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Año 11 / Nº 55 Febrero / Marzo 2019

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Año 11 / Nº 55 Febrero / Marzo 2019 Año 11 / Nº 55 Febrero / Marzo 2019 Bariloche - Patagonia / Distribución gratuita Historia de una ciudad - Pablo Cortondo en ARTE Y OFICIO páginas 18 a 22 Editorial La revista del toDO Sumario Queridos amigos: Archivo Visual Patagónico Pág. 2 En busca de los registros sensibles La historia, la cultura, el arte y la literatura de nuestra patagonia vuelven a darse cita en este N° 55 Por Hans Schulz y Federico Silin de Revista TODO, dándole forma al abanico habitual de contenidos con el que esperamos refrescar y nu- Salud, Ciencia y Conciencia Pág. 8 trir la despedida del verano y la bienvenida al otoño. Plantas para mirar mejor A la vera de El Fogón del Encuentro el Movimiento Carnavalero Bariloche nos pone en sintonía con la Por Sara Itkin tradicional fiesta popular que vivirá nuestra ciudad del 2 al 5 de marzo. Un relato imperdible del reco- El Fogón del Encuentro Pág. 11 nocidísimo escritor chubutense David Aracena se suma a las –ya antológicas– Paginas Patagónicas. Movimiento Carnavalero Bariloche Sugestiva y enigmática, la exploración pictórica del Por Sebastián Carapezza maestro Pablo Cortondo engalana nuestra galería de Arte y Oficio. Y como siempre los registros fo- Arte y Oficio Pág. 18 tográficos históricos seleccionados por Federico Silin y amplificados textualmente por Hans Schulz, Pablo Cortondo la sabiduría natural y práctica compartida genero- San Carlos de Bariloche samente por la doctora Sara Itkin, y más historias, cuentos y recetas para disfrutar el final del tiempo Páginas Patagónicas Pág. 23 estival y templar los corazones. Hasta el otoño en- tonces y ¡qué lo disfruten! La casa Por David Aracena El equipo de Revista Todo Hombres y Mujeres de mi Tierra Pág. 27 Butch Cassidy, Sundance Kid y Etta Place STAFF Por Carlos Beratti Todos los Chicos Pág. 31 Dirección General: Roberto Juan Gilio Dirección Editorial: Sebastián Di Silvestro Juegos, curiosidades Dirección Comercial: Irene Peralta y cuentos para pensar… Escriben en este número: Hans Schulz, Sara Itkin, Sebastián Carapezza, Raúl Catalá, María Laura Ferrari, El potrillo Roano David Aracena, Carlos Beratti, Benito Lynch, Cholo Pereira e Irene E. Peralta. Benito Lynch Colaboraron con este número: Claudio Paz, Javier Olavarría, Marianella, Alexa, Pachi, María Laura Ferrari, Costumbres del Sabor y del Saber Pág. 36 Pablo Cortondo, Federico Silin, Karina Laguzzi y Laura Delicias al aire libre García Rodríguez. Ilustración: Martín Chirulo Por Cholo Pereira Redacción y Corrección: Raúl Catalá Galletitas saladas libres de gluten Producción Editorial: EDICIONES PATAGONIA ESCRITA Diagramación: DIDOT/diseño & diagramación Por Irene Enriqueta Peralta Impresión: Arcángel Maggio / Lafayette 1695 (C1286AEC) Buenos Aires - Argentina Cartas de Papel Pág. 39 Propietario de la Publicación: Quetrihué S.A. Dirección: Luis Piedrabuena 5152 – Bariloche / Río Negro La Página de Chirulo Registro de la propiedad intelectual Nº 57634478 2 Archivo Visual Patagónico En busca de los registros sensibles “Nada es objetivo en el mundo (…) todo está cargado de subjetividades y sentidos. Una fotografía aislada tiene un significado, una fotografía incluida en una secuencia de un álbum familiar, otro.” Por Hans Schulz y Federico Silin Envueltos en debates y cavilaciones sobre nues- las apariencias instantáneas”. Porque es el contexto tro pasado, presente y futuro terminamos el 2018 y el que les agrega significado, el contexto histórico en estamos comenzando a transitar el 2019. Mirar ha- que fue tomada la fotografía y el contexto cultural y cia atrás también implica reflexionar sobre el futuro, acaso familiar que influye sobre la mirada de aque- porque es una práctica cultural que nos confronta llos que la miran. Tampoco debemos olvidar que con con lo que alguna vez fuimos y quisimos ser como el correr de los años el contexto natural y nuestras sociedad y lo que tal vez ya no somos. Estamos ha- percepciones de la naturaleza que nos rodea tam- blando de Bariloche, claro está, y de la región toda. bién han mutado. Basta con observar los registros Nosotros y la historia, cuando nos dirigimos al históricos de décadas anteriores para percibir la pre- pasado, nos internamos en un país extraño y al ha- sencia omnipresente del paisaje vacío de gente y de cerlo muchas veces prima la imaginación y las sub- las distracciones citadinas actuales. Y a veces tam- jetividades personales. ¿Habrá sido así realmente la bién vacío de bosques. ¿Es el mismo espacio geográ- vida cotidiana de nuestros padres y abuelos? ¿Fue fico? ¿La misma naturaleza? tan apacible el lento transcurrir de los días de aquel Nada es objetivo en el mundo de los hombres pueblo que ya no existe? ¿Qué significaba ser feliz y las mujeres, todo está cargado de subjetividades en aquellos tiempos? y sentidos. Una fotografía aislada tiene un signifi- Con el transcurrir de los años de ese país extra- cado, una fotografía incluida en una secuencia de ño solo quedan recuerdos que se han almacenado un álbum familiar, otro. Por esa razón el trabajo de en nuestras almas y algunos pocos indicios, que nos búsqueda y clasificación de documentación revis- llegan en forma de cartas, diarios personales, tal vez te tanta importancia. Precisamente este espacio de algún libro y muchas veces fotografías, las cuales se- la revista está abocada a la difusión de los regis- gún John Berger, “no conservan el significado, sólo tros visuales de Bariloche, la región, y también de la Lago Nahuel Huapi agitado Ca. 1930 – Foto Pablo Mange (hijo) – Colección Mange en AVP Archivo Visual Patagónico 3 Federico ¿cómo comenzó la idea del Archivo Visual Patagónico? Lo que hoy es el Archivo Visual Patagónico co- menzó en el 2003 como un trabajo de recopilación de fotografías que remitieran al pasado pionero de Bariloche para una tesis de estudio. La idea en ese entonces era poder recrear fielmente los escenarios históricos para una tesis de animación. Así nació. Una de las primeras personas que contacté fue a Fernando Capraro, biznieto de Primo Capraro, junto a otras familias vinculadas a la historia y la cultura de Bariloche y la región que también estaban nombra- das en el libro “Bariloche mi pueblo” de Vallmitjana. Fue abrir la guía telefónica para contactarme con esos apellidos como Capraro, Pefaure, Luelmo y Frey entre otros. Gracias a un acuerdo que tuve con el Archivo Documental del Museo de la Patagonia para concretar esa tesis pude también escanear ál- bumes históricos como el de la Chile-Argentina, la colección Moreno, la colección Gallardo, Meelbom, Alcoba Pitt. Luego finalmente participé en un pro- yecto del Museo para poner en valor la colección de Emilio Frey. Esquiadores en el Cerro Catedral Ca. 1942 – AGN Y las familias de Bariloche pusieron su parte ¿verdad? Patagonia toda. Es por eso que me pareció oportu- no que Federico Silin nos cuente detalles de su ac- Si, porque comencé a entrevistarme con familias tividad y de su recorrido en la búsqueda y el análisis que tenían valiosa documentación visual y muchas del material fotográfico que rescata del olvido, en de ellas a su vez intermediaban con otras familias muchos casos luego de que este haya permanecido para poder acceder a sus álbumes. Todo se fue dan- oculto en cajas, armarios y altillos de nuestra ciudad. do muy naturalmente. En ese tiempo también for- Alrededores de Bariloche – Año 1935 – Colección Ponzinibbio en AVP 4 Archivo Visual Patagónico Puerto Tigre y Lago Nahuel Huapi Ca. 1930 Vista del C° Capilla desde Bahía López Colección Rothlisberger en AVP Año 1938 – Colección Reichart en AVP mé parte de la Comisión de Patrimonio Histórico de El proceso de digitalización requiere trabajar muy Bariloche y comencé a registrar la obra construida y delicadamente con los registros individuales y los ál- a ayudar a actualizar los inventarios de patrimonio. bumes. En mi caso escaneo con un escáner fotográ- Todo de alguna forma estaba relacionado. Mientras fico especial para poder recuperar las fotografías yo avanzaba con estas actividades también me rela- en todos sus detalles. También recorto y encuadro. cionaba con las familias vinculadas a estas viviendas Concluido el trabajo a las familias les comparto una y así se fue dando forma al archivo que voy clasifi- copia de cada imagen en alta calidad para que pue- cando con el nombre de cada familia. El trabajo res- dan disponer de ella. El archivo que está en flickr ponsable con el material también me ha ayudado a permite la descarga en diferentes pasos. Yo conservo generar confianza para poder seguir completando copias en alta definición que llegan a 4800 dpi. Otra el archivo. Las fotografías individuales también tie- de mis herramientas son contraprestaciones, concre- nen sus respectivas referencias. tadas con hoteles que llevan a cabo proyectos de re- cuperación histórica, con la intención de ofrecerles a ¿Cuáles son los aspectos técnicos de tu actividad? los turistas otros significados culturales de nuestra re- Excursión al Cerro Tronador Ca. 1938 – Foto Heriberto Reichart – Colección Reichart en AVP Archivo Visual Patagónico 5 Botadura de la Modesta Victoria Enrique Lunde en la Ea. La Primavera – Año 1937 Año 1938 – Colección Rothlisberger en AVP Foto H. Reichart – Colección Reichart en AVP gión. Estos intercambios me permiten mantener el ar- del material uno también puede ver los cambios que chivo de acceso público actualizado con tecnología. se fueron dando en el tiempo en relación a la foto- grafía, desde una práctica más bien de elite hasta su ¿Te siguen sorprendiendo las fotografías después difusión popular y desde el proceso químico primi- de tantos años de trabajo? tivo hasta los nuevos revelados. Y a lo familiar se le suma también todo ese mundo de las postales que Claro que sí. Porque además a medida que el se enviaban masivamente porque era más económi- Archivo se va ampliando con nuevos registros –a los co que enviar cartas. que se suman las conversaciones con los descen- dientes– se va conformando un rompecabezas histó- ¿Y qué es lo que más te sorprende en cuanto al rico interminable.
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