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Hill's Butch Cassidy and the Sundance
1 Butch Cassidy and the Sundance Kid Poster by Tom Beauvais Courtesy Wikipedia Reviewed by Garry Victor Hill Directed by George Roy Hill. Produced by John Foreman. Screenplay by William Goldman. Cinematography by Conrad Hall. Art Direction by Jack Martin Smith & Philip M. Jefferies. Music by Burt Bacharach. Edited by John C. Howard & Richard C. Meyer. Sound George R. Edmondson. Costume designs: Edith Head. Cinematic length: 110 minutes. Distributed by 20TH Century Fox. Companies: Campanile Productions and the Newman–Foreman Company. Cinematic release: October 1969. DVD release 2006 2 disc edition. Check for ratings. Rating 90%. 2 All images are taken from the Public Domain, The Red List, Wikimedia Commons and Wiki derivatives with permission. Written Without Prejudice Cast Paul Newman as Butch Cassidy Robert Redford as the Sundance Kid Katharine Ross as Etta Place Strother Martin as Percy Garris Henry Jones as Bike Salesman Jeff Corey as Sheriff Ray Bledsoe George Furth as Woodcock Cloris Leachman as Agnes Ted Cassidy as Harvey Logan Kenneth Mars as the town marshal Donnelly Rhodes as Macon Timothy Scott as News Carver Jody Gilbert as the Large Woman on the train Don Keefer as a Fireman Charles Dierkop as Flat Nose Curry Pancho Córdova as a Bank Manager Paul Bryar as Card Player No. 1 Sam Elliott as Card Player No. 2 Charles Akins as a Bank Teller Percy Helton as Sweetface Review In the second half of the 1960s westerns about the twilight of the Wild West suddenly became popular, as if both filmmakers and audiences wanted to keep the West within living memory. -
Cowboy Chronicle February 2017 Page 1
Cowboy Chronicle February 2017 Page 1 VISIT US AT SASSNET .COM Cowboy Chronicle February 2017 Page 2 VISIT US AT SASSNET .COM Cowboy Chronicle The Cowboy February 2017 Page 3 Chronicle CONTENTS 4-7 COVER FEATURE Editorial Staff Canadian National Championships Skinny 8 FROM THE EDITOR Editor-in-Chief Skinny’s Soapbox Misty Moonshine 9-13 NEWS Riding for the Brand ... Palaver Pete Retiring Managing Editor 14, 15 LETTERS & OPINIONS Tex and Cat Ballou Editors Emeritus 16-19 COSTUMING CORNER Kudos to the Gentlemen of SASS Costuming Adobe Illustrator 20-31 ANNUAL REPORTS Layout & Design Hot Lead in Deadwood ... Range War 2016 Mac Daddy 32-37 GUNS & GEAR Dispatches From Camp Baylor Graphic Design 38-43 HISTORY Square Deal Jim A Botched Decade ... Little Known Famous People Advertising Manager 44-48 PROFILES (703) 764-5949 • Cell: (703) 728-0404 Scholarship Recipient 2016 ... Koocanusa Kid [email protected] 49 SASS AFFILIATED MERCHANTS LIST Staff Writers 50, 51 SASS MERCANTILE Big Dave, Capgun Kid Capt. George Baylor 52, 53 GENERAL STORE Col. Richard Dodge Jesse Wolf Hardin, Joe Fasthorse 54 ADVERTISER’S INDEX Larsen E. Pettifogger, Palaver Pete Tennessee Tall and Rio Drifter 55-61 ARTICLES Texas Flower My First Shoot ... Comic Book Corner Whooper Crane and the Missus 62, 63 SASS NEW MEMBERS The Cowboy Chronicle is published by 64 SASS AFFILIATED CLUB LISTINGS The Wild Bunch, Board of Directors of (Annual / Monthly) The Single Action Shooting Society. For advertising information and rates, administrative, and edi to rial offices contact: Chronicle Administrator 215 Cowboy Way • Edgewood, NM 87015 (505) 843-1320 • FAX (505) 843-1333 email: [email protected] Visit our Website at http://www.sassnet.com The Cowboy Chronicle SASSNET.COM i (ISSN 15399877) is published ® monthly by the Single Action Shooting Society, 215 SASS Trademarks Black River Bill ® ® Cowboy Way, Edgewood, NM 87015. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Año 11 / Nº 55 Febrero / Marzo 2019
Año 11 / Nº 55 Febrero / Marzo 2019 Bariloche - Patagonia / Distribución gratuita Historia de una ciudad - Pablo Cortondo en ARTE Y OFICIO páginas 18 a 22 Editorial La revista del toDO Sumario Queridos amigos: Archivo Visual Patagónico Pág. 2 En busca de los registros sensibles La historia, la cultura, el arte y la literatura de nuestra patagonia vuelven a darse cita en este N° 55 Por Hans Schulz y Federico Silin de Revista TODO, dándole forma al abanico habitual de contenidos con el que esperamos refrescar y nu- Salud, Ciencia y Conciencia Pág. 8 trir la despedida del verano y la bienvenida al otoño. Plantas para mirar mejor A la vera de El Fogón del Encuentro el Movimiento Carnavalero Bariloche nos pone en sintonía con la Por Sara Itkin tradicional fiesta popular que vivirá nuestra