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Menander: Personal Address and Addressing the Audience
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UTokyo Repository Menander: Personal Address and Addressing the Audience journal or 東京大学西洋古典学研究室紀要 publication title volume 8 page range 103-133 year 2013-12 URL http://doi.org/10.15083/00078898 Menander: Personal Address and Addressing the Audience*1 Adele C. Scafuro 1 Introduction Studies of personal address have become increasingly visible in the field of Classics as a part of the larger methodological camp of Discourse Anal- ysis. Classical scholars have long paid attention to personal address in Menander, even if, as we shall soon see, Menander is rather sparing in his use of it. Sandbach and Gomme, for example, were particularly sensitive to its nuanced appearances in their grand commentary published in 1973. This is evident, for example, in their comments on Act IV of Epitrepontes. At this point in the play (at lines 853-877), Pamphile is already onstage after a heart-rending discussion with her father; he wants her to divorce her husband Charisios. Unbeknownst to her father, Pamphile had been raped before she married (this happened before the play began); she had *1 I am grateful to Prof. Y. Kasai for arranging my visit and the occasion for the pre- sentation of this (now revised) paper at the University of Tokyo in March 2013; I am also grateful to the audience for its attentive responses, and especially to Profs. M. Kubo and M. Sakurai for their observations. Further thanks are due Oxford Univer- sity Press for permission to repeat and expand, in sections 3 and 4 of this essay, a portion of chapter 10 ‘Menander’ (pp.218-38) in The Oxford Handbook of Greek and Roman Comedy, eds. -
The Motif of Love in Euripides' Works Helen and Medea
THE MOTIF OF LOVE IN THE HELEN AND THE ALCESTIS OF EURIPIDES by Eleftheria N. Athanasopoulou DOCTORAL DISSERTATION submitted in fulfilment of the requirements for the degree DOCTOR LITTERARUM ET PHILOSOPHIAE in GREEK in the FACULTY OF HUMANITIES at the UNIVERSITY OF JOHANNESBURG SUPERVISOR: PROFESSOR J. L. P. WOLMARANS JANUARY 2008 For my family, and especially for my children… «Αν κάποιος προηγείται απλώς του καιρού του, κάποια μέρα ο καιρός θα τον προλάβει». (Wittgenstein, L. 1986). «Η θάλασσα που μας πίκρανε είναι βαθιά κι ανεξερεύνητη και ξεδιπλώνει μιαν απέραντη γαλήνη». (Seferis, G. 1967). ACKNOWLEDGMENTS Grateful acknowledgment is hereby made to Prof. J. L. P. Wolmarans for his advice, patience and assistance. This work would not have been completed without his encouragement. Indeed, his criticism was beneficial to the development of my ideas. It is of special significance to acknowledge the support given to me by some friends. I am particularly indebted to them for various favours. I also thank my husband for his advice, so that I could look afresh at a large number of questions. I wish to thank the anonymous reader for the improvements (s)he suggested. Johannesburg 2008 CONTENTS ACKNOWLEDGMENTS ABSTRACT xiii ΠΕΡΙΛΗΨΗ xi I. INTRODUCTION The Helen and the Alcestis 1 Rationale 3 Problem Statement 5 Methodology 6 Layout and Structure 8 Overview of Literature 12 Note to the Reader 14 II. THE PHILOSOPHY OF EURIPIDES AND WITTGENSTEIN Euripides’ Profile: Life and Works 15 Wittgenstein’s Profile: Life and Works 23 Euripides and Wittgenstein: Parallel Patterns of Thought 33 The Motif of Love, Language and Gloss analysis 37 III. -
EVIDENCE for INFLUENTIAL WOMEN REPRESENTED on INSCRIBED BASES and SCULPTURE on KOS a Thesis Presented
MONEY, POWER, AND GENDER: EVIDENCE FOR INFLUENTIAL WOMEN REPRESENTED ON INSCRIBED BASES AND SCULPTURE ON KOS A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Master of Arts by NAOMI RUTH KALOUDIS Dr. Susan Langdon, Thesis Supervisor May 2007 © Copyright by Naomi Kaloudis 2007 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled MONEY, POWER, AND GENDER: EVIDENCE FOR INFLUENTIAL WOMEN REPRESENTED ON INSCRIBED BASES AND SCULPTURE ON KOS presented by Naomi Kaloudis, a candidate for the degree of Master of Arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Susan Langdon Professor Kathleen Slane Professor James McGlew I would like to thank my mother, father, and brother for their support and willingness to listen to every word I had to say no matter how trivial for then, now, and the journey still to come.... In my couple years in graduate school I learned to appreciate Socrates’ statement the: ßn o‰da ˜ti oÈd°n o‰da. ACKNOWLEDGEMENTS I would like to thank the professors in my thesis committee for all their help throughout this process. I would like to thank Professor Langdon for advising me over the past months. I would like to also thank Professor Slane for her knowledge and input on the Hellenistic period when I was stuck in my research. Finally, I want to thank Professor McGlew for his understanding while I was writing my thesis. -
Prostituting Female Kin (Plut
