Nesta Webster, French Revolution, Secret Societies
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Populist Discourse in the French Revolution Rebecca Dudley
Sigma: Journal of Political and International Studies Volume 33 Article 6 2016 Do You Hear the People Sing?: Populist Discourse in the French Revolution Rebecca Dudley Follow this and additional works at: https://scholarsarchive.byu.edu/sigma Part of the European History Commons, International and Area Studies Commons, and the Political Science Commons Recommended Citation Dudley, Rebecca (2016) "Do You Hear the People Sing?: Populist Discourse in the French Revolution," Sigma: Journal of Political and International Studies: Vol. 33 , Article 6. Available at: https://scholarsarchive.byu.edu/sigma/vol33/iss1/6 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Sigma: Journal of Political and International Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Do You Hear the People Sing?: Populist Discourse in the French Revolution by Rebecca Dudley The rallying cry of the French Revolutionaries was "Liberte! Egalite! Fraternite!" (liberty, equality, fraternity), and the French Revolution, a pivotal moment in French, European, and world history, has been consistently considered one of the first and most significant nationalist movements. Research and literature thus far on discourse in this revolution have focused on nationalism Qenkins 1990; Hayward 1991; O'Brien 1988), along with the discourses of violence and terror that led to the graphic revolu tion (Ozouf 1984; Leoussi 2001). The presence of nationalist discourse and nationalist sentiment in the French Revolution is undeniable, but there are other elements poten tially missing from the current analyses. -
Joined by Others from Various Parts of France, Aipong Iti * *1^ |
JACOBINS, THE, the most famous of the political ciut*# 5 the French Revolution. It originated in the Club Breton, oMAt i lished at Versailles shortly after the opening of the States GcaHtt In 1789. At first composed of deputies from Brittany, it wufM*:„ joined by others from various parts of France, aipong iti *■*1^ | members being Mirabeau and Robespierre. After Oct. 6 Ibt 0lmf followed the National Assembly to Paris, where it rented the nil tory of the monastery of the Jacohins in the Rue St. Honors, near effect the Jacobin'>jQub,rTt9.'r-!j9;,yiP-tribunes he was the oracle ..the seat of the Assembly. The name "Jacobins," given in France of political wisdom, and by his standard all others, were judged.' to the Dominicans, because their first house in Paris was in the With his fall the Jacobins too came to an end. ■ ; -Rue St. Jacques, was first applied to the club in ridicule. The title ^assumed by the club itself, after the promulgation of the constitu- SECRET OF THEIR STRENGTH .fion of 1791, .was SociSti des amis de la constitution siants aux Not the least singular thing about the Jacobins is the slender 'Jacobins i Paris, which was changed on Sept. 21, 1792, after the material basis on which their power rested. France groaned under fall of the monarchy, to Sociiti des Jacohins, amis de la liberti their tyranny: yet it was reckoned by competent observers that, et de l'igalite. at the height of the Terror, the Jacobins could not command a • Once transferred to Paris, the club underwent rapid modifica- force of more than 3,000 men in Paris. -
A NEW ENDING for TOSCA Patricia Herzog
Eugène Delacroix, Liberty Leading the People (1830) A NEW ENDING FOR TOSCA Quasi una fantasia Patricia Herzog Copyright @ 2015 by Patricia Herzog DO YOU KNOW TOSCA? Connaissez-vous la Tosca? In the play from which Puccini took his opera, Victorien Sardou’s La Tosca, Tosca’s lover, the painter Cavaradossi, puts this question to the revolutionary Angelotti who has just escaped from prison. Of course, Angelotti knows Tosca. Everyone knows Tosca. Floria Tosca is the most celebrated diva of her day. Sardou wrote La Tosca for Sarah Bernhardt, the most celebrated actress of her day. Bernhardt opened the play in Paris in 1887 and later took it on the road. Puccini saw her in Italy and was inspired to create his own Tosca, which premiered in Rome in 1900. Today we know the opera and not the play. But do we really know Tosca? The places around Rome and the revolutionary times depicted in Tosca are real. The event on which the Tosca story hinges is Napoleon’s victory at Marengo on June 14, 1800. Tosca sings at Teatro Argentina, Rome’s oldest and most distinguished theater. Cavaradossi paints in the Church of Sant’Andrea della Valle. Chief of Police and arch-villain Scarpia resides in the Farnese Palace. Angelotti escapes, and Tosca later jumps to her death, from the Castel Sant’Angelo. Only Tosca is fictional, although, we might say, she is real enough. There were celebrated divas like her-- independent and in control, artistically, financially, sexually. The first thing we learn about Tosca in the opera is how jealous she is. -
James Perry and the Morning Chronicle 179O—I821
I JAMES PERRY AND THE MORNING CHRONICLE- 179O—I821 By l yon Asquith Thesis submitted for the Degree of Doctor of Philosophy in the University of London 1973 2 TABLE OF CONTENTS Abstract 3 Preface 5 1. 1790-1794 6 2. 1795-1 805 75 3. 1806-1812 (i) ThB Ministry of the Talents 184 (ii) Reform, Radicalism and the War 1808-12 210 (iii) The Whigs arid the Morning Chronicle 269 4. Perry's Advertising Policy 314 Appendix A: Costs of Production 363 Appendix B: Advertising Profits 365 Appendix C: Government Advertisements 367 5. 1813-1821 368 Conclusion 459 Bibliography 467 3 A BSTRACT This thesis is a study of the career of James Perry, editor and proprietor of the Morning Chronicle, from 1790-1821. Based on an examination of the correspondence of whig and radical polit- icians, and of the files of the morning Chronicle, it illustrates the impact which Perry made on the world of politics and journalism. The main questions discussed are how Perry responded, as a Foxite journalist, to the chief political issues of the day; the extent to which the whigs attempted to influence his editorial policy and the degree to which he reconciled his independence with obedience to their wishes4 the difficulties he encountered as the spokesman of an often divided party; his considerable involvement, which was remarkable for a journalist, in party activity and in the social life of whig politicians; and his success as a newspaper proprietor concerned not only with political propaganda, but with conducting a paper which was distinguished for the quality of its miscellaneous features and for its profitability as a business enterprise. -
DU DATE - 76 NOTE 118P
, DOCUMENT RESUME ED 113 775 CS 501 145, AUTHOR ' Barbour, knon,'Ed. TITLE Free Speech' Yearbook-19:75. =NSTITUTtON. speech Copmunication.Association, Falls Church, . Va. DU DATE - 76 NOTE 118p. AVAILABLE FROM Speech COrimunication association, 5205 Leesburg Pike, Falls Church, Virginia 2"2041($3.00 member, $3.50 nonmember) EDPS PPICE MF- $('.76 HC-$5.70 Plus Postage DESCPIPTOPS AnthologieS; *Bibliographies; Commgnication °Thoug Transferl; Debate; *Freedom of Speech; Mass 1edi Publicize; *Speech; *Supreme Court Litigation; *Yearbooks :DENTIFI'PS *First Amendment ABSTRACT / This issue of the "Free Speedh Yearbook" ontainsthe following: "Between Phetoric and Disloyalty: Free Speec Standards for the Sunshire Soldier" by Richard A. Parker; "Will'm A. Rehnquist: ideologist on the Bench" by Peter E. Kane-b1"The First Amendmen-,s,Weakest Link: Government Regulation of,'!ntroversial Advertising" by Patricia Goss: "Gaining Access to rf Media: Some Issues and Cases" by Timothy P. Cline and Rebecc J. Cline; "Depression in Great Britain: 1792-1795" by Jam:,_S. Measell; "The Supreme Court and the First Amendment: 1974-19 " by William A. Linsley; and "Freedom of Speech Bibliography: July 104-June 1975" by , David vshelman. (TS) ******************************************* ************************** Documents ac fired by ERIC include many informal unpubliqhed * * materials not aailable from other sources. ERIC makes every effort * * to obtain the est copy available. Nevertheless, items of marginal * * reprodgcibil-y are often encountered and this affects the quality * ,R of the' micr iche and hardcopy reproductions ERIC makes available * * via the EPC Document Reproduction Service (EDPSf. EDRS is not * * respansibe for the quality of the original document. Peproductions * * suppliedby EDPS are the best thatcan be made from the original. -
Vtctorien SARDOU. VICTORIEN SARDOU
VtCTORIEN SARDOU. m of the motlier country. There are in six. Nevertheless, the character of the the British islands about a hundred and sport provided by our masters is of the eighty packs of fox hounds, besides as best, and American riders who have many more of stag hounds, harriers, formerly gone abroad for the hunting and beagles; and the average number of season now find in their own land abun dogs in a pack is about fifty couples, dant opportunities for indulging in this while the Meadow Brook has but twenty most exhilarating of pastimes. VICTORIEN SARDOU. C iS-• ""' '^'^Sj The foremost of living dramatists— The fatnous Frenchman s^ eventful career^ his long list of successful plays, from '' Pattes de Mouche " {"A Scrap of Paper'') to "Madame Sans-Gine" and his home life at Marly-le-Roi. By Arthur Weyburn Howard. ^ riCTORIEN SARDOU has been at gave him his choice of a profession, and V the head of the French dramatists the young man chose medicine. It was —the most successful play makers in while attached to the Necker Hospital the world—for considerably more than that he wrote his first play—a tragedy a quarter of a century. During that time in blank verse called '' La Reine Alfra.'' he has written nearly sixty plays, which The success this work obtained at a have been translated into every civilized reading encouraged the young author tongue, and he has amassed a fortune, to further efforts in the same direction, unprecedented for a playwright, of though he had no idea, at that time, nearly five millions of francs. -
The English Alien Acts, 1793-1826
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1978 The English Alien Acts, 1793-1826 David LuVerne Ferch College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the European History Commons Recommended Citation Ferch, David LuVerne, "The English Alien Acts, 1793-1826" (1978). Dissertations, Theses, and Masters Projects. Paper 1539625034. https://dx.doi.org/doi:10.21220/s2-jrbe-hr82 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE ENGLISH ALIEN ACTS 1793 - 1826? A Thesis Presented to The Faculty of the.Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by David Ferch 1978 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, August 1978 aAies N . McCord Dale E. Hoak o Thomas F. Sheppard 11 692 4 2 9 TABLE OF CONTENTS Page ABSTRACT iv INTRODUCTION 2 CHAPTER I. THE ORIGIN OF THE FIRST ALIEN ACT, 1792-93 6 CHAPTER II. WAR AND THE REGULATION OF ALIENS, 1793-98 30 CHAPTER III. THE ALIENS PROBLEM, 1798-1814 58 CHAPTER IV. ALIENS LEGISLATION IN TIME OF PEACE, 1814-26 80 CONCLUSION 119 BIBLIOGRAPHY 135 iii ABSTRACT The purpose of this study is to examine the English Alien Acts in the context of the political and social history of England* In a series of acts passed between 1793 and 1826, Parliament granted the executive government broad powers of regulation over the nation's resident foreign population. -
The Pitiful King: Tears, Blood, and Family in Revolutionary Royalism
The Pitiful King: Tears, Blood, and Family in Revolutionary Royalism Victoria Murano Submitted to Professors Lisa Jane Graham and Linda Gerstein In partial fulfillment of the requirement of History 400: Senior Thesis Seminar Murano 1 Abstract When the French Revolution erupted in 1789, revolutionaries strove to foster a sense of freedom of expression, guaranteeing a brief freedom of the press. The eleventh article of the 1791 Declaration of the Rights of Man asserts that “The free communication of thoughts and opinions is one of man’s most precious rights; all citizens may therefore speak, write, print freely, except to answer for the abuse of this liberty in cases determined by law.” However, as France became further embroiled in the Revolution, it abandoned its allegiance to the universality of these rights, propagating pro-republican thought, and persecuting anyone who did not share these views. The royalist press was a major concern to the new republican government, because it continued to speak out in support of the king and criticize the Revolution. The existence of royalist journalists and writers thus posed a problem for revolutionaries who wanted to establish a monolithically-minded republic. Therefore, over time, they enacted repressive censorship and punishment to crack down on royalist sympathizers. Although they sent many royalist writers to prison or the guillotine, the revolutionaries ultimately failed to silence their political enemies. This thesis uses newspapers, images, and other printed media to explore royalist coverage of three events that diminished royal power: Louis XVI’s flight to Varennes in June 1791, his execution in January 1793, and the death of his nine-year-old son and heir, Louis XVII, in June 1795. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
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Ludwig-Maximilians-University Munich Journal of Global Theatre History Theatrescapes Global Media and Translocal Publics (1850-1950) Editors Christopher Balme and Nic Leonhardt Volume 1, Number 2, 2016 Editorial Office Gwendolin Lehnerer Gero Toegl Editorial Board Helen Gilbert (Royal Holloway London) Gordon Winder (Munich), Derek Miller (Harvard), Kati Röttger (Amsterdam), Stanca Scholz-Cionca (Trier/Munich), Marlis Schweitzer (York University, Toronto) Roland Wenzlhuemer (Heidelberg), Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Authors. Journal of Global Theatre History Volume 1, Number 2, 2016 Table of Contents Nic Leonhardt Editorial .............................................................................................................................................III Monize Oliveira Moura Sarah Bernhardt in Brazil (1886 and 1893) ................................................................................................................................................1 Catherine Vance Yeh Experimenting with Dance Drama: Peking Opera Modernity, Kabuki Theater Reform and the Denishawn’s Tour of the Far East .............................................................................................................................................28 Johanna Dupré "Die erste Jockey-Reiterin der Welt, aus Süd-Amerika": Rosita de la Plata, Global Imaginaries and the Media .............................................................................................................................................38 -
Historical Documents, Autographs & Ephemera
Historical Documents, Autographs & Ephemera Thursday 15 April 2010 10:30 Mullock's Specialist Auctioneers The Old Shippon Wall Under Heywood Church Stretton SY6 7DS Mullock's Specialist Auctioneers (Historical Documents, Autographs & Ephemera) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Jeune, discussing a play which he had written: '...I went over it London Gazette approximately 10 issues of the London carefully again & the next day sent it to Mr Comyns Carr - the Gazette 1886/7, together with a copy of the will of David Poole rest is silence so far but every time the door bell rings I prepare of Knottingley, Yorks dated 1776 to receive a certain square parcel...however I am well started Estimate: £40.00 - £60.00 on my new story...' Estimate: £70.00 - £100.00 Lot: 2 Autographs - Ballet album page containing the signatures of Lot: 7 Marie Rambert, Lionel Bradley, John Gilpin, Walter Gore, Cholera interesting letter to Hercules Scott, Professor of Moral Annette Chappell, Sally Gilmour, Brander Hamlyn, Stanley Philosophy at King's College, Aberdeen, dated Newby, Margaret Scott and Belinda Wright - all members of the 1832commenting that the incidents of cholera in the kingdom Ballet Rambert, together with an album page signed by Alicia appeared to have ceased but adding : '...I do not believe that all Markova and a letter from Lady Diana Cooper concerning a the cases reported were real cholera - the medical Gentlemen fund for the relief of Nijinsky in his final illness differ on the subject Estimate: £20.00 - £30.00 Estimate: £30.00 -
The Justification of Violence Within the Principles of Maximilien
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@Providence Providence College DigitalCommons@Providence History Student Papers History Spring 2013 A Plagued Mind: The uJ stification of Violence within the Principles of Maximilien Robespierre Kevin Lynch Providence College Follow this and additional works at: http://digitalcommons.providence.edu/history_students Part of the European History Commons, and the Political History Commons Lynch, Kevin, "A Plagued Mind: The usJ tification of Violence within the Principles of Maximilien Robespierre" (2013). History Student Papers. Paper 9. http://digitalcommons.providence.edu/history_students/9 This Article is brought to you for free and open access by the History at DigitalCommons@Providence. It has been accepted for inclusion in History Student Papers by an authorized administrator of DigitalCommons@Providence. For more information, please contact [email protected]. INTRODUCTION Maximilien Francois Marie Isidore de Robespierre entered the world with humble beginnings on the 6th of May, 1758. In spite of the immense sufferings he endured in his youth, Maximilien Robespierre persevered through these struggles by dedicating himself wholly to his studies. In keeping with his family tradition, Robespierre became a lawyer in his hometown of Arras, working as tirelessly as he had in his childhood. At a first glance of Robespierre’s beginning, it seemed unlikely his life would become as tumultuous as the time he lived. Better yet, it seemed closer to an outright impossibility that he would directly play a role in a revolution that fundamentally changed the society of France, and indeed Europe, forever. The lawyer from Arras rose in simultaneous speed with the French Revolution, although he never saw it completed.