ciudad del 2 al 5 de marzo. Un relato imperdible del reco- El Fogón del Encuentro Pág. 11 nocidísimo escritor chubutense David Aracena se suma a las –ya antológicas– Paginas Patagónicas. Movimiento Carnavalero Bariloche Sugestiva y enigmática, la exploración pictórica del Por Sebastián Carapezza maestro Pablo Cortondo engalana nuestra galería de Arte y Oficio. Y como siempre los registros fo- Arte y Oficio Pág. 18 tográficos históricos seleccionados por Federico Silin y amplificados textualmente por Hans Schulz, Pablo Cortondo la sabiduría natural y práctica compartida genero- San Carlos de Bariloche samente por la doctora Sara Itkin, y más historias, cuentos y recetas para disfrutar el final del tiempo Páginas Patagónicas Pág. 23 estival y templar los corazones. Hasta el otoño en- tonces y ¡qué lo disfruten! La casa Por David Aracena El equipo de Revista Todo Hombres y Mujeres de mi Tierra Pág. -
Wild West Photograph Collection
THE KANSAS CITY PUBLIC LIBRARY Wild West Photograph Collection This collection of images primarily relates to Western lore during the late 19th and parts of the 20th centuries. It includes cowboys and cowgirls, entertainment figures, venues as rodeos and Wild West shows, Indians, lawmen, outlaws and their gangs, as well as criminals including those involved in the Union Station Massacre. Descriptive Summary Creator: Brookings Montgomery Title: Wild West Photograph Collection Dates: circa 1880s-1960s Size: 4 boxes, 1 3/4 cubic feet Location: P2 Administrative Information Restriction on access: Unrestricted Terms governing use and reproduction: Most of the photographs in the collection are reproductions done by Mr. Montgomery of originals and copyright may be a factor in their use. Additional physical form available: Some of the photographs are available digitally from the library's website. Location of originals: Location of original photographs used by photographer for reproduction is unknown. Related sources and collections in other repositories: Ralph R. Doubleday Rodeo Photographs, Donald C. & Elizabeth Dickinson Research center, National Cowboy and Western Heritage Museum, Oklahoma City, Oklahoma. See also "Ikua Purdy, Yakima Canutt, and Pete Knight: Frontier Traditions Among Pacific Basin Rodeo Cowboys, 1908-1937," Journal of the West, Vol. 45, No.2, Spring, 2006, p. 43-50. (Both Canutt and Knight are included in the collection inventory list.) Acquisition information: Primarily a purchase, circa 1960s. Citation note: Wild West Photograph Collection, Missouri Valley Special Collections, Kansas City Public Library, Kansas City, Missouri. Collection Description Biographical/historical note The Missouri Valley Room was established in 1960 after the Kansas City Public Library moved into its then new location at 12th and Oak in downtown Kansas City. -
Butch Cassidy E the Wild Bunch
BUTCH CASSIDY E THE WILD BUNCH ASALTO AL BANCO NACION EN VILLA MERCEDES RICARDO A. GUTIÉRREZ – HUGO A. MORENO (Año 1992) INDICE PROLOGO ...................................................................................................................3 DESDE LA FORMACIÓN DE LA WILD....................................................................4 BUNCH, HASTA EL ASALTO A LA SUCURSAL ....................................................4 DEL BANCO NACIÓN EN VILLA MERCEDES .......................................................4 OLA DE ASALTOS Y ROBOS................................................................................5 LA DECISIÓN DE PARTIR.....................................................................................6 BUTCH CASSIDY Y EL FAX..............................................................................6 ZARPANDO HACIA AMÉRICA DEL SUR............................................................8 MISS ETTA PLACE............................................................................................... 11 SE ROMPE LA TREGUA ...................................................................................... 12 MARGINALIDAD ................................................................................................. 15 Y HEROISMO........................................................................................................ 15 ASALTO AL .............................................................................................................. 17 BANCO NACION..................................................................................................... -