UNIVERSITÀ DEGLI STUDI DI MILANO FACOLTÀ DI GIURISPRUDENZA DIKE Rivista di storia del diritto greco ed ellenistico 8 2006 INDICE ATENE Delfim F. Leão Sólon e a legislação em matéria de direito familiar 5 Allison Glazebrook Prostituting Female Kin (Plut. Sol. 23.1-2) 33 Richard V. Cudjoe The Purpose of the «epidikasia» for an «epikleros» in Classical Athens 55 CHIO Michele Faraguna Terra pubblica e vendite di immobili confiscati a Chio nel V secolo a.C. 89 LOCRI EPIZEFIRI Vania Ghezzi I Locresi e la legge del laccio 101 RASSEGNA CRITICA Martin Dreher Bürgerstaat und Basisdemokratie («Ideologische Begriffe in der Geschichtswissenschaft», 1) 115 LETTURE Ilias N. Arnaoutoglou Panayotis D. Dimakis: in memoriam 163 Alberto Maffi Nuove pubblicazioni 171 Allison Glazebrook PROSTITUTING FEMALE KIN (Plut. Sol. 23.1-2) Although Solon’s reforms seem to have averted a crisis in Athens, brought greater protection to the people, and recognized «Athenian» as an identity 1, it is commonly acknowledged that his nÒmoi 2 relat- ing to women had few benefits for women themselves (Blundell 1995, p. 75; Fantham et al. 1994, pp. 74-76; Just 1989, pp. 22-23; Arthur 1973, p. 36). They restricted the number of garments women could wear in public to three, calculated the amount of food and drink they could carry on their person to one obol’s worth, lim- ited their movements at night, and reduced women’s involvement in funerary ritual (Plut. Sol. 21; Dem. 43.62-63). The laws relating to marriage customs limited the amount of their dowry and trous- seau (Sol. -
Euripides and Gender: the Difference the Fragments Make
Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Ruby Blondell, Chair Deborah Kamen Olga Levaniouk Program Authorized to Offer Degree: Classics © Copyright 2013 Melissa Karen Anne Funke University of Washington Abstract Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke Chair of the Supervisory Committee: Professor Ruby Blondell Department of Classics Research on gender in Greek tragedy has traditionally focused on the extant plays, with only sporadic recourse to discussion of the many fragmentary plays for which we have evidence. This project aims to perform an extensive study of the sixty-two fragmentary plays of Euripides in order to provide a picture of his presentation of gender that is as full as possible. Beginning with an overview of the history of the collection and transmission of the fragments and an introduction to the study of gender in tragedy and Euripides’ extant plays, this project takes up the contexts in which the fragments are found and the supplementary information on plot and character (known as testimonia) as a guide in its analysis of the fragments themselves. These contexts include the fifth- century CE anthology of Stobaeus, who preserved over one third of Euripides’ fragments, and other late antique sources such as Clement’s Miscellanies, Plutarch’s Moralia, and Athenaeus’ Deipnosophistae. The sections on testimonia investigate sources ranging from the mythographers Hyginus and Apollodorus to Apulian pottery to a group of papyrus hypotheses known as the “Tales from Euripides”, with a special focus on plot-type, especially the rape-and-recognition and Potiphar’s wife storylines. -
Women and Property in Ancient Athens: a Discussion of the Private Orations and Menander Cheryl Cox University of Memphis
Women and Property in Ancient Athens: A Discussion of the Private Orations and Menander Cheryl Cox University of Memphis There has been a great deal of discussion in the past two decades or so among social historians and anthropologists of the proposition that women in European societies, both in the past and in the present, have informal power at the private level of the household. Women’s interests were reflected and expressed in succession practices and in the management of the household economy. Central to the status of women was the dowry because of its place in the conjugal household and the negotiations over its use and transmission. A large dowry ensured the woman’s important role in the decisions of the marital household and thus helped to stabilize the marriage. Because the dowry, as the property of the woman’s natal kin, would ideally be transmitted to the man’s children, the man could become involved in the property interests of his wife’s family of origin.1 In a material sense, in classical Athens the wife’s dowry allowed for the cohesion of two households (oikoi): the oikos of her marriage and that of her natal family. The dowry in legal terms belonged to the woman’s natal family, as it had to be returned to her family of origin either on divorce or on the death of her husband and her remarriage. Much of the information we have for dowries pertains to elite families. Because the woman’s dowry could be inherited by the children, it was worth fighting for, especially if she had not received her full share (Dem. -
Ritual Impasse in Tragic Marriage: Sophocles' Deianeira, Euripides' Hermione, Euripides' Electra
