Art This Week: Wild Electronics, the Art of Trespassing and Revisiting the ’70S
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Education Kit Years 7-12 the Writing’S on the Wall - a Short History of Street Art
Education Kit Years 7-12 The Writing’s on the Wall - A Short History of Street Art The word graffiti comes from the Italian language and means to inscribe. In European art graffiti dates back at least 17,000 years to wall paintings such as are found in the caves of Lascaux in Southern France. The paintings at Lascaux depict animals from the Paleolithic period that were of cultural importance to the people of that region. They are also believed to be spiritual in nature relating to visions experienced during ritualistic trance-dancing. Australian indigenous rock art dates back even further to about 65,000 years and like the paintings at Lascaux, Australian indigenous rock art is spiritual in nature and relates to ceremonies and the Dreaming. The history of contemporary graffiti/street art dates back about 40 years to the 1960s but it also depicts images of cultural importance to people of a particular region, the inner city, and their rituals and lifestyles. The 1960s were a time of enormous social unrest with authority challenged at every opportunity. It is no wonder graffiti, with its strong social and political agendas, hit the streets, walls, pavements, overpasses and subways of the world with such passion. The city of New York in the 1970s was awash with graffiti. It seemed to cover every surface. When travelling the subway it was often impossible to see out of the carriage for the graffiti. Lascaux, Southern France wall painting Ancient Kimberley rock art Graffiti on New York City train 1 The Writing’s on the Wall - A Short History of Street Art In 1980 an important event happened. -
VIDEO GAME SUBCULTURES Playing at the Periphery of Mainstream Culture Edited by Marco Benoît Carbone & Paolo Ruffino
ISSN 2280-7705 www.gamejournal.it Published by LUDICA Issue 03, 2014 – volume 1: JOURNAL (PEER-REVIEWED) VIDEO GAME SUBCULTURES Playing at the periphery of mainstream culture Edited by Marco Benoît Carbone & Paolo Ruffino GAME JOURNAL – Peer Reviewed Section Issue 03 – 2014 GAME Journal A PROJECT BY SUPERVISING EDITORS Antioco Floris (Università di Cagliari), Roy Menarini (Università di Bologna), Peppino Ortoleva (Università di Torino), Leonardo Quaresima (Università di Udine). EDITORS WITH THE PATRONAGE OF Marco Benoît Carbone (University College London), Giovanni Caruso (Università di Udine), Riccardo Fassone (Università di Torino), Gabriele Ferri (Indiana University), Adam Gallimore (University of Warwick), Ivan Girina (University of Warwick), Federico Giordano (Università per Stranieri di Perugia), Dipartimento di Storia, Beni Culturali e Territorio Valentina Paggiarin, Justin Pickard, Paolo Ruffino (Goldsmiths, University of London), Mauro Salvador (Università Cattolica, Milano), Marco Teti (Università di Ferrara). PARTNERS ADVISORY BOARD Espen Aarseth (IT University of Copenaghen), Matteo Bittanti (California College of the Arts), Jay David Bolter (Georgia Institute of Technology), Gordon C. Calleja (IT University of Copenaghen), Gianni Canova (IULM, Milano), Antonio Catolfi (Università per Stranieri di Perugia), Mia Consalvo (Ohio University), Patrick Coppock (Università di Modena e Reggio Emilia), Ruggero Eugeni (Università Cattolica del Sacro Cuore, Milano), Roy Menarini (Università di Bologna), Enrico Menduni (Università di -
December 2 & 3 2020 Online
