DOCSLIB.ORG

18 Festival Internacional De Cine Lésbico Gai Y Transexual De Madrid

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
18 Festival Internacional De Cine Lésbico Gai Y Transexual De Madrid FestivalFestival InternacionalInternacional dede cinecine lésbicolésbico gaigai yy transexualtransexual dede MadridMadrid 18 3131 dede OctubreOctubre alal 1010 dede NoviembreNoviembre dede 20132013 Sedes Ateneo de Madrid / Sala Berlanga / Casa de América / Cineteca / Club 33 / DLRO Live / 800 Madrid / UCM Equipo LesGaiCineMad / LesGaiCineMad’s Team Director: Gerardo José Pérez Meliá Equipo Festival Cin-Derechos LGBT: Alfredo Pazmiño / Productor / Producer: Lucas Casanova Adolfo Moreno / Marta Jenn www.alandalesgay.com Asistente de producción / Production Assistant: Apoyo a Festivales LGBT en Latinoamérica / Latin Andrés Couceiro Arroyo American LGBT Festivals Support: Dirección Artística / Artistic Direction: Miguel Lucas Casanova Lafuente Medios Oficiales / Official Media Partners: Odisea Asistente de Programación / Programming Assistant: www.odiseaeditorial.com Paula Bodelón InOut Post www.inoutpost.com Director Gala y Relaciones Públicas / Opening Gala Equipo Fundación Triángulo Madrid / Triángulo Director and PR Manager: Víctor Huedo Plaza Foundation Madrid Team: Responsable Area Mujer / Women Area Manager: Programadores / Programmers: Miguel Albertos / Inma Esteban González Alvaro Bellido / Luigi Casadevante / Sara Cobo / Gina Reponsable Area Educación y Voluntariado / Collantes / Andrés Couceiro Arroyo / Giorgia di Lorenzo Education and Volunteer coordinator: Victor Huedo / Jose Carlos Elvira / Tania Galán / Alvaro GM / Daniel Plaza Mancia / Nazaret On / Borja Rausell / Álvaro Rodríguez / Coordinador Área Trans / Trans Area Coordinator: Roberto Solone Boccardi Alex David Sánchez Coordinador de Voluntarios / Volunteer’s Equipo de Salud / Health Team: Jesús Gómez, Henry Coordinator: Alejandro Larrea Puerto Escobar, Guillermo López, Sabina Gutiérrez, Ana Flerida Escudero, Jorge Alamo, Daniel Nuñez, Gerjo Pérez Meliá Dirección de Comunicación / Communication: Área Psicología / Psicology Area: Alberto Tarriño / Natacha Nazer Miguel Gurios Redes Sociales / Community Manager: Javier Ortega Área Legal/ Legal Area: Andres Diaz Barbero / Carolina Benavente Logística de copias / Print traffic: Javier Haba /Jorge Área cooperación internacional / International Alamo Barroso Cooperation Area: Susana Diaz Fonseca / Aida Sanz / Imagen del Festival / Festival Image: João Paulo Tiago Lidia Fernandez / Silvia Tostado Calvo Departamento de Gestión / Management Catálogo / Catalogue: Alvaro Bellido/ Paula Bodelón Department: Ruben Vil / Bridel Iván Sánchez / Andrés Couceiro / Miguel Lafuente / José Mutante / www.fundaciontriangulo.org/sedes/sede-madrid Álvaro Rodríguez www.fundaciontriangulo.es Traducciones Catálogo / Catalogue Translations: www.odiseaeditorial.com Jeffrey Frey / Juan Sanz Botín / Stefan Fior / Elizabeth Patronato de la Fundación Triángulo / Triángulo Eymann / María Amor Martínez Foundation Board Members: Control de Gestión y estadísticas / Administrative José María Núñez Blanco control and statistics: Pedro Antonio Pérez Fernández / Gerardo José Pérez Meliá Luigi Casadevante Miguel Ángel Sánchez Rodríguez Raúl González del Río Coordinador Actividades Académicas /Academic Marina Sáenz Activities Coordinator: Fran Zurian www.fundaciontriangulo.org Diseño y Maquetación / Design and Layout: Martín LesGaiCineMad es miembro de / LesGaiCineMad is Casanova member of: FILMAD www.filmad.org / CineLGBT Subititulado / Subtitling: Tripio www.cinelgbt.com Equipo Cinhomo: Morgan López, Ma. Luisa López y El equipo de este Festival está compuesto en un Yolanda Rodríguez www.cinhomo.com 98 % por gente que dona su tiempo para hacerlo Director Fancinegay: Pablo Cantero Garlito posible. Gracias a esta colaboración desinteresada www.fancinegay.com puedes disfrutar nuevamente de LesGaiCineMad Director Al-Andalesgay: Raúl González / The Festival team is 98% people donating their www.alandalesgay.com time to make it possible. Thanks to this generous collaboration you can enjoy LesGaiCineMad again. 2 EQUIPO Contenidos / Contents Introducción / Introduction Programación / Programming 04 Colaboradores / Collaborators 06 Otros Festivales de la Fundación Triángulo / Other Fundación Triángulo Film Festivals 08 Red CineLGBT / CineLGBT Network 09 Sedes / Venues 10 La educación no cambia el mundo, cambia a las personas que van a cambiar el mundo / Education does not change the world, it changes the people who are going to change the world (Silvia Tostado Calvo) 12 El león, la bruja y el armario / The Lion, the Witch and the Closet (Gerjo Pérez Meliá) 13 Fotos del equipo / Team’s Pictures 14 Sueño de ilustrador / An illustrator’s dream 16 Sesiones Especiales / Special Sessions 18 Actividades Paralelas / Parallel Activities 18 Gala del 18º LesGaiCineMad / 18th LesGaiCineMad Gala 19 Actividades académicas / Academic activities 20 Premios / Awards 21 Películas en castellano en el LesGaiCineMad / Spanish Films at LesGaiCineMad 22 Jurado / Jury 24 Sección Oficial Competitiva / Official Competitive Section Largometrajes / Feature films 29 Documentales / Documentaries 57 Cortometrajes / Short Films 95 Videoarte / Videoart 137 Retrospectiva / Retrospective 151 Agradecimientos / Acknowledgements 169 Índice por película / Index by film title 170 CONTENIDOS 3 Sedes Horarios Jueves 31 Viernes 01 Sábado 02 Domingo 03 Lunes 04 Martes 05 Miércoles 06 Jueves 07 Viernes 08 Sábado 09 Domingo 10 17:00 • Todo el mun- • La Pasión de • Cloudburst • Aynehaye • Jag är rund do tiene alguien Verónica Videla Rooberoo (Fa- • Margarita menos yo de Mendoza cing Mirrors) 19:00 • Who’s afraid • Dvojina • Jag är rund • Du Bunui Gyul- • G.B.F. of Vagina Wolf? (Dual) • Margarita honsikgwa Han ATENEO DE Bunui Jangryesik MADRID (Two Weddings (Largometrajes and a Funeral) y Cortometrajes) 21:00 • About Cherry • Aynehaye • Waiting • About Cherry • Submerge Rooberoo (Fa- • Stud Life cing Mirrors) 23:00 • Cloudburst • Submerge • A Last Farewell • Matterhorn 16:00 • Hawaii • Solo • Du Bunui Gyul- honsikgwa Han Bunui Jangryesik (Two Weddings and a Funeral) 18:00 • Solo • Pensando en mí • G.B.F. • Waiting • Pensando en mí • Submerge • A Last Farewell • Monster Pies • Stud Life • Monster Pies • Matterhorn 20:00 • G.B.F. • Du Bunui Gyul- • Let My • LesGaiCineEspa- • Todo el mundo • Cloudburst • Who’s afraid SALA BERLANGA honsikgwa Han People Go! ña (Sesión especial tiene alguien of Vagina Wolf? (Largometrajes Bunui Jangryesik de cortometrajes menos yo (con la presencia y (Two Weddings españoles) de Anna Marga- Cortometrajes) and a Funeral) rita Albello) 22:00 • Ignasi M. • Let My • A Last Farewell • Hawaii • Dvojina (Dual) • Let My • Jag är rund • Gerontophilia People Go! • Matterhorn People Go! • Margarita (con la presen- cia de Bruce Labruce) 00:00 • Pensando • In their Room • Gerontophilia en mí London • Monster Pies • Interior. Leather Bar 18:00 • Diversidad • Quebranto • Diversidad con • Quebranto con Ñ (cortome- Ñ (cortometrajes ASA DE trajes de ficción de ficción y C y documentales documentales AMÉRIca iberoamericanos) iberoamericanos) (Cine Iberoamericano) 20:00 • Solo • La Pasión de • Todo el mun- • Hawaii Verónica Videla do tiene alguien de Mendoza menos yo 16:00 • GaiCineCorto • United in • LesCineCorto • Queer • Jobriath A.D. (Cortometrajes Anger (Cortometrajes de Artivism de temática gai) temática lésbica) CINETEca (Documentales y Cortometrajes) 18:00 • Valentine • Jobriath A.D. • Straight with • I am Divine • LesGaiCineEs- Road you paña (Sesión es- • Intersexion pecial de cortome- CINETEca trajes españoles) (Documentales y Cortometrajes) 20:30 • Love and • Born Naked • Born Naked (S)Laughter (programa de cor- tometrajes norue- gos presentados por Bard Ydén del Skeive Filmer de Oslo) 22:30 • I am Divine • In their Room • Valentine • United in London Road Anger • Interior. Leather Bar 21:30 • Arte gay • Mr. Angel busca casa DLRO LIVE (Documentales y 23:00 TransDocuMad: • Maduros • Oscillare • The Invisible Cortometrajes) • Transformers Men • Chuppan Chuppai 20:00 • GaiCineCorto • Straight with • LesCineCorto TransDocuMad: (Cortometrajes you (Cortometrajes • Oscillare de temática • Intersexion de temática • Transformers gai) lésbica) • Chuppan CLub 33 Chuppai (Documentales y Cortometrajes) 22:00 • Maduros • Dildotettonica • Dildotettonica • Queer • The Invisible per principianti per principianti Artivism Men • Mi sexualidad • Mi sexualidad es una creación es una creación artística artística 20:00 • Mr. Angel • LesGaiCineArte • In their Room • LesGaiCineArte 800 MADRID (Cine experimen- London (Cine experimen- (Cortometrajes, tal de temática • Interior. tal de temática Documentales y lésbica y gai) Leather Bar lésbica y gai) Videoarte) 11:00 • Love and • Kuchus of • Els 5QKs (S)Laughter Uganda (con (Cine marica de (programa de cor- la presencia de la Transición) UCM - SALA tometrajes norue- activistas LGBT NARANJA gos presentados de Sierra Leona (Documentales y por Bard Ydén del refugiados en Cortometrajes) Skeive Filmer de España) Oslo) Colaboradores / Collaborators Financiado con el aporte de / Funded by Apoyo Institucional / Institutional Support Patrocinadores / Sponsors Medios Oficiales / Official Media Bar Oficial / Official Bar Organiza / Organizes 6 COLABORADORES Colaboradores / Collaborators Festivales amigos / Festival friends Sedes / Venues Venta Anticipada / Advanced Sales COLABORADORES 7 Otros Festivales de la Fundación Triángulo / Other Fundación Triángulo Film Festivals Desde hace ya varios años, la Fundación ha abierto Since several years ago, besides the Madrid office, sedes, además de en Madrid, en Castilla y León, Ex- Fundación Triángulo opened offices in Valladolid,
Load more

Recommended publications
  • TESISBONIFAZ 27Mayo2012
    UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO PROGRAMA DE POSGRADO EN LETRAS FACULTAD DE FILOSOFÍA Y LETRAS LA POÉTICA DE LA MUERTE EN LA OBRA LÍRICA DE RUBÉN BONIFAZ NUÑO TESIS QUE PARA OPTAR POR EL GRADO DE DOCTORA EN LETRAS PRESENTA MARIBEL RUBÍ URBINA REYES TUTOR: DR. ALEJANDRO GONZÁLEZ ACOSTA COMITÉ TUTORAL: DR. SAMUEL GORDON LISTOKIN DR. VICENTE QUIRARTE CASTAÑEDA Ciudad Universitaria, junio, 2012. UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. Dedico este esfuerzo a Moisés Rodríguez, por ser mi cómplice, mi compañero, mi amor profundo e incondicional. En este viaje juntos he hallado la claridad y la fuerza internas para concluir cada ciclo. Agradezco al Dr. Alejandro González Acosta, por su amoroso apoyo y su guía en toda etapa. Gracias a su presencia, al pasar los años, me he convertido en un ser humano más completo. Agradezco al Dr. Samuel Gordon, al Dr. Vicente Quirarte, al Dr. Roberto Heredia y al Dr. Bulmaro Reyes, por su valioso acompañamiento. ÍNDICE Introducción... 1 I.
    [Show full text]
  • Lazzletter PO Box 240, Ojai CA 93024-0240 Etu2008 Vd..25 I,{A 10
    GerE Lrc ,M Libitwm & lazzletter PO Box 240, Ojai CA 93024-0240 etu2008 vd..25 I,{a 10 Anslinger was close to the Dupont family who were Pennies in a Stream opposed to the growing of hemp for the good reasons that all sorts of things can be made from it, including fabrics, in the chemical In the movies of my youth, women came in two kinds, good plastics, food, and fuels. The Duponts were was said that and bad, Madonna and Whore. The former were played by the tusiness. Anslinger lasted until1972, when it Kennedy' likes of Joan Leslie, Ann Rutherford, Gail Russell, and Janet he resigned. He had in fact been fired by Fresident "coincidences" that Blair. the latter by Lynn Bari, Nina Foch, and their wicked ilk. It is just another of those inconvenient Young mothers produced their progeny without Kennedy and Connally were shot together. preliminary protrusion and when the wife had to tell the The songs of the time reinforced the idea of Innocence Pearl Bailey was husbafrd that she was, in the ancient euphemism, in a family and Experience. Singers too were typecast. Anita O'Day was way, she could not say so directly. She would say something suggestive; Ella Fitzgerald was Innocent. Niessen was allusive, and the poor sap who had got her that way, would outright bad, as she was in real life; Gertrude what for reply, wide-eyed, "You mean, you're . uh, you mean we're naughty, singing I Wanna Get Married, containing in pajama going to . ?" In obedience to the movies' morality code, of the period was a pretty racy 1ine, "I wanna sleep her the time, husbands and wives wore pajamas or nightgowns tqps." Doris Day was Innocent, longing to make Les Brown' and occupied twin beds, although every kid in the world knew Sentimental Journey, written by her boss.
    [Show full text]
  • FIN Atlantic International Film Festival Announces Full Festival Program for Event, Sept
    For Immediate Release Wednesday, August 15, 2018 FIN Atlantic International Film Festival announces full festival program for event, Sept. 13 - 20 in Halifax (Halifax, NS) – FIN Atlantic International Film Festival announced its full program today, ​ ​ ​ ​ featuring over 125 film screenings and a full slate of special events, to be presented over eight days in Halifax, September 13-20. "Bingeing has become the term for spending countless hours watching television but truth be told - film festivals have always been the ‘binge’”, said Wayne Carter, Executive Director. “The best way to experience the magic of a film festival is specifically to buy a pass and spend an extended amount of time seeing films, documentaries and shorts that will surprise, enlighten and entertain you. So this is our invitation this year - binge on us! We are even going to make it easy with daily passes that are an excuse to skip work and all your responsibilities of the day and get lost in ideas and excitement. And this year we have excitement!” The Opening Night Gala returns to the Rebecca Cohn Auditorium at the Dalhousie Arts Centre ​ ​ on Thursday, September 13 at 7 p.m. Splinters, directed by celebrated Halifax filmmaker Thom ​ ​ Fitzgerald, has been selected as the Festival’s Opening Night Gala presentation. Splinters tells ​ ​ the story of Belle as she returns to her parents’ apple orchard in Nova Scotia for her father’s funeral. Having caused her mother, Nancy, considerable consternation when she came out as a lesbian in her teens, Belle is now desperate to keep her secret two-year relationship with a man secret.
    [Show full text]
  • HBO Documentary Films, Automat Pictures and PRO-FUN MEDIA Present VITO
    HBO Documentary Films, Automat Pictures and PRO-FUN MEDIA Present VITO ©2011, Automat Pictures Inc. / PRO-FUN MEDIA GmbH TIP SHEET Title Vito Genre Documentary Running Time 93 Minutes Format HDCam Copyright 2011 Producer / Director Jeffrey Schwarz Executive Producer Bryan Singer Co-Producers Philip Harrison, Lotti Pharriss Knowles Editor Philip Harrison Director of Photography David Quantic Composer Miriam Cutler Associate Producers Jon Glover, Adam Robitel, Taryn Teigue Logline The story of Vito Russo, founding father of the gay liberation movement, author of “The Celluloid Closet,” and vociferous AIDS activist in the 1980s. Short Synopsis In the aftermath of Stonewall, a newly politicized Vito Russo found his voice as a gay activist and critic of LGBT representation in the media. He went on to write “The Celluloid Closet,” the first book to critique Hollywood’s portrayals of gays on screen. During the AIDS crisis in the 1980s, Vito became a passionate advocate for justice via the newly formed ACT UP, before his death in 1990. Contact Info PRO-FUN MEDIA GmbH Rödelheimer Landstr. 13 A D-60487 Frankfurt am Main Tel.: +49 69 707677–0 Fax: +49 69 707677–11 E-Mail: [email protected] ©2011, Automat Pictures Inc. / PRO-FUN MEDIA GmbH VITO SYNOPSIS On June 27, 1969 a police raid on a Greenwich Village gay bar called the Stonewall took a surprising turn when patrons decided it was time to fight back. As a riot erupted on Christopher Street, a new era in the Gay Rights Movement was born. Vito Russo, a 23-year-old film student, was among the crowd.
    [Show full text]
  • Tab Hunter Confidential, LLC
    Tab Hunter Confidential, LLC. “TAB HUNTER CONFIDENTIAL” FEBRUARY 25, 2015 TRANSCRIBED BY: WORD OF MOUTH (RL) [00:00:26] TAB HUNTER : I would go out occasionally to a cocktail party and I was fascinated by all of what I saw there. There were a few guys dancing with a few guys, a couple of gals dancing with a couple of gals. It was just a party and people were dancing and having a good time. Parties like this were illegal. [00:00:53] And then the next thing I know the cops came in. Doors burst open, there they were. They were arresting a bunch of, uh, queers. They took us down to the police station. You know, I thought oh my God, this is terrible. I thought what would my mother think of my being arrested? Will it affect this career that I’m trying to get started in motion pictures? [00:01:27] An attorney, Harry Weiss appeared. He was well known for taking care of situations like that with many, many Hollywood people. He said you gotta be a lot sharper than you are. You’re in Hollywood now, you want to be an actor, and really laid down the Tab Hunter Confidential - 2 law to me. And then I was released. I had no idea it was gonna jump up and be thrown out at me years later. [00:01:57] [FILM CLIP] DICK CLARK : Here’s the young fellow you’ve been waiting for. Ladies and gentleman, Tab Hunter. VOICEOVER : Six feet of rugged manhood to stir the heart of every woman.
    [Show full text]
  • The Culture of Queers
    THE CULTURE OF QUEERS For around a hundred years up to the Stonewall riots, the word for gay men was ‘queers’. From screaming queens to sensitive vampires and sad young men, and from pulp novels and pornography to the films of Fassbinder, The Culture of Queers explores the history of queer arts and media. Richard Dyer traces the contours of queer culture, examining the differ- ences and continuities with the gay culture which succeeded it. Opening with a discussion of the very concept of ‘queers’, he asks what it means to speak of a sexual grouping having a culture and addresses issues such as gay attitudes to women and the notion of camp. Dyer explores a range of queer culture, from key topics such as fashion and vampires to genres like film noir and the heritage film, and stars such as Charles Hawtrey (outrageous star of the Carry On films) and Rock Hudson. Offering a grounded historical approach to the cultural implications of queerness, The Culture of Queers both insists on the negative cultural con- sequences of the oppression of homosexual men and offers a celebration of queer resistance. Richard Dyer is Professor of Film Studies at The University of Warwick. He is the author of Stars (1979), Now You See It: Studies in Lesbian and Gay Film (Routledge 1990), The Matter of Images (Routledge 1993) and White (Routledge 1997). THE CULTURE OF QUEERS Richard Dyer London and New York First published 2002 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor and Francis e-Library, 2005.
