Entertainment: January/February 2018

Total Page：16

File Type：pdf, Size：1020Kb

BY Sheri radford entertainment a Stand-up Guy JAN 29-30 if ricky Gervais’s attempt at a music career in the ’80s had succeeded, the world might never have discovered a truly great comedian. Fortunately for comedy fans everywhere, his pop career fizzled, and instead Gervais co-wrote, co-directed and starred in The Office for the BBC. the series has since been remade for markets around the world, including the united states, swe- den, France, Germany and brazil. see the real-life David brent in two stand-up shows (page 52) at the Queen elizabeth theatre. Hear Her “Roar” Feb 5-6 she may be a california gurl, who also kissed a girl, but Katy Perry (page 53) has arcus, arcus, 2017 m come a long way since those early hits first catapulted her into the spotlight. her 2015 super bowl performance attracted the largest usical ©Joan usical ©Joan m TV audience ever for a half-time show. she’s the first female in history (and only the second artist ever, after the late michael Jackson) to otown the otown m have five number-one singles from one album. what’s next? two concerts at rogers arena— urmiston. urmiston. then world domination, clearly. b ay ay r Hit Parade y Gervais by by y Gervais Feb 6-11 if there’s one thing motown K ic r produced in abundance, it’s hits, from “ABC” to “you’ve really Got a hold on lwin. lwin. a me.” hear all the big ones in Motown the ony r Musical (Queen elizabeth theatre; page 56), based on berry Gordy’s autobiogra- phy. the songwriter and record producer founded the legendary label, which launched the careers of luminaries such Photos: Katy Perry by by Perry Katy Photos: as Diana ross and stevie wonder. January-February 2018 where.ca 49.

Copy Link

Recommended publications

Friend, Boss, and Entertainer? the Embattled Self As a Guiding Theme in the British and American Productions of the Office
American Remakes of British Television Transformations and Mistranslations Edited by Carlen Lavigne and Heather Marcovitch ~~'" LEXINGTON BooKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham· Boulder· New York· Toronto· Plymouth, UK EIGHT Friend, Boss, and Entertainer? The Embattled Self as a Guiding Theme in the British and American Productions of The Office Janet J. Boseovski and Stuart Marcovitch "When people say to me, would you rather be thought of as a funny man or a great boss? My answer's always the same: to me, they're not mutually exclusive." -David Brent (British Series, Series 1, "Work Experience") "I guess the atmosphere that I've tried to create here is that I'm a friend first and a boss second, and probably an entertainer third." - Michael Scott (American Series, Season 1, "Pilot") A television series of British origin, The Office is filmed as a mock docu mentary examining the mundane work life of the employees of an unre markable paper supply company. The original British series debuted in 2001 and culminated in 12 episodes, followed by a two-part Christmas special in 2003. The American adaptation premiered in 2005, and while it was slow to develop a following in the United States, it ultimately amassed a sizable viewership and won critical acclaim with a number of major awards, including the 2006 Emmy for outstanding comedy series. 1 Given the number of stunning failures in the adaptation of television shows from Britain to North America,2 the success of The Office is intri guing and likely reflects a focus on issues that are universally relevant, but that have been tailored cleverly to suit the American audience.
[Show full text]
Mehammer2011.Pdf (1.123Mb)
1 Innhold Kapittel 1: Innledning og problemstilling .............................................................................. 4 «Dristighet» ................................................................................................................................ 7 Et ønske om å tas seriøst .......................................................................................................... 11 Sammensetning og fremgangsmåte .......................................................................................... 15 Kapittel 2: Rammer for analysen ......................................................................................... 18 2.1 Et ønske om å tas useriøst: «Comic Impetus» .................................................................... 19 Lattersporet ........................................................................................................................... 22 The ‖Tree-headed Monster‖ ................................................................................................. 24 En teatralsk og åpenbar genre .............................................................................................. 25 En diffus og mindre adekvat definisjon ............................................................................... 27 En svak start men iøynefallende avslutning ......................................................................... 31 2.2 «Dokumentarisk realisme»: En dumdristig affære? ........................................................... 34 En rigid visjon .....................................................................................................................
[Show full text]
A Genealogy of the Music Mockumentary
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence Faculty of Humanities & Social Sciences Books & Chapters (FHASS) 5-8-2019 It’s Such a Fine Line Between Stupid and Clever: A Genealogy of the Music Mockumentary Michael Brendan Baker Sheridan College, [email protected] Peter Lester Follow this and additional works at: https://source.sheridancollege.ca/fhass_books Part of the Music Commons SOURCE Citation Baker, Michael Brendan and Lester, Peter, "It’s Such a Fine Line Between Stupid and Clever: A Genealogy of the Music Mockumentary" (2019). Books & Chapters. 9. https://source.sheridancollege.ca/fhass_books/9 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book Chapter is brought to you for free and open access by the Faculty of Humanities & Social Sciences (FHASS) at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in Books & Chapters by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. 29 “It’S SUCH A FINE LINE BETWEEN STUPID AND CLEVER” A Genealogy of the Music Mockumentary Michael Brendan Baker and Peter Lester Imitation is the sincerest [form] of flattery. —Charles Caleb Colton, 1820 In 1934, on the Aran Islands off the western coast of Ireland, pioneering filmmaker Robert Flaherty and his crew were collecting material for a feature-length nonfiction film documenting the premodern conditions endured by residents of the rough North Atlantic outpost. Discussing the ways in which Flaherty prearranged character interactions and informally scripted many of the scenarios that would ultimately feature in his films, camera assistant John Taylor later recalled for filmmaker George Stoney that he wrote in his notebooks at the time the word “mockumentary” to describe this creative treatment of the nonfictional material How( ).
[Show full text]
Acknowledgements Writing My Master´S Thesis Has Been a Tiresome, Yet Rewarding Experience
Acknowledgements Writing my master´s thesis has been a tiresome, yet rewarding experience. I have had moments of desperation and frustration, but fortunately also moments of pride and delight. I would like to thank, first and foremost, my supervisor, Eli Løfaldli, who has given me valuable advice, feedback, guidance, support and encouragement throughout this journey. I am truly grateful for your patience and your pedagogical approach. I would also like to thank my dear Kirsti, who has comforted me, lightened my mood and been an academic sparring partner. Your belief in me has kept me going. Svein Jørgen R. Haugen Trondheim, May 2015 i Table of Contents Acknowledgements ....................................................................................................... i Table of Contents ........................................................................................................ ii Introduction .................................................................................................................. 1 The Office ................................................................................................................... 1 History of the genre of the mockumentary ................................................................. 2 The core functions ...................................................................................................... 2 Chapter outline .......................................................................................................... 3 Cultural context ..........................................................................................................
[Show full text]
The Office (BBC, UK), Being the Boss
The Office (BBC, UK), Being the Boss Introduction Sort the following actions into the two columns based on your opinion of what makes a good/bad boss. Good Boss Bad Boss motivating people · being patient with your employees · socialising with your employees outside of work · doing your own menial tasks (stapling etc.) · appearing arrogant · being a friend first and a boss second · injecting comedy into the workplace · working hard and playing hard · playing practical jokes on your employees · concentrating on increasing profit · letting people go based on poor performance · offering your employees training opportunities · treating your employees every so often · conducting staff appraisals · creating a chilled out vibe Videos Now watch the videos of the BBC comedy series The Office and identify which of the things above the boss, David Brent, does. Ricky Gervais as David Brent. Now watch the videos individually and answer the following comprehension questions: "Big Keith's Appraisal" 1. Why isn't "accounts" a good answer to the first question? 2. What has Keith written as his main weakness? 3. What does "Q&A" mean in the section Keith hasn't filled in? 4. Why does David Brent start to get frustrated with Keith? What is your opinion about David Brent's managerial skills in this situation? www.turnitonenglish.wordpress.com "David Brent's Prank Backfires" 1. Whose fault is it that there is a work hard/play hard attitude in the office? 2. What does David mean when he says some people "get away with murder" at work? 3. Why does David claim that Dawn has "made his life easier"? 4.
[Show full text]
Full Text (PDF)
103 WIELAND SCHWANEBECK , Dresden The More, the Merrier? British Comedy and the Community of Laughter Amongst the many myths surrounding the birth of comedy in the ancient world is one which claims that comedy came into being as a deliberate antithesis to the solemn nature of tragedy. According to this myth, comedy was conceived when "a rowdy, drunken band of revelers mov[ed] unsteadily and noisily through the street" to mock the elaborate tragic verse which dominated the ritual festivities (Alan Sommerstein qtd. in Weitz 2010, 41). While this story is not true (at least not regarding its factual content), it does nevertheless appear as a fitting invention, for there is definitely a social aspect about comedy which renders it an experience both inclusive and exclusive at the same time. Though comedy has been identified as an essentially antisocial phenomenon by some observers – for laughter derives from challenging norms and from moving its heroes outside the accepted order into the realm of "[the] destructive and [the] anarchic" (Charney 1990, 171) – its social implications and its community-building effects are not to be overlooked. As F.H. Buckley argues in The Morality of Laughter , shared laughter builds societies and even has an economic dimension, since "[b]y establishing a bond between jester and listener, laughter permits them to promote their trust in each other. With the trust comes a greater ability to exploit profitable opportunities for joint gain" (2003, 178). The following pages will elaborate on these ideas and characterise the traditional relationship between the genre of comedy and the idea of community.
[Show full text]
Claiming Comedic Immunity Or, What Do You Get When You Cross Contemporary British Comedy with Disability Rebecca Mallett, Ph.D
Claiming Comedic Immunity Or, What Do You Get When You Cross Contemporary British Comedy with Disability Rebecca Mallett, Ph.D. Sheffield Hallam University, UK Abstract: This article addresses the mechanisms by which contemporary British comedy about disability is allowed to be funny. It argues that the available academic literature on the phenomenon is scant and a critical public vocabulary missing. Key Words: comedy, cultural criticism, tolerance. “In the Cultural review we see, Matt coughing and wheezing untruthfully. After pushing Russell into a wheelchair and claiming comedic immunity” (“Blame it on the Booties,” September, 2007). The quotation in the title of this article is taken from a poem in The Russell Brand Show broadcast on BBC Radio 2 on a Saturday in September 2007. 1 At the end of each two-hour show Mr Gee, the resident poet laureate, recites a poem he has written during the course of the broadcast. This particular poem relates to an anecdote told on the show about an incident the previous week when Matt Morgan (Russell’s co-host) had to wheel Russell through an airport. The anecdote was followed by a conversation about whether that situation was allowed to be funny, resulting in the couplet quoted above. As an intervention in that conversation and as part of thinking through the theorisation of culture and disability, this article addresses the mechanisms by which contemporary British comedy about disability is allowed to be funny. Its primary concern is not to answer in terms of essential comedic characteristics, but rather in terms of current discursive possibilities, in both wider public discourse and in the contracted world of the academy.
[Show full text]
David and Gareth – Office Lookalikes Firebird Events Ltd
David and Gareth – Office Lookalikes Firebird Events Ltd. Unit 3, Nimbus Business Park, Hercules Way, Farnborough, Hampshire GU14 6UU w: www.firebirdevents.co.uk e: [email protected] t: 01252 545654 the office news D avid & Gareth THE ULTIMATE “OFFICE” SOUND AND LOOKALIKES!” Welcome to “The Office”… Bring Ricky Gervais and Gareth Keenan to your event! Tim Oliver and Brett Sirrell combine to make the most astounding Ricky and Gareth look and sound-a-likes… they have to be seen to be believed… The ultimate “office” duo! "Arriving to the sound of "MC Hammer - U Can't Touch This", David will introduce the duo with his famous 'SIMPLY THE BEST' spoof ‘motivational speech’ - great advice for anyone trying to get ahead in the modern workplace. Gareth, the health and safety officer, will run through the obvious dangers within the modern workplace. This will include placing members of the audience in several working examples of very dangerous situations that one might face in both office and combat situations. The fun continues with the ‘Brent Meisters’ unique brand of comedic entertainment culminating in the famous "Flash Dance fused with MC Hammer" act.All material can be personalised for your Company and training given to your staff either on health and safety matters or on how to dance like David Brent!David and Gareth also compere or host awards evenings and other events. Tim Oliver has been the number one David Brent (Ricky Gervais) look alike in the UK for over 5 years and is consistently one of the most booked look-a-likes in the industry.
[Show full text]
Adapting Miss Highsmith Free Workshops for Kids
BOX OFFICE 0116 242 2800 phoenix.org.uk AUG 2016 CINEMA / ART / CAFÉ BAR SWEET BEAN Fri 19 – Mon 22 Aug THIS MONTH — NEW FILMS — ADAPTING MISS HIGHSMITH SUMMERTIME The cinematic legacy of a DAVID BRENT: celebrated novelist LIFE ON THE ROAD FREE WORKSHOPS BORN TO BE BLUE FOR KIDS THE COMMUNE Get creative with technology AUGUST HIGHLIGHTS Box Office242 2800 0116 — FAMILY / FREE CREATIVE WORKSHOPS ART / OUTSIDE Book Online — www.phoenix.org.uk FILM / DAVID BRENT LIFE OF THE ROAD STAGE ON SCREEN / BEATRICE AND BENEDICT SEASON / ADAPTING MISS HIGHSMITH LEARN / BACK TO THE EIGHTIES COMING IN SEPTEMBER Available as Silver Screenings – see p13 CAFÉ SOCIETY CAPTAIN FANTASTIC HUNT FOR THE WILDERPEOPLE 2 – 3 WELCOME “It really doesn’t matter if it’s raining or it’s fine, just as long as you’ve got time…” GET MORE OUT The summer holidays are here for a wee while longer, so make the most of them and get stuck in to a OF PHOENIX WITH veritable feast of films and family fun! MEMBERSHIP & With 34 different movies screening this month you’ll be spoilt for choice. Highlights include Sweet LOYALTY Bean, from Japanese director Naomi Kawase (p7); the chilling thriller The Childhood of a Leader (p7); and the wonderful Brian Cox (not the one with MY PHOENIX MEMBERS & the telescope!) in Brit-comedy The Carer. Fans of FRIENDS GET: will love David Brent: Life on the Road, and we mark 40 years of punk with a gloriously restored and re-released Sid and Nancy. • 2 free tickets We celebrate the art of short film with The Short • £1 off cinema and Stage on Cinema festival from 24-27 Aug (p14).
[Show full text]
CURRICULUM VITAE Live Projects Television
CURRICULUM VITAE Live Projects Project For Director / Producer ERIC, ERNIE & ME Objective Fiction for BBC Four Dan Zeff / Ben Farrell (currently casting) One off drama NOT GOING OUT Avalon for BBC1 Nick Wood / Jamie Rix (currently casting series 9) Series 1-9 TRACEY BREAKS THE NEWS BBC Studios for BBC1 Dominic Brigstocke / Caroline Norris (currently casting series 1) THE REBEL Retort TV for UKTV Vadim Jean / Simon Lupton (currently casting series 2, starts shooting 28th August 2017) Series 2 MURDER ON THE BLACKPOOL Shiny Button (Tiger / Endemol) Simon Delaney / Jim Poyser EXPRESS (post production) for UKTV One off special Television Project For Director / Producer BACK Big Talk for Channel 4 Ben Palmer / Kate Daughton Series 1 CATASTROPHE Avalon for Channel 4 Ben Taylor / Jack Bayles 2017 - series 1-3 INSIDE NO. 9 BBC Comedy for BBC2 Graeme Harper; Guillem Morales; Dan Zeff; Steve Pemberton; 2017 - series 1-4 Reece Shearsmith / Adam Tandy BENIDORM Tiger Aspect for ITV1 David Sant; Derren Litten; Sandy Johnson; Robin Sheppard / Simon 2018 - series 6-10 Bird; Lucy Armitage PORRIDGE BBC Comedy for BBC1 Dominic Brigstocke / Richard Webb 2017 - series 1 TRACEY BREAKS THE NEWS BBC Comedy for BBC1 Dominic Brigstocke / Caroline Norris 2017 – pilot TRACEY ULLMAN’S SHOW BBC Comedy for BBC1 Dominic Brigstocke / Caroline Norris 2015-16 - series 1-2 THE JONAH MAN Tiger Aspect for Sky 1 Martin Stirling / David Simpson 2017 – pilot – Tiger Aspect for Sky1 HENRY IX Retort TV for UKTV Vadim Jean / Pete Thornton 2017 - series 1 NIGEL FARAGE GETS HIS LIFE
[Show full text]
Parliamentary Debates (Hansard)
Tuesday Volume 667 5 November 2019 No. 15 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Tuesday 5 November 2019 © Parliamentary Copyright House of Commons 2019 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 625 5 NOVEMBER 2019 626 Dominic Raab: I thank the hon. Gentleman; he has House of Commons followed this subject for a long period and has experience and insight. We are worried, and our main concerns are Tuesday 5 November 2019 around the humanitarian situation and the stability of northern Syria. Notwithstanding the removal of Daesh leader al-Baghdadi, which we welcome, we are worried The House met at half-past Eleven o’clock about the medium-term impact on counter-Daesh strategy in the region. So while we welcome the ceasefire brokered by Vice-President Mike Pence in relation to northern PRAYERS Syria, we are also seeing an accommodation between the Syrian Democratic Forces and the Syrian regime and indeed Presidents Erdog˘an and Putin, and that is [MR SPEAKER in the Chair] counter both to our counter-terrorism efforts but also to the humanitarian plight that the hon. Gentleman rightly raises. Oral Answers to Questions Kerry McCarthy: May I add my congratulations to you, Mr Speaker? Save the Children has identified around 60 British FOREIGN AND COMMONWEALTH OFFICE children who are stranded in north-east Syria. The Government have said that we owe them a duty of care. No matter what their parents may have done, these are The Secretary of State was asked— innocent children, and some are now malnourished and Syria some are suffering from life-threatening illnesses.
[Show full text]
Winnersh Area Guide by Prospect Estate Agency SCHOOLS Winnersh Offers a Plethora of State Schools, Many of Which Hold Ofsted’S ‘Outstanding’ Status
LIVING IN AN AREA GUIDE WINNERSH Winnersh is a large suburban town located just 2 miles from Wokingham town centre and 4 miles from Reading. There is a lot on offer for everyone from young professionals to families and retirees. The busy town offers plenty of local amenities, a strong sense of community and great transport links. Lower Early is a large suburb of Reading, the area has over 85,000 inhabitants by mid-1980’s it was considered one of the largest private housing developments in the UK. Lower Earley is great for commuters and growing families as it has good transport links as well as a plethora of schools and nice country walks at the local nature reserve. Woodley is a town situated just 6.4 miles east of Reading town centre and is one of the largest suburbs of Reading. Woodley offers a parade of shops with a popular high street clothing store, pet store, Clarks, Goldsmiths and a Tesco. A free Winnersh area guide by Prospect Estate Agency SCHOOLS Winnersh offers a plethora of state schools, many of which hold Ofsted’s ‘Outstanding’ status. Winnersh’s Ofsted ‘Outstanding’ Schools (data correct as of July 2019) School Status Inspection Date Addington School Primary Outstanding 17/10/2017 South Lake Primary School Primary Outstanding 20/03/2013 Aldryngton Primary School Primary Outstanding 02/12/2011 Emmbrook Infant School Infant Outstanding 16/01/2019 St Paul’s C Of E Junior School Primary Outstanding 10/05/2011 Walter Infant School Primary Outstanding 20/11/2013 The Holt School Secondary Outstanding 05/06/2013 Wescott Infant School Primary Outstanding 09/12/2010 St Teresa’s Catholic Academy Primary Outstanding 05/05/2010 Evendons Primary School Primary Outstanding 28/06/2017 A free Winnersh area guide by Prospect Estate Agency LOCAL AMENITIES Living in Winnersh, there’s something for everyone… SHOPPING Winnersh has many shops dotted around especially on the Reading Road.
[Show full text]