Lehi Historic Archive File Categories
Lehi Historic Archive File Categories Achievements of Lehi Citizens Adobe-Lehi Plant Advertisement-Baby Food Advertisement-Bells Advertisement-Bicycles Advertisement-Cameras Advertisement-Childrens Books Advertisement-China/Dishes/Table Settings Advertisement-Cook Ware Advertisement-Dolls Advertisement-Farm Equipment Advertisement-Flags Advertisement-Gardens/Tools/Equipment Advertisement-Groceries/Food Advertisement-Harps Advertisement-Horse and Buggies Advertisement-Kitchen Appliances Advertisement-Meats Advertisement-Medical Conditions Advertisement-Medical Hygiene Products Advertisement-Mens Clothing/Style Advertisement-Musical Instruments Advertisement-Pest Control Advertisement-Pianos Advertisement-Poems about Children Advertisement-Poultry-Chickens/Turkeys Advertisement-Railroads Advertisement-Rugs/Flooring Advertisement-Sewing Machines Advertisement-Silverware Advertisement-Socks/Hose Advertisement-Shoes Advertisement-Tiffanys Advertisement-Tires/Car Parts Advertisement-Travel Advertisement-Women’s Clothing/Style Airplane Flights in Lehi Airplanes-D4s Alex Christofferson-Champion Wrestler Alcohol All About Food and Fuel/Sinclair All Hallows College-Salt Lake Allred Park Alma Peterson Construction/Kent Peterson Alpine Draper Tunnel Alpine Fireplaces Alpine School Board-Andrew Fjeld Alpine School Board-Donna Barnes Alpine School Board-Kenneth Whimpey Alpine School Board-Thomas Powers Alpine School Board-William Samuel Evans Alpine School District Alpine Soil/Water Conservation District Alpine Stake Alpine Stake Tabernacle Alpine, -
Utah-Cultural Resources Series No. 7: John Jarvie of Brown's Park
BLM Cultural Resource Series: Utah-Cultural Resources Series No. 7: John Jarvie of Brown's Park John Jarvie of Brown's Park BLM Cultural Resources Series (Utah: No. 7) JOHN JARVIE OF BROWN'S PARK By William L. Tennent 1981 Reprinted July 1982 September 1984 Bureau of Land Management - Utah Cultural Resources Series No. 7 TABLE OF CONTENTS ut/7/index.htm Last Updated: 21-Nov-2008 http://www.nps.gov/history/history/online_books/blm/ut/7/index.htm[10/4/2012 3:07:11 PM] John Jarvie of Brown's Park (Table of Contents) John Jarvie of Brown's Park BLM Cultural Resources Series (Utah: No. 7) TABLE OF CONTENTS Cover Foreword Editor's Note Research Background Introduction Chapter I: Brown's Hole 1825-1871: Explorers, Traders, and Mountain Men Chapter II: Brown's Park 1871-1913: The Good, The Bad, and The Beautiful Chapter III: John Jarvie Chapter IV: Site Inventory References Sources Consulted PHOTOGRAPHS 1. Uncle Jack Robinson, trader at Fort Davy Crockett 2. Kit Carson, hunter for Fort Davy Crockett 3. Joe Meek, Brown's Park fur trader 4. Sam Bassett, early Brown's Park settler 5. John Wesley Powell 6. Members of Powell's 1871 expedition departing Green River, Wyoming 7. Parsons' Cabin, Brown's Park's first post office 8. Dr. John Parsons 9. Mr. and Mrs. Charlie Crouse http://www.nps.gov/history/history/online_books/blm/ut/7/contents.htm[10/4/2012 3:07:12 PM] John Jarvie of Brown's Park (Table of Contents) 10. Herbert Bassett 11. Josie Bassett and Herbert Bassett at the Bassett Ranch 12. -
Did They Die with Their Boots On? Leonard John Lanier One of The
Did They Die With Their Boots On? Leonard John Lanier One of the more popular movies of the 1960s was the flick Butch Cassidy and the Sundance Kid , which featured Paul Newman and Robert Redford as the two titled Western outlaws. The film portrays the careers of Butch and Sundance, and how they were forced by the law to leave the Wild West for South America. In the last scene of the movie, the two bandits are shown surrounded by a bunch of South American soldiers after a robbery-gone-bad. Facing capture and extradition to the United States, the two badmen charge out of their hiding place, guns firing away. The film stops there, giving the impression that the two outlaws died in a blaze of glory with their boots on. However, did the real Butch Cassidy and Sundance Kid meet their end in some one-sided shootout in South America? Members of both men’s families, as well as some historians, believe that the two men survived the shootout and later returned to the United States. A number of men have claimed to be the notorious outlaws, the most credible being a machine-shop owner by the name of William Phillips who said he was really Butch Cassidy. Based on the available information, the debate could go either way. Butch Cassidy and the Sundance Kid both came from respectable families that were trying to make a living on the wild American frontier of the nineteenth century. Butch, born Robert LeRoy Parker, was actually the grandson of one of the original bishops of the Mormon Church (Editors 91). -