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-10-2019 10:00 AM Ritual Impasse in Tragic Marriage: Sophocles' Deianeira, Euripides' Hermione, Euripides' Electra. Valeria Logacheva The University of Western Ontario Supervisor Suksi, Aara L. The University of Western Ontario Graduate Program in Classics A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Valeria Logacheva 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Classical Literature and Philology Commons Recommended Citation Logacheva, Valeria, "Ritual Impasse in Tragic Marriage: Sophocles' Deianeira, Euripides' Hermione, Euripides' Electra." (2019). Electronic Thesis and Dissertation Repository. 6083. https://ir.lib.uwo.ca/etd/6083 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This thesis explores the ways in which the dynamics of marriage presented in Athenian tragedy of the fifth century BCE affect the portrayal of three tragic wives: Sophocles’ Deianeira, Euripides’ Hermione, and Euripides’ Electra. In modern scholarship, all three of these women have often been endowed with psychological portraits, which in turn have been used to explain their motivations and actions. Believing such an approach to be too subjective and anachronistic, I analyze instead the portrayal of tragic wives against the backdrop of contemporary Athenian institutions, in particular that of marriage. I argue that the problematic nature of their marriages is expressed through the representation of the tragic heroines’ relationship with time and space around them. -
Paul Koschaker and the Path to “Europa Und Das Römische Recht” (1936-1947)
The research leading to these results has received funding from the Euro- pean Research Council under the European Union's Seventh Frame- work Programme (FP7/2007-2013) / ERC grant agreement n°313100. Paul Koschaker and the path to “Europa und das römische Recht” (1936-1947) Tommaso Beggio Abstract. – The aim of the present paper consists in analYsing Paul Koschaker’s stances on Roman laW and the crisis it faced in GermanY during the thirties, as Well as his academic eXperience, from 1936 till 1947. ActuallY 1936 represents the Year When Koschaker obtained the prestigious chair for Roman laW at the UniVersitY of Berlin, Whereas in 1947 his masterpiece, Europa und das römische Recht , Was published. NeVertheless the article deals mainlY With the content and the meaning of the Work published bY Koschaker in 1938, Die Krise des römischen Rechts und die romanistische Rechtswisenschaft . Since this teXt has been considerd bY the scholars either a political pamphlet against the NaZi regime, or an indirect academic support to the NaZi ideologY, a detailed inVestigation of Koschaker’s Work Will be carried out, to understand if it’s actuallY possible to offer such a clear-cut judgments on this Writing. The main stances suggested bY Koschaker in order to restore dignitY to Roman laW Will be discussed, paYing attention as Well to the reaction theY caused among the scholars, the Italian ones in particular. Furthermore, some archiVal documents, in part still unpublished, Will be analYZed to get a better understanding not onlY of Koschaker’s scientific and academic ideas, but also of his approach 291 toWards the regime. -
Aristotle and Menander on the Ethics of Understanding
Aristotle and Menander on the Ethics of Understanding Submitted by Valeria Cinaglia to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Classics In January 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: 1 ABSTRACT This doctoral thesis explores a subject falling in the interface between ancient Greek philosophy and literature. Specifically, I am concerned with common ground between the New Comedy of Menander and aspects of Aristotle’s philosophy. The thesis does not argue that the resemblance identified between the two writers shows the direct influence of Aristotle on Menander but rather thay they share a common thought-world. The thesis is structured around a series of parallel readings of Menander and Aristotle; key relevant texts are Menander’s Epitrepontes , Samia , Aspis , Perikeiromene and Dyscolos and Aristotle’s Posterior Analytics , Nicomachean and Eudemian Ethics , De Anima and Poetics . My claim is that Menander’s construction of characters and plots and Aristotle’s philosophical analyses express analogous approaches on the subject of the relationship between knowledge and ethics. Central for my argument is the consideration that in Aristotle’s writings on ethics, logic, and psychology, we can identify a specific set of ideas about the interconnection between knowledge-formation and character or emotion, which shows, for instance, how ethical failings typically depend on a combination of cognitive mistakes and emotional lapses. -
Name Barbara Abatino Nationality Italian Date of Birth 19 May 1977 Status Familiae Married, Two Children [email protected]
CURRICULUM VITAE ET STUDIORUM Name Barbara Abatino Nationality Italian Date of birth 19 May 1977 Status familiae Married, two children [email protected] EDUCATION 2013 Habilitation as Maître de Conférences in Legal History – French Ministry of Education and Research, France 2007 PhD in Law, University of Naples Federico II, Faculty of Law, Italy 2002-2003 Master of Law. University of Naples Federico II, Faculty of Law, Italy 2001 MA in Law (Laurea di vecchio ordinamento), University of Naples Federico II, Faculty of Law, Italy 2000-2001 Pregarduate Studies in Law, University of Bern, Faculty of Law, Helvetic Confederation. ACADEMIC APPOINTMENTS 2012- to present Research fellow, University of Amsterdam, Faculty of Law, Netherlands 2013-2014 Visiting Professor, “Law in the (Latin) Language” Project, Funded by the Italian Ministry of Education and Research, University of Naples Federico II, course “Legal Translations of Latin sources”, Italy 2007-2012 Postdoctoral Researcher, University of Amsterdam, Faculty of Law, Project “Fiat Lex: Lawmaking Institutions and Roman Law” Funded by the Netherlands Organisation for Scientific Research (NWO), Netherlands 2010-2011 Lecturer, Roman law, University of Naples Federico II, Italy February-July 2007 Postdoctoral researcher, Department of Roman Law and Civil Law, University of Zurich, Helvetic Confederation 2003-2007 Doctoral candidate, Department of Roman Law and Legal History, University of Naples Federico II, Italy 2002-2007 Teaching assistant, course in Roman law, University of Naples Federico -
Loeb Classical Library
LOEB CLASSICAL LIBRARY 2015 Founded by JAMES LOEB 1911 Edited by JEFFREY HENDERSON DIGITAL LOEB CLASSICAL LIBRARY For information about digital Loeb Classical Library access plans or to register for an institutional free trial, visit www.loebclassics.com Winner, PROSE Award for Best Humanities eProduct, Association of American Publishers “For the last couple of decades, the Loeb Library has been undergoing a renaissance. There are new or revised translations of many authors, and, a month or two back, the entire library was brought online at loebclassics.com. There are other searchable classics databases … Yet there is still something glorious about having all 500-plus Loebs online … It’s an extraordinary resource.” —ROGER KIMBALL, NEW CRITERION “The Loeb Library … remains to this day the Anglophone world’s most readily accessible collection of classical masterpieces … Now, with their digitization, [the translations] have crossed yet another frontier.” —WALL STREET JOURNAL The mission of the Loeb Classical Library, founded by James Loeb in 1911, has always been to make Classical Greek and Latin literature accessible to the broadest range of readers. The digital Loeb Classical Library extends this mission into the twenty-first century. Harvard University Press is honored to renew James Loeb’s vision of accessibility and to present an interconnected, fully searchable, perpetually growing, virtual library of all that is important in Greek and Latin literature. e Single- and dual-language reading modes e Sophisticated Bookmarking and Annotation features e Tools for sharing Bookmarks and Annotations e User account and My Loeb content saved in perpetuity e Greek keyboard e Intuitive Search and Browse e Includes every Loeb volume in print e New volumes uploaded regularly www.loebclassics.com also available in theNEW i tatti TITLES renaissance library THEOCRITUS. -
The Contribution of the Law of Epikleros to the Comic
THE CONTRIBUTION OF THE LAW OF EPIKLEROS 1 TO THE COMIC EFFECT OF PHORMIO DOUKISSA KAMINI Terence gives his interpretation of the law of epikleros through Phormio. This paper examines the contribution of this law to the comic effect of the play. The protagonist, Phormio, creates on Antipho’s behalf a plan based on this law and seeks to legitimize his marriage to Phanium on the plea that she is an epikleros and Antipho her nearest kinsman. Phormio’s rival is the senex Demipho. The characters constantly switch roles, sometimes acting as plaintiffs, sometimes as defendants, acknowledging the validity of a particular legal aspect depending on its goals. Finally, they construct a law which has nothing to do with real legislation, but rather has validity only in Phormio’s fabula. In conclusion, Terence judges an already adjudicated, but in the gloss of legality, epikleros on stage and marks out the extravagant use of law as the main linchpin of joke production. The law of epikleros has often inspired the authors of New Comedy. Menander deals with this subject in his Aspis and Apollodorus in his Epidikazomenos. Inspired by the latter work, Terence creates Phormio in which he gives his own interpretation of the law through the eponymous main character. He controls the plot from the beginning of the play, and forms the comic effect by setting up peculiar trials on stage. This paper highlights the ways in which the poet manipulates the law of epikleros to enrich the comic effect. I will further show that this law is the most basic element of the