    [Show full text]
  • Estudios Sobre Miguel Servet II
    Estudios sobre Miguel Servet (II) Introducción a cargo de Sergio Baches Opi Emilio Campo Fernando Fuentes Daniel Moreno Julio Salvador Encarnación Ferré Alejandro Vicente I.E.S. MIGUEL SERVET © LOS AUTORES Cubierta: David Pérez e Ignacio Cólera Edita: I.E.S. Miguel Servet. Zaragoza Depósito Legal: Z-2198-2006 Imprime: Huella Digital S. L. Zaragoza, julio de 2006 ESTUDIOS SOBRE MIGUEL SERVET II CONTINUA LA SERIE COMENZADA EN 2004 CON LA INTENCIÓN DE RECOGER TRABAJOS DE INVESTIGACIÓN Y DIVULGACIÓN ELABORADOS POR PROFESORES Y ALUMNOS DEL INSTITUTO “MIGUEL SERVET”. EL OBJETIVO ES EL MISMO: CONVERTIR AL I.E.S. “MIGUEL SERVET” EN UN FOCO PERMANENTE DE INVESTIGACIÓN DEDICADO A ESTUDIAR LA ÉPOCA, LA VIDA Y LA OBRA DEL GRAN HUMANISTA EUROPEO QUE DA NOMBRE AL CENTRO. LOS AUTORES Sumario i Introducción a cargo de Sergio Baches Opi 1 La organización de la sociedad civil por Calvino Emilio Campo Angulo 17 Miguel Servet y la herencia del método Fernando Fuentes Gorgas 49 Servet y Calvino: un diálogo a muerte Daniel Moreno Moreno 87 La muerte en los labios, de José Echegaray: Una visión neorromántica de Miguel Servet Julio Salvador Fernández 105 El erasmismo, la doctrina perseguida Alejandro Vicente Carrillo 115 PUBLICACIONES: Miguel Servet. Destino entre la sangre y el fuego (Montaje radiofónico) Encarnación Ferré 129 Anexo bibliográfico Introducción En el verano del año 2005, cuando visité la sede de la Unitarian Universalist Society en Boston, tuve la suerte de entrevistarme con el Reverendo Peter Hughes; en la actualidad, uno de los principales estudiosos de la obra de Miguel Servet. Como no podía ser de otro modo, el tema de nuestra conversación giró entorno a Servet.
    [Show full text]
  • Ficm Cat16 Todo-01
    Contenido Gala Mexicana.......................................................................................................125 estrenos mexicanos.............................................................................126 Homenaje a Consuelo Frank................................................................... 128 Homenaje a Julio Bracho............................................................................136 ............................................................................................................ introducción 4 México Imaginario............................................................................................ 154 ................................................................................................................. Presentación 5 Cine Sin Fronteras.............................................................................................. 165 ..................................................................................... ¡Bienvenidos a Morelia! 6 Programa de Diversidad Sexual...........................................................172 ..................................................... Mensaje de la Secretaría de Cultura 7 Canal 22 Presenta............................................................................................... 178 Mensaje del Instituto Mexicano de Cinematografía ������������9 14° Festival Internacional de Cine de Morelia.............................11 programas especiales........................................................................ 179
    [Show full text]
  • Jerry Douglas's <I>Tubstrip</I> and the Erotic Theatre of Gay Liberation
    The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu Legitimate: Jerry Douglas's Tubstrip and the Erotic Theatre of Gay Liberation by Jordan Schildcrout The Journal of American Drama and Theatre Volume 30, Number 1 (Fall 2017) ISNN 2376-4236 ©2017 by Martin E. Segal Theatre Center From 1969 to 1974, after the premiere of Mart Crowley’s landmark gay play The Boys in the Band (1968) and before the establishment of an organized gay theatre movement with companies such as Doric Wilson’s TOSOS (The Other Side of Silence), there flourished a subgenre of plays that can best be described as gay erotic theatre. While stopping short of performing sex acts on stage, these plays featured copious nudity, erotic situations, and forthright depictions of gay desire. In the early years of gay liberation, such plays pushed at the boundaries between the “legitimate” theatre and pornography, and in the process created the most exuberant and affirming depictions of same-sex sexuality heretofore seen in the American theatre. Some of these works were extremely popular with gay audiences, but almost all were dismissed by mainstream critics, never published, and rarely revived. The most widely seen of these plays was Tubstrip (1973), written and directed by Jerry Douglas, whose career in the early 1970s was situated squarely at the intersection of legitimate theatre and pornography. An analysis of Tubstrip and its groundbreaking production history can illuminate an important but often overlooked chapter in the development of gay theatre in America. Tubstrip (which can be read “tub strip” or “tubs trip”) is a risqué farce set in a gay bathhouse, written by “A.
    [Show full text]
  • Abrir Volumen I Universidad Complutense De Madrid Facultad De Filología
    ABRIR VOLUMEN I UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA VIDA Y OBRA DE JUAN ANTONIO CASTRO ABRAHAM MADROÑAL DURÁN VOL. II TESIS DOCTORAL 1992 532 CAPITULO VI.4. LA CRÍTICA A LA CONDICIÓN HUMANA. Integran este grupo, según nuestra opinión, las obras Ejercicios en la noche(l97l), Fiebre(1974), El puñal y la hoguera(19fl), Nata batida(19T1), La espera(1978> y Los sábados sagrados(1960 incompleta). Es uno de los grupos más importantes para nosotros por la calidad de las obras en él incluidas. Todas ellas censuran un comportamiento humano, bien sea la ambición desmesurada, la envidia profesional, la maldad o el comportamento irracional y egoísta, pero siempre desde una mirada comprensiva. La validez intemporal de estas críticas quiere ser reforzada en estas obras mediante su localización fuera de España en general: Londres, Viena, Orleans, la antigua Grecia,etc. Excepcionalmente hay también aquí lugares propios de nuestro país, como los que aparecen en Nata batida, pero también en este caso la obra pretende evadirse de la circunstancia concreta y apuntar hacia el papel de la mujer en general. Estas obras son las más naturalistas que escribió nuestro autor y muchas de ellas alcanzaron los escenarios comerciales, 533 y algunas con un éxito respetable (El puñal y la hoguera le mereció al autor el prestigioso Premio Palencia y fue una de las obras de las que siempre se sintió más orgulloso). En casi todas hay un argumento lineal, en el que es muy frecuente encontrar la confusión entre realidad y ficción <Ejercicios en la noche es quizá el ejemplo más evidente, pero también se aprecia en la confusión entre locura y verdad en Fiebre y no digamos en El puñal y la hoguera).
    [Show full text]
  • * I AM DIVINE Presskit
    Automat Pictures, Inc. Presents Divine was my close friend and fearless muse. Who else could convincingly turn from teenage delinquent to mugger, prostitute, unwed mother, child abuser, fashion model, nightclub entertainer, murderess, and jailbird? All in the same movie? That’s why I am giving my full blessing to a new documentary feature film, I AM DIVINE, to be directed by award-winning filmmaker Jeffrey Schwarz. - John Waters 2 TIP SHEET Title I Am Divine Genre Documentary Running Time 85 Minutes Format HD Aspect Ratio 16:9 (1.78) Sound Stereo Lt/Rt Shooting Format Panasonic AF100, Canon 5K Mark II Editing System Final Cut Pro Copyright 2013 Producer / Director Jeffrey Schwarz Producers Lotti Pharriss Knowles, Lance Robertson, Jon Glover Editor Phillip J. Bartell Composer Michael “The Millionaire” Cudahy Co-Producers Stan Duran, Paul Marcarelli Associate Producers John Alexander Foxworth, Josh McCullough, Michael O’Quinn, Taryn Teigue, Eric Weber Logline The story of Divine, aka Harris Glenn Milstead, and how he became John Waters’ cinematic muse and an international drag icon. Synopsis I Am Divine is the story of Divine, aka Harris Glenn Milstead, from his humble beginnings as an overweight, teased Baltimore youth to internationally recognized drag superstar through his collaboration with filmmaker John Waters. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine was the ultimate outsider turned underground royalty. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture. I Am Divine is a definitive biographical portrait that charts the legendary icon’s rise to infamy and emotional complexities.
    [Show full text]
  • Mongrel Media Presents
    Mongrel Media Presents Written and directed by Thom Fitzgerald 2002 Atlantic Film Festival Winner of 4 awards, including Best Canadian Feature and Best Direction Canada, 2002, 95 minutes Distribution 109 Melville Ave. Toronto, Ontario, Canada M6G 1Y3 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com Publicity Bonne Smith Star PR Tel: 416-488-4436 Fax: 416-488-8438 E-mail: [email protected] Synopsis Set in the hauntingly beautiful city of Bucharest during a cull of stray dogs, The Wild Dogs weaves together a week in the lives of several of the city’s residents and visitors. Geordie (Thom Fitzgerald), a visiting Canadian pornographer, Bogdan (Mihai Calota), a reluctant city dog-catcher, and Nathalie (Alberta Watson), the lonely wife of a diplomat, each risks losing everything as they become embroiled in the struggles of Bucharest's abandoned children, gypsies, dogs and beggars. 2 Production Notes From the Director… “Why did I want to make a film about dogs? (furrows his brow to think, then)…I like dogs. Life has taught me that all men are dogs and all women are bitches. Not every day, of course. But often enough to make a good movie about it. When you strip away the luxuries of wealth and culture, and see people struggling to survive, it confirms that people are animals. And then if you look closer, even when they are rich and cultured, they’re still animals. I was working in Romania on a teen slasher movie. The Hollywood executives kept calling and asking for the pretty young actresses to wear tighter shirts and more make-up.
    [Show full text]