Hippies, Ballots and I Ching: LETTERS Connecting with the Land In
PK-18 THE AMERICAS Peter Keller is a Forest & Society Fellow of the Institute, studying and writing about national ICWA and private parks in Chile and Argentina. Hippies, Ballots and I Ching: LETTERS Connecting with the Land in Since 1925 the Institute of Argentine Patagonia Current World Affairs (the Crane- By Peter Keller Rogers Foundation) has provided OCTOBER, 2001 long-term fellowships to enable EPUYÉN, Argentina–“I thought we were on the verge of a nuclear disaster,” said outstanding young professionals Danny Olivet, nonchalantly. “Our idea was to train ourselves to be self-sufficient to live outside the United States for food, shelter, etcetera — the basic necessities.” For Olivet, who was 24 at the and write about international time, preparing himself meant moving from Buenos Aires to the countryside. In areas and issues. An exempt 1975, Olivet, his wife and their first child arrived in a quiet Patagonian valley operating foundation endowed by under the shadows of the Andes. Here, in Epuyén, they began to put their self- the late Charles R. Crane, the sufficiency ideas to work. They purchased a chacra (farm) and began working the Institute is also supported by land. A half dozen other families arrived in the mid-70s with similar purposes contributions from like-minded and perspectives. They were characterized by their VW kombi vans, long hair individuals and foundations. and earrings, and were proponents of a “back to the land” ethic. For lack of a better word, locals acceptingly called these newcomers ‘hippies.’ Arrival of the hippie movement in Argentina centered itself in the Comarca TRUSTEES Andina area, which includes the Andean communities of El Bolsón (pop. -
2020-East-Bay-Historia-Vol-4.Pdf
East Bay Historia California State University, East Bay History Department Journal Volume 4, 2020 An annual publication of the Department of History California State University, East Bay ii iii To all the workers providing essential services to their communities during the COVID-19 pandemic of 2020. Thank you. “Man should be better than monsters. Ah, but who are the monsters?” -Guillermo del Toro iv History Department California State University, East Bay 25800 Carlos Bee Boulevard Student and Faculty Services, Room 442 Hayward, California, 94542 (510) 885-3207 East Bay Historia is an annual publication of the California State University, East Bay (CSUEB) Department of History. It aims to provide CSUEB students with an opportunity to publish historical works and to give students the experience of being on an editorial board and creating and designing an academic journal. Issues are published at the end of each academic year. All opinions or statements of fact are the sole responsibility of their authors and may not reflect the views of the editorial staff, the History Department, or California State University, East Bay (CSUEB). The authors retain rights to their indi- vidual essays. East Bay Historia’s mission is to promote the study of history at CSUEB, give history majors and non-history majors alike opportuni- ties to express their passion for the subject, and to empower students, faculty, and staff who are studying or are interested in history. Cover photo by Jackson Keen This publication uses sans serif fonts and increased line spacing in order to increase accessibility for dyslexic readers. Copyright © 2020 by California State University, East Bay Department of History https://www.csueastbay.edu/history/east-bay-historia.html All rights reserved. -
Owen Wister's Virginian and the Canadian-American Frontier
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2015-11 The cowboy legend : Owen Wister’s Virginian and the Canadian-American frontier Jennings, John University of Calgary Press Jennings, J. "The cowboy legend : Owen Wister’s Virginian and the Canadian-American frontier." West series; 7. University of Calgary Press, Calgary, Alberta, 2015. http://hdl.handle.net/1880/51022 book http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca THE COWBOY LEGEND: OWEN WISTER’S VIRGINIAN AND THE CANADIAN-AMERICAN FRONTIER by John Jennings ISBN 978-1-55238-869-3 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright.