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Ihr Monopol Auf Die Kunst

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Ihr Monopol Auf Die Kunst KAMPNAGEL MRZ /APR 2018 LIEBE LESERINNEN UND LESER, Machtmissbrauch durch Männer ist derzeit zu Recht ein heiß diskutiertes Thema. Immer mehr mutige Akteur*innen stellen sexistische Verhaltensweisen und männ- lichen Geniekult öffentlich zur Debatte – und zwar auch auf Theaterbühnen, an Filmsets oder in Redaktionsbüros, kurz, den Ideenschmieden unserer Gesellschaft. Es ist höchste Zeit, sich nicht mehr wegzuducken, sondern diese Mechanismen offen anzusprechen. Altbackener Sexismus und Gockelgehabe sind out – Gleich- stellung aller Geschlechter is the future! Und das gesellschaftliche Umdenken, das wir in den letzten Jahren erreicht haben, lässt sich nicht mehr rückgängig ma- chen. Niemand muss jemandem an den Po fassen, um ein Künstlergenie zu sein. Kampnagel ist ein lebendiges Beispiel für die Gegenerzählung. Bei der Gelegenheit begrüßen wir auch die neue Geschäftsführerin Sabine Stenzel als Teil der nun vollständig weiblichen Doppelspitze. Auch unsere Künstler*innen arbeiten meist kollektiv, entgegen eingefahrener Hierarchiemodelle. Die mehrheitlich von männli- chen Regisseuren und Intendanten geprägten Machtsysteme werden hier aufgebro- chen – nicht zuletzt auch dank der nicht sehr männlichen Kampnagel-Dramaturgie. Das Ende des Patriarchats feiern wir auf Kampnagel mit dem prickelnd-plätschern- den RAIN von Anne Teresa de Keersmaeker, mit dem motzig-kollektiven DILET- TANTENSTADL vom Hamburger Performanceduo Schröder&Statkus, einem Vortrag über Frauenbilder und Wandel im Rahmen des Iran-Festivals WUNDERN ÜBER TANAWO‘, bei dem auch Booty Carrells FEMALE POP ICONS zum feministischen Sinneswandel einladen. Hamid Pourazaris Produktion SEKUNDEN WIE JAHRE behauptet frei heraus, dass Frauen die wirklichen Impulsgeberinnen gesellschaftli- chen Wandels sind. Anna von Hausswolffs mächtig sakrales Konzert DEAD MAGIC und Nina Powers Lecture über THE FUTURE OF FEMALE NOISE durchdringen ganz sicher auch die letzte Schicht hartnäckigen Männlichkeitskults. Da Ausnahmen bekanntermaßen die Regel bestätigen, seien Ihnen außerdem zwei herausragende Arbeiten des »schwachen Geschlechts« wärmstens ans anti-sexistische Herz gelegt: PĀPATĪHĀ THEATRE GROUP PĀPATĪHĀ THEATRE GROUP PĀPATĪHĀ THEATRE GROUP Das bewegende REQUIEM POUR L. von Alain Platel und Fabrizio Cassol sowie die Produktion UNENDLICHER SPASS von Regisseur Thorsten Lensing dürfen Sie sich nicht entgehen lassen! Ihre Amelie Deuflhard 3 THEATER Auf!Bruch Abschlussarbeiten der Theaterakademie Hamburg SEITE 8 SCHÖNE ÜBERSICHT Hamid Pourazari / Pāpatīhā Theatre Group Sekunden wie Jahre SEITE 18 FÜR SPARTENFANS Thorsten Lensing Unendlicher Spaß SEITE 22 Meine Damen und Herren Jetzt bestimme ich! SEITE 52 K-TUNES Lee Ranaldo Support: Jean D.L. / Karen Willems SEITE 60 TANZ Noisexistance Festival SEITE 64 Pavlos Kountouriotis Two bobs and a Steve SEITE 25 Anna von Hausswolff Dead Magic SEITE 70 Loïc Perela Voice SEITE 25 Laibach Also sprach Zarathustra SEITE 72 Anne Teresa de Keersmaeker / ROSAS: Rain SEITE 14 Sin Fang & Sóley & Örvar Smárson Team Dreams SEITE 74 Tian Rotteveel Only When It‘s On SEITE 26 Booty Carell DJ Set: Female Pop Icons SEITE 19 Laurent Chétouane Invisible Piece #1: Duett für hörende Körper & Out of Makan Ashgvari SEITE 21 Joint / Partita 1 SEITE 30/31 47Soul Balfron Promise SEITE 76 Platel & Cassol / les ballets C de la B Requiem pour L. SEITE 33 Friedrich Liechtenstein Trio Ich bin dein Radio SEITE 78 K3 Jugendclub Conduct My Dance / Toucher SEITE 27 Stephen O‘Malley (Sunn O)))) / Pnin A Tribute to Tony Conrad + Filmscreening SEITE 81 Die Neue Kompanie / Helen Schröder Beach Birds SEITE 51 Station 17 (Feat. Andreas Spechtl, Faust, Datashock) Blick SEITE 83 Jochen Roller / Friederike Lampert & Nationalballett Kosovo Syn- SEITE 54 Sweet-Ass-Queereeoké Sugar Daddy meets Cotton Candy SEITE 88 Jamie Stewart (Xiu Xiu) Solo Konzert / Support: Akapulko SEITE 85 PERFORMANCE BaBa ZuLa Support: Peacetanbul Soundsystem SEITE 86 Klangfest Musik für Kinder – Aufregend anders SEITE 42 Benjamin van Bebber / Leo Hofmann Abhängigkeitserklärung SEITE 28 Plastiq Interstation Konzertinstallation SEITE 50 Schröder&Statkus Das Dilettantenstadl SEITE 38 Oriental Karaoke SEITE 89 Juliana Oliveira Ruins SEITE 51 Philipp Joy Reinhardt Bellybutton SEITE 52 FILM New Media Socialism Hello Deutschland – Die Einwanderer SEITE 6 THEORIE Keywan Karimi Drum (Tabl) SEITE 20 Alain Badiou Passagen Gespräche: Forum für neues politisches Denken SEITE 12 Tyler Hubby Completely in the Present SEITE 81 Frauenbilder / Kontinuitäten / Wandel Vortrag SEITE 17 SONSTIGES Dr. Arash Sarkohi Iranische Intellektuelle: Das Gewissen der Gesellschaft SEITE 17 Kampnagel Führung SEITE 90 Leben / Kunst / Exil Podiumsdiskussion (Mod.: Michel Abdollahi) SEITE 20 Benefizkonzert Förderverein der Hamburger Volkshochschule SEITE 41 Darstellende Künste im öffentlichen Raum Buchpräsentation SEITE 40 Martin Sonneborn Lesung SEITE 58 Kulturforum Hamburg Neuer Oberbaudirektor auf dem Prüfstand SEITE 41 Statkus&Schröder [k]ontribution SEITE 48/49 4 5 KOSMOS Artwork (c) Mara Oscar Cassiani COLLECTIV I ISM COLLECTIV | ISM bezeichnet Allianzen und Komplizenschaften. Es verweist auf kollektive Praxis als überzeugte Gegenhaltung zu Hack- ordnungen und Arbeitsteilung. KAMPNAGEL.DE/KOSMOS Das neue Online-Tor zur virtuellen Dimension von Kampnagel: Der KOSMOS ist ein nach Themen geordnetes Archiv der letzten Jahre. Gefördert im Rahmen des Bündnisses internationaler Gleichzeitig werden hier Hintergrundinformationen von Künstler*innen Produktionshäuser von der Beauftragten der Bundes- regierung für Kultur und Medien. und Dramaturg*innen veröffentlicht. Programmatische Verbindungen, Interviews, Artikel, Manifeste, Fun Facts u.v.m. warten darauf, entdeckt zu werden! 6 7 FILM HAMBURG NEW MEDIA SOCIALISM HELLO DEUTSCHLAND – DIE EINWANDERER Über sie spricht das ganze Land: die / The whole country is talking neuen Einwanderer. In der fiktionalen about them: the new immigrants. Reality-Serie HELLO DEUTSCHLAND In HELLO DEUTSCHLAND, they sprechen sie selbst über Erfolge und Pro- themselves speak about success- bleme beim Ankommen in der deutschen es and problems upon arriving in [ Gesellschaft. Einwanderungsdeutschland German society. Germany as an Migrantpolitan steht zwar für Willkommenskultur, aber immigration country stands for auch für überlastete Bürokratie und ras- a culture of welcoming, but also sistische Ausgrenzung. HELLO DEUTSCH- for an overburdened bureaucra- LAND begleitet unterschiedliche Persön- cy and racist ostracism. HELLO | ISM] lichkeiten bei ihren Versuchen, in der DEUTSCHLAND accompanies neuen Heimat Fuß zu fassen. Sprachpro- a variety of different people in bleme, bürokratische Hürden und kultu- their attempt to gain a foot- relle Missverständnisse prägen den Alltag hold in a new homeland. Public der Migranten, aber es gibt auch immer screening of the new episodes of wieder hoffnungsvolle Momente, in denen the fictional reality series HELLO das Glück die Ängste überstrahlt. Im DEUTSCHLAND and showings of März gibt es das Public-Screening der past episodes neuen Folgen von HELLO DEUTSCHLAND – DIE EINWANDERER und eine Wiederho- lung der bisherigen Folgen. Do-01.03. / 20:15 Eintritt frei, Ort: Migrantpolitan Gefördert von: 8 9 THEATERAKADEMIE HAMBURG SOPHIA BARTHELMES MAUSER VON HEINER MÜLLER »Wozu das Töten und wozu das Ster- ben, wenn der Preis der Revolution die Revolution ist.« Ein verbrauchter Revolutionär soll im Namen der Re- volution seiner eigenen Erschießung zustimmen. In der Zeit zwischen Ok- toberrevolution und Ende des Kapita- ELSA-SOPHIE JACH lismus verschwindet der*die Einzelne DIE GLASMENAGERIE nicht durch die Kugel, sondern in der VON TENNESSEE WILLIAMS Masse – und wird zum Gesichtslosen. Was ist ein Individuum, ein Gesicht Der American Dream ist kaputt, aber wert – verglichen mit der Möglichkeit seine Geister leben in einer Woh- einer besseren Zukunft? Welches Foto: Carlotta Mia Lücke nung in St. Louis – der Stadt mit den Geschlecht bestimmt, wie Zukunft HAMBURG meisten Tötungsdelikten in den USA: aussehen soll? Die Textinstallation Sie warten, warten darauf, dass ihre MAUSER sucht nach dem ungesagten Zukunft beginnt. Da ist Laura, eine Text der (noch) nicht stattgefundenen junge Frau, die mit Depressionen Revolutionen. Um schwarz-weiße AUF!BRUCH kämpft, ihr Bruder Tom, der sich im Garderobe wird gebeten. VIER ABSCHLUSSARBEITEN Kino wegträumt und feiern geht, und die Mutter, Amanda, die am liebsten Fr-02.03. bis So-04.03 / 21:00 DER THEATERAKADEMIE HAMBURG für immer jung sein möchte. Ihr Leben 12 Euro (erm. 9 Euro, [k]-Karte 6 Euro), tatsächlich in die Hand zu nehmen, Ort: k2 Die vier Regie-Studierenden Sophia Barthelmes, Elsa-Sophie / A presentation of scheint zu schwer, und so schaffen sie Jach, Sahba Sahebi und Gregor Schuster spielen in ihren Ab- the four final eine Welt, zerbrechlich wie Glas, in der schlussarbeiten an der Grenze von Theater, Text, Performance productions from sie sich gegenseitig in Erinnerungen und Konzert. Die Bühne ist ihr Experimentierfeld für Auseinan- the Theaterakad- und Idealbildern inszenieren – und in dersetzungen mit Figur und Geschichte, mit Körperlichkeit und emie graduates in die sie schließlich einen Gast einladen. Sprache: mit dem Schauspiel an sich. Theatre Direction. Fr-02.03. bis So-04.03 / 19:00 Die Abschlussarbeiten 2018 der Theaterakademie Hamburg, Hochschule für Musik und 12 Euro (erm. 9 Euro, [k]-Karte 6 Euro), Ort: k1 Theater, in Kooperation mit Kampnagel sind gefördert von: 10 11 THEATERAKADEMIE HAMBURG FÜR ALLE, DIE SICH NICHT ENTSCHEIDEN KÖNNEN: GREGOR SCHUSTER
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