica Edwards, Director of Community Engagement at The Joffrey Ballet; Kiyon Gaines, former PNB soloist and PNB School faculty member; and Andrea Long-Naidu, ballet instructor for Dance Theatre of Harlem and CityDance Conservatory.
    [Show full text]
  • New York City Ballet MOVES Tuesday and Wednesday, October 24–25, 2017 7:30 Pm
    New York City Ballet MOVES Tuesday and Wednesday, October 24–25, 2017 7:30 pm Photo:Photo: Benoit © Paul Lemay Kolnik 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. ARTISTIC DIRECTOR PETER MARTINS ARTISTIC ADMINISTRATOR JEAN-PIERRE FROHLICH THE DANCERS PRINCIPALS ADRIAN DANCHIG-WARING CHASE FINLAY ABI STAFFORD SOLOIST UNITY PHELAN CORPS DE BALLET MARIKA ANDERSON JACQUELINE BOLOGNA HARRISON COLL CHRISTOPHER GRANT SPARTAK HOXHA RACHEL HUTSELL BAILY JONES ALEC KNIGHT OLIVIA MacKINNON MIRIAM MILLER ANDREW SCORDATO PETER WALKER THE MUSICIANS ARTURO DELMONI, VIOLIN ELAINE CHELTON, PIANO ALAN MOVERMAN, PIANO BALLET MASTERS JEAN-PIERRE FROHLICH CRAIG HALL LISA JACKSON REBECCA KROHN CHRISTINE REDPATH KATHLEEN TRACEY TOURING STAFF FOR NEW YORK CITY BALLET MOVES COMPANY MANAGER STAGE MANAGER GREGORY RUSSELL NICOLE MITCHELL LIGHTING DESIGNER WARDROBE MISTRESS PENNY JACOBUS MARLENE OLSON HAMM WARDROBE MASTER MASTER CARPENTER JOHN RADWICK NORMAN KIRTLAND III 3 Play now. Play for life. We are proud to be your locally-owned, 1-stop shop Photo © Paul Kolnik for all of your instrument, EVENT SPONSORS accessory, and service needs! RICHARD AND MARY JO STANLEY ELLIE AND PETER DENSEN ALLYN L. MARK IOWA HOUSE HOTEL SEASON SPONSOR WEST MUSIC westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2017-2018 Photo: Miriam Alarcón Avila Season Sponsor! Play now. Play for life. We are proud to be your locally-owned, 1-stop shop for all of your instrument, accessory, and service needs! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2017-2018 Season Sponsor! THE PROGRAM IN THE NIGHT Music by FRÉDÉRIC CHOPIN Choreography by JEROME ROBBINS Costumes by ANTHONY DOWELL Lighting by JENNIFER TIPTON OLIVIA MacKINNON UNITY PHELAN ABI STAFFORD AND AND AND ALEC KNIGHT CHASE FINLAY ADRIAN DANCHIG-WARING Piano: ELAINE CHELTON This production was made possible by a generous gift from Mrs.
    [Show full text]
  • Miami City Ballet 37
    Miami City Ballet 37 MIAMI CITY BALLET Charleston Gaillard Center May 26, 2:00pm and 8:00pm; Martha and John M. Rivers May 27, 2:00pm Performance Hall Artistic Director Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 2 hours | Performed with two intermissions Walpurgisnacht Ballet (1980) Choreography George Balanchine © The George Balanchine Trust Music Charles Gounod Staging Ben Huys Costume Design Karinska Lighting Design John Hall Dancers Katia Carranza, Renato Penteado, Nathalia Arja Emily Bromberg, Ashley Knox Maya Collins, Samantha Hope Galler, Jordan-Elizabeth Long, Nicole Stalker Alaina Andersen, Julia Cinquemani, Mayumi Enokibara, Ellen Grocki, Petra Love, Suzette Logue, Grace Mullins, Lexie Overholt, Leanna Rinaldi, Helen Ruiz, Alyssa Schroeder, Christie Sciturro, Raechel Sparreo, Christina Spigner, Ella Titus, Ao Wang Pause Carousel Pas de Deux (1994) Choreography Sir Kenneth MacMillan Music Richard Rodgers, Arranged and Orchestrated by Martin Yates Staging Stacy Caddell Costume Design Bob Crowley Lighting Design John Hall Dancers Jennifer Lauren, Chase Swatosh Intermission Program continues on next page 38 Miami City Ballet Concerto DSCH (2008) Choreography Alexei Ratmansky Music Dmitri Shostakovich Staging Tatiana and Alexei Ratmansky Costume Design Holly Hynes Lighting Design Mark Stanley Dancers Simone Messmer, Nathalia Arja, Renan Cerdeiro, Chase Swatosh, Kleber Rebello Emily Bromberg and Didier Bramaz Lauren Fadeley and Shimon Ito Ashley Knox and Ariel Rose Samantha
    [Show full text]
  • 2018 Alumni Performance 45Th Anniversary Show Program
    A Message from Josefa Villanueva-Reyes, Artistic Director and Founder: I welcome you with great joy and happiness to celebrate the Santa Clara Ballet’s 45th Anniversary of the Nutcracker Ballet. The Santa Clara Ballet continues the legacy left to us by our late Director and choreographer, Benjamin Reyes, by sharing this favorite family Christmas Ballet with our community, our student and professional dancers and our loyal supporters. The Company’s roots started right here in Santa Clara, and has continued despite the usual problems of obtaining funding and support. We can continue because of all of you who are present in our performances, and through your generous donations and volunteer work. The Company continues its work in spreading the awareness and the love of dance to warm families and contribute to the quality of life of the community. For this Sunday’s performance of our 45th Annual Nutcracker, the stage will be graced by our Alumni who serve as a testament to the success of the company’s influence to the community and the world beyond. Thank you for your presence today and please continue to join us on our journey. Josefa Reyes JOSEFA VILLANUEVA-REYES started her training in the Philippines with Roberta and Ricardo Cassell (a student of Vincenzo Celli). She was formerly a member of the San Francisco Ballet Company and the San Francisco Opera Ballet. Previous to that, she performed as a principal dancer with the San Francisco Ballet Celeste for four years. Her performing experience included multiple lead roles from the classical repertory. Villanueva-Reyes taught at the San Francisco Conservatory of Ballet and Theatre Arts as well as San Jose City College.
    [Show full text]
  • New York City Ballet
    Press Release FOR RELEASE: March 10, 2020 Photos can be found here. The John F. Kennedy Center for the Performing Arts presents New York City Ballet in Two Programs of Repertory including George Balanchine’s Haieff Divertimento NYCB Resident Choreographer and Artistic Advisor Justin Peck’s recent work Principia George Balanchine and Jerome Robbins’s masterpiece Firebird March 31–April 5, 2020 in the Kennedy Center Opera House with the Kennedy Center Opera House Orchestra (WASHINGTON)— New York City Ballet (NYCB) returns to the Kennedy Center for its annual engagement with two stellar repertory programs, March 31–April 5, in the Opera House. Along with classic works by George Balanchine and Jerome Robbins, the engagement includes a recent work from Resident Choreographer and Artistic Advisor Justin Peck, as well as George Balanchine and Jerome Robbins’s masterpiece Firebird. Classic NYCB (March 31 and April 1 & 5): The company’s opening night program includes two works by George Balanchine: Haieff Divertimento and Stravinsky Violin Concerto, along with Christopher Wheeldon’s Liturgy and Edwaard Liang’s new Lineage. Composed in five sections, Haieff Divertimento is choreographed for a leading couple and four supporting couples dressed in simple costumes. It features a blues pas ~ more ~ de deux and combines popular American dance idioms and modern concert dance with classic ballet. Stravinsky Violin Concerto features two of Balanchine’s most ingenious and unique pas de deux. Christopher Wheeldon’s Liturgy is set to music by Arvo Pärt, with two dancers who separate and return to one another with ever-increasing intensity. The company also brings Edwaard Liang’s newest work, Lineage, a ballet for 16 dancers set to music by English composer Oliver Davis.
    [Show full text]
  • MARK MORRIS DANCE GROUP and MUSIC ENSEMBLE Wed, Mar 30, 7:30 Pm Carlson Family Stage
    2015 // 16 SEASON Northrop Presents MARK MORRIS DANCE GROUP AND MUSIC ENSEMBLE Wed, Mar 30, 7:30 pm Carlson Family Stage DIDO AND AENEAS Dear Friends of Northrop, Northrop at the University of Minnesota Presents I count myself lucky that I’ve been able to see a number of Mark Morris Dance Group’s performances over the years—a couple of them here at Northrop in the 90s, and many more in New York as far back as the 80s and as recently as last MARK MORRIS year. Aside from the shocking realization of how quickly time flies, I also realized that the reason I am so eager to see Mark Morris’ work is because it always leaves me with a feeling of DANCE GROUP joy and exhilaration. CHELSEA ACREE SAM BLACK DURELL R. COMEDY* RITA DONAHUE With a definite flair for the theatrical, and a marvelous ability DOMINGO ESTRADA, JR. LESLEY GARRISON LAUREN GRANT BRIAN LAWSON to tell a story through movement, Mark Morris has always AARON LOUX LAUREL LYNCH STACY MARTORANA DALLAS McMURRAY been able to make an audience laugh. While most refer to BRANDON RANDOLPH NICOLE SABELLA BILLY SMITH his “delicious wit,” others found his humor outrageous, and NOAH VINSON JENN WEDDEL MICHELLE YARD he earned a reputation as “the bad boy of modern dance.” *apprentice But, as New York Magazine points out, “Like Martha Graham, Merce Cunningham, Paul Taylor, and Twyla Tharp, Morris has Christine Tschida. Photo by Patrick O'Leary, gone from insurgent to icon.” MARK MORRIS, conductor University of Minnesota. The journey probably started when he was eight years old, MMDG MUSIC ENSEMBLE saw a performance by José Greco, and decided to become a Spanish dancer.
    [Show full text]
  • New York City Ballet Annual Report
    New York City Ballet Annual Report Recusant and flameproof Randie reasonless her biospheres Latinised or lyophilize ardently. Inaudibly concavo-concave, Randall study breechblock and shone glaciations. Which Beck supersaturating so anciently that Trent limits her workshop? She brings many styles to the studio, from her own extensive studies of Balanchine, Vaganova, Cecchetti, Royal Ballet, and ABT. Professional Division and Summer Intensive Program, with other top dancers originating from countries as far away as Turkey, Switzerland, France, and Denmark. What is the difference between Russian ballet and French ballet? The NYCB does little to curb these actions. Set body class for different user state. Sam Viersen Family Foundation, Inc. This ballet style is often performed barefoot. How much do they cost? On Monday, a public viewing was being held at the Abyssinian Baptist Church, where Tyson was a member. But opting out of some of these cookies may have an effect on your browsing experience. Sterling Hyltin is a dancer with the New York City Ballet. Later that month, Opera Atelier artistic director Marshall Pynkoski, set designer Gerard Gauci, and Tafelmusik Baroque Orchestra conductor David Fallis provided a preview of the engagement at Alliance Française featuring soprano Mireille Asselin and harpsichordist Christopher Bagan. Director Adam Sklute announced the promotion of Jared Oaks to Music Director. Zoe has trained in and taught several dance forms including modern, ballet, jazz, contemporary, and improvisation. Scholarship Fund because CSF put me in the settings where a whole village of nurturers trained me to be the person I am. Gene Kelly is perhaps the biggest dancing star to come out of Hollywood.
    [Show full text]
  • Atheneum Nantucket Dance Festival
    NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes.
    [Show full text]
  • News from the Jerome Robbins Foundation Vol
    NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries.
    [Show full text]
  • George Balanchine August Bournonville Sasha Janes Jerome Robbins
    George Balanchine August Bournonville Sasha Janes THTHEAEATETERR 1716/1/187 Jerome Robbins FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m.
    [Show full text]