INTERNATIONAL SYMPOSIUM December 2 & 3 2020 Masaryk University, Faculty of Arts Brno, Czech Republic online Speakers: Amy Alexander Hans Bernhard Sarah Cook & Roddy Hunter Wendy Coones & Oliver Grau Jana Horáková Michal Klodner Barbora Kundračíková Alessandro Ludovico Alex McLean Organized by: PhD study programme Digital Culture and Creative Industries Team: Svatava Doubková, Jana Horáková, Ivan Koutný Contact: [email protected] INTERNATIONAL SYMPOSIUM DIGITAL CURATOR Wednesday, December 2 10:00–10:10 Symposium opening, day 1 10:10–10:50 Wendy Coones & Oliver Grau: Digital Curation in a Living Archive - History and Future of the Archive of Digital Art 10:50–11:30 Alessandro Ludovico: Curating Media Art in Physical Spaces, Online, and on Printed Pages 11:30–13:00 Lunch break 13:00–13:40 Alex McLean: Archiving Live Code 13:50–14:30 Hans Bernhard, UBERMORGEN: The Next Biennial Should be Curated by a Machine 14:30 Symposium closing, day 1 Thursday, December 3 09:00–09:10 Symposium opening, day 2 09:10–09:50 Amy Alexander: “Always Only Once.” The Paradox of Preservation: From Expanded Cinema to Performative Algorithms 10:00–10:40 This contribution was unfortunatelly canceled. 10:50–11:30 Sarah Cook & Roddy Hunter: Networked Art Practice after Digital Preservation 11:30 - 13:20 Lunch break 13:20–14:00 CZ archives: Jana Horáková: Do neural networks dream of videoart? Media Art Live Archive for Vašulka Kitchen Brno Barbora Kundračíková: CEAD New Media Archive state funded institutions and new media storage Michal Klodner: National Film Archive Prague 14:00–15:00 Discussion 15:00 Symposium closing, day 2 Full Program Wednesday, December 2 10:00–10:10 Symposium opening, day 1 10:10–10:50 Wendy Coones & Oliver Grau: Digital Curation in a Living Archive - History and Future of the Archive of Digital Art In the past five decades, Media Art has evolved into a critical field at the intersection of art, science and technology. -
Asemantic Approach to Urban Graffiti from Semiotics Viewpoint
Archive of SID International Journal of Architecture and Urban Development Vol.6, No.1, Winter 2016 A Semantic Approach to Urban Graffiti from Semiotics Viewpoint 1Siamak Panahi, 2*Nazanin Bahrami Samani , 3Anosha Kia 1Associate Professor, Islamic Azad University, Abhar, Branch, Iran. 2Ph.D. Candidate, Department of Art and Architecture, Islamic Azad University, Karaj, Branch, Iran. 3Ph.D. Candidate, Department of Art and Architecture, Islamic Azad University, Karaj, Branch, Iran. Recieved 09.28.2015; Accepted 12.21.2015 ABSTRACT: City is the most complicated and tangible creature of man. There is a critical mutual communication between human and city; and the effect of one’ living environment is beyond question. Graffiti is a new urban phenomenon, which has drawn attention in light of its connection with protestation culture and street art. Thanks to symbolism of graffiti, the artists have added mysterious aspects to their work and distinguished themselves from formal culture. Social protestation is the most notable feature of the graffiti found in Iranian cities. However, to the best of our knowledge, there has been no notable research work in Iran on the relationship of human, society, and existence from of graffiti symbolism viewpoint in particular. The present study is an attempt to survey and evaluate common symbols used on urban graffiti through documentary research. Technique and content analysis in stratified semiology based on Iranian-Islamic culture were taken into account. Keywords: Graffiti, Street art, Semiology, Symbol, Vandalism. INTRODUCTION but also causes heavy costs. Importance of symbols and the Cities are centers of cultural and social activities so that one main urban elements in readability on one hand, and chaos in can witness the most disciplined and elegant appearance of urban landscape and mental image of the citizen on the other cultural and artistic works in cities. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
65 Introduction the Silver, Partially Gilded, Plate Found by the Czech
Acta Archaeologica Lodziensia nr 66 Patryk Skupniewicz https://doi.org/10.26485/AAL/2020/66/6 SCENE OF FIGHTING TIGERS ON A SASANIAN PLATE FROM MES ‘AYNAK. NOTES ON THE COMPOSITION ABSTRACT The article discusses, from formal perspective, the mounted hunting scene on the Kushano-Sasanian silver plate found in Mes Aynak in Afghanistan. The scene represents the model related to other Sasanian silverware, however with significant variances. When compared the scene to other models defined by Author, conclusion is made that except for several “canonical” layouts, Sasanian toreuts, allowed themselves a dose of freedom in combining them. This phenomenon seems to be related to peripheries of the Sasanian Empire and model of a sword-wielding rider in combat with large felines while holding an object in outstretched left hand was defined as originating from Kushanshahr and combining Assyrian and Achaemenid formulae of men killing beasts with mounted archer/lancer layouts popular in Sasanian silver. Key words: Kushano-Sasanian art., silver plates, iconography SCENA WALKI Z TYGRYSAMI NA SASANIDZKIEJ PATERZE Z MES ‘AYNAK. UWAGI NA TEMAT KOMPOZYCJI ABSTRAKT W prezentowanym studium poddano ocenie, z formalnego punktu widzenia, scenę konnego polo- wania z kuszano-sasanidzkiej partery znalezionej w Mes Aynak, w Afganistanie. Scena reprezentuje model pokrewny dziełom znanym z toreutyki sasanidzkiej, jednakże z wyraźnymi różnicami. Porównując scenę z modelami wyróżnio- nymi przez Autora, pojawił się wniosek, że sasanidzcy mistrzowie obróbki srebra, poza „kanonicznymi” figurami, po- zwalali sobie na formalne eksperymenty. Jest to zjawisko znane z peryferii imperium Sasanidów, a model obejmujący jeźdźca uderzającego mieczem „kotowatego drapieżnika” a w wolnej, wyciągniętej ręce trzymającego inny obiekt, wykształcił się w Kuszanszahr i łączy w sobie asyryjskie i achemenidzkie formuły ludzi zabijających dzikie bestie z układami ukazującymi konnego łucznika czy jeźdźca operującego włócznią, znane z sasanidzkigo srebra. -
Danish University Colleges the Format of Things a Philosophical
Danish University Colleges The Format of Things A philosophical inquiry into matters of importance for the conceptualization of future computer interfaces Jørnø, Rasmus Leth Vergmann Publication date: 2016 Document Version Peer reviewed version Link to publication Citation for pulished version (APA): Jørnø, R. L. V. (2016). The Format of Things: A philosophical inquiry into matters of importance for the conceptualization of future computer interfaces. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Download policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 The Format of Things A Philosophical Inquiry into matters of importance for the conceptualization of future Computer Interfaces By Rasmus Leth Jørnø Submitted Doctoral Thesis Manuscript for PhD Dissertation Submitted to: The Department of Learning The Danish School of Education, Aarhus University. The Format of Things - A Philosophical Inquiry into matters of importance for the conceptualization of future Computer Interfaces Author: Rasmus Leth Jørnø Former Supervisor: Hans Siggaard Jensen, Professor, The Danish School of Education, Aarhus University 2016 Summary The development of novel interfaces is one of the most important current design challenges for the intellectual, cultural and cognitive evolution of human imagination and knowledge work. -
Abstract the Proposal Mini Manifesto History
