Close to the Sound Differences Dissolve; Stratocaster?

Total Page:16

File Type:pdf, Size:1020Kb

Close to the Sound Differences Dissolve; Stratocaster? with numerous musicians and musical styles over animate and inanimate energies. Behind the or to record the paint peeling off the old Fender based in Dublin, Ireland. Her compositional output soundart. In 2003 co-founder of the record label walking with others, listening to environmental the years. His debut album ‘Exiles’ was released melody, close to the sound differences dissolve; Stratocaster?. Whatever when the sound engineer mainly consists of fixed media pieces, which fragmentrecordings with following cd releases. sound, and my own improvised singing. I am to broad critical acclaim in 2005. A new album inaudible made audible, wave and grain of heard Otomo’s music he decided this wasn’t music have been broadcast and performed at a number Since 2005 more and more sound installations, very grateful to Derek for sharing his special walk ‘Acrobat’, produced by Gerry Diver, is scheduled nature. and cut out the low end, he cut out the high end of festivals, installations and concert events sometimes in cooperation with sculptors and visual with me. for release in July 2011. www.j-eoin.com Raw material: field recordings (using mic, and what was left was not Otomo’s music at all. I worldwide including New Music Festival Cal State artists. Since 2008 live-performance of improvised Viv Corringham is a British sound artist, vocalist hydrophone, contact mic) from one quiet saved the bits he cut out and re-recorded the paint Fullerton, Peninsula Arts Contemporary Music electronic music based on his field recordings. and composer, currently based in Minneapolis, /Gary Mentanko afternoon in small Austrian village and glade high peeling off the old Fender Strat and put them all Festival, Liverpool Biennial, Quebec Biennial and Member of Cooperativa Neue Musik, DEGEM, Trio USA. Recent work appeared in New York, Toronto, TATUNTAT, Trio Beuter, Höger, Schwieger also as Portugal, San Francisco, and Istanbul. Depatterning-Smudged above in mountains; bells, stream, voices, birds, back “Together Again”. Futuresonic UK. With funding from the Arts Council 35 interior of teeming wood ants nest... DANNY McCARTHY is one of Ireland’s pioneers of Ireland she studied at the CCMIX (Centre de the Ensemble Theatrum Somnium Medusae. Works Her work usually involves walking, as a method of Cartography, 2 channels, 3.53, 2011 Alexander Baker lives in South West UK. He has of performance art and sound art and he création musicale Iannis Xenakis), Paris in 2005 and with filmmakers and directors. investigating people’s relationship with place and “Smudged Cartography” is part of a larger been variously, simultaneously and sequentially continues to be a leading exponent exhibiting and completed the Mamori Sound Project in Brazil with how that links to an interior landscape of memory audio series called The Unofficial Countryside. a free jazz and improv percussionist, freelance performing both in Ireland and abroad. In 2006, Francisco Lopez in 2008. /Tony Doyle and association. The experiences and materials Named after the book by Richard Mabey, these scriptwriter for radio, tv and theatre, teacher he founded the Quiet Club with Mick O’Shea, a [email protected] Universal Theme, 6.32, 2011 gathered on these walks find their way into recordings examine how urban areas and natural specialising in art, drama and music. His sound floating membership sound (art and electronics) 52 installations, recordings and concert pieces. spaces have become layered on top of one work has been heard on air, in galleries and at performance group. He is a founding director of /Karel Von Kleist The conceptual process was based on developing She has had many awards, including a McKnight an abstract soundscape around film music. Composer Fellowship for 2006 through the another like transparencies. Through oscillations, festivals/events in Europe, Canada, the USA and Triskel Arts Centre and the National Sculpture Harbourscape, 7.06 outdoor recordings, and shifting audio filters, South America. He has a netlabel release due out Factory. A book + CD on his work entitled “LISTEN 48 Proceeding with a concept that would in some American Composers Forum. I’m attempting to convey the indistinct nature late summer on Impulsive Habitat. Hear” was published by Farpoint Recordings, “Harbourscape” is an outtake of a work-in-progress way be referential to film music and yet would www.vivcorringham.org of places due to the tenacious reclamation by www.solublefisherman.wordpress.com and his work has appeared on numerous CDs, “Resonance”, which will be about 60 minutes exploit an electronic sound palette derived from an wildlife in towns and cities. The recording was most recently “Soundcast 4x4(+1)” on Farpoint long. It is purely composed of sounds that have orchestral recording. The resulting work is derived /Pamela Myers made on the open source software Supercollider /Andrew Mc Govern Recordings. He has been involved in several been