THE INTER-SOCIETY FOR THE the second symposium, with words, scientifically) approach the representatives of SIGGRAPH, the artistic potentials of our new age. ELECTRONIC ARTS REVIVED? Computer Music Association, Ars Electronica, ISAST/Leonardo, ANAT, History Wim van der Plas, Languages of Design and others, the The idea to start ISEA was conceived by ISEA International Foundation discussion was reasonably civilised, but Theo Hesper, currently a resident of Clazina Kouwenbergzoom 107 behind the scenes tempers flared, as Indonesia. Theo was founder and board 3065 KC Rotterdam nobody wanted to lose autonomy. member of the Dutch Foundation for The Netherlands Looking at ISEA2013’s theme and Creative Computer Applications [email protected] sub-themes, this is the time to put co- (SCCA), of which I was the director. operation on the table! To quote from the The SCCA partnered with the Utrecht Abstract ISEA2013 site: Art School to organise the first ISEA This is an edited version of an introduction written for the panel session with the same name of June symposium in Utrecht. The Utrecht Art 13, 2013. The editing took place after the session -Resistance is Futile: Electronic Art now School made a commitment during the was held. Both the introduction and the panel lies embedded in the heart of our first symposium to organise the next one session are seen as the beginning of a discussion contemporary cultures. too, in two years’ time. that should help to give direction to the future of ISEA. However, less than a year later, I This article was edited by ISEA International -Histories and Futures of Electronic Art: received an e-mail message from Roger board member Bonnie Mitchell, and received input ISEA2013 offers a platform to explore Malina, who had participated in the from the panellists as well as from Wolfgang where electronic art has come from, historic meeting in Utrecht. -
The Stephen F. Austin State University Friday, February 20, 2009
E V E N T S The Stephen F. Austin State University Friday, February 20, 2009 School of Music 5:00 p.m. – Registration – Room 152 is proud to host 7:00 p.m. – Concert I (Chamber Works) – Recital Hall Saturday, February 21, 2009 9:00 a.m. – Composition Symposium – Room 153 11:00 a.m. – Concert II (60x60) – Recital Hall The 2009 Conference 12:00 p.m. – NACUSA Membership Meeting – Room 152 2:00 p.m. – Concert III (Chamber Works) – Cole Concert Hall of the Texas Chapter of 4:00 p.m. – Keynote Address by Cindy McTee – Recital Hall The National Association of Composers, USA 7:00 p.m. – Concert IV (Band Works) – Cole Concert Hall N A C U S A T E X A S O F F I C E R S President: Dr. Wieslaw V. Rentowski Concert Coordinator: Dr. Dimitar Ninov Vice president: Dr. Nico Schüler Conference Coordinator: Dr. Stephen Lias In collaboration with: Secretary: Ms. Sunnie Oh Fundraising Coordinator: Dr. Michael Remson Treasurer: Mr. Alan Scott Student Coordinator: Mr. Anthony Suter The Center for the Promotion of Contemporary Music At Large: Dr. Michael Millett The International Society of Contemporary Music Vox Novus C O N F E R E N C E H O S T I N F O R M A T I O N All events will take place in the Tom & Peggy Wright Music Building on the campus of Stephen F. Austin State University, Nacogdoches, Texas. Conference registrants will find information about lodging, local restaurants, and driving directions in their conference packet or at http://www.icnm.org/NACUSATX/. -
Math Morphing Proximate and Evolutionary Mechanisms
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 2009 Volume V: Evolutionary Medicine Math Morphing Proximate and Evolutionary Mechanisms Curriculum Unit 09.05.09 by Kenneth William Spinka Introduction Background Essential Questions Lesson Plans Website Student Resources Glossary Of Terms Bibliography Appendix Introduction An important theoretical development was Nikolaas Tinbergen's distinction made originally in ethology between evolutionary and proximate mechanisms; Randolph M. Nesse and George C. Williams summarize its relevance to medicine: All biological traits need two kinds of explanation: proximate and evolutionary. The proximate explanation for a disease describes what is wrong in the bodily mechanism of individuals affected Curriculum Unit 09.05.09 1 of 27 by it. An evolutionary explanation is completely different. Instead of explaining why people are different, it explains why we are all the same in ways that leave us vulnerable to disease. Why do we all have wisdom teeth, an appendix, and cells that if triggered can rampantly multiply out of control? [1] A fractal is generally "a rough or fragmented geometric shape that can be split into parts, each of which is (at least approximately) a reduced-size copy of the whole," a property called self-similarity. The term was coined by Beno?t Mandelbrot in 1975 and was derived from the Latin fractus meaning "broken" or "fractured." A mathematical fractal is based on an equation that undergoes iteration, a form of feedback based on recursion. http://www.kwsi.com/ynhti2009/image01.html A fractal often has the following features: 1. It has a fine structure at arbitrarily small scales. -
Detroit Techno Und Die Frage Nach Der Hautfarbe
John-F.-Kennedy-Institut für Nordamerikastudien Abteilung für Kultur Freie Universität Berlin Detroit Techno und die Frage nach der Hautfarbe Magisterarbeit Erstgutachter: Prof. Dr. Winfried Fluck Zweitgutachter: Prof. Dr. Rolf Lindner (Institut für Europäische Ethnologie, Humboldt Universität Berlin) Verfasser: Daniel Schneider 05. Februar 2009 1 Inhalt 1. Einleitung S. 3 2. Einführung in Techno S. 5 2.1 Was ist Techno? S. 5 2.2 Wie funktioniert Techno? S. 8 2.3 Struktur der Technoszene und eigene Position S. 9 3. Einführung in die Geschichte Detroits S. 15 3.1 Die Geschichte der Stadt S. 16 3.2 Die Stadt als Inspiration und Kulisse S. 18 4. Die Vorgeschichte von Detroit Techno S. 21 5. Die Technoszene von Detroit S. 24 5.1 Die erste Generation S. 24 5.2 Die zweite Generation S. 27 5.3 Detroit House s. 34 6. Detroit Techno und „schwarze“ Musik S. 36 6.1 „Schwarze“ und „weiße“ Musik S. 36 6.2 Rockmusik vs. Tanzmusik S. 40 6.3 Ein Beispiel: Simon Reynolds vs. Jeff Mills S. 43 6.4 Stuart Cosgrove – der radikale Bruch mit der Vergangenheit S. 48 6.5 Wie „weiß“ sind eigentlich Kraftwerk? S. 52 6.6 Post-Soul S. 57 6.7 Kodwo Eshun – Düsseldorf als Mississippidelta S. 59 6.8 Afrofuturismus und Posthumanismus S. 61 6.9 Underground Resistance und die ethnischen Identitäten S. 69 7. Die Bedeutung von Detroit Techno in der europäischen Technoszene S. 76 7.1 Die Relevanz des afroamerikanischen Hintergrundes S. 77 7.2 Distinktionsmerkmal Detroit Techno S. 80 7.3 Detroit Techno und die „linken Kreise“ S. -
THE FAST FORWARD NEWSLETTER Some Kind of April Fool's Joke
and “Colony,” and of course FAST FORWARD EDITORIAL played them all. With each, Larkin’s confidence THE FAST FORWARD grew, and these tracks became the blueprints for what would become the “Escape From Planet Well, we’re back on track for spring, get- Techno” EP. ting these issues out in quick succession. This Just as he began to devote more time to his summer looks like it’s shaping up to be a wild ISSUE 8 APRIL 1991 music, opportunity knocked once again. one, music-wise ... we’ll just have to wait and NEWSLETTER Original Shelter DJ Scott “Go-Go” Gordon had see. One to watch out for is Yolanda’s new one taken a gig with big-time, chi-chi, frou-frou club on UR called “I Live for the Night,” a high-flying Vis-a-Vis. Now, Richie Rich was the man there deep house scream-up that elevates my girl to on Saturday nights, and every headliner needs diva status. Paris who? I heard it in the studio (that's the dirt, Richie) an opening act. Kenny fit that bill. and it’s a smoker. Out in the dead of summer Now, Kenny’s making his mark in the form Underground Resistance. OOPS! DEPT.: Metroplex Record is NOT dead Detroit Techno underground. As well as adding Thanks to Gwenn Volkert and Steve Kuo, as we reported last time. They've signed a dis- So I’m at Richie Hawtin’s “Confusion” night credibility to the Plus 8 label amongst the hard- our charter subscribers, and so far, our only tribution deal with Polydor from what we hear.