captured by Von Kleist’s microphones and from the 30 second fanfare from Universal motion high-quality field recorder. (He has an archive picture studios and developed into a 6’30’’ piece. Easy, 2.15 and controlled with the m-Log, an interactive Whale Song, 5.43 curatorial projects including INTERMEDIA Festival 57 electronic device housed in a cross-sectioned log 40 1990-2002, “For Those Who Have Ears” book+CD containing around 1,000 hours of recordings). Tony Doyle is a composer/producer/performer. He Easy is an atmospheric sound piece achieved by of a yew tree. This composition tries to create a sound (with Julie Forrester). “Sound Out” (co curated The focus is on the overtones of the metals, their has performed both in Ireland and abroad. Doyle mixing field recordings obtained using a variety of Gary Mentanko is a Dublin, Ireland based landscape. I got the idea for this composition with David Toop),”Bend It Like Beckett” CD Project, microtonal character, dynamics, and interaction. No is currently working on a collaborative project with microphones. Recordings of the mechanics of audio sound artist working in hacked and handmade after talking to one of my friends who was “Rediscovering Locality (A Sonology Of Cork Sound synthesizers were used in this instance. Some of the the artist Linda O’Keeffe (Irl) and the composer equipment, record and cassette players, are layered electronics. Born in the late 70’s in rural traveling in New Zealand. He told me, he had Art)” CD project Art Trail. “Just Listen” Seminar sounds have been recorded in an actual harbour (= Guillermo Gregorio (USA). He will also be taking over recordings of the electrical magnetic fields Saskatchewan, Canada, his project Depatterning paid a lot of money to go whale watching. After +Installations (co curated with Sean Taylor) for the aural setting of his youth). Others were drawn part in this year’s Irish Composition Summer School that these devices create. Mechanical sounds are attempts to recall the haze of early memories spending hours on a boat they finally got to see National Sculpture Factory. from several extraordinary sheet metal plates, then with Clarence Barlow. naturally ignored when we listen to music, however through electronic interludes, rhythmic decay and a whale surface. My friend was unmoved by the mixed, positioned, and ‘treated’ in Nuendo. the sounds of the electro-magnetic fields that these the sound of farm equipment. Through exhaustive experience, as it only surfaced very briefly. This /David Lloyd-Howells Karel von Kleist is an interdisciplinary artist, /Mark Hall-Patch devices create around us are mostly inaudible. Easy got me thinking. What would it be like to see a originally from Amsterdam, Holland. He practised creates a rhythmic soundscape juxtaposing sounds sound collecting and audio manipulation his goal Chromosomes, 7.02 Nightfallllll, 2:46, 2011 is to catalogue a “culture of lost Canada” and whale underwater and to be able to hear its song. 44 as a visual artist and played with sound from an 53 from older equipment with the computers and present it in ways almost remembered. In 2009, Andrew Mc Govern is a composer based in Life and death – summation and difference – cycles early age, alternating Art College with (technical) Nightfallllll is a one track from a series of sonic smartphones that are used to listen to music. Each he started the handmade, EP only label, Wist Rec Dublin, Ireland. His compositions consist of for a crown of time. in-house training at the Netherlands Opera. He studies and experiments investigating phonetic contribute uniquely to the experience of listening to with Liechtenstein artist Manfred Naescher. electroacoustic pieces. He is currently working on David Lloyd-Howells acousmatic oeuvre makes co-founded multimedia theatre group Pasta B reversal in music. Nightfallllll is an appropriation recorded music. www.depatterning.com his Masters at Dundalk Institute of Technology, certain demands of listeners’ imagination. With where he worked as a technical/artistic director. In of an existing track by The Incredible String Band Pamela Myers is a multi disciplinary artist. She Ireland where he is specializing in interactive exotic titles, ie Fractosonic Graffiti, Insects’ a freelance capacity he created and/or produced called Nightfall. I have been interested in the is from Athlone and studied at Moate Business audio visual installations. Convention, etc he eclipses the ubiquitous music, soundscapes and sound effects/design for relation between popular music and deliberate College before continuing her studies Limerick /Lucia Chung programme note, allowing the music composed, numerous (often award-winning) film, television, hidden messages and decided to probe some bands School of Art and Design. In 2008, she was selected R, stereo, 4.38, 2011 36 /Angela Antle performed and produced by this international radio, ballet, and theatre productions. In 1997 that have yet to be discovered using this process as critics choice for review in CIRCA magazine. In but who have similar esoteric belief backgrounds.
Recommended publications
  • The Stephen F. Austin State University Friday, February 20, 2009
    E V E N T S The Stephen F. Austin State University Friday, February 20, 2009 School of Music 5:00 p.m. – Registration – Room 152 is proud to host 7:00 p.m. – Concert I (Chamber Works) – Recital Hall Saturday, February 21, 2009 9:00 a.m. – Composition Symposium – Room 153 11:00 a.m. – Concert II (60x60) – Recital Hall The 2009 Conference 12:00 p.m. – NACUSA Membership Meeting – Room 152 2:00 p.m. – Concert III (Chamber Works) – Cole Concert Hall of the Texas Chapter of 4:00 p.m. – Keynote Address by Cindy McTee – Recital Hall The National Association of Composers, USA 7:00 p.m. – Concert IV (Band Works) – Cole Concert Hall N A C U S A T E X A S O F F I C E R S President: Dr. Wieslaw V. Rentowski Concert Coordinator: Dr. Dimitar Ninov Vice president: Dr. Nico Schüler Conference Coordinator: Dr. Stephen Lias In collaboration with: Secretary: Ms. Sunnie Oh Fundraising Coordinator: Dr. Michael Remson Treasurer: Mr. Alan Scott Student Coordinator: Mr. Anthony Suter The Center for the Promotion of Contemporary Music At Large: Dr. Michael Millett The International Society of Contemporary Music Vox Novus C O N F E R E N C E H O S T I N F O R M A T I O N All events will take place in the Tom & Peggy Wright Music Building on the campus of Stephen F. Austin State University, Nacogdoches, Texas. Conference registrants will find information about lodging, local restaurants, and driving directions in their conference packet or at http://www.icnm.org/NACUSATX/.
    [Show full text]
  • Inner Voices: Distinguishing Transcendent and Pathological Characteristics Trauma, Psychotherapy, and Meditation the Transperson
    Volume 28 Number 1,1996 Inner voices: Distinguishing transcendent and pathological characteristics 1 Mitchell B. Liester Trauma, psychotherapy, and meditation 31 Ferris B. Urbanowski & John J. Miller The transpersonal movement: A Russian perspective on its emergence and prospects for further development 49 V. V. Nalimov & Jeanna A. Drogalina Transpersonal art and literary theory 63 Ken Wilber REVIEW Thoughts without a thinker: Psychotherapy from a Buddhist perspective, Mark Epstein John J. Miller NOTICE TO The Journal of Transpersonal Psychology is published SUBSCRIBERS semi-annually beginning with Volume l,No. 1, 1969. Current year subscriptions—Volume 28, 1996. To individuals: S24.00 per year; $12.00 either issue. To libraries and all institutions: $32 per year or $16 either issue. Overseas airmail, add $13 per volume, $6.50 per issue. Back volumes: Volumes 24-27 (2 issues per volume) $24 each, $12 per issue. Volumes 15-23 (2 issues per volume) $20 each, $10 per issue. Volumes 1-14 (2 issues per volume) $14 each, $7 per issue. All Journal issues are available. See back pages of this issue for previous contents. Order from and make remittances payable to: The Journal of Transpersonal Psychology, P.O. Box 4437, Stanford, California 94309. The Journal of Transpersonal Psychology is indexed in Psychological Abstracts and listed in Chicorel Health Science Indexes, International Bibliography of Periodical Literature, International Bibliography of Book Reviews, Mental Health Abstracts, Psychological Reader's Guide, and beginning in 1982 Current Contents/Social & Behavioral Sciences Social Sciences Citation Index Contenta Religionum NOTICE TO Manuscript deadlines: Manuscripts may be submitted by any AUTHORS author at any time.
    [Show full text]
  • Nycemf 2021 Program Book
    NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ VIRTUAL ONLINE FESTIVAL __ www.nycemf.org CONTENTS DIRECTOR’S WELCOME 3 STEERING COMMITTEE 3 REVIEWING 6 PAPERS 7 WORKSHOPS 9 CONCERTS 10 INSTALLATIONS 51 BIOGRAPHIES 53 DIRECTOR’S NYCEMF 2021 WELCOME STEERING COMMITTEE Welcome to NYCEMF 2021. After a year of having Ioannis Andriotis, composer and audio engineer. virtually all live music in New York City and elsewhere https://www.andriotismusic.com/ completely shut down due to the coronavirus pandemic, we decided that we still wanted to provide an outlet to all Angelo Bello, composer. https://angelobello.net the composers who have continued to write music during this time. That is why we decided to plan another virtual Nathan Bowen, composer, Professor at Moorpark electroacoustic music festival for this year. Last year, College (http://nb23.com/blog/) after having planned a live festival, we had to cancel it and put on everything virtually; this year, we planned to George Brunner, composer, Director of Music go virtual from the start. We hope to be able to resume Technology, Brooklyn College C.U.N.Y. our live concerts in 2022. Daniel Fine, composer, New York City The limitations of a virtual festival meant that we could plan only to do events that could be done through the Travis Garrison, composer, Music Technology faculty at internet. Only stereo music could be played, and only the University of Central Missouri online installations could work. Paper sessions and (http://www.travisgarrison.com) workshops could be done through applications like zoom. We hope to be able to do all of these things in Doug Geers, composer, Professor of Music at Brooklyn person next year, and to resume concerts in full surround College sound.
    [Show full text]
  • 2011 Festivalis „Jauna Muzika“ Balandžio 26–Gegužės 2 Dienomis Festivalį Rengia Garso Numerologijathe Numerology of Sound
    garso galerija 2011 Festivalis „Jauna Muzika“ balandžio 26–gegužės 2 dienomis Festivalį rengia Garso numerologijaThe numerology of sound Do numbers have a special significance in music? In the case of com- puter music, the answer is more than obvious – without numbers Ar skaičiai yra reikšmingi muzikoje? Kompiuteriu kuriamos muzikos there would have been no sound whatsoever, since it is defined by atveju atsakymas daugiau nei akivaizdus – be skaičių nebūtų ir pa- abstract combinations of zeros and ones that digital sound equip- ties garso, nes pastarąjį čia apibrėžia abstrakčios vienetų ir nulių ment converts into the physically audible stream. Yet the multitude kombinacijos, kurias skaitmeninė garso įranga paverčia fiziškai gir- of number­related musical terms that were used well before the dimu srautu. Tačiau ir daugybė gerokai prieš skaitmeninę erą nau- advent of the digital era – pentatonic, dodecaphony, triad, etc. – doti pradėtų muzikinių terminų – pentatonika, dodekafonija, triada also reveal that the universe of numbers is inseparable from the ir t. t. – atskleidžia, kad skaičių visata yra neatsiejama nuo garsų pa­ sonic world. Let alone the golden section and other mathemati- saulio. Ką jau kalbėti apie aukso pjūvį ir kitas matematines abstrak- cal abstractions that have been fascinating composers, including cijas, tiek metų intriguojančias kompozitorius – tarp jų ir nemažai Lithuanians, for quite a while now. Numbers and their sequences lietuvių. Skaičiai ir jų sekos, naudojami muzikinėje kalboje, lemia used in the musical language determine the texture and evolution garso faktūrą ir evoliuciją, taigi ir muzikos estetinį bei psichofizinį of sound – and, by extension, the aesthetic and psychophysical ef- poveikį klausytojui. Tai galima teigti net skeptiškai vertinant įvairias fect it produces.
    [Show full text]
  • Buzsaki G. Rhythms of the Brain.Pdf
    Rhythms of the Brain György Buzsáki OXFORD UNIVERSITY PRESS Rhythms of the Brain This page intentionally left blank Rhythms of the Brain György Buzsáki 1 2006 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2006 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Buzsáki, G. Rhythms of the brain / György Buzsáki. p. cm. Includes bibliographical references and index. ISBN-13 978-0-19-530106-9 ISBN 0-19-530106-4 1. Brain—Physiology. 2. Oscillations. 3. Biological rhythms. [DNLM: 1. Brain—physiology. 2. Cortical Synchronization. 3. Periodicity. WL 300 B992r 2006] I. Title. QP376.B88 2006 612.8'2—dc22 2006003082 987654321 Printed in the United States of America on acid-free paper To my loved ones. This page intentionally left blank Prelude If the brain were simple enough for us to understand it, we would be too sim- ple to understand it.
    [Show full text]
  • ISEA2015 DISRUPTION Art Catalogue Edited by Kate Armstrong Design: Milène Vallin
    ISEA2015 DISRUPTION Art Catalogue Edited by Kate Armstrong Design: Milène Vallin Printed and bound in Canada This book can be downloaded as a .pdf or ordered in print at http://isea2015.org/publication © New Forms Art Press, artists and writers 1255 West Pender Street Vancouver, British Columbia Canada V6E 2V1 Library and Archives Canada Cataloguing in Publication International Symposium on Electronic Art (21st : 2015 : Vancouver, B.C.) ISEA 2015 disruption artistic program / edited by Kate Armstrong. Catalogue published in conjunction with the 21st International Symposium on Electronic Art held in Vancouver, Canada, from August 15 to 19, 2015. Issued in print and electronic formats. ISBN 978-0-9878354-1-3 (paperback) ISBN 978-0-9878354-2-0 (pdf) 1. Computer art--Exhibitions. 2. Art and technology--Exhibitions. I. Armstrong, Kate, 1971-, editor II. Vancouver Art Gallery, host institution III. Title. IV. Title: 2015 disruption artistic program. V. Title: Disruption artistic program. N7433.8.I58 2015 776 C2015-904663-7 C2015-904664-5 Acknowledgments This incredible event could not have happened without our amazing team and our many collaborators. First, a thank you to Thecla Schiphorst and Philippe Pasquier, the Symposium Directors of ISEA2015 who have closely worked with us throughout the long process of developing the artistic pro- gram for ISEA. Thanks to our many programming partners. A big thanks to everyone at the Vancouver Art Gallery, especially Wade Thomas, Diana Freundl, Debra Zhou, Jennifer Wheeler, Jennifer Sorko, and Sunny Kooner, and the spectac- ular Boca Del Lupo team – Jay Dodge, Carey Dodge, and Sherry Yoon – who have been such a pleasure to collaborate with during this project.
    [Show full text]
  • Issta 2016 International Festival and Conference on Sound in the Arts, Science & Technology
    TEMPORARY AUTONOMOUS ZONES ISSTA 2016 INTERNATIONAL FESTIVAL AND CONFERENCE ON SOUND IN THE ARTS, SCIENCE & TECHNOLOGY SEPTEMBER 7TH-9TH 2016 ULSTER UNIVERSITY, MAGEE CAMPUS AND PARTNER VENUES IN DERRY/LONDONDERRY MUSIC | ART | PAPERS | WORKSHOPS Festival/Conference Theme: Temporary Autonomous Zones One of the reasons we value sound as a perceptual and phenomenological event is that it allows for the creation of new types of sensory engagement with space. Creative processes of sounding allow us to design different types of sound worlds: places which can become autonomous zones. Lefebvre, in his seminal text The Production of Space, alludes to the concept of autonomous zones or imagined spaces; places which are imagined and created by community. The idea of how we create and respond to autonomous zones is the subject of this year’s ISSTA festival as it comes to Northern Ireland for the first time, fostering a range of artistic, technological and academic interventions in Derry/Londonderry entitled Temporary Autonomous Zones 2016. A Temporary Autonomous Zone (TAZ), as defined by the poet and anarchist cultural theorist Hakim Bey, is more than just a distinct space; it is a space in control of itself, in that it does not recognise outside authority. Bey suggests that a festival or event has the potential to act as a moment of intense uprising and creative disruption, which allows for the creation of a TAZ, a guerrilla moment of positive revolutionary acts and art. In our present period of geopolitical and economic uncertainty, mass movements of people across territories are coinciding with the beginnings of exclusionary zones in Europe.
    [Show full text]
  • Azzddine Massafat Mp3, Flac, Wma
    Azzddine Massafat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Folk, World, & Country Album: Massafat Country: Germany Released: 2006 Style: Ambient MP3 version RAR size: 1570 mb FLAC version RAR size: 1530 mb WMA version RAR size: 1406 mb Rating: 4.8 Votes: 402 Other Formats: VQF MOD FLAC ASF MP4 MP2 ADX Tracklist Hide Credits Srir F'Al Houbb 1 4:06 Featuring – Bill Laswell Britou 2 3:46 Featuring – Bill Laswell Ana Ou Enta 3 4:55 Featuring – Bill Laswell 4 Takassim 4:40 Ah Ya Zamane 5 4:20 Featuring – Bill Laswell 6 Fine 3:18 Al Mouktab 7 3:54 Featuring – Bill Laswell Droub Al Lil 8 5:31 Featuring – Bill Laswell Koun Shaqiqi 9 6:04 Featuring – Bill Laswell 10 Goa Rozali 4:28 11 Rozali 3:44 12 Jina 5:08 13 Anta Fbali 5:11 Ya Nass 14 4:00 Featuring – Bill Laswell Companies, etc. Distributed By – Broken Silence – 2612 Barcode and Other Identifiers Barcode: 7619942912321 Label Code: LC 12146 Other versions Category Artist Title (Format) Label Category Country Year Azzddine With Bill Barbarity Azzddine With Barraka El Barbarity Laswell - Massafat Switzerland 2004 023 Bill Laswell Farnatshi 023 (CD) Azzddine With Bill Azzddine With Laswell - Massafat Unknown LDR 3338 LDR 3338 Russia 2004 Bill Laswell (CD, Album, Ltd, (LDR) Unofficial) Related Music albums to Massafat by Azzddine 1. Bill Laswell / Tetsu Inoue - Cymatic Scan 2. Divination - Sacrifice 3. Bill Laswell, Bernie Worrell, Karsh Kale - Funkcronomic 4. Bill Laswell / DJ Krush - Shuen 5. Roots Tonic Meets Bill Laswell - Roots Tonic Meets Bill Laswell 6.
    [Show full text]
  • Here 6'42" Sounds Are Derived from Recordings of Woods Or Forests Or from an Acoustic Piano
    NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ VIRTUAL ONLINE FESTIVAL __ www.nycemf.org CONTENTS DIRECTOR’S WELCOME 3 STEERING COMMITTEE 3 REVIEWING 4 PROGRAMS AND NOTES 10 COMPOSERS & AUTHORS 40 PERFORMERS 67 VIDEO ARTISTS 70 DIRECTOR’S NYCEMF 2020 WELCOME STEERING COMMITTEE Welcome to NYCEMF 2020.Just as we were organizing Ioannis Andriotis, composer, lecturer of music our concerts, which were supposed to take place composition and music technology at the University of between June 14 and 21, the United States was hit by Oklahoma. https://www.andriotismusic.com/ the world-wide pandemic of the coronavirus. The entire country went into lockdown, and New York City was the Angelo Bello, composer. https://angelobello.net epicenter of the outbreak. People were forbidden to leave their homes except to get medicine or food (and Nathan Bowen, composer, Professor at Moorpark restaurants were closed, so you could only get take-out). College (http://nb23.com/blog/) Over 40 million people in the USA lost their jobs, and the economy went into a meltdown. George Brunner, composer, Director of Music Technology, Brooklyn College C.U.N.Y. All this has had a major impact on music productions and organizations. The largest musical organizations in Daniel Fine, composer, New York City New York, like the Metropolitan Opera and Philharmonic Orchestra, cancelled their seasons and will not open until Travis Garrison, composer, Music Technology faculty at 2021. All local concert activity ceased, and the only the University of Central Missouri performances that began to take place were virtual (http://www.travisgarrison.com) productions over the internet.
    [Show full text]
  • The Meta Collection Mp3, Flac, Wma
    Various The Meta Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: The Meta Collection Country: US Released: 2002 Style: Dub, Downtempo, Ambient MP3 version RAR size: 1558 mb FLAC version RAR size: 1412 mb WMA version RAR size: 1278 mb Rating: 4.6 Votes: 413 Other Formats: AAC FLAC ASF RA MPC XM AUD Tracklist Hide Credits Mantra (Edit) Arranged By – Ghatam Nadhaswaram, Vikku VinayakramBass, Drum 1 –Material Programming [Beats] – Bill LaswellEngineer – Oz FritzRemix [Credited 7:13 To] – Dr. Alex Paterson*, Kris WestonRemix, Producer [Additional Production] – The OrbTabla – Zakir HussainViolin – L. Shankar* Beyond The Zero Bass, Sounds, Arranged By – Bill LaswellElectric Piano – Craig 2 –Bill Laswell 9:08 TabornGuitar – Nicky SkopelitisTabla, Drums – Karsh KaleTrumpet – Nils Petter Molvær Amorphous Bass Drum – Hamid DrakeBass, Keyboards, Arranged By – Bill 3 –Bill Laswell LaswellEngineer [Assistant] – James DellatacomaPercussion – Aiyb 8:18 Dieng, Bill BuchenSampler [Samples] – Abu AloufTabla – Zakir HussainVoice – Sussan Deyhim Waxing Moon –Jah Wobble's Bass – Jah WobbleDrums – Jaki LiebezeitEngineer – Cai 4 Invaders Of The 4:58 MurphyRecorder – Jean-Pierre RasleSitar, Tabla – Balugi Heart Shrivastav*Tambura, Shakuhachi – Clive Bell Samadhi State (Edit) –Bill Laswell / Bass, Sampler [Samples] – Bill LaswellElectric Guitar – Nicky 5 Laraaji / Pharoah 6:42 SkopelitisEngineer [Assistant] – James DellatacomaSaxophone [Tenor] Sanders – Pharoah SandersZither [Electric] – Laraaji Remember 6 –Buckethead 7:35 Concept By – Janet RienstraProducer, Recorded By – Buckethead Mun Pa (Edit) Bass – Bill LaswellConcept By – Petulia MattioliEngineer – Oz 7 –Somma FritzGuitar, Performer [Electric], Concept By – Eraldo 6:34 BernocchiVocals, Drums, Horns, Bells – Seven Tibetan Monks From Kalimpong Monastery Lost Roads (Orchestral Suite - Edit) Bass – Bill LaswellGuitar, Sitar [Electric] – Nicky SkopelitisKeyboards 8 –Bill Laswell 11:06 [Electronic] – Jeff BovaPercussion – Aiyb DiengTabla – Zakir HussainViolin – L.
    [Show full text]
  • 2020 Program Book.Pdf
    NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ VIRTUAL ONLINE FESTIVAL __ www.nycemf.org CONTENTS DIRECTOR’S WELCOME 3 STEERING COMMITTEE 3 REVIEWING 4 PROGRAMS AND NOTES 10 COMPOSERS & AUTHORS 40 PERFORMERS 67 VIDEO ARTISTS 70 DIRECTOR’S NYCEMF 2020 WELCOME STEERING COMMITTEE Welcome to NYCEMF 2020.Just as we were organizing Ioannis Andriotis, composer, lecturer of music our concerts, which were supposed to take place composition and music technology at the University of between June 14 and 21, the United States was hit by Oklahoma. https://www.andriotismusic.com/ the world-wide pandemic of the coronavirus. The entire country went into lockdown, and New York City was the Angelo Bello, composer. https://angelobello.net epicenter of the outbreak. People were forbidden to leave their homes except to get medicine or food (and Nathan Bowen, composer, Professor at Moorpark restaurants were closed, so you could only get take-out). College (http://nb23.com/blog/) Over 40 million people in the USA lost their jobs, and the economy went into a meltdown. George Brunner, composer, Director of Music Technology, Brooklyn College C.U.N.Y. All this has had a major impact on music productions and organizations. The largest musical organizations in Daniel Fine, composer, New York City New York, like the Metropolitan Opera and Philharmonic Orchestra, cancelled their seasons and will not open until Travis Garrison, composer, Music Technology faculty at 2021. All local concert activity ceased, and the only the University of Central Missouri performances that began to take place were virtual (http://www.travisgarrison.com) productions over the internet.
    [Show full text]
  • Teemu Mäki. List of Albums in My CD Collection, 28.8.2021
    Sivu 1 / 261 Musiikki 65078 kappaletta, 257,5 päivää, 2,14 Tt Artisti Albumi Kappalemäärä Kesto A-Trak Vs. DJ Q-Bert Buck Tooth Wizards (1997, A-Trak Vs. DJ Q-Bert) 1 1:02:17 Aapo Häkkinen William Byrd: Music For The Virginals (rec.1999, Aapo Häkkinen) 15 1:10:51 Aaron Parks Invisible Cinema (20.–22.1.2008, Aaron Parks & Mike Moreno, Matt Penma… 10 55:01 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 1 (6.–7.11.1987) 10 57:07 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 2 (6.–7.11.1987) 7 40:19 Abbey Lincoln Abbey Sings Abbey (Lincoln, 25.–27.9 & 17.11.2006) 12 59:43 Abbey Lincoln Devil's Got Your Tongue (24.–25.2.1992, Abbey Lincoln) 11 1:10:00 Abbey Lincoln It's Magic (8/1958, Abbey Lincoln) 10 37:09 Abbey Lincoln It's Me (2002—2003, Abbey Lincoln) 11 52:49 Abbey Lincoln Over The Years (18.–21.2.2000, Abbey Lincoln) 10 51:03 Abbey Lincoln Painted Lady (30.5.1987, Abbey Lincoln feat. Archie Shepp) 6 44:49 Abbey Lincoln Talking To The Sun (25.–26.11.1983, Abbey Lincoln & S.Coleman/J.Weidm… 5 30:14 Abbey Lincoln A Turtle's Dream (May-Nov.1994, Abbey Lincoln) 11 1:09:10 Abbey Lincoln Who Used To Dance (5.–7.4. & 19.5.1996, Abbey Lincoln) 9 1:01:29 Abbey Lincoln Wholly Earth (3.–5.6.1998, Abbey Lincoln) 10 1:07:32 Abbey Lincoln The World Is Falling Down (21.–27.2.1990, Abbey Lincoln & C.Terry/J.McLe… 8 49:23 Abbey Lincoln You Gotta Pay the Band (2/1991, Abbey Lincoln & S.Getz/H.Jones/C.Hade… 10 58:31 Abbey Lincoln & Hank Jones When There Is Love (4.–6.10.1992, Abbey Lincoln & Hank Jones) 14 1:03:58 Abdullah Ibrahim Abdullah
